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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7863C8 it is the complementary color #879C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7863C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7863C8 shade: #7D63C3, #8E75D6, #9F87E9, #B099FC and #C1ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7863C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7863C8 shade: #7863C8, #6751B5, #563FA2, #452D8F and #341B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7863C8 shade: #7964C8, #9464C8, #AF64C8, #C864C6 and #C864AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7863C8 shade: #7964C8 and #6464C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7863C8 shade matches the following richer shades: #7964C8, #6F53D9, #6542EA and #5B31FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7863C8 shade: #7964C8, #8375B7, #8C86A6, #969795 and #A0A784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7863C8 shade: #6485C8, #646AC8, #7864C8, #9364C8 and #AD64C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7863C8 shade: #4E38A1, #5E45BD, #7964C8, #9382D3 and #ADA1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7863C8 shade: #7863C8, #C864A0 and #78C864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7863C8 shade: #7863C8, #C87864 and #64C878

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7863C8 shade: #7863C8, #C864A0, #B4C864 and #64C88C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7863C8 shade: #7863C8, #C86482, #B4C864 and #64C8AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 51 / 0 / 22

HEX #7863C8

RGB 120 99 200

HSL 252.48, 0.48%, 0.59%

LAB 48.37, 32.46, -49.97

 

Complementary color

CMYK 13 / 0 / 65 / 39

HEX #879C37

RGB 135 156 55

HSL 72.48, 0.48%, 0.41%

LAB 60.96, -22.11, 48.71

 

CMYK 36 / 49 / 0 / 24

HEX #7D63C3

RGB 125 99 195

HSL 256.25, 0.44%, 0.58%

LAB 48.54, 32.34, -46.79

 

CMYK 34 / 45 / 0 / 16

HEX #8E75D6

RGB 142 117 214

HSL 255.46, 0.54%, 0.65%

LAB 55.41, 31.32, -46.62

 

CMYK 32 / 42 / 0 / 9

HEX #9F87E9

RGB 159 135 233

HSL 254.69, 0.69%, 0.72%

LAB 62.15, 30.41, -46.48

 

CMYK 30 / 39 / 0 / 1

HEX #B099FC

RGB 176 153 252

HSL 253.94, 0.94%, 0.79%

LAB 68.78, 29.58, -46.37

 

CMYK 24 / 33 / 0 / 0

HEX #C1ABFF

RGB 193 171 255

HSL 255.71, 1%, 0.84%

LAB 74.62, 25.03, -38.76

 

CMYK 40 / 51 / 0 / 22

HEX #7863C8

RGB 120 99 200

HSL 252.48, 0.48%, 0.59%

LAB 48.37, 32.46, -49.97

 

CMYK 43 / 55 / 0 / 29

HEX #6751B5

RGB 103 81 181

HSL 253.2, 0.4%, 0.51%

LAB 41.38, 33.69, -50.22

 

CMYK 47 / 61 / 0 / 36

HEX #563FA2

RGB 86 63 162

HSL 253.94, 0.44%, 0.44%

LAB 34.28, 35.07, -50.47

 

CMYK 52 / 69 / 0 / 44

HEX #452D8F

RGB 69 45 143

HSL 254.69, 0.52%, 0.37%

LAB 27.09, 36.55, -50.64

 

CMYK 58 / 78 / 0 / 51

HEX #341B7C

RGB 52 27 124

HSL 255.46, 0.64%, 0.3%

LAB 19.92, 37.93, -50.52

 

CMYK 40 / 50 / 0 / 22

HEX #7964C8

RGB 121 100 200

HSL 252.6, 0.48%, 0.59%

LAB 48.7, 32.11, -49.44

 

CMYK 26 / 50 / 0 / 22

HEX #9464C8

RGB 148 100 200

HSL 268.8, 0.48%, 0.59%

LAB 51.36, 39.13, -45.04

 

CMYK 13 / 50 / 0 / 22

HEX #AF64C8

RGB 175 100 200

HSL 285, 0.48%, 0.59%

LAB 54.45, 46.56, -39.96

 

CMYK 0 / 50 / 1 / 22

HEX #C864C6

RGB 200 100 198

HSL 301.2, 0.48%, 0.59%

LAB 57.53, 53.23, -33.76

 

CMYK 0 / 50 / 15 / 22

HEX #C864AB

RGB 200 100 171

HSL 317.4, 0.48%, 0.59%

LAB 56.42, 48.69, -19.96

 

CMYK 40 / 50 / 0 / 22

HEX #7964C8

RGB 121 100 200

HSL 252.6, 0.48%, 0.59%

LAB 48.7, 32.11, -49.44

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 40 / 50 / 0 / 22

HEX #7964C8

RGB 121 100 200

HSL 252.6, 0.48%, 0.59%

LAB 48.7, 32.11, -49.44

 

CMYK 49 / 62 / 0 / 15

HEX #6F53D9

RGB 111 83 217

HSL 252.54, 0.64%, 0.59%

LAB 45.05, 44.66, -65.1

 

CMYK 57 / 72 / 0 / 8

HEX #6542EA

RGB 101 66 234

HSL 252.5, 0.8%, 0.59%

LAB 42.16, 57.08, -79.52

 

CMYK 64 / 80 / 0 / 2

HEX #5B31FB

RGB 91 49 251

HSL 252.48, 0.96%, 0.59%

LAB 40.22, 68.45, -92.32

 

CMYK 40 / 50 / 0 / 22

HEX #7964C8

RGB 121 100 200

HSL 252.6, 0.48%, 0.59%

LAB 48.7, 32.11, -49.44

 

CMYK 28 / 36 / 0 / 28

HEX #8375B7

RGB 131 117 183

HSL 252.73, 0.31%, 0.59%

LAB 52.91, 20.16, -32.94

 

CMYK 16 / 19 / 0 / 35

HEX #8C86A6

RGB 140 134 166

HSL 251.25, 0.15%, 0.59%

LAB 57.44, 8.94, -16.13

 

CMYK 1 / 0 / 1 / 41

HEX #969795

RGB 150 151 149

HSL 90, 0.01%, 0.59%

LAB 62.33, -0.74, 0.92

 

CMYK 4 / 0 / 21 / 35

HEX #A0A784

RGB 160 167 132

HSL 72, 0.17%, 0.59%

LAB 67.11, -8.66, 17.31

 

CMYK 50 / 34 / 0 / 22

HEX #6485C8

RGB 100 133 200

HSL 220.2, 0.48%, 0.59%

LAB 55.74, 7.1, -38.38

 

CMYK 50 / 47 / 0 / 22

HEX #646AC8

RGB 100 106 200

HSL 236.4, 0.48%, 0.59%

LAB 48.5, 23.48, -49.86

 

CMYK 40 / 50 / 0 / 22

HEX #7864C8

RGB 120 100 200

HSL 252, 0.48%, 0.59%

LAB 48.61, 31.86, -49.59

 

CMYK 27 / 50 / 0 / 22

HEX #9364C8

RGB 147 100 200

HSL 268.2, 0.48%, 0.59%

LAB 51.25, 38.86, -45.22

 

CMYK 14 / 50 / 0 / 22

HEX #AD64C8

RGB 173 100 200

HSL 283.8, 0.48%, 0.59%

LAB 54.21, 46.01, -40.36

 

CMYK 52 / 65 / 0 / 37

HEX #4E38A1

RGB 78 56 161

HSL 252.57, 0.48%, 0.43%

LAB 31.86, 37.31, -53.83

 

CMYK 50 / 63 / 0 / 26

HEX #5E45BD

RGB 94 69 189

HSL 252.5, 0.48%, 0.51%

LAB 38.39, 41.22, -59.79

 

CMYK 40 / 50 / 0 / 22

HEX #7964C8

RGB 121 100 200

HSL 252.6, 0.48%, 0.59%

LAB 48.7, 32.11, -49.44

 

CMYK 30 / 38 / 0 / 17

HEX #9382D3

RGB 147 130 211

HSL 252.59, 0.48%, 0.67%

LAB 58.86, 24.36, -39.46

 

CMYK 22 / 27 / 0 / 13

HEX #ADA1DE

RGB 173 161 222

HSL 251.8, 0.48%, 0.75%

LAB 69.22, 17, -29.3

 

CMYK 40 / 51 / 0 / 22

HEX #7863C8

RGB 120 99 200

HSL 252.48, 0.48%, 0.59%

LAB 48.37, 32.46, -49.97

 

CMYK 0 / 50 / 20 / 22

HEX #C864A0

RGB 200 100 160

HSL 324, 0.48%, 0.59%

LAB 56.02, 47, -14.19

 

CMYK 40 / 0 / 50 / 22

HEX #78C864

RGB 120 200 100

HSL 108, 0.48%, 0.59%

LAB 73.69, -43.53, 42.17

 

CMYK 40 / 51 / 0 / 22

HEX #7863C8

RGB 120 99 200

HSL 252.48, 0.48%, 0.59%

LAB 48.37, 32.46, -49.97

 

CMYK 0 / 40 / 50 / 22

HEX #C87864

RGB 200 120 100

HSL 12, 0.48%, 0.59%

LAB 58.63, 29.15, 24.32

 

CMYK 50 / 0 / 40 / 22

HEX #64C878

RGB 100 200 120

HSL 132, 0.48%, 0.59%

LAB 73.14, -46.45, 31.24

 

CMYK 40 / 51 / 0 / 22

HEX #7863C8

RGB 120 99 200

HSL 252.48, 0.48%, 0.59%

LAB 48.37, 32.46, -49.97

 

CMYK 0 / 50 / 20 / 22

HEX #C864A0

RGB 200 100 160

HSL 324, 0.48%, 0.59%

LAB 56.02, 47, -14.19

 

CMYK 10 / 0 / 50 / 22

HEX #B4C864

RGB 180 200 100

HSL 72, 0.48%, 0.59%

LAB 77.24, -21.73, 47.3

 

CMYK 50 / 0 / 30 / 22

HEX #64C88C

RGB 100 200 140

HSL 144, 0.48%, 0.59%

LAB 73.49, -42.87, 21.24

 

CMYK 40 / 51 / 0 / 22

HEX #7863C8

RGB 120 99 200

HSL 252.48, 0.48%, 0.59%

LAB 48.37, 32.46, -49.97

 

CMYK 0 / 50 / 35 / 22

HEX #C86482

RGB 200 100 130

HSL 342, 0.48%, 0.59%

LAB 55.08, 42.93, 1.98

 

CMYK 10 / 0 / 50 / 22

HEX #B4C864

RGB 180 200 100

HSL 72, 0.48%, 0.59%

LAB 77.24, -21.73, 47.3

 

CMYK 50 / 0 / 15 / 22

HEX #64C8AA

RGB 100 200 170

HSL 162, 0.48%, 0.59%

LAB 74.14, -36.52, 6.06

 

Description

Color code: HEX #7863C8 | qconv.com Color code: HEX #7863C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 99 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 99 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 51 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 51% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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