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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7876AE it is the complementary color #878951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7876AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7876AE shade: #7D76A9, #8E88BC, #9F9ACF, #B0ACE2 and #C1BEF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7876AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7876AE shade: #7876AE, #67649B, #565288, #454075 and #342E62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7876AE shade: #7674AD, #8674AD, #9574AD, #A574AD and #AD74A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7876AE shade: #7674AD and #7474AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7876AE shade matches the following richer shades: #7674AD, #6663BF, #5551D1, #453FE3 and #342DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7876AE shade: #7674AD, #87869C, #97988A, #A8AA78 and #B8BB66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7876AE shade: #7491AD, #7482AD, #7674AD, #8574AD and #9574AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7876AE shade: #4E4D83, #5E5C9D, #7674AD, #908EBD and #AAA8CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7876AE shade: #7876AE, #AD74A0 and #89AD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7876AE shade: #7876AE, #AD7674 and #74AD76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7876AE shade: #7876AE, #AD74A0, #ABAD74 and #74AD82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7876AE shade: #7876AE, #AD748F, #ABAD74 and #74AD93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 32 / 0 / 32

HEX #7876AE

RGB 120 118 174

HSL 242.14, 0.26%, 0.57%

LAB 51.84, 13.93, -29.48

 

Complementary color

CMYK 1 / 0 / 41 / 46

HEX #878951

RGB 135 137 81

HSL 62.14, 0.26%, 0.43%

LAB 55.72, -9.67, 29.75

 

CMYK 26 / 30 / 0 / 34

HEX #7D76A9

RGB 125 118 169

HSL 248.24, 0.23%, 0.56%

LAB 52.04, 14.16, -26.24

 

CMYK 24 / 28 / 0 / 26

HEX #8E88BC

RGB 142 136 188

HSL 246.92, 0.28%, 0.64%

LAB 58.97, 13.62, -26.33

 

CMYK 23 / 26 / 0 / 19

HEX #9F9ACF

RGB 159 154 207

HSL 245.66, 0.36%, 0.71%

LAB 65.74, 13.14, -26.46

 

CMYK 22 / 24 / 0 / 11

HEX #B0ACE2

RGB 176 172 226

HSL 244.44, 0.48%, 0.78%

LAB 72.38, 12.71, -26.61

 

CMYK 21 / 22 / 0 / 4

HEX #C1BEF5

RGB 193 190 245

HSL 243.27, 0.73%, 0.85%

LAB 78.9, 12.31, -26.79

 

CMYK 31 / 32 / 0 / 32

HEX #7876AE

RGB 120 118 174

HSL 242.14, 0.26%, 0.57%

LAB 51.84, 13.93, -29.48

 

CMYK 34 / 35 / 0 / 39

HEX #67649B

RGB 103 100 155

HSL 243.27, 0.22%, 0.5%

LAB 44.75, 14.6, -29.51

 

CMYK 37 / 40 / 0 / 47

HEX #565288

RGB 86 82 136

HSL 244.44, 0.25%, 0.43%

LAB 37.46, 15.4, -29.61

 

CMYK 41 / 45 / 0 / 54

HEX #454075

RGB 69 64 117

HSL 245.66, 0.29%, 0.35%

LAB 29.95, 16.38, -29.79

 

CMYK 47 / 53 / 0 / 62

HEX #342E62

RGB 52 46 98

HSL 246.92, 0.36%, 0.28%

LAB 22.18, 17.61, -30.06

 

CMYK 32 / 33 / 0 / 32

HEX #7674AD

RGB 118 116 173

HSL 242.11, 0.26%, 0.57%

LAB 51.11, 14.26, -30.06

 

CMYK 23 / 33 / 0 / 32

HEX #8674AD

RGB 134 116 173

HSL 258.95, 0.26%, 0.57%

LAB 52.48, 19.17, -27.82

 

CMYK 14 / 33 / 0 / 32

HEX #9574AD

RGB 149 116 173

HSL 274.74, 0.26%, 0.57%

LAB 53.92, 23.96, -25.48

 

CMYK 5 / 33 / 0 / 32

HEX #A574AD

RGB 165 116 173

HSL 291.58, 0.26%, 0.57%

LAB 55.59, 29.2, -22.76

 

CMYK 0 / 33 / 3 / 32

HEX #AD74A7

RGB 173 116 167

HSL 306.32, 0.26%, 0.57%

LAB 56.25, 30.71, -18.21

 

CMYK 32 / 33 / 0 / 32

HEX #7674AD

RGB 118 116 173

HSL 242.11, 0.26%, 0.57%

LAB 51.11, 14.26, -30.06

 

CMYK 33 / 33 / 0 / 32

HEX #7474AD

RGB 116 116 173

HSL 240, 0.26%, 0.57%

LAB 50.94, 13.67, -30.33

 

CMYK 32 / 33 / 0 / 32

HEX #7674AD

RGB 118 116 173

HSL 242.11, 0.26%, 0.57%

LAB 51.11, 14.26, -30.06

 

CMYK 47 / 48 / 0 / 25

HEX #6663BF

RGB 102 99 191

HSL 241.96, 0.42%, 0.57%

LAB 46.33, 25.47, -48.13

 

CMYK 59 / 61 / 0 / 18

HEX #5551D1

RGB 85 81 209

HSL 241.88, 0.58%, 0.57%

LAB 41.88, 38.71, -65.77

 

CMYK 70 / 72 / 0 / 11

HEX #453FE3

RGB 69 63 227

HSL 242.2, 0.75%, 0.57%

LAB 38.49, 52.77, -81.67

 

CMYK 79 / 82 / 0 / 4

HEX #342DF4

RGB 52 45 244

HSL 242.11, 0.9%, 0.57%

LAB 36.25, 65.51, -95.05

 

CMYK 32 / 33 / 0 / 32

HEX #7674AD

RGB 118 116 173

HSL 242.11, 0.26%, 0.57%

LAB 51.11, 14.26, -30.06

 

CMYK 13 / 14 / 0 / 39

HEX #87869C

RGB 135 134 156

HSL 242.73, 0.1%, 0.57%

LAB 56.68, 4.99, -11.57

 

CMYK 1 / 0 / 9 / 40

HEX #97988A

RGB 151 152 138

HSL 64.29, 0.06%, 0.57%

LAB 62.4, -2.96, 7.24

 

CMYK 1 / 0 / 29 / 33

HEX #A8AA78

RGB 168 170 120

HSL 62.4, 0.23%, 0.57%

LAB 68.34, -8.89, 25.61

 

CMYK 2 / 0 / 45 / 27

HEX #B8BB66

RGB 184 187 102

HSL 62.12, 0.38%, 0.57%

LAB 73.99, -13.4, 42.47

 

CMYK 33 / 16 / 0 / 32

HEX #7491AD

RGB 116 145 173

HSL 209.47, 0.26%, 0.57%

LAB 58.96, -3.28, -17.99

 

CMYK 33 / 25 / 0 / 32

HEX #7482AD

RGB 116 130 173

HSL 225.26, 0.26%, 0.57%

LAB 54.76, 5.36, -24.42

 

CMYK 32 / 33 / 0 / 32

HEX #7674AD

RGB 118 116 173

HSL 242.11, 0.26%, 0.57%

LAB 51.11, 14.26, -30.06

 

CMYK 23 / 33 / 0 / 32

HEX #8574AD

RGB 133 116 173

HSL 257.89, 0.26%, 0.57%

LAB 52.39, 18.85, -27.96

 

CMYK 14 / 33 / 0 / 32

HEX #9574AD

RGB 149 116 173

HSL 274.74, 0.26%, 0.57%

LAB 53.92, 23.96, -25.48

 

CMYK 40 / 41 / 0 / 49

HEX #4E4D83

RGB 78 77 131

HSL 241.11, 0.26%, 0.41%

LAB 35.14, 14.78, -30.26

 

CMYK 40 / 41 / 0 / 38

HEX #5E5C9D

RGB 94 92 157

HSL 241.85, 0.26%, 0.49%

LAB 41.95, 17.55, -35.16

 

CMYK 32 / 33 / 0 / 32

HEX #7674AD

RGB 118 116 173

HSL 242.11, 0.26%, 0.57%

LAB 51.11, 14.26, -30.06

 

CMYK 24 / 25 / 0 / 26

HEX #908EBD

RGB 144 142 189

HSL 242.55, 0.26%, 0.65%

LAB 60.74, 11.03, -24.16

 

CMYK 17 / 18 / 0 / 20

HEX #AAA8CC

RGB 170 168 204

HSL 243.33, 0.26%, 0.73%

LAB 70.11, 8.08, -18.04

 

CMYK 31 / 32 / 0 / 32

HEX #7876AE

RGB 120 118 174

HSL 242.14, 0.26%, 0.57%

LAB 51.84, 13.93, -29.48

 

CMYK 0 / 33 / 8 / 32

HEX #AD74A0

RGB 173 116 160

HSL 313.68, 0.26%, 0.57%

LAB 56, 29.42, -14.54

 

CMYK 21 / 0 / 33 / 32

HEX #89AD74

RGB 137 173 116

HSL 97.89, 0.26%, 0.57%

LAB 66.87, -22.9, 25.41

 

CMYK 31 / 32 / 0 / 32

HEX #7876AE

RGB 120 118 174

HSL 242.14, 0.26%, 0.57%

LAB 51.84, 13.93, -29.48

 

CMYK 0 / 32 / 33 / 32

HEX #AD7674

RGB 173 118 116

HSL 2.11, 0.26%, 0.57%

LAB 55.18, 21.33, 9.86

 

CMYK 33 / 0 / 32 / 32

HEX #74AD76

RGB 116 173 118

HSL 122.11, 0.26%, 0.57%

LAB 65.68, -29.93, 22.51

 

CMYK 31 / 32 / 0 / 32

HEX #7876AE

RGB 120 118 174

HSL 242.14, 0.26%, 0.57%

LAB 51.84, 13.93, -29.48

 

CMYK 0 / 33 / 8 / 32

HEX #AD74A0

RGB 173 116 160

HSL 313.68, 0.26%, 0.57%

LAB 56, 29.42, -14.54

 

CMYK 1 / 0 / 33 / 32

HEX #ABAD74

RGB 171 173 116

HSL 62.11, 0.26%, 0.57%

LAB 69.33, -9.8, 29.11

 

CMYK 33 / 0 / 25 / 32

HEX #74AD82

RGB 116 173 130

HSL 134.74, 0.26%, 0.57%

LAB 65.91, -27.77, 16.3

 

CMYK 31 / 32 / 0 / 32

HEX #7876AE

RGB 120 118 174

HSL 242.14, 0.26%, 0.57%

LAB 51.84, 13.93, -29.48

 

CMYK 0 / 33 / 17 / 32

HEX #AD748F

RGB 173 116 143

HSL 331.58, 0.26%, 0.57%

LAB 55.44, 26.49, -5.5

 

CMYK 1 / 0 / 33 / 32

HEX #ABAD74

RGB 171 173 116

HSL 62.11, 0.26%, 0.57%

LAB 69.33, -9.8, 29.11

 

CMYK 33 / 0 / 15 / 32

HEX #74AD93

RGB 116 173 147

HSL 152.63, 0.26%, 0.57%

LAB 66.3, -24.37, 7.48

 

Description

Color code: HEX #7876AE | qconv.com Color code: HEX #7876AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 118 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 118 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 32 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 32% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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