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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7879A0 it is the complementary color #87865F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7879A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7879A0 shade: #7D799B, #8E8BAE, #9F9DC1, #B0AFD4 and #C1C1E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7879A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7879A0 shade: #7879A0, #67678D, #56557A, #454367 and #343154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7879A0 shade: #78799F, #82789F, #8C789F, #97789F and #9F789D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7879A0 shade: #78799F and #78789F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7879A0 shade matches the following richer shades: #78799F, #6668B2, #5356C4, #4144D7 and #2E33EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7879A0 shade: #78799F, #8B8B8D, #9D9C7A, #B0AE68 and #C3C055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7879A0 shade: #788E9F, #78849F, #787A9F, #81789F and #8C789F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7879A0 shade: #525373, #63648B, #78799F, #9091B0 and #A9A9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7879A0 shade: #7879A0, #9F7899 and #899F78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7879A0 shade: #7879A0, #9F787A and #7A9F78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7879A0 shade: #7879A0, #9F7899, #9F9E78 and #789F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7879A0 shade: #7879A0, #9F788D, #9F9E78 and #789F8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 24 / 0 / 37

HEX #7879A0

RGB 120 121 160

HSL 238.5, 0.17%, 0.55%

LAB 52.07, 8.53, -21.01

 

Complementary color

CMYK 0 / 1 / 30 / 47

HEX #87865F

RGB 135 134 95

HSL 58.5, 0.17%, 0.45%

LAB 55.1, -6.21, 21.2

 

CMYK 19 / 22 / 0 / 39

HEX #7D799B

RGB 125 121 155

HSL 247.06, 0.15%, 0.54%

LAB 52.29, 8.94, -17.72

 

CMYK 18 / 20 / 0 / 32

HEX #8E8BAE

RGB 142 139 174

HSL 245.14, 0.18%, 0.61%

LAB 59.23, 8.56, -17.98

 

CMYK 18 / 19 / 0 / 24

HEX #9F9DC1

RGB 159 157 193

HSL 243.33, 0.23%, 0.69%

LAB 66.01, 8.21, -18.25

 

CMYK 17 / 17 / 0 / 17

HEX #B0AFD4

RGB 176 175 212

HSL 241.62, 0.3%, 0.76%

LAB 72.66, 7.9, -18.54

 

CMYK 16 / 16 / 0 / 9

HEX #C1C1E7

RGB 193 193 231

HSL 240, 0.44%, 0.83%

LAB 79.18, 7.61, -18.84

 

CMYK 25 / 24 / 0 / 37

HEX #7879A0

RGB 120 121 160

HSL 238.5, 0.17%, 0.55%

LAB 52.07, 8.53, -21.01

 

CMYK 27 / 27 / 0 / 45

HEX #67678D

RGB 103 103 141

HSL 240, 0.16%, 0.48%

LAB 44.95, 8.98, -20.86

 

CMYK 30 / 30 / 0 / 52

HEX #56557A

RGB 86 85 122

HSL 241.62, 0.18%, 0.41%

LAB 37.63, 9.51, -20.77

 

CMYK 33 / 35 / 0 / 60

HEX #454367

RGB 69 67 103

HSL 243.33, 0.21%, 0.33%

LAB 30.06, 10.16, -20.75

 

CMYK 38 / 42 / 0 / 67

HEX #343154

RGB 52 49 84

HSL 245.14, 0.26%, 0.26%

LAB 22.18, 10.98, -20.83

 

CMYK 25 / 24 / 0 / 38

HEX #78799F

RGB 120 121 159

HSL 238.46, 0.17%, 0.55%

LAB 52.03, 8.27, -20.48

 

CMYK 18 / 25 / 0 / 38

HEX #82789F

RGB 130 120 159

HSL 255.38, 0.17%, 0.55%

LAB 52.6, 12.14, -19.54

 

CMYK 12 / 25 / 0 / 38

HEX #8C789F

RGB 140 120 159

HSL 270.77, 0.17%, 0.55%

LAB 53.5, 15.51, -18.07

 

CMYK 5 / 25 / 0 / 38

HEX #97789F

RGB 151 120 159

HSL 287.69, 0.17%, 0.55%

LAB 54.57, 19.3, -16.36

 

CMYK 0 / 25 / 1 / 38

HEX #9F789D

RGB 159 120 157

HSL 303.08, 0.17%, 0.55%

LAB 55.32, 21.69, -13.99

 

CMYK 25 / 24 / 0 / 38

HEX #78799F

RGB 120 121 159

HSL 238.46, 0.17%, 0.55%

LAB 52.03, 8.27, -20.48

 

CMYK 25 / 25 / 0 / 38

HEX #78789F

RGB 120 120 159

HSL 240, 0.17%, 0.55%

LAB 51.76, 8.87, -20.9

 

CMYK 25 / 24 / 0 / 38

HEX #78799F

RGB 120 121 159

HSL 238.46, 0.17%, 0.55%

LAB 52.03, 8.27, -20.48

 

CMYK 43 / 42 / 0 / 30

HEX #6668B2

RGB 102 104 178

HSL 238.42, 0.33%, 0.55%

LAB 46.9, 18.49, -39.67

 

CMYK 58 / 56 / 0 / 23

HEX #5356C4

RGB 83 86 196

HSL 238.41, 0.49%, 0.55%

LAB 41.97, 31.06, -58.11

 

CMYK 70 / 68 / 0 / 16

HEX #4144D7

RGB 65 68 215

HSL 238.8, 0.65%, 0.55%

LAB 38.14, 45.65, -75.39

 

CMYK 80 / 78 / 0 / 8

HEX #2E33EA

RGB 46 51 234

HSL 238.4, 0.82%, 0.55%

LAB 35.77, 59.46, -90.19

 

CMYK 25 / 24 / 0 / 38

HEX #78799F

RGB 120 121 159

HSL 238.46, 0.17%, 0.55%

LAB 52.03, 8.27, -20.48

 

CMYK 1 / 1 / 0 / 45

HEX #8B8B8D

RGB 139 139 141

HSL 240, 0.01%, 0.55%

LAB 57.92, 0.4, -1.07

 

CMYK 0 / 1 / 22 / 38

HEX #9D9C7A

RGB 157 156 122

HSL 58.29, 0.15%, 0.55%

LAB 63.63, -5.45, 17.99

 

CMYK 0 / 1 / 41 / 31

HEX #B0AE68

RGB 176 174 104

HSL 58.33, 0.31%, 0.55%

LAB 69.83, -9.72, 36.13

 

CMYK 0 / 2 / 56 / 24

HEX #C3C055

RGB 195 192 85

HSL 58.36, 0.48%, 0.55%

LAB 76.04, -12.92, 53.22

 

CMYK 25 / 11 / 0 / 38

HEX #788E9F

RGB 120 142 159

HSL 206.15, 0.17%, 0.55%

LAB 57.89, -3.87, -11.59

 

CMYK 25 / 17 / 0 / 38

HEX #78849F

RGB 120 132 159

HSL 221.54, 0.17%, 0.55%

LAB 55.07, 1.84, -15.85

 

CMYK 25 / 23 / 0 / 38

HEX #787A9F

RGB 120 122 159

HSL 236.92, 0.17%, 0.55%

LAB 52.3, 7.68, -20.06

 

CMYK 19 / 25 / 0 / 38

HEX #81789F

RGB 129 120 159

HSL 253.85, 0.17%, 0.55%

LAB 52.51, 11.81, -19.68

 

CMYK 12 / 25 / 0 / 38

HEX #8C789F

RGB 140 120 159

HSL 270.77, 0.17%, 0.55%

LAB 53.5, 15.51, -18.07

 

CMYK 29 / 28 / 0 / 55

HEX #525373

RGB 82 83 115

HSL 238.18, 0.17%, 0.39%

LAB 36.4, 7.53, -18.37

 

CMYK 29 / 28 / 0 / 45

HEX #63648B

RGB 99 100 139

HSL 238.5, 0.17%, 0.47%

LAB 43.7, 9, -21.63

 

CMYK 25 / 24 / 0 / 38

HEX #78799F

RGB 120 121 159

HSL 238.46, 0.17%, 0.55%

LAB 52.03, 8.27, -20.48

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 13 / 13 / 0 / 24

HEX #A9A9C2

RGB 169 169 194

HSL 240, 0.17%, 0.71%

LAB 69.97, 5.03, -12.75

 

CMYK 25 / 24 / 0 / 37

HEX #7879A0

RGB 120 121 160

HSL 238.5, 0.17%, 0.55%

LAB 52.07, 8.53, -21.01

 

CMYK 0 / 25 / 4 / 38

HEX #9F7899

RGB 159 120 153

HSL 309.23, 0.17%, 0.55%

LAB 55.18, 20.92, -11.87

 

CMYK 14 / 0 / 25 / 38

HEX #899F78

RGB 137 159 120

HSL 93.85, 0.17%, 0.55%

LAB 62.9, -15.09, 17.85

 

CMYK 25 / 24 / 0 / 37

HEX #7879A0

RGB 120 121 160

HSL 238.5, 0.17%, 0.55%

LAB 52.07, 8.53, -21.01

 

CMYK 0 / 25 / 23 / 38

HEX #9F787A

RGB 159 120 122

HSL 356.92, 0.17%, 0.55%

LAB 54.25, 15.53, 4.82

 

CMYK 23 / 0 / 25 / 38

HEX #7A9F78

RGB 122 159 120

HSL 116.92, 0.17%, 0.55%

LAB 61.9, -20.58, 16.32

 

CMYK 25 / 24 / 0 / 37

HEX #7879A0

RGB 120 121 160

HSL 238.5, 0.17%, 0.55%

LAB 52.07, 8.53, -21.01

 

CMYK 0 / 25 / 4 / 38

HEX #9F7899

RGB 159 120 153

HSL 309.23, 0.17%, 0.55%

LAB 55.18, 20.92, -11.87

 

CMYK 0 / 1 / 25 / 38

HEX #9F9E78

RGB 159 158 120

HSL 58.46, 0.17%, 0.55%

LAB 64.31, -6.04, 20.05

 

CMYK 25 / 0 / 20 / 38

HEX #789F7F

RGB 120 159 127

HSL 130.77, 0.17%, 0.55%

LAB 61.93, -19.99, 12.44

 

CMYK 25 / 24 / 0 / 37

HEX #7879A0

RGB 120 121 160

HSL 238.5, 0.17%, 0.55%

LAB 52.07, 8.53, -21.01

 

CMYK 0 / 25 / 11 / 38

HEX #9F788D

RGB 159 120 141

HSL 327.69, 0.17%, 0.55%

LAB 54.79, 18.7, -5.47

 

CMYK 0 / 1 / 25 / 38

HEX #9F9E78

RGB 159 158 120

HSL 58.46, 0.17%, 0.55%

LAB 64.31, -6.04, 20.05

 

CMYK 25 / 0 / 13 / 38

HEX #789F8A

RGB 120 159 138

HSL 147.69, 0.17%, 0.55%

LAB 62.19, -17.82, 6.65

 

Description

Color code: HEX #7879A0 | qconv.com Color code: HEX #7879A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 121 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 121 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 24 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 24% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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