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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7871D3 it is the complementary color #878E2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7871D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7871D3 shade: #7D71CE, #8E83E1, #9F95F4, #B0A7FF and #C1B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7871D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7871D3 shade: #7871D3, #675FC0, #564DAD, #453B9A and #342987

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7871D3 shade: #7972D3, #9372D3, #AD72D3, #C872D3 and #D372C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7871D3 shade: #7972D3 and #7272D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7871D3 shade matches the following richer shades: #7972D3, #6C63E2 and #6054F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7871D3 shade: #7972D3, #8681C5, #9290B6, #9F9FA7 and #ACAD98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7871D3 shade: #729FD3, #7286D3, #7972D3, #9272D3 and #AC72D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7871D3 shade: #4239BA, #5B52CA, #7972D3, #9792DD and #B5B1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7871D3 shade: #7871D3, #D372B9 and #92D372

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7871D3 shade: #7871D3, #D37972 and #72D379

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7871D3 shade: #7871D3, #D372B9, #CDD372 and #72D38C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7871D3 shade: #7871D3, #D3729C, #CDD372 and #72D3A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 46 / 0 / 17

HEX #7871D3

RGB 120 113 211

HSL 244.29, 0.53%, 0.64%

LAB 52.41, 27.25, -49.81

 

Complementary color

CMYK 5 / 0 / 69 / 44

HEX #878E2C

RGB 135 142 44

HSL 64.29, 0.53%, 0.36%

LAB 56.76, -15.64, 48.98

 

CMYK 39 / 45 / 0 / 19

HEX #7D71CE

RGB 125 113 206

HSL 247.74, 0.49%, 0.63%

LAB 52.54, 27.07, -46.73

 

CMYK 37 / 42 / 0 / 12

HEX #8E83E1

RGB 142 131 225

HSL 247.02, 0.61%, 0.7%

LAB 59.36, 26.1, -46.54

 

CMYK 35 / 39 / 0 / 4

HEX #9F95F4

RGB 159 149 244

HSL 246.32, 0.81%, 0.77%

LAB 66.06, 25.24, -46.39

 

CMYK 31 / 35 / 0 / 0

HEX #B0A7FF

RGB 176 167 255

HSL 246.14, 1%, 0.83%

LAB 72.29, 22.47, -42.51

 

CMYK 24 / 27 / 0 / 0

HEX #C1B9FF

RGB 193 185 255

HSL 246.86, 1%, 0.86%

LAB 78.03, 17.33, -33.49

 

CMYK 43 / 46 / 0 / 17

HEX #7871D3

RGB 120 113 211

HSL 244.29, 0.53%, 0.64%

LAB 52.41, 27.25, -49.81

 

CMYK 46 / 51 / 0 / 25

HEX #675FC0

RGB 103 95 192

HSL 244.95, 0.43%, 0.56%

LAB 45.46, 28.46, -50.09

 

CMYK 50 / 55 / 0 / 32

HEX #564DAD

RGB 86 77 173

HSL 245.63, 0.38%, 0.49%

LAB 38.38, 29.87, -50.41

 

CMYK 55 / 62 / 0 / 40

HEX #453B9A

RGB 69 59 154

HSL 246.32, 0.45%, 0.42%

LAB 31.18, 31.52, -50.73

 

CMYK 61 / 70 / 0 / 47

HEX #342987

RGB 52 41 135

HSL 247.02, 0.53%, 0.35%

LAB 23.89, 33.41, -50.96

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 30 / 46 / 0 / 17

HEX #9372D3

RGB 147 114 211

HSL 260.41, 0.52%, 0.64%

LAB 55.01, 33.62, -45.52

 

CMYK 18 / 46 / 0 / 17

HEX #AD72D3

RGB 173 114 211

HSL 276.49, 0.52%, 0.64%

LAB 57.68, 40.84, -41.14

 

CMYK 5 / 46 / 0 / 17

HEX #C872D3

RGB 200 114 211

HSL 293.2, 0.52%, 0.64%

LAB 60.8, 48.59, -36.03

 

CMYK 0 / 46 / 7 / 17

HEX #D372C5

RGB 211 114 197

HSL 308.66, 0.52%, 0.64%

LAB 61.58, 49.32, -26.8

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 46 / 46 / 0 / 17

HEX #7272D3

RGB 114 114 211

HSL 240, 0.52%, 0.64%

LAB 52.19, 25.21, -50.18

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 52 / 56 / 0 / 11

HEX #6C63E2

RGB 108 99 226

HSL 244.25, 0.69%, 0.64%

LAB 49.01, 37.44, -63.8

 

CMYK 60 / 65 / 0 / 5

HEX #6054F1

RGB 96 84 241

HSL 244.59, 0.85%, 0.64%

LAB 45.88, 48.75, -77.39

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 32 / 35 / 0 / 23

HEX #8681C5

RGB 134 129 197

HSL 244.41, 0.37%, 0.64%

LAB 56.88, 17.6, -34.73

 

CMYK 20 / 21 / 0 / 29

HEX #9290B6

RGB 146 144 182

HSL 243.16, 0.21%, 0.64%

LAB 61.16, 8.85, -19.53

 

CMYK 5 / 5 / 0 / 35

HEX #9F9FA7

RGB 159 159 167

HSL 240, 0.04%, 0.64%

LAB 65.72, 1.57, -4.16

 

CMYK 1 / 0 / 12 / 32

HEX #ACAD98

RGB 172 173 152

HSL 62.86, 0.11%, 0.64%

LAB 70.12, -4.1, 10.68

 

CMYK 46 / 25 / 0 / 17

HEX #729FD3

RGB 114 159 211

HSL 212.16, 0.52%, 0.64%

LAB 64.22, -1.26, -31.26

 

CMYK 46 / 36 / 0 / 17

HEX #7286D3

RGB 114 134 211

HSL 227.63, 0.52%, 0.64%

LAB 57.4, 13.22, -41.93

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 31 / 46 / 0 / 17

HEX #9272D3

RGB 146 114 211

HSL 259.79, 0.52%, 0.64%

LAB 54.92, 33.35, -45.68

 

CMYK 18 / 46 / 0 / 17

HEX #AC72D3

RGB 172 114 211

HSL 275.88, 0.52%, 0.64%

LAB 57.57, 40.56, -41.32

 

CMYK 65 / 69 / 0 / 27

HEX #4239BA

RGB 66 57 186

HSL 244.19, 0.53%, 0.48%

LAB 33.2, 42.7, -66.61

 

CMYK 55 / 59 / 0 / 21

HEX #5B52CA

RGB 91 82 202

HSL 244.5, 0.53%, 0.56%

LAB 42.04, 36.94, -61.45

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 32 / 34 / 0 / 13

HEX #9792DD

RGB 151 146 221

HSL 244, 0.52%, 0.72%

LAB 63.64, 18.81, -37.54

 

CMYK 22 / 23 / 0 / 9

HEX #B5B1E7

RGB 181 177 231

HSL 244.44, 0.53%, 0.8%

LAB 74.21, 12.62, -26.49

 

CMYK 43 / 46 / 0 / 17

HEX #7871D3

RGB 120 113 211

HSL 244.29, 0.53%, 0.64%

LAB 52.41, 27.25, -49.81

 

CMYK 0 / 46 / 12 / 17

HEX #D372B9

RGB 211 114 185

HSL 316.08, 0.52%, 0.64%

LAB 61.12, 47.32, -20.69

 

CMYK 31 / 0 / 46 / 17

HEX #92D372

RGB 146 211 114

HSL 100.21, 0.52%, 0.64%

LAB 78.41, -38.01, 41.44

 

CMYK 43 / 46 / 0 / 17

HEX #7871D3

RGB 120 113 211

HSL 244.29, 0.53%, 0.64%

LAB 52.41, 27.25, -49.81

 

CMYK 0 / 43 / 46 / 17

HEX #D37972

RGB 211 121 114

HSL 4.33, 0.52%, 0.64%

LAB 60.55, 34.26, 19.19

 

CMYK 46 / 0 / 43 / 17

HEX #72D379

RGB 114 211 121

HSL 124.33, 0.52%, 0.64%

LAB 77.01, -47.06, 35.86

 

CMYK 43 / 46 / 0 / 17

HEX #7871D3

RGB 120 113 211

HSL 244.29, 0.53%, 0.64%

LAB 52.41, 27.25, -49.81

 

CMYK 0 / 46 / 12 / 17

HEX #D372B9

RGB 211 114 185

HSL 316.08, 0.52%, 0.64%

LAB 61.12, 47.32, -20.69

 

CMYK 3 / 0 / 46 / 17

HEX #CDD372

RGB 205 211 114

HSL 63.71, 0.52%, 0.64%

LAB 82.26, -15.9, 47.05

 

CMYK 46 / 0 / 34 / 17

HEX #72D38C

RGB 114 211 140

HSL 136.08, 0.52%, 0.64%

LAB 77.32, -43.95, 26.53

 

CMYK 43 / 46 / 0 / 17

HEX #7871D3

RGB 120 113 211

HSL 244.29, 0.53%, 0.64%

LAB 52.41, 27.25, -49.81

 

CMYK 0 / 46 / 26 / 17

HEX #D3729C

RGB 211 114 156

HSL 334.02, 0.52%, 0.64%

LAB 60.14, 42.96, -5.54

 

CMYK 3 / 0 / 46 / 17

HEX #CDD372

RGB 205 211 114

HSL 63.71, 0.52%, 0.64%

LAB 82.26, -15.9, 47.05

 

CMYK 46 / 0 / 20 / 17

HEX #72D3A9

RGB 114 211 169

HSL 154.02, 0.52%, 0.64%

LAB 77.89, -38.33, 12.03

 

Description

Color code: HEX #7871D3 | qconv.com Color code: HEX #7871D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 113 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 113 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 46 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 46% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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