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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7873B4 it is the complementary color #878C4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7873B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7873B4 shade: #7D73AF, #8E85C2, #9F97D5, #B0A9E8 and #C1BBFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7873B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7873B4 shade: #7873B4, #6761A1, #564F8E, #453D7B and #342B68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7873B4 shade: #7873B4, #8A73B4, #9B73B4, #AC73B4 and #B473AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7873B4 shade: #7873B4 and #7373B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7873B4 shade matches the following richer shades: #7873B4, #6A62C5, #5B51D6, #4C3FE8 and #3E2EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7873B4 shade: #7873B4, #8785A2, #969691, #A4A780 and #B3B96E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7873B4 shade: #7391B4, #7380B4, #7873B4, #8973B4 and #9A73B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7873B4 shade: #4F4A8A, #5E59A5, #7873B4, #928EC2 and #ACA9D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7873B4 shade: #7873B4, #B473A2 and #89B473

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7873B4 shade: #7873B4, #B47873 and #73B478

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7873B4 shade: #7873B4, #B473A2, #AFB473 and #73B484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7873B4 shade: #7873B4, #B4738F, #AFB473 and #73B498

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

Complementary color

CMYK 4 / 0 / 46 / 45

HEX #878C4B

RGB 135 140 75

HSL 64.62, 0.3%, 0.42%

LAB 56.5, -11.97, 33.93

 

CMYK 29 / 34 / 0 / 31

HEX #7D73AF

RGB 125 115 175

HSL 250, 0.27%, 0.57%

LAB 51.52, 17.49, -30.54

 

CMYK 27 / 31 / 0 / 24

HEX #8E85C2

RGB 142 133 194

HSL 248.85, 0.33%, 0.64%

LAB 58.43, 16.85, -30.55

 

CMYK 25 / 29 / 0 / 16

HEX #9F97D5

RGB 159 151 213

HSL 247.74, 0.42%, 0.71%

LAB 65.21, 16.28, -30.61

 

CMYK 24 / 27 / 0 / 9

HEX #B0A9E8

RGB 176 169 232

HSL 246.67, 0.58%, 0.79%

LAB 71.85, 15.77, -30.7

 

CMYK 23 / 25 / 0 / 2

HEX #C1BBFB

RGB 193 187 251

HSL 245.63, 0.89%, 0.86%

LAB 78.37, 15.31, -30.82

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 36 / 40 / 0 / 37

HEX #6761A1

RGB 103 97 161

HSL 245.63, 0.25%, 0.51%

LAB 44.24, 18.14, -33.87

 

CMYK 39 / 44 / 0 / 44

HEX #564F8E

RGB 86 79 142

HSL 246.67, 0.29%, 0.43%

LAB 36.97, 19.08, -34.04

 

CMYK 44 / 50 / 0 / 52

HEX #453D7B

RGB 69 61 123

HSL 247.74, 0.34%, 0.36%

LAB 29.49, 20.23, -34.29

 

CMYK 50 / 59 / 0 / 59

HEX #342B68

RGB 52 43 104

HSL 248.85, 0.41%, 0.29%

LAB 21.79, 21.66, -34.6

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 23 / 36 / 0 / 29

HEX #8A73B4

RGB 138 115 180

HSL 261.23, 0.3%, 0.58%

LAB 52.91, 22.71, -31.18

 

CMYK 14 / 36 / 0 / 29

HEX #9B73B4

RGB 155 115 180

HSL 276.92, 0.3%, 0.58%

LAB 54.58, 28.02, -28.44

 

CMYK 4 / 36 / 0 / 29

HEX #AC73B4

RGB 172 115 180

HSL 292.62, 0.3%, 0.58%

LAB 56.41, 33.45, -25.46

 

CMYK 0 / 36 / 6 / 29

HEX #B473AA

RGB 180 115 170

HSL 309.23, 0.3%, 0.58%

LAB 56.95, 34.17, -18.81

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 36 / 36 / 0 / 29

HEX #7373B4

RGB 115 115 180

HSL 240, 0.3%, 0.58%

LAB 50.92, 15.91, -34.42

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 46 / 50 / 0 / 23

HEX #6A62C5

RGB 106 98 197

HSL 244.85, 0.46%, 0.58%

LAB 46.75, 28.83, -50.9

 

CMYK 57 / 62 / 0 / 16

HEX #5B51D6

RGB 91 81 214

HSL 244.51, 0.62%, 0.58%

LAB 42.71, 41.31, -67.26

 

CMYK 67 / 73 / 0 / 9

HEX #4C3FE8

RGB 76 63 232

HSL 244.62, 0.79%, 0.58%

LAB 39.44, 55.03, -82.93

 

CMYK 75 / 82 / 0 / 2

HEX #3E2EF9

RGB 62 46 249

HSL 244.73, 0.94%, 0.58%

LAB 37.51, 67.04, -95.75

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 17 / 18 / 0 / 36

HEX #8785A2

RGB 135 133 162

HSL 244.14, 0.13%, 0.58%

LAB 56.62, 6.92, -15.12

 

CMYK 0 / 0 / 3 / 41

HEX #969691

RGB 150 150 145

HSL 60, 0.02%, 0.58%

LAB 61.95, -0.95, 2.63

 

CMYK 2 / 0 / 23 / 35

HEX #A4A780

RGB 164 167 128

HSL 64.62, 0.18%, 0.58%

LAB 67.34, -7.73, 19.87

 

CMYK 3 / 0 / 41 / 27

HEX #B3B96E

RGB 179 185 110

HSL 64.8, 0.35%, 0.58%

LAB 73.16, -13.55, 37.31

 

CMYK 36 / 19 / 0 / 29

HEX #7391B4

RGB 115 145 180

HSL 212.31, 0.3%, 0.58%

LAB 59.15, -1.72, -21.67

 

CMYK 36 / 29 / 0 / 29

HEX #7380B4

RGB 115 128 180

HSL 228, 0.3%, 0.58%

LAB 54.43, 8.14, -28.96

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 24 / 36 / 0 / 29

HEX #8973B4

RGB 137 115 180

HSL 260.31, 0.3%, 0.58%

LAB 52.81, 22.4, -31.33

 

CMYK 14 / 36 / 0 / 29

HEX #9A73B4

RGB 154 115 180

HSL 276, 0.3%, 0.58%

LAB 54.48, 27.7, -28.61

 

CMYK 43 / 46 / 0 / 46

HEX #4F4A8A

RGB 79 74 138

HSL 244.69, 0.3%, 0.42%

LAB 34.79, 19.15, -35.1

 

CMYK 43 / 46 / 0 / 35

HEX #5E59A5

RGB 94 89 165

HSL 243.95, 0.3%, 0.5%

LAB 41.6, 21.82, -40.47

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 25 / 27 / 0 / 24

HEX #928EC2

RGB 146 142 194

HSL 244.62, 0.3%, 0.66%

LAB 61.09, 12.86, -26.42

 

CMYK 17 / 19 / 0 / 18

HEX #ACA9D0

RGB 172 169 208

HSL 244.62, 0.29%, 0.74%

LAB 70.66, 9.05, -19.39

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 0 / 36 / 10 / 29

HEX #B473A2

RGB 180 115 162

HSL 316.62, 0.3%, 0.58%

LAB 56.66, 32.74, -14.63

 

CMYK 24 / 0 / 36 / 29

HEX #89B473

RGB 137 180 115

HSL 99.69, 0.3%, 0.58%

LAB 68.89, -26.51, 28.62

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 0 / 33 / 36 / 29

HEX #B47873

RGB 180 120 115

HSL 4.62, 0.3%, 0.58%

LAB 56.46, 22.85, 12.36

 

CMYK 36 / 0 / 33 / 29

HEX #73B478

RGB 115 180 120

HSL 124.62, 0.3%, 0.58%

LAB 67.76, -33.23, 24.23

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 0 / 36 / 10 / 29

HEX #B473A2

RGB 180 115 162

HSL 316.62, 0.3%, 0.58%

LAB 56.66, 32.74, -14.63

 

CMYK 3 / 0 / 36 / 29

HEX #AFB473

RGB 175 180 115

HSL 64.62, 0.3%, 0.58%

LAB 71.55, -11.98, 32.6

 

CMYK 36 / 0 / 27 / 29

HEX #73B484

RGB 115 180 132

HSL 135.69, 0.3%, 0.58%

LAB 67.99, -31.08, 18.07

 

CMYK 33 / 36 / 0 / 29

HEX #7873B4

RGB 120 115 180

HSL 244.62, 0.3%, 0.58%

LAB 51.32, 17.34, -33.76

 

CMYK 0 / 36 / 21 / 29

HEX #B4738F

RGB 180 115 143

HSL 334.15, 0.3%, 0.58%

LAB 56.04, 29.6, -4.53

 

CMYK 3 / 0 / 36 / 29

HEX #AFB473

RGB 175 180 115

HSL 64.62, 0.3%, 0.58%

LAB 71.55, -11.98, 32.6

 

CMYK 36 / 0 / 16 / 29

HEX #73B498

RGB 115 180 152

HSL 154.15, 0.3%, 0.58%

LAB 68.43, -27.08, 7.76

 

Description

Color code: HEX #7873B4 | qconv.com Color code: HEX #7873B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 115 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 115 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 36 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 36% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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