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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787C5E it is the complementary color #8783A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787C5E shade: #7D7C59, #8E8E6C, #9FA07F, #B0B292 and #C1C4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787C5E shade: #787C5E, #676A4B, #565838, #454625 and #343412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787C5E shade: #787D5E, #7D785E, #7D705E, #7D685E and #7D5F5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787C5E shade: #787D5E, #707D5E, #687D5E, #607D5E and #5E7D64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787C5E shade matches the following richer shades: #787D5E, #858E4C, #92A03A, #9FB229 and #ACC317

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787C5E shade: #787D5E, #6B6B70, #5E5981, #514793 and #4436A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787C5E shade: #7D705E, #7D785E, #787D5E, #707D5E and #687D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787C5E shade: #4B4D3A, #62654C, #787D5E, #8F9370 and #A1A588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787C5E shade: #787C5E, #5E7D68 and #745E7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787C5E shade: #787C5E, #5E787D and #7D5E78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787C5E shade: #787C5E, #5E7D68, #625E7D and #7D5E72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787C5E shade: #787C5E, #5E7D71, #625E7D and #7D5E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 24 / 51

HEX #787C5E

RGB 120 124 94

HSL 68, 0.14%, 0.43%

LAB 50.94, -6.96, 15.92

 

Complementary color

CMYK 16 / 19 / 0 / 37

HEX #8783A1

RGB 135 131 161

HSL 248, 0.14%, 0.57%

LAB 56.04, 7.85, -15.41

 

CMYK 0 / 1 / 29 / 51

HEX #7D7C59

RGB 125 124 89

HSL 58.33, 0.17%, 0.42%

LAB 51.26, -5.65, 19.31

 

CMYK 0 / 0 / 24 / 44

HEX #8E8E6C

RGB 142 142 108

HSL 60, 0.14%, 0.49%

LAB 58.21, -5.88, 18.18

 

CMYK 1 / 0 / 21 / 37

HEX #9FA07F

RGB 159 160 127

HSL 61.82, 0.15%, 0.56%

LAB 65, -6.07, 17.13

 

CMYK 1 / 0 / 18 / 30

HEX #B0B292

RGB 176 178 146

HSL 63.75, 0.17%, 0.64%

LAB 71.65, -6.23, 16.16

 

CMYK 2 / 0 / 16 / 23

HEX #C1C4A5

RGB 193 196 165

HSL 65.81, 0.21%, 0.71%

LAB 78.19, -6.37, 15.24

 

CMYK 3 / 0 / 24 / 51

HEX #787C5E

RGB 120 124 94

HSL 68, 0.14%, 0.43%

LAB 50.94, -6.96, 15.92

 

CMYK 3 / 0 / 29 / 58

HEX #676A4B

RGB 103 106 75

HSL 65.81, 0.17%, 0.35%

LAB 43.8, -6.8, 17.07

 

CMYK 2 / 0 / 36 / 65

HEX #565838

RGB 86 88 56

HSL 63.75, 0.22%, 0.28%

LAB 36.45, -6.57, 18.33

 

CMYK 1 / 0 / 47 / 73

HEX #454625

RGB 69 70 37

HSL 61.82, 0.31%, 0.21%

LAB 28.85, -6.23, 19.71

 

CMYK 0 / 0 / 65 / 80

HEX #343412

RGB 52 52 18

HSL 60, 0.49%, 0.14%

LAB 20.94, -5.67, 21.11

 

CMYK 4 / 0 / 25 / 51

HEX #787D5E

RGB 120 125 94

HSL 69.68, 0.14%, 0.43%

LAB 51.23, -7.53, 16.32

 

CMYK 0 / 4 / 25 / 51

HEX #7D785E

RGB 125 120 94

HSL 50.32, 0.14%, 0.43%

LAB 50.22, -2.64, 15

 

CMYK 0 / 10 / 25 / 51

HEX #7D705E

RGB 125 112 94

HSL 34.84, 0.14%, 0.43%

LAB 47.95, 1.98, 11.86

 

CMYK 0 / 17 / 25 / 51

HEX #7D685E

RGB 125 104 94

HSL 19.35, 0.14%, 0.43%

LAB 45.73, 6.68, 8.75

 

CMYK 0 / 24 / 25 / 51

HEX #7D5F5E

RGB 125 95 94

HSL 1.94, 0.14%, 0.43%

LAB 43.29, 12.04, 5.28

 

CMYK 4 / 0 / 25 / 51

HEX #787D5E

RGB 120 125 94

HSL 69.68, 0.14%, 0.43%

LAB 51.23, -7.53, 16.32

 

CMYK 10 / 0 / 25 / 51

HEX #707D5E

RGB 112 125 94

HSL 85.16, 0.14%, 0.43%

LAB 50.59, -10.76, 15.34

 

CMYK 17 / 0 / 25 / 51

HEX #687D5E

RGB 104 125 94

HSL 100.65, 0.14%, 0.43%

LAB 50, -13.9, 14.43

 

CMYK 23 / 0 / 25 / 51

HEX #607D5E

RGB 96 125 94

HSL 116.13, 0.14%, 0.43%

LAB 49.45, -16.94, 13.59

 

CMYK 25 / 0 / 20 / 51

HEX #5E7D64

RGB 94 125 100

HSL 131.61, 0.14%, 0.43%

LAB 49.46, -16.52, 10.08

 

CMYK 4 / 0 / 25 / 51

HEX #787D5E

RGB 120 125 94

HSL 69.68, 0.14%, 0.43%

LAB 51.23, -7.53, 16.32

 

CMYK 6 / 0 / 46 / 44

HEX #858E4C

RGB 133 142 76

HSL 68.18, 0.3%, 0.43%

LAB 56.93, -13.78, 33.9

 

CMYK 9 / 0 / 64 / 37

HEX #92A03A

RGB 146 160 58

HSL 68.24, 0.47%, 0.43%

LAB 62.98, -19.25, 49.8

 

CMYK 11 / 0 / 77 / 30

HEX #9FB229

RGB 159 178 41

HSL 68.32, 0.63%, 0.43%

LAB 69.02, -23.71, 62.53

 

CMYK 12 / 0 / 88 / 24

HEX #ACC317

RGB 172 195 23

HSL 68.02, 0.79%, 0.43%

LAB 74.74, -27.08, 72.28

 

CMYK 4 / 0 / 25 / 51

HEX #787D5E

RGB 120 125 94

HSL 69.68, 0.14%, 0.43%

LAB 51.23, -7.53, 16.32

 

CMYK 4 / 4 / 0 / 56

HEX #6B6B70

RGB 107 107 112

HSL 240, 0.02%, 0.43%

LAB 45.37, 1.05, -2.79

 

CMYK 27 / 31 / 0 / 49

HEX #5E5981

RGB 94 89 129

HSL 247.5, 0.18%, 0.43%

LAB 39.76, 11.52, -21.7

 

CMYK 45 / 52 / 0 / 42

HEX #514793

RGB 81 71 147

HSL 247.89, 0.35%, 0.43%

LAB 34.73, 24.37, -40.69

 

CMYK 59 / 67 / 0 / 35

HEX #4436A5

RGB 68 54 165

HSL 247.57, 0.51%, 0.43%

LAB 30.84, 37.97, -57.94

 

CMYK 0 / 10 / 25 / 51

HEX #7D705E

RGB 125 112 94

HSL 34.84, 0.14%, 0.43%

LAB 47.95, 1.98, 11.86

 

CMYK 0 / 4 / 25 / 51

HEX #7D785E

RGB 125 120 94

HSL 50.32, 0.14%, 0.43%

LAB 50.22, -2.64, 15

 

CMYK 4 / 0 / 25 / 51

HEX #787D5E

RGB 120 125 94

HSL 69.68, 0.14%, 0.43%

LAB 51.23, -7.53, 16.32

 

CMYK 10 / 0 / 25 / 51

HEX #707D5E

RGB 112 125 94

HSL 85.16, 0.14%, 0.43%

LAB 50.59, -10.76, 15.34

 

CMYK 17 / 0 / 25 / 51

HEX #687D5E

RGB 104 125 94

HSL 100.65, 0.14%, 0.43%

LAB 50, -13.9, 14.43

 

CMYK 3 / 0 / 25 / 70

HEX #4B4D3A

RGB 75 77 58

HSL 66.32, 0.14%, 0.26%

LAB 32.05, -4.57, 11.03

 

CMYK 3 / 0 / 25 / 60

HEX #62654C

RGB 98 101 76

HSL 67.2, 0.14%, 0.35%

LAB 41.89, -5.88, 13.8

 

CMYK 4 / 0 / 25 / 51

HEX #787D5E

RGB 120 125 94

HSL 69.68, 0.14%, 0.43%

LAB 51.23, -7.53, 16.32

 

CMYK 3 / 0 / 24 / 42

HEX #8F9370

RGB 143 147 112

HSL 66.86, 0.14%, 0.51%

LAB 59.78, -7.61, 18.09

 

CMYK 2 / 0 / 18 / 35

HEX #A1A588

RGB 161 165 136

HSL 68.28, 0.14%, 0.59%

LAB 66.72, -6.57, 14.58

 

CMYK 3 / 0 / 24 / 51

HEX #787C5E

RGB 120 124 94

HSL 68, 0.14%, 0.43%

LAB 50.94, -6.96, 15.92

 

CMYK 25 / 0 / 17 / 51

HEX #5E7D68

RGB 94 125 104

HSL 139.35, 0.14%, 0.43%

LAB 49.55, -15.71, 7.88

 

CMYK 7 / 25 / 0 / 51

HEX #745E7D

RGB 116 94 125

HSL 282.58, 0.14%, 0.43%

LAB 43.06, 15.06, -14.02

 

CMYK 3 / 0 / 24 / 51

HEX #787C5E

RGB 120 124 94

HSL 68, 0.14%, 0.43%

LAB 50.94, -6.96, 15.92

 

CMYK 25 / 4 / 0 / 51

HEX #5E787D

RGB 94 120 125

HSL 189.68, 0.14%, 0.43%

LAB 48.63, -8.16, -5.84

 

CMYK 0 / 25 / 4 / 51

HEX #7D5E78

RGB 125 94 120

HSL 309.68, 0.14%, 0.43%

LAB 43.83, 17.32, -9.74

 

CMYK 3 / 0 / 24 / 51

HEX #787C5E

RGB 120 124 94

HSL 68, 0.14%, 0.43%

LAB 50.94, -6.96, 15.92

 

CMYK 25 / 0 / 17 / 51

HEX #5E7D68

RGB 94 125 104

HSL 139.35, 0.14%, 0.43%

LAB 49.55, -15.71, 7.88

 

CMYK 22 / 25 / 0 / 51

HEX #625E7D

RGB 98 94 125

HSL 247.74, 0.14%, 0.43%

LAB 41.35, 8.71, -16.79

 

CMYK 0 / 25 / 9 / 51

HEX #7D5E72

RGB 125 94 114

HSL 321.29, 0.14%, 0.43%

LAB 43.62, 16.15, -6.4

 

CMYK 3 / 0 / 24 / 51

HEX #787C5E

RGB 120 124 94

HSL 68, 0.14%, 0.43%

LAB 50.94, -6.96, 15.92

 

CMYK 25 / 0 / 10 / 51

HEX #5E7D71

RGB 94 125 113

HSL 156.77, 0.14%, 0.43%

LAB 49.78, -13.77, 2.94

 

CMYK 22 / 25 / 0 / 51

HEX #625E7D

RGB 98 94 125

HSL 247.74, 0.14%, 0.43%

LAB 41.35, 8.71, -16.79

 

CMYK 0 / 25 / 16 / 51

HEX #7D5E69

RGB 125 94 105

HSL 338.71, 0.14%, 0.43%

LAB 43.34, 14.49, -1.35

 

Description

Color code: HEX #787C5E | qconv.com Color code: HEX #787C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 124 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 124 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 24 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 24% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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