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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787D86 it is the complementary color #878279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787D86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787D86 shade: #7D7D81, #8E8F94, #9FA1A7, #B0B3BA and #C1C5CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787D86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787D86 shade: #787D86, #676B73, #565960, #45474D and #34353A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787D86 shade: #777D87, #777987, #7A7787, #7E7787 and #827787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787D86 shade: #777D87, #777987 and #777787

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787D86 shade matches the following richer shades: #777D87, #63779B, #4E71B0, #396BC5 and #2565D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787D86 shade: #777D87, #8C8372, #A1895D, #B58E49 and #CA9434

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787D86 shade: #778587, #778187, #777D87, #777987 and #7A7787

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787D86 shade: #51545B, #646971, #777D87, #8D929A and #A3A7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787D86 shade: #787D86, #847787 and #838777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787D86 shade: #787D86, #87777D and #7D8777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787D86 shade: #787D86, #847787, #878177 and #7A8777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787D86 shade: #787D86, #877785, #878177 and #778779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 7 / 0 / 47

HEX #787D86

RGB 120 125 134

HSL 218.57, 0.06%, 0.5%

LAB 52.27, 0.05, -5.53

 

Complementary color

CMYK 0 / 4 / 10 / 47

HEX #878279

RGB 135 130 121

HSL 38.57, 0.06%, 0.5%

LAB 54.55, 0.2, 5.53

 

CMYK 3 / 3 / 0 / 49

HEX #7D7D81

RGB 125 125 129

HSL 240, 0.02%, 0.5%

LAB 52.52, 0.81, -2.18

 

CMYK 4 / 3 / 0 / 42

HEX #8E8F94

RGB 142 143 148

HSL 230, 0.03%, 0.57%

LAB 59.47, 0.63, -2.78

 

CMYK 5 / 4 / 0 / 35

HEX #9FA1A7

RGB 159 161 167

HSL 225, 0.04%, 0.64%

LAB 66.25, 0.46, -3.37

 

CMYK 5 / 4 / 0 / 27

HEX #B0B3BA

RGB 176 179 186

HSL 222, 0.07%, 0.71%

LAB 72.9, 0.3, -3.93

 

CMYK 6 / 4 / 0 / 20

HEX #C1C5CD

RGB 193 197 205

HSL 220, 0.11%, 0.78%

LAB 79.43, 0.15, -4.48

 

CMYK 10 / 7 / 0 / 47

HEX #787D86

RGB 120 125 134

HSL 218.57, 0.06%, 0.5%

LAB 52.27, 0.05, -5.53

 

CMYK 10 / 7 / 0 / 55

HEX #676B73

RGB 103 107 115

HSL 220, 0.06%, 0.43%

LAB 45.13, 0.21, -4.99

 

CMYK 10 / 7 / 0 / 62

HEX #565960

RGB 86 89 96

HSL 222, 0.05%, 0.36%

LAB 37.78, 0.39, -4.44

 

CMYK 10 / 8 / 0 / 70

HEX #45474D

RGB 69 71 77

HSL 225, 0.05%, 0.29%

LAB 30.18, 0.57, -3.87

 

CMYK 10 / 9 / 0 / 77

HEX #34353A

RGB 52 53 58

HSL 230, 0.05%, 0.22%

LAB 22.24, 0.78, -3.28

 

CMYK 12 / 7 / 0 / 47

HEX #777D87

RGB 119 125 135

HSL 217.5, 0.06%, 0.5%

LAB 52.22, -0.08, -6.19

 

CMYK 12 / 10 / 0 / 47

HEX #777987

RGB 119 121 135

HSL 232.5, 0.06%, 0.5%

LAB 51.09, 2.24, -7.87

 

CMYK 10 / 12 / 0 / 47

HEX #7A7787

RGB 122 119 135

HSL 251.25, 0.06%, 0.5%

LAB 50.78, 4.48, -8.31

 

CMYK 7 / 12 / 0 / 47

HEX #7E7787

RGB 126 119 135

HSL 266.25, 0.06%, 0.5%

LAB 51.13, 5.93, -7.75

 

CMYK 4 / 12 / 0 / 47

HEX #827787

RGB 130 119 135

HSL 281.25, 0.06%, 0.5%

LAB 51.48, 7.39, -7.18

 

CMYK 12 / 7 / 0 / 47

HEX #777D87

RGB 119 125 135

HSL 217.5, 0.06%, 0.5%

LAB 52.22, -0.08, -6.19

 

CMYK 12 / 10 / 0 / 47

HEX #777987

RGB 119 121 135

HSL 232.5, 0.06%, 0.5%

LAB 51.09, 2.24, -7.87

 

CMYK 12 / 12 / 0 / 47

HEX #777787

RGB 119 119 135

HSL 240, 0.06%, 0.5%

LAB 50.53, 3.41, -8.71

 

CMYK 12 / 7 / 0 / 47

HEX #777D87

RGB 119 125 135

HSL 217.5, 0.06%, 0.5%

LAB 52.22, -0.08, -6.19

 

CMYK 36 / 23 / 0 / 39

HEX #63779B

RGB 99 119 155

HSL 218.57, 0.22%, 0.5%

LAB 49.75, 1.89, -21.78

 

CMYK 56 / 36 / 0 / 31

HEX #4E71B0

RGB 78 113 176

HSL 218.57, 0.39%, 0.5%

LAB 47.71, 6.47, -37.33

 

CMYK 71 / 46 / 0 / 23

HEX #396BC5

RGB 57 107 197

HSL 218.57, 0.55%, 0.5%

LAB 46.2, 13.74, -51.95

 

CMYK 83 / 53 / 0 / 15

HEX #2565D9

RGB 37 101 217

HSL 218.67, 0.71%, 0.5%

LAB 45.24, 22.87, -64.99

 

CMYK 12 / 7 / 0 / 47

HEX #777D87

RGB 119 125 135

HSL 217.5, 0.06%, 0.5%

LAB 52.22, -0.08, -6.19

 

CMYK 0 / 6 / 19 / 45

HEX #8C8372

RGB 140 131 114

HSL 39.23, 0.1%, 0.5%

LAB 55.1, 0.4, 10.42

 

CMYK 0 / 15 / 42 / 37

HEX #A1895D

RGB 161 137 93

HSL 38.82, 0.27%, 0.5%

LAB 58.28, 2.8, 26.95

 

CMYK 0 / 22 / 60 / 29

HEX #B58E49

RGB 181 142 73

HSL 38.33, 0.43%, 0.5%

LAB 61.35, 6.76, 41.8

 

CMYK 0 / 27 / 74 / 21

HEX #CA9434

RGB 202 148 52

HSL 38.4, 0.59%, 0.5%

LAB 64.95, 11.38, 56.03

 

CMYK 12 / 1 / 0 / 47

HEX #778587

RGB 119 133 135

HSL 187.5, 0.06%, 0.5%

LAB 54.5, -4.66, -2.82

 

CMYK 12 / 4 / 0 / 47

HEX #778187

RGB 119 129 135

HSL 202.5, 0.06%, 0.5%

LAB 53.35, -2.38, -4.51

 

CMYK 12 / 7 / 0 / 47

HEX #777D87

RGB 119 125 135

HSL 217.5, 0.06%, 0.5%

LAB 52.22, -0.08, -6.19

 

CMYK 12 / 10 / 0 / 47

HEX #777987

RGB 119 121 135

HSL 232.5, 0.06%, 0.5%

LAB 51.09, 2.24, -7.87

 

CMYK 10 / 12 / 0 / 47

HEX #7A7787

RGB 122 119 135

HSL 251.25, 0.06%, 0.5%

LAB 50.78, 4.48, -8.31

 

CMYK 11 / 8 / 0 / 64

HEX #51545B

RGB 81 84 91

HSL 222, 0.06%, 0.34%

LAB 35.68, 0.39, -4.48

 

CMYK 12 / 7 / 0 / 56

HEX #646971

RGB 100 105 113

HSL 216.92, 0.06%, 0.42%

LAB 44.24, -0.15, -5.14

 

CMYK 12 / 7 / 0 / 47

HEX #777D87

RGB 119 125 135

HSL 217.5, 0.06%, 0.5%

LAB 52.22, -0.08, -6.19

 

CMYK 8 / 5 / 0 / 40

HEX #8D929A

RGB 141 146 154

HSL 216.92, 0.06%, 0.58%

LAB 60.39, -0.17, -4.85

 

CMYK 6 / 3 / 0 / 32

HEX #A3A7AD

RGB 163 167 173

HSL 216, 0.06%, 0.66%

LAB 68.34, -0.24, -3.59

 

CMYK 10 / 7 / 0 / 47

HEX #787D86

RGB 120 125 134

HSL 218.57, 0.06%, 0.5%

LAB 52.27, 0.05, -5.53

 

CMYK 2 / 12 / 0 / 47

HEX #847787

RGB 132 119 135

HSL 288.75, 0.06%, 0.5%

LAB 51.67, 8.12, -6.89

 

CMYK 3 / 0 / 12 / 47

HEX #838777

RGB 131 135 119

HSL 75, 0.06%, 0.5%

LAB 55.57, -4.53, 8.1

 

CMYK 10 / 7 / 0 / 47

HEX #787D86

RGB 120 125 134

HSL 218.57, 0.06%, 0.5%

LAB 52.27, 0.05, -5.53

 

CMYK 0 / 12 / 7 / 47

HEX #87777D

RGB 135 119 125

HSL 337.5, 0.06%, 0.5%

LAB 51.64, 7.28, -1.02

 

CMYK 7 / 0 / 12 / 47

HEX #7D8777

RGB 125 135 119

HSL 97.5, 0.06%, 0.5%

LAB 55.09, -6.82, 7.35

 

CMYK 10 / 7 / 0 / 47

HEX #787D86

RGB 120 125 134

HSL 218.57, 0.06%, 0.5%

LAB 52.27, 0.05, -5.53

 

CMYK 2 / 12 / 0 / 47

HEX #847787

RGB 132 119 135

HSL 288.75, 0.06%, 0.5%

LAB 51.67, 8.12, -6.89

 

CMYK 0 / 4 / 12 / 47

HEX #878177

RGB 135 129 119

HSL 37.5, 0.06%, 0.5%

LAB 54.22, 0.42, 6.22

 

CMYK 10 / 0 / 12 / 47

HEX #7A8777

RGB 122 135 119

HSL 108.75, 0.06%, 0.5%

LAB 54.86, -7.95, 7

 

CMYK 10 / 7 / 0 / 47

HEX #787D86

RGB 120 125 134

HSL 218.57, 0.06%, 0.5%

LAB 52.27, 0.05, -5.53

 

CMYK 0 / 12 / 1 / 47

HEX #877785

RGB 135 119 133

HSL 307.5, 0.06%, 0.5%

LAB 51.88, 8.83, -5.37

 

CMYK 0 / 4 / 12 / 47

HEX #878177

RGB 135 129 119

HSL 37.5, 0.06%, 0.5%

LAB 54.22, 0.42, 6.22

 

CMYK 12 / 0 / 10 / 47

HEX #778779

RGB 119 135 121

HSL 127.5, 0.06%, 0.5%

LAB 54.69, -8.68, 5.56

 

Description

Color code: HEX #787D86 | qconv.com Color code: HEX #787D86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 125 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 125 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 7 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 7% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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