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Color name
HEX #7885F8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7885F8 it is the complementary color #877A07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7885F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7885F8 shade: #7D85F3, #8E97FF, #9FA9FF, #B0BBFF and #C1CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7885F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7885F8 shade: #7885F8, #6773E5, #5661D2, #454FBF and #343DAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7885F8 shade: #7784F7, #8C77F7, #AF77F7, #D277F7 and #F477F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7885F8 shade: #7784F7 and #7777F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7885F8 shade matches the following richer shades: #7784F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7885F8 shade: #7784F7, #828DEC, #8E96E0, #99A0D5 and #A5A9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7885F8 shade: #77CAF7, #77A8F7, #7786F7, #8A77F7 and #AC77F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7885F8 shade: #283DF3, #5060F5, #7784F7, #9EA7F9 and #C5CBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7885F8 shade: #7885F8, #F777ED and #B9F777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7885F8 shade: #7885F8, #F77786 and #86F777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7885F8 shade: #7885F8, #F777ED, #F7E877 and #77F782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7885F8 shade: #7885F8, #F777C6, #F7E877 and #77F7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 46 / 0 / 3

HEX #7885F8

RGB 120 133 248

HSL 233.91, 0.9%, 0.72%

LAB 59.48, 26.37, -59.21

 

Complementary color

CMYK 0 / 10 / 95 / 47

HEX #877A07

RGB 135 122 7

HSL 53.91, 0.9%, 0.28%

LAB 50.79, -6.22, 54.81

 

CMYK 49 / 45 / 0 / 5

HEX #7D85F3

RGB 125 133 243

HSL 235.93, 0.83%, 0.72%

LAB 59.53, 25.94, -56.34

 

CMYK 44 / 41 / 0 / 0

HEX #8E97FF

RGB 142 151 255

HSL 235.22, 1%, 0.78%

LAB 65.83, 22.83, -52.84

 

CMYK 38 / 34 / 0 / 0

HEX #9FA9FF

RGB 159 169 255

HSL 233.75, 1%, 0.81%

LAB 71.53, 16.79, -43.78

 

CMYK 31 / 27 / 0 / 0

HEX #B0BBFF

RGB 176 187 255

HSL 231.65, 1%, 0.85%

LAB 77.28, 11.36, -34.75

 

CMYK 24 / 20 / 0 / 0

HEX #C1CDFF

RGB 193 205 255

HSL 228.39, 1%, 0.88%

LAB 83.03, 6.48, -25.82

 

CMYK 52 / 46 / 0 / 3

HEX #7885F8

RGB 120 133 248

HSL 233.91, 0.9%, 0.72%

LAB 59.48, 26.37, -59.21

 

CMYK 55 / 50 / 0 / 10

HEX #6773E5

RGB 103 115 229

HSL 234.29, 0.71%, 0.65%

LAB 52.73, 27.76, -59.51

 

CMYK 59 / 54 / 0 / 18

HEX #5661D2

RGB 86 97 210

HSL 234.68, 0.58%, 0.58%

LAB 45.88, 29.4, -59.84

 

CMYK 64 / 59 / 0 / 25

HEX #454FBF

RGB 69 79 191

HSL 235.08, 0.49%, 0.51%

LAB 38.93, 31.34, -60.17

 

CMYK 70 / 65 / 0 / 33

HEX #343DAC

RGB 52 61 172

HSL 235.5, 0.54%, 0.44%

LAB 31.91, 33.64, -60.44

 

CMYK 52 / 47 / 0 / 3

HEX #7784F7

RGB 119 132 247

HSL 233.91, 0.89%, 0.72%

LAB 59.1, 26.44, -59.25

 

CMYK 43 / 52 / 0 / 3

HEX #8C77F7

RGB 140 119 247

HSL 249.84, 0.89%, 0.72%

LAB 57.54, 38.63, -61.67

 

CMYK 29 / 52 / 0 / 3

HEX #AF77F7

RGB 175 119 247

HSL 266.25, 0.89%, 0.72%

LAB 60.8, 46.95, -56.27

 

CMYK 15 / 52 / 0 / 3

HEX #D277F7

RGB 210 119 247

HSL 282.66, 0.89%, 0.72%

LAB 64.65, 55.89, -49.92

 

CMYK 1 / 52 / 0 / 3

HEX #F477F7

RGB 244 119 247

HSL 298.59, 0.89%, 0.72%

LAB 68.85, 64.81, -43.02

 

CMYK 52 / 47 / 0 / 3

HEX #7784F7

RGB 119 132 247

HSL 233.91, 0.89%, 0.72%

LAB 59.1, 26.44, -59.25

 

CMYK 52 / 52 / 0 / 3

HEX #7777F7

RGB 119 119 247

HSL 240, 0.89%, 0.72%

LAB 55.92, 34.16, -64.37

 

CMYK 52 / 47 / 0 / 3

HEX #7784F7

RGB 119 132 247

HSL 233.91, 0.89%, 0.72%

LAB 59.1, 26.44, -59.25

 

CMYK 52 / 47 / 0 / 3

HEX #7784F7

RGB 119 132 247

HSL 233.91, 0.89%, 0.72%

LAB 59.1, 26.44, -59.25

 

CMYK 45 / 40 / 0 / 7

HEX #828DEC

RGB 130 141 236

HSL 233.77, 0.74%, 0.72%

LAB 61.53, 20.32, -49.28

 

CMYK 37 / 33 / 0 / 12

HEX #8E96E0

RGB 142 150 224

HSL 234.15, 0.57%, 0.72%

LAB 64.12, 14.81, -38.5

 

CMYK 28 / 25 / 0 / 16

HEX #99A0D5

RGB 153 160 213

HSL 233, 0.42%, 0.72%

LAB 67.06, 9.39, -27.78

 

CMYK 18 / 16 / 0 / 21

HEX #A5A9C9

RGB 165 169 201

HSL 233.33, 0.25%, 0.72%

LAB 69.89, 5.25, -16.76

 

CMYK 52 / 18 / 0 / 3

HEX #77CAF7

RGB 119 202 247

HSL 201.09, 0.89%, 0.72%

LAB 77.8, -13.14, -29.92

 

CMYK 52 / 32 / 0 / 3

HEX #77A8F7

RGB 119 168 247

HSL 217.03, 0.89%, 0.72%

LAB 68.49, 5.44, -44.38

 

CMYK 52 / 46 / 0 / 3

HEX #7786F7

RGB 119 134 247

HSL 232.97, 0.89%, 0.72%

LAB 59.61, 25.26, -58.45

 

CMYK 44 / 52 / 0 / 3

HEX #8A77F7

RGB 138 119 247

HSL 248.91, 0.89%, 0.72%

LAB 57.38, 38.18, -61.94

 

CMYK 30 / 52 / 0 / 3

HEX #AC77F7

RGB 172 119 247

HSL 264.84, 0.89%, 0.72%

LAB 60.5, 46.2, -56.77

 

CMYK 84 / 75 / 0 / 5

HEX #283DF3

RGB 40 61 243

HSL 233.79, 0.89%, 0.55%

LAB 38.3, 56.85, -91.09

 

CMYK 67 / 61 / 0 / 4

HEX #5060F5

RGB 80 96 245

HSL 234.18, 0.89%, 0.64%

LAB 47.83, 40.76, -76.48

 

CMYK 52 / 47 / 0 / 3

HEX #7784F7

RGB 119 132 247

HSL 233.91, 0.89%, 0.72%

LAB 59.1, 26.44, -59.25

 

CMYK 37 / 33 / 0 / 2

HEX #9EA7F9

RGB 158 167 249

HSL 234.07, 0.88%, 0.8%

LAB 70.7, 16.06, -41.84

 

CMYK 22 / 19 / 0 / 2

HEX #C5CBFB

RGB 197 203 251

HSL 233.33, 0.87%, 0.88%

LAB 82.67, 7.84, -24.21

 

CMYK 52 / 46 / 0 / 3

HEX #7885F8

RGB 120 133 248

HSL 233.91, 0.9%, 0.72%

LAB 59.48, 26.37, -59.21

 

CMYK 0 / 52 / 4 / 3

HEX #F777ED

RGB 247 119 237

HSL 304.69, 0.89%, 0.72%

LAB 68.81, 63.93, -37.56

 

CMYK 25 / 0 / 52 / 3

HEX #B9F777

RGB 185 247 119

HSL 89.06, 0.89%, 0.72%

LAB 90.86, -39.93, 54.74

 

CMYK 52 / 46 / 0 / 3

HEX #7885F8

RGB 120 133 248

HSL 233.91, 0.9%, 0.72%

LAB 59.48, 26.37, -59.21

 

CMYK 0 / 52 / 46 / 3

HEX #F77786

RGB 247 119 134

HSL 352.97, 0.89%, 0.72%

LAB 65.51, 50.3, 15.42

 

CMYK 46 / 0 / 52 / 3

HEX #86F777

RGB 134 247 119

HSL 112.97, 0.89%, 0.72%

LAB 88.41, -56.28, 51.22

 

CMYK 52 / 46 / 0 / 3

HEX #7885F8

RGB 120 133 248

HSL 233.91, 0.9%, 0.72%

LAB 59.48, 26.37, -59.21

 

CMYK 0 / 52 / 4 / 3

HEX #F777ED

RGB 247 119 237

HSL 304.69, 0.89%, 0.72%

LAB 68.81, 63.93, -37.56

 

CMYK 0 / 6 / 52 / 3

HEX #F7E877

RGB 247 232 119

HSL 52.97, 0.89%, 0.72%

LAB 91.15, -9.16, 56.14

 

CMYK 52 / 0 / 47 / 3

HEX #77F782

RGB 119 247 130

HSL 125.16, 0.89%, 0.72%

LAB 88, -58.85, 45.42

 

CMYK 52 / 46 / 0 / 3

HEX #7885F8

RGB 120 133 248

HSL 233.91, 0.9%, 0.72%

LAB 59.48, 26.37, -59.21

 

CMYK 0 / 52 / 20 / 3

HEX #F777C6

RGB 247 119 198

HSL 322.97, 0.89%, 0.72%

LAB 67.31, 57.93, -18.18

 

CMYK 0 / 6 / 52 / 3

HEX #F7E877

RGB 247 232 119

HSL 52.97, 0.89%, 0.72%

LAB 91.15, -9.16, 56.14

 

CMYK 52 / 0 / 32 / 3

HEX #77F7A8

RGB 119 247 168

HSL 142.97, 0.89%, 0.72%

LAB 88.58, -52.77, 27.39

 

Description

Color code: HEX #7885F8 | qconv.com Color code: HEX #7885F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 133 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 133 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 46 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 46% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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