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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788890 it is the complementary color #87776F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788890. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #788890 shade: #7D888B, #8E9A9E, #9FACB1, #B0BEC4 and #C1D0D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788890. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #788890 shade: #788890, #67767D, #56646A, #455257 and #344044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #788890 shade: #788890, #788290, #787B90, #7B7890 and #827890

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #788890 shade: #788890, #788290, #787B90 and #787890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #788890 shade matches the following richer shades: #788890, #648FA4, #5095B8, #3C9CCC and #29A3E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #788890 shade: #788890, #8C827D, #9F7B69, #B37455 and #C76E41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #788890 shade: #78908B, #788F90, #788890, #788290 and #787B90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #788890 shade: #525E64, #64737B, #788890, #8F9CA3 and #A5B0B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #788890 shade: #788890, #857890 and #908F78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #788890 shade: #788890, #907888 and #889078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #788890 shade: #788890, #857890, #908078 and #839078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #788890 shade: #788890, #8C7890, #908078 and #7C9078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

Complementary color

CMYK 0 / 12 / 18 / 47

HEX #87776F

RGB 135 119 111

HSL 20, 0.1%, 0.48%

LAB 51.26, 4.78, 6.65

 

CMYK 10 / 2 / 0 / 45

HEX #7D888B

RGB 125 136 139

HSL 192.86, 0.06%, 0.52%

LAB 55.92, -3.37, -2.99

 

CMYK 10 / 3 / 0 / 38

HEX #8E9A9E

RGB 142 154 158

HSL 195, 0.08%, 0.59%

LAB 62.79, -3.44, -3.57

 

CMYK 10 / 3 / 0 / 31

HEX #9FACB1

RGB 159 172 177

HSL 196.67, 0.1%, 0.66%

LAB 69.51, -3.52, -4.13

 

CMYK 10 / 3 / 0 / 23

HEX #B0BEC4

RGB 176 190 196

HSL 198, 0.14%, 0.73%

LAB 76.1, -3.6, -4.68

 

CMYK 10 / 3 / 0 / 16

HEX #C1D0D7

RGB 193 208 215

HSL 199.09, 0.22%, 0.8%

LAB 82.57, -3.68, -5.21

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 18 / 6 / 0 / 51

HEX #67767D

RGB 103 118 125

HSL 199.09, 0.1%, 0.45%

LAB 48.66, -3.95, -5.72

 

CMYK 19 / 6 / 0 / 58

HEX #56646A

RGB 86 100 106

HSL 198, 0.1%, 0.38%

LAB 41.43, -3.9, -5.19

 

CMYK 21 / 6 / 0 / 66

HEX #455257

RGB 69 82 87

HSL 196.67, 0.12%, 0.31%

LAB 33.96, -3.85, -4.64

 

CMYK 24 / 6 / 0 / 73

HEX #344044

RGB 52 64 68

HSL 195, 0.13%, 0.24%

LAB 26.2, -3.83, -4.07

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 15 / 17 / 0 / 44

HEX #7B7890

RGB 123 120 144

HSL 247.5, 0.1%, 0.52%

LAB 51.45, 6.27, -12.58

 

CMYK 10 / 17 / 0 / 44

HEX #827890

RGB 130 120 144

HSL 265, 0.1%, 0.52%

LAB 52.05, 8.73, -11.61

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 17 / 17 / 0 / 44

HEX #787890

RGB 120 120 144

HSL 240, 0.1%, 0.52%

LAB 51.2, 5.23, -12.98

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 39 / 13 / 0 / 36

HEX #648FA4

RGB 100 143 164

HSL 199.69, 0.26%, 0.52%

LAB 57.11, -9.16, -15.75

 

CMYK 57 / 19 / 0 / 28

HEX #5095B8

RGB 80 149 184

HSL 200.19, 0.42%, 0.52%

LAB 58.66, -11.56, -24.85

 

CMYK 71 / 24 / 0 / 20

HEX #3C9CCC

RGB 60 156 204

HSL 200, 0.59%, 0.52%

LAB 60.87, -12.46, -32.74

 

CMYK 82 / 27 / 0 / 12

HEX #29A3E0

RGB 41 163 224

HSL 200, 0.75%, 0.52%

LAB 63.38, -11.6, -39.97

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 0 / 7 / 11 / 45

HEX #8C827D

RGB 140 130 125

HSL 20, 0.06%, 0.52%

LAB 55.09, 2.86, 4.06

 

CMYK 0 / 23 / 34 / 38

HEX #9F7B69

RGB 159 123 105

HSL 20, 0.22%, 0.52%

LAB 54.61, 11.36, 15.21

 

CMYK 0 / 35 / 53 / 30

HEX #B37455

RGB 179 116 85

HSL 19.79, 0.38%, 0.52%

LAB 54.79, 21.4, 27.28

 

CMYK 0 / 45 / 67 / 22

HEX #C76E41

RGB 199 110 65

HSL 20.15, 0.54%, 0.52%

LAB 55.76, 31.43, 40.01

 

CMYK 17 / 0 / 3 / 44

HEX #78908B

RGB 120 144 139

HSL 167.5, 0.1%, 0.52%

LAB 57.85, -9.57, -0.2

 

CMYK 17 / 1 / 0 / 44

HEX #788F90

RGB 120 143 144

HSL 182.5, 0.1%, 0.52%

LAB 57.7, -7.92, -3.27

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 18 / 6 / 0 / 61

HEX #525E64

RGB 82 94 100

HSL 200, 0.1%, 0.36%

LAB 39.1, -3.2, -4.99

 

CMYK 19 / 7 / 0 / 52

HEX #64737B

RGB 100 115 123

HSL 200.87, 0.1%, 0.44%

LAB 47.5, -3.72, -6.29

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 12 / 4 / 0 / 36

HEX #8F9CA3

RGB 143 156 163

HSL 201, 0.1%, 0.6%

LAB 63.56, -3.15, -5.24

 

CMYK 9 / 3 / 0 / 29

HEX #A5B0B5

RGB 165 176 181

HSL 198.75, 0.1%, 0.68%

LAB 71.14, -2.83, -3.88

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 8 / 17 / 0 / 44

HEX #857890

RGB 133 120 144

HSL 272.5, 0.1%, 0.52%

LAB 52.32, 9.79, -11.18

 

CMYK 0 / 1 / 17 / 44

HEX #908F78

RGB 144 143 120

HSL 57.5, 0.1%, 0.52%

LAB 58.91, -3.75, 12.39

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 0 / 17 / 6 / 44

HEX #907888

RGB 144 120 136

HSL 320, 0.1%, 0.52%

LAB 53.1, 12.19, -5.22

 

CMYK 6 / 0 / 17 / 44

HEX #889078

RGB 136 144 120

HSL 80, 0.1%, 0.52%

LAB 58.54, -7.41, 11.79

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 8 / 17 / 0 / 44

HEX #857890

RGB 133 120 144

HSL 272.5, 0.1%, 0.52%

LAB 52.32, 9.79, -11.18

 

CMYK 0 / 11 / 17 / 44

HEX #908078

RGB 144 128 120

HSL 20, 0.1%, 0.52%

LAB 54.79, 4.7, 6.56

 

CMYK 9 / 0 / 17 / 44

HEX #839078

RGB 131 144 120

HSL 92.5, 0.1%, 0.52%

LAB 58.16, -9.32, 11.19

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 3 / 17 / 0 / 44

HEX #8C7890

RGB 140 120 144

HSL 290, 0.1%, 0.52%

LAB 52.97, 12.3, -10.13

 

CMYK 0 / 11 / 17 / 44

HEX #908078

RGB 144 128 120

HSL 20, 0.1%, 0.52%

LAB 54.79, 4.7, 6.56

 

CMYK 14 / 0 / 17 / 44

HEX #7C9078

RGB 124 144 120

HSL 110, 0.1%, 0.52%

LAB 57.64, -11.95, 10.39

 

Description

Color code: HEX #788890 | qconv.com Color code: HEX #788890 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 136 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 136 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 6 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 6% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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