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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788986 it is the complementary color #877679. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788986. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #788986 shade: #7D8981, #8E9B94, #9FADA7, #B0BFBA and #C1D1CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788986. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #788986 shade: #788986, #677773, #566560, #45534D and #34413A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #788986 shade: #768885, #768880, #76887B, #768876 and #7B8876

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #788986 shade: #768885, #768688, #768188, #767D88 and #767888

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #788986 shade matches the following richer shades: #768885, #619D92, #4DB19F, #38C6AD and #24DABA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #788986 shade: #768885, #8B7377, #9F5F6A, #B44A5D and #C9354F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #788986 shade: #76887B, #768880, #768885, #768688 and #768288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #788986 shade: #505C5A, #63726F, #768885, #8C9B98 and #A2AEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #788986 shade: #788986, #767688 and #887E76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #788986 shade: #788986, #857688 and #888576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #788986 shade: #788986, #767688, #887679 and #888876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #788986 shade: #788986, #7C7688, #887679 and #828876

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 2 / 46

HEX #788986

RGB 120 137 134

HSL 169.41, 0.07%, 0.5%

LAB 55.69, -6.77, -0.48

 

Complementary color

CMYK 0 / 13 / 10 / 47

HEX #877679

RGB 135 118 121

HSL 349.41, 0.07%, 0.5%

LAB 51.25, 7.12, 0.77

 

CMYK 9 / 0 / 6 / 46

HEX #7D8981

RGB 125 137 129

HSL 140, 0.05%, 0.51%

LAB 55.92, -6, 2.79

 

CMYK 8 / 0 / 5 / 39

HEX #8E9B94

RGB 142 155 148

HSL 147.69, 0.06%, 0.58%

LAB 62.79, -6.03, 2.07

 

CMYK 8 / 0 / 3 / 32

HEX #9FADA7

RGB 159 173 167

HSL 154.29, 0.08%, 0.65%

LAB 69.5, -6.06, 1.39

 

CMYK 8 / 0 / 3 / 25

HEX #B0BFBA

RGB 176 191 186

HSL 160, 0.1%, 0.72%

LAB 76.09, -6.1, 0.74

 

CMYK 8 / 0 / 2 / 18

HEX #C1D1CD

RGB 193 209 205

HSL 165, 0.15%, 0.79%

LAB 82.56, -6.15, 0.12

 

CMYK 12 / 0 / 2 / 46

HEX #788986

RGB 120 137 134

HSL 169.41, 0.07%, 0.5%

LAB 55.69, -6.77, -0.48

 

CMYK 13 / 0 / 3 / 53

HEX #677773

RGB 103 119 115

HSL 165, 0.07%, 0.44%

LAB 48.65, -6.78, 0.19

 

CMYK 15 / 0 / 5 / 60

HEX #566560

RGB 86 101 96

HSL 160, 0.08%, 0.37%

LAB 41.42, -6.82, 0.91

 

CMYK 17 / 0 / 7 / 67

HEX #45534D

RGB 69 83 77

HSL 154.29, 0.09%, 0.3%

LAB 33.96, -6.88, 1.67

 

CMYK 20 / 0 / 11 / 75

HEX #34413A

RGB 52 65 58

HSL 147.69, 0.11%, 0.23%

LAB 26.2, -6.99, 2.52

 

CMYK 13 / 0 / 2 / 47

HEX #768885

RGB 118 136 133

HSL 170, 0.07%, 0.5%

LAB 55.23, -7.13, -0.6

 

CMYK 13 / 0 / 6 / 47

HEX #768880

RGB 118 136 128

HSL 153.33, 0.07%, 0.5%

LAB 55.09, -8.18, 2.09

 

CMYK 13 / 0 / 10 / 47

HEX #76887B

RGB 118 136 123

HSL 136.67, 0.07%, 0.5%

LAB 54.96, -9.2, 4.79

 

CMYK 13 / 0 / 13 / 47

HEX #768876

RGB 118 136 118

HSL 120, 0.07%, 0.5%

LAB 54.83, -10.19, 7.49

 

CMYK 10 / 0 / 13 / 47

HEX #7B8876

RGB 123 136 118

HSL 103.33, 0.07%, 0.5%

LAB 55.2, -8.32, 8.07

 

CMYK 13 / 0 / 2 / 47

HEX #768885

RGB 118 136 133

HSL 170, 0.07%, 0.5%

LAB 55.23, -7.13, -0.6

 

CMYK 13 / 1 / 0 / 47

HEX #768688

RGB 118 134 136

HSL 186.67, 0.07%, 0.5%

LAB 54.74, -5.35, -3.05

 

CMYK 13 / 5 / 0 / 47

HEX #768188

RGB 118 129 136

HSL 203.33, 0.07%, 0.5%

LAB 53.31, -2.52, -5.16

 

CMYK 13 / 8 / 0 / 47

HEX #767D88

RGB 118 125 136

HSL 216.67, 0.07%, 0.5%

LAB 52.17, -0.22, -6.85

 

CMYK 13 / 12 / 0 / 47

HEX #767888

RGB 118 120 136

HSL 233.33, 0.07%, 0.5%

LAB 50.76, 2.69, -8.96

 

CMYK 13 / 0 / 2 / 47

HEX #768885

RGB 118 136 133

HSL 170, 0.07%, 0.5%

LAB 55.23, -7.13, -0.6

 

CMYK 38 / 0 / 7 / 38

HEX #619D92

RGB 97 157 146

HSL 169, 0.24%, 0.5%

LAB 60.54, -22.12, -0.4

 

CMYK 56 / 0 / 10 / 31

HEX #4DB19F

RGB 77 177 159

HSL 169.2, 0.39%, 0.5%

LAB 66.16, -33.59, 0.42

 

CMYK 72 / 0 / 13 / 22

HEX #38C6AD

RGB 56 198 173

HSL 169.44, 0.56%, 0.5%

LAB 72.39, -42.98, 1.76

 

CMYK 83 / 0 / 15 / 15

HEX #24DABA

RGB 36 218 186

HSL 169.45, 0.72%, 0.5%

LAB 78.5, -50.1, 3.59

 

CMYK 13 / 0 / 2 / 47

HEX #768885

RGB 118 136 133

HSL 170, 0.07%, 0.5%

LAB 55.23, -7.13, -0.6

 

CMYK 0 / 17 / 14 / 45

HEX #8B7377

RGB 139 115 119

HSL 350, 0.09%, 0.5%

LAB 50.78, 10.07, 1.31

 

CMYK 0 / 40 / 33 / 38

HEX #9F5F6A

RGB 159 95 106

HSL 349.69, 0.25%, 0.5%

LAB 47.75, 27.46, 4.96

 

CMYK 0 / 59 / 48 / 29

HEX #B44A5D

RGB 180 74 93

HSL 349.25, 0.42%, 0.5%

LAB 46.17, 44.73, 11.02

 

CMYK 0 / 74 / 61 / 21

HEX #C9354F

RGB 201 53 79

HSL 349.46, 0.58%, 0.5%

LAB 46.35, 59.01, 20.43

 

CMYK 13 / 0 / 10 / 47

HEX #76887B

RGB 118 136 123

HSL 136.67, 0.07%, 0.5%

LAB 54.96, -9.2, 4.79

 

CMYK 13 / 0 / 6 / 47

HEX #768880

RGB 118 136 128

HSL 153.33, 0.07%, 0.5%

LAB 55.09, -8.18, 2.09

 

CMYK 13 / 0 / 2 / 47

HEX #768885

RGB 118 136 133

HSL 170, 0.07%, 0.5%

LAB 55.23, -7.13, -0.6

 

CMYK 13 / 1 / 0 / 47

HEX #768688

RGB 118 134 136

HSL 186.67, 0.07%, 0.5%

LAB 54.74, -5.35, -3.05

 

CMYK 13 / 4 / 0 / 47

HEX #768288

RGB 118 130 136

HSL 200, 0.07%, 0.5%

LAB 53.59, -3.09, -4.74

 

CMYK 13 / 0 / 2 / 64

HEX #505C5A

RGB 80 92 90

HSL 170, 0.07%, 0.34%

LAB 38.02, -5.1, -0.43

 

CMYK 13 / 0 / 3 / 55

HEX #63726F

RGB 99 114 111

HSL 168, 0.07%, 0.42%

LAB 46.76, -6.25, -0.24

 

CMYK 13 / 0 / 2 / 47

HEX #768885

RGB 118 136 133

HSL 170, 0.07%, 0.5%

LAB 55.23, -7.13, -0.6

 

CMYK 10 / 0 / 2 / 39

HEX #8C9B98

RGB 140 155 152

HSL 168, 0.07%, 0.58%

LAB 62.75, -5.93, -0.26

 

CMYK 7 / 0 / 1 / 32

HEX #A2AEAC

RGB 162 174 172

HSL 170, 0.07%, 0.66%

LAB 70.13, -4.58, -0.43

 

CMYK 12 / 0 / 2 / 46

HEX #788986

RGB 120 137 134

HSL 169.41, 0.07%, 0.5%

LAB 55.69, -6.77, -0.48

 

CMYK 13 / 13 / 0 / 47

HEX #767688

RGB 118 118 136

HSL 240, 0.07%, 0.5%

LAB 50.2, 3.87, -9.8

 

CMYK 0 / 7 / 13 / 47

HEX #887E76

RGB 136 126 118

HSL 26.67, 0.07%, 0.5%

LAB 53.45, 2.35, 5.71

 

CMYK 12 / 0 / 2 / 46

HEX #788986

RGB 120 137 134

HSL 169.41, 0.07%, 0.5%

LAB 55.69, -6.77, -0.48

 

CMYK 2 / 13 / 0 / 47

HEX #857688

RGB 133 118 136

HSL 290, 0.07%, 0.5%

LAB 51.52, 9.28, -7.69

 

CMYK 0 / 2 / 13 / 47

HEX #888576

RGB 136 133 118

HSL 50, 0.07%, 0.5%

LAB 55.4, -1.64, 8.49

 

CMYK 12 / 0 / 2 / 46

HEX #788986

RGB 120 137 134

HSL 169.41, 0.07%, 0.5%

LAB 55.69, -6.77, -0.48

 

CMYK 13 / 13 / 0 / 47

HEX #767688

RGB 118 118 136

HSL 240, 0.07%, 0.5%

LAB 50.2, 3.87, -9.8

 

CMYK 0 / 13 / 11 / 47

HEX #887679

RGB 136 118 121

HSL 350, 0.07%, 0.5%

LAB 51.35, 7.51, 0.92

 

CMYK 0 / 0 / 13 / 47

HEX #888876

RGB 136 136 118

HSL 60, 0.07%, 0.5%

LAB 56.24, -3.32, 9.68

 

CMYK 12 / 0 / 2 / 46

HEX #788986

RGB 120 137 134

HSL 169.41, 0.07%, 0.5%

LAB 55.69, -6.77, -0.48

 

CMYK 9 / 13 / 0 / 47

HEX #7C7688

RGB 124 118 136

HSL 260, 0.07%, 0.5%

LAB 50.71, 6.01, -8.98

 

CMYK 0 / 13 / 11 / 47

HEX #887679

RGB 136 118 121

HSL 350, 0.07%, 0.5%

LAB 51.35, 7.51, 0.92

 

CMYK 4 / 0 / 13 / 47

HEX #828876

RGB 130 136 118

HSL 80, 0.07%, 0.5%

LAB 55.75, -5.65, 8.92

 

Description

Color code: HEX #788986 | qconv.com Color code: HEX #788986 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 137 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 137 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 2 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 2% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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