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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788008 it is the complementary color #877FF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #788008 shade: #7D8003, #8E9216, #9FA429, #B0B63C and #C1C84F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #788008 shade: #788008, #676E00, #565C00, #454A00 and #343800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #788008 shade: #798108, #816808, #814808, #812708 and #810808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #788008 shade: #798108, #588108, #388108, #178108 and #088119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #788008 shade matches the following richer shades: #798108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #788008 shade: #798108, #6F7613, #666B1E, #5C6029 and #525434

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #788008 shade: #814808, #816908, #798108, #598108 and #388108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #788008 shade: #303303, #545A05, #798108, #9DA80A and #C2CF0D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #788008 shade: #788008, #088128 and #590881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #788008 shade: #788008, #087981 and #810879

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #788008 shade: #788008, #088128, #100881 and #810861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #788008 shade: #788008, #08814C, #100881 and #81083C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 94 / 50

HEX #788008

RGB 120 128 8

HSL 64, 0.88%, 0.27%

LAB 51.21, -16.47, 54.37

 

Complementary color

CMYK 45 / 49 / 0 / 3

HEX #877FF7

RGB 135 127 247

HSL 244, 0.88%, 0.73%

LAB 59.02, 32.87, -59.33

 

CMYK 2 / 0 / 98 / 50

HEX #7D8003

RGB 125 128 3

HSL 61.44, 0.95%, 0.26%

LAB 51.62, -14.26, 55.8

 

CMYK 3 / 0 / 85 / 43

HEX #8E9216

RGB 142 146 22

HSL 61.94, 0.74%, 0.33%

LAB 58.38, -15.59, 58.03

 

CMYK 3 / 0 / 75 / 36

HEX #9FA429

RGB 159 164 41

HSL 62.44, 0.6%, 0.4%

LAB 65.03, -16.67, 58.82

 

CMYK 3 / 0 / 67 / 29

HEX #B0B63C

RGB 176 182 60

HSL 62.95, 0.5%, 0.47%

LAB 71.56, -17.52, 58.65

 

CMYK 4 / 0 / 61 / 22

HEX #C1C84F

RGB 193 200 79

HSL 63.47, 0.52%, 0.55%

LAB 78, -18.21, 57.99

 

CMYK 6 / 0 / 94 / 50

HEX #788008

RGB 120 128 8

HSL 64, 0.88%, 0.27%

LAB 51.21, -16.47, 54.37

 

CMYK 6 / 0 / 100 / 57

HEX #676E00

RGB 103 110 0

HSL 63.82, 1%, 0.22%

LAB 44.28, -14.94, 50.13

 

CMYK 7 / 0 / 100 / 64

HEX #565C00

RGB 86 92 0

HSL 63.91, 1%, 0.18%

LAB 37.18, -13.18, 44.22

 

CMYK 7 / 0 / 100 / 71

HEX #454A00

RGB 69 74 0

HSL 64.05, 1%, 0.15%

LAB 29.82, -11.37, 38.09

 

CMYK 7 / 0 / 100 / 78

HEX #343800

RGB 52 56 0

HSL 64.29, 1%, 0.11%

LAB 22.15, -9.48, 30.51

 

CMYK 6 / 0 / 94 / 49

HEX #798108

RGB 121 129 8

HSL 63.97, 0.88%, 0.27%

LAB 51.59, -16.54, 54.71

 

CMYK 0 / 19 / 94 / 49

HEX #816808

RGB 129 104 8

HSL 47.6, 0.88%, 0.27%

LAB 45.06, 1.16, 49.95

 

CMYK 0 / 44 / 94 / 49

HEX #814808

RGB 129 72 8

HSL 31.74, 0.88%, 0.27%

LAB 36.59, 19.99, 43.52

 

CMYK 0 / 70 / 94 / 49

HEX #812708

RGB 129 39 8

HSL 15.37, 0.88%, 0.27%

LAB 29.75, 37.43, 38.48

 

CMYK 0 / 94 / 94 / 49

HEX #810808

RGB 129 8 8

HSL 0, 0.88%, 0.27%

LAB 26.33, 46.99, 35.62

 

CMYK 6 / 0 / 94 / 49

HEX #798108

RGB 121 129 8

HSL 63.97, 0.88%, 0.27%

LAB 51.59, -16.54, 54.71

 

CMYK 32 / 0 / 94 / 49

HEX #588108

RGB 88 129 8

HSL 80.33, 0.88%, 0.27%

LAB 49.24, -30.96, 51.84

 

CMYK 57 / 0 / 94 / 49

HEX #388108

RGB 56 129 8

HSL 96.2, 0.88%, 0.27%

LAB 47.7, -42.32, 49.94

 

CMYK 82 / 0 / 94 / 49

HEX #178108

RGB 23 129 8

HSL 112.56, 0.88%, 0.27%

LAB 46.84, -49.52, 48.87

 

CMYK 94 / 0 / 81 / 49

HEX #088119

RGB 8 129 25

HSL 128.43, 0.88%, 0.27%

LAB 46.74, -50.17, 44.31

 

CMYK 6 / 0 / 94 / 49

HEX #798108

RGB 121 129 8

HSL 63.97, 0.88%, 0.27%

LAB 51.59, -16.54, 54.71

 

CMYK 6 / 0 / 94 / 49

HEX #798108

RGB 121 129 8

HSL 63.97, 0.88%, 0.27%

LAB 51.59, -16.54, 54.71

 

CMYK 6 / 0 / 84 / 54

HEX #6F7613

RGB 111 118 19

HSL 64.24, 0.72%, 0.27%

LAB 47.47, -14.98, 48.46

 

CMYK 5 / 0 / 72 / 58

HEX #666B1E

RGB 102 107 30

HSL 63.9, 0.56%, 0.27%

LAB 43.41, -12.63, 40.44

 

CMYK 4 / 0 / 57 / 62

HEX #5C6029

RGB 92 96 41

HSL 64.36, 0.4%, 0.27%

LAB 39.24, -10.25, 30.42

 

CMYK 2 / 0 / 38 / 67

HEX #525434

RGB 82 84 52

HSL 63.75, 0.24%, 0.27%

LAB 34.77, -6.58, 18.47

 

CMYK 0 / 44 / 94 / 49

HEX #814808

RGB 129 72 8

HSL 31.74, 0.88%, 0.27%

LAB 36.59, 19.99, 43.52

 

CMYK 0 / 19 / 94 / 49

HEX #816908

RGB 129 105 8

HSL 48.1, 0.88%, 0.27%

LAB 45.34, 0.58, 50.17

 

CMYK 6 / 0 / 94 / 49

HEX #798108

RGB 121 129 8

HSL 63.97, 0.88%, 0.27%

LAB 51.59, -16.54, 54.71

 

CMYK 31 / 0 / 94 / 49

HEX #598108

RGB 89 129 8

HSL 79.83, 0.88%, 0.27%

LAB 49.3, -30.55, 51.92

 

CMYK 57 / 0 / 94 / 49

HEX #388108

RGB 56 129 8

HSL 96.2, 0.88%, 0.27%

LAB 47.7, -42.32, 49.94

 

CMYK 6 / 0 / 94 / 80

HEX #303303

RGB 48 51 3

HSL 63.75, 0.89%, 0.11%

LAB 20.05, -8.33, 26.88

 

CMYK 7 / 0 / 94 / 65

HEX #545A05

RGB 84 90 5

HSL 64.24, 0.89%, 0.19%

LAB 36.38, -12.86, 42.01

 

CMYK 6 / 0 / 94 / 49

HEX #798108

RGB 121 129 8

HSL 63.97, 0.88%, 0.27%

LAB 51.59, -16.54, 54.71

 

CMYK 7 / 0 / 94 / 34

HEX #9DA80A

RGB 157 168 10

HSL 64.18, 0.89%, 0.35%

LAB 65.9, -20.48, 66.8

 

CMYK 6 / 0 / 94 / 19

HEX #C2CF0D

RGB 194 207 13

HSL 64.02, 0.88%, 0.43%

LAB 79.68, -23.8, 78.3

 

CMYK 6 / 0 / 94 / 50

HEX #788008

RGB 120 128 8

HSL 64, 0.88%, 0.27%

LAB 51.21, -16.47, 54.37

 

CMYK 94 / 0 / 69 / 49

HEX #088128

RGB 8 129 40

HSL 135.87, 0.88%, 0.27%

LAB 46.85, -48.78, 38.51

 

CMYK 31 / 94 / 0 / 49

HEX #590881

RGB 89 8 129

HSL 280.17, 0.88%, 0.27%

LAB 23.28, 51.35, -47.99

 

CMYK 6 / 0 / 94 / 50

HEX #788008

RGB 120 128 8

HSL 64, 0.88%, 0.27%

LAB 51.21, -16.47, 54.37

 

CMYK 94 / 6 / 0 / 49

HEX #087981

RGB 8 121 129

HSL 183.97, 0.88%, 0.27%

LAB 46.06, -24.57, -12.37

 

CMYK 0 / 94 / 6 / 49

HEX #810879

RGB 129 8 121

HSL 303.97, 0.88%, 0.27%

LAB 29.96, 56.77, -31.78

 

CMYK 6 / 0 / 94 / 50

HEX #788008

RGB 120 128 8

HSL 64, 0.88%, 0.27%

LAB 51.21, -16.47, 54.37

 

CMYK 94 / 0 / 69 / 49

HEX #088128

RGB 8 129 40

HSL 135.87, 0.88%, 0.27%

LAB 46.85, -48.78, 38.51

 

CMYK 88 / 94 / 0 / 49

HEX #100881

RGB 16 8 129

HSL 243.97, 0.88%, 0.27%

LAB 14.78, 44.96, -62.3

 

CMYK 0 / 94 / 25 / 49

HEX #810861

RGB 129 8 97

HSL 315.87, 0.88%, 0.27%

LAB 28.65, 53.37, -18.41

 

CMYK 6 / 0 / 94 / 50

HEX #788008

RGB 120 128 8

HSL 64, 0.88%, 0.27%

LAB 51.21, -16.47, 54.37

 

CMYK 94 / 0 / 41 / 49

HEX #08814C

RGB 8 129 76

HSL 153.72, 0.88%, 0.27%

LAB 47.33, -42.95, 20.52

 

CMYK 88 / 94 / 0 / 49

HEX #100881

RGB 16 8 129

HSL 243.97, 0.88%, 0.27%

LAB 14.78, 44.96, -62.3

 

CMYK 0 / 94 / 53 / 49

HEX #81083C

RGB 129 8 60

HSL 334.21, 0.88%, 0.27%

LAB 27.21, 49.46, 4.1

 

Description

Color code: HEX #788008 | qconv.com Color code: HEX #788008 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 128 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 128 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 94 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 94% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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