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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788223 it is the complementary color #877DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #788223 shade: #7D821E, #8E9431, #9FA644, #B0B857 and #C1CA6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #788223 shade: #788223, #677010, #565E00, #454C00 and #343A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #788223 shade: #768022, #807122, #805722, #803E22 and #802422

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #788223 shade: #768022, #5D8022, #438022, #2A8022 and #228033

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #788223 shade matches the following richer shades: #768022, #818E15 and #8B9B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #788223 shade: #768022, #6C732F, #62663C, #575949 and #4D4C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #788223 shade: #805722, #807122, #778022, #5E8022 and #448022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #788223 shade: #3A3F10, #586019, #768022, #95A12A and #B3C233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #788223 shade: #788223, #22803E and #642280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #788223 shade: #788223, #227780 and #802277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #788223 shade: #788223, #22803E, #2B2280 and #802264

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #788223 shade: #788223, #22805B, #2B2280 and #802248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 73 / 49

HEX #788223

RGB 120 130 35

HSL 66.32, 0.58%, 0.32%

LAB 51.93, -16.53, 47.35

 

Complementary color

CMYK 39 / 43 / 0 / 14

HEX #877DDC

RGB 135 125 220

HSL 246.32, 0.58%, 0.68%

LAB 57.06, 26.43, -47.41

 

CMYK 4 / 0 / 77 / 49

HEX #7D821E

RGB 125 130 30

HSL 63, 0.63%, 0.31%

LAB 52.31, -14.53, 49.71

 

CMYK 4 / 0 / 67 / 42

HEX #8E9431

RGB 142 148 49

HSL 63.64, 0.5%, 0.39%

LAB 59.12, -15.39, 49.5

 

CMYK 4 / 0 / 59 / 35

HEX #9FA644

RGB 159 166 68

HSL 64.29, 0.42%, 0.46%

LAB 65.8, -16.05, 48.71

 

CMYK 4 / 0 / 53 / 28

HEX #B0B857

RGB 176 184 87

HSL 64.95, 0.41%, 0.53%

LAB 72.36, -16.56, 47.67

 

CMYK 4 / 0 / 48 / 21

HEX #C1CA6A

RGB 193 202 106

HSL 65.63, 0.48%, 0.6%

LAB 78.82, -16.96, 46.54

 

CMYK 8 / 0 / 73 / 49

HEX #788223

RGB 120 130 35

HSL 66.32, 0.58%, 0.32%

LAB 51.93, -16.53, 47.35

 

CMYK 8 / 0 / 86 / 56

HEX #677010

RGB 103 112 16

HSL 65.63, 0.75%, 0.25%

LAB 44.95, -15.57, 46.88

 

CMYK 9 / 0 / 100 / 63

HEX #565E00

RGB 86 94 0

HSL 65.11, 1%, 0.18%

LAB 37.81, -14.3, 44.69

 

CMYK 9 / 0 / 100 / 70

HEX #454C00

RGB 69 76 0

HSL 65.53, 1%, 0.15%

LAB 30.48, -12.53, 38.59

 

CMYK 10 / 0 / 100 / 77

HEX #343A00

RGB 52 58 0

HSL 66.21, 1%, 0.11%

LAB 22.85, -10.69, 31.23

 

CMYK 8 / 0 / 73 / 50

HEX #768022

RGB 118 128 34

HSL 66.38, 0.58%, 0.32%

LAB 51.16, -16.43, 46.93

 

CMYK 0 / 12 / 73 / 50

HEX #807122

RGB 128 113 34

HSL 50.43, 0.58%, 0.32%

LAB 47.64, -3.55, 43.77

 

CMYK 0 / 32 / 73 / 50

HEX #805722

RGB 128 87 34

HSL 33.83, 0.58%, 0.32%

LAB 40.44, 11.64, 36.42

 

CMYK 0 / 52 / 73 / 50

HEX #803E22

RGB 128 62 34

HSL 17.87, 0.58%, 0.32%

LAB 34.29, 26.24, 29.78

 

CMYK 0 / 72 / 73 / 50

HEX #802422

RGB 128 36 34

HSL 1.28, 0.58%, 0.32%

LAB 29.33, 39.25, 24.12

 

CMYK 8 / 0 / 73 / 50

HEX #768022

RGB 118 128 34

HSL 66.38, 0.58%, 0.32%

LAB 51.16, -16.43, 46.93

 

CMYK 27 / 0 / 73 / 50

HEX #5D8022

RGB 93 128 34

HSL 82.34, 0.58%, 0.32%

LAB 49.35, -27.27, 44.54

 

CMYK 48 / 0 / 73 / 50

HEX #438022

RGB 67 128 34

HSL 98.94, 0.58%, 0.32%

LAB 47.94, -37.05, 42.66

 

CMYK 67 / 0 / 73 / 50

HEX #2A8022

RGB 42 128 34

HSL 114.89, 0.58%, 0.32%

LAB 47.03, -44.12, 41.44

 

CMYK 73 / 0 / 60 / 50

HEX #228033

RGB 34 128 51

HSL 130.85, 0.58%, 0.32%

LAB 47, -43.84, 33.58

 

CMYK 8 / 0 / 73 / 50

HEX #768022

RGB 118 128 34

HSL 66.38, 0.58%, 0.32%

LAB 51.16, -16.43, 46.93

 

CMYK 9 / 0 / 85 / 44

HEX #818E15

RGB 129 142 21

HSL 66.45, 0.74%, 0.32%

LAB 56.16, -19.37, 55.98

 

CMYK 10 / 0 / 95 / 39

HEX #8B9B07

RGB 139 155 7

HSL 66.49, 0.91%, 0.32%

LAB 60.73, -21.88, 62.61

 

CMYK 8 / 0 / 73 / 50

HEX #768022

RGB 118 128 34

HSL 66.38, 0.58%, 0.32%

LAB 51.16, -16.43, 46.93

 

CMYK 6 / 0 / 59 / 55

HEX #6C732F

RGB 108 115 47

HSL 66.18, 0.42%, 0.32%

LAB 46.52, -13, 36

 

CMYK 4 / 0 / 41 / 60

HEX #62663C

RGB 98 102 60

HSL 65.71, 0.26%, 0.32%

LAB 41.88, -8.8, 23.21

 

CMYK 2 / 0 / 18 / 65

HEX #575949

RGB 87 89 73

HSL 67.5, 0.1%, 0.32%

LAB 37.21, -3.97, 9.01

 

CMYK 11 / 13 / 0 / 66

HEX #4D4C57

RGB 77 76 87

HSL 245.45, 0.07%, 0.32%

LAB 32.78, 2.92, -6.33

 

CMYK 0 / 32 / 73 / 50

HEX #805722

RGB 128 87 34

HSL 33.83, 0.58%, 0.32%

LAB 40.44, 11.64, 36.42

 

CMYK 0 / 12 / 73 / 50

HEX #807122

RGB 128 113 34

HSL 50.43, 0.58%, 0.32%

LAB 47.64, -3.55, 43.77

 

CMYK 7 / 0 / 73 / 50

HEX #778022

RGB 119 128 34

HSL 65.74, 0.58%, 0.32%

LAB 51.24, -15.98, 47.04

 

CMYK 27 / 0 / 73 / 50

HEX #5E8022

RGB 94 128 34

HSL 81.7, 0.58%, 0.32%

LAB 49.42, -26.86, 44.63

 

CMYK 47 / 0 / 73 / 50

HEX #448022

RGB 68 128 34

HSL 98.3, 0.58%, 0.32%

LAB 47.99, -36.71, 42.72

 

CMYK 8 / 0 / 75 / 75

HEX #3A3F10

RGB 58 63 16

HSL 66.38, 0.59%, 0.15%

LAB 25.24, -9.58, 27

 

CMYK 8 / 0 / 74 / 62

HEX #586019

RGB 88 96 25

HSL 66.76, 0.59%, 0.24%

LAB 38.74, -13.4, 37.49

 

CMYK 8 / 0 / 73 / 50

HEX #768022

RGB 118 128 34

HSL 66.38, 0.58%, 0.32%

LAB 51.16, -16.43, 46.93

 

CMYK 7 / 0 / 74 / 37

HEX #95A12A

RGB 149 161 42

HSL 66.05, 0.59%, 0.4%

LAB 63.38, -19.44, 56.63

 

CMYK 8 / 0 / 74 / 24

HEX #B3C233

RGB 179 194 51

HSL 66.29, 0.58%, 0.48%

LAB 75.08, -22.7, 65.47

 

CMYK 8 / 0 / 73 / 49

HEX #788223

RGB 120 130 35

HSL 66.32, 0.58%, 0.32%

LAB 51.93, -16.53, 47.35

 

CMYK 73 / 0 / 52 / 50

HEX #22803E

RGB 34 128 62

HSL 137.87, 0.58%, 0.32%

LAB 47.14, -42.18, 28.05

 

CMYK 22 / 73 / 0 / 50

HEX #642280

RGB 100 34 128

HSL 282.13, 0.58%, 0.32%

LAB 27.88, 44.72, -39.82

 

CMYK 8 / 0 / 73 / 49

HEX #788223

RGB 120 130 35

HSL 66.32, 0.58%, 0.32%

LAB 51.93, -16.53, 47.35

 

CMYK 73 / 7 / 0 / 50

HEX #227780

RGB 34 119 128

HSL 185.74, 0.58%, 0.32%

LAB 45.76, -21.42, -12.19

 

CMYK 0 / 73 / 7 / 50

HEX #802277

RGB 128 34 119

HSL 305.74, 0.58%, 0.32%

LAB 31.95, 49.61, -27.37

 

CMYK 8 / 0 / 73 / 49

HEX #788223

RGB 120 130 35

HSL 66.32, 0.58%, 0.32%

LAB 51.93, -16.53, 47.35

 

CMYK 73 / 0 / 52 / 50

HEX #22803E

RGB 34 128 62

HSL 137.87, 0.58%, 0.32%

LAB 47.14, -42.18, 28.05

 

CMYK 66 / 73 / 0 / 50

HEX #2B2280

RGB 43 34 128

HSL 245.74, 0.58%, 0.32%

LAB 20.89, 33.97, -51.5

 

CMYK 0 / 73 / 22 / 50

HEX #802264

RGB 128 34 100

HSL 317.87, 0.58%, 0.32%

LAB 31, 46.65, -16.73

 

CMYK 8 / 0 / 73 / 49

HEX #788223

RGB 120 130 35

HSL 66.32, 0.58%, 0.32%

LAB 51.93, -16.53, 47.35

 

CMYK 73 / 0 / 29 / 50

HEX #22805B

RGB 34 128 91

HSL 156.38, 0.58%, 0.32%

LAB 47.67, -36.3, 12.44

 

CMYK 66 / 73 / 0 / 50

HEX #2B2280

RGB 43 34 128

HSL 245.74, 0.58%, 0.32%

LAB 20.89, 33.97, -51.5

 

CMYK 0 / 73 / 44 / 50

HEX #802248

RGB 128 34 72

HSL 335.74, 0.58%, 0.32%

LAB 29.91, 43.1, -0.06

 

Description

Color code: HEX #788223 | qconv.com Color code: HEX #788223 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 130 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 130 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 73 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 73% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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