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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788A41 it is the complementary color #8775BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788A41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #788A41 shade: #7D8A3C, #8E9C4F, #9FAE62, #B0C075 and #C1D288

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788A41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #788A41 shade: #788A41, #67782E, #56661B, #455408 and #344200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #788A41 shade: #788A41, #8A8941, #8A7541, #8A6141 and #8A4D41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #788A41 shade: #788A41, #648A41, #518A41, #418A45 and #418A59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #788A41 shade matches the following richer shades: #788A41, #809B30, #89AB20 and #91BC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #788A41 shade: #788A41, #707A51, #676962, #5F5972 and #574883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #788A41 shade: #8A7441, #8A8841, #798A41, #668A41 and #528A41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #788A41 shade: #475226, #606E34, #788A41, #91A64E and #A3B767

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #788A41 shade: #788A41, #418A61 and #7E418A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #788A41 shade: #788A41, #41798A and #8A4179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #788A41 shade: #788A41, #418A61, #52418A and #8A416A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #788A41 shade: #788A41, #418A77, #52418A and #8A4154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

Complementary color

CMYK 29 / 38 / 0 / 25

HEX #8775BE

RGB 135 117 190

HSL 254.79, 0.36%, 0.6%

LAB 53.59, 23.14, -35.88

 

CMYK 9 / 0 / 57 / 46

HEX #7D8A3C

RGB 125 138 60

HSL 70, 0.39%, 0.39%

LAB 54.93, -16.7, 39.52

 

CMYK 9 / 0 / 49 / 39

HEX #8E9C4F

RGB 142 156 79

HSL 70.91, 0.33%, 0.46%

LAB 61.73, -17.04, 38.36

 

CMYK 9 / 0 / 44 / 32

HEX #9FAE62

RGB 159 174 98

HSL 71.84, 0.32%, 0.53%

LAB 68.41, -17.3, 37.15

 

CMYK 8 / 0 / 39 / 25

HEX #B0C075

RGB 176 192 117

HSL 72.8, 0.37%, 0.61%

LAB 74.96, -17.48, 35.96

 

CMYK 8 / 0 / 35 / 18

HEX #C1D288

RGB 193 210 136

HSL 73.78, 0.45%, 0.68%

LAB 81.41, -17.62, 34.81

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 14 / 0 / 62 / 53

HEX #67782E

RGB 103 120 46

HSL 73.78, 0.45%, 0.33%

LAB 47.64, -18.01, 37.64

 

CMYK 16 / 0 / 74 / 60

HEX #56661B

RGB 86 102 27

HSL 72.8, 0.58%, 0.25%

LAB 40.51, -17.49, 38.36

 

CMYK 18 / 0 / 90 / 67

HEX #455408

RGB 69 84 8

HSL 71.84, 0.83%, 0.18%

LAB 33.19, -16.66, 37.92

 

CMYK 21 / 0 / 100 / 74

HEX #344200

RGB 52 66 0

HSL 72.73, 1%, 0.13%

LAB 25.64, -15.33, 33.98

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 0 / 1 / 53 / 46

HEX #8A8941

RGB 138 137 65

HSL 59.18, 0.36%, 0.4%

LAB 55.76, -10.05, 38.26

 

CMYK 0 / 15 / 53 / 46

HEX #8A7541

RGB 138 117 65

HSL 42.74, 0.36%, 0.4%

LAB 50.11, 1.11, 31.5

 

CMYK 0 / 30 / 53 / 46

HEX #8A6141

RGB 138 97 65

HSL 26.3, 0.36%, 0.4%

LAB 44.71, 12.72, 24.78

 

CMYK 0 / 44 / 53 / 46

HEX #8A4D41

RGB 138 77 65

HSL 9.86, 0.36%, 0.4%

LAB 39.74, 24.38, 18.34

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 28 / 0 / 53 / 46

HEX #648A41

RGB 100 138 65

HSL 91.23, 0.36%, 0.4%

LAB 53.24, -26.47, 34.58

 

CMYK 41 / 0 / 53 / 46

HEX #518A41

RGB 81 138 65

HSL 106.85, 0.36%, 0.4%

LAB 52.18, -33.43, 33.05

 

CMYK 53 / 0 / 50 / 46

HEX #418A45

RGB 65 138 69

HSL 123.29, 0.36%, 0.4%

LAB 51.53, -37.88, 30

 

CMYK 53 / 0 / 36 / 46

HEX #418A59

RGB 65 138 89

HSL 139.73, 0.36%, 0.4%

LAB 51.86, -34.42, 19.47

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 17 / 0 / 69 / 39

HEX #809B30

RGB 128 155 48

HSL 75.14, 0.53%, 0.4%

LAB 60.11, -25.04, 50.6

 

CMYK 20 / 0 / 81 / 33

HEX #89AB20

RGB 137 171 32

HSL 74.68, 0.68%, 0.4%

LAB 65.4, -29.89, 61.34

 

CMYK 23 / 0 / 92 / 26

HEX #91BC0F

RGB 145 188 15

HSL 74.91, 0.85%, 0.4%

LAB 70.89, -35.03, 69.7

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 8 / 0 / 34 / 52

HEX #707A51

RGB 112 122 81

HSL 74.63, 0.2%, 0.4%

LAB 49.44, -11.13, 21.26

 

CMYK 2 / 0 / 7 / 59

HEX #676962

RGB 103 105 98

HSL 77.14, 0.03%, 0.4%

LAB 44.04, -2.19, 3.66

 

CMYK 17 / 22 / 0 / 55

HEX #5F5972

RGB 95 89 114

HSL 254.4, 0.12%, 0.4%

LAB 39.23, 8.01, -13.32

 

CMYK 34 / 45 / 0 / 49

HEX #574883

RGB 87 72 131

HSL 255.25, 0.29%, 0.4%

LAB 34.6, 20.62, -31.05

 

CMYK 0 / 16 / 53 / 46

HEX #8A7441

RGB 138 116 65

HSL 41.92, 0.36%, 0.4%

LAB 49.83, 1.68, 31.16

 

CMYK 0 / 1 / 53 / 46

HEX #8A8841

RGB 138 136 65

HSL 58.36, 0.36%, 0.4%

LAB 55.48, -9.5, 37.93

 

CMYK 12 / 0 / 53 / 46

HEX #798A41

RGB 121 138 65

HSL 73.97, 0.36%, 0.4%

LAB 54.68, -17.92, 36.65

 

CMYK 26 / 0 / 53 / 46

HEX #668A41

RGB 102 138 65

HSL 89.59, 0.36%, 0.4%

LAB 53.37, -25.69, 34.76

 

CMYK 41 / 0 / 53 / 46

HEX #528A41

RGB 82 138 65

HSL 106.03, 0.36%, 0.4%

LAB 52.23, -33.09, 33.13

 

CMYK 13 / 0 / 54 / 68

HEX #475226

RGB 71 82 38

HSL 75, 0.37%, 0.24%

LAB 32.95, -12.28, 24.19

 

CMYK 13 / 0 / 53 / 57

HEX #606E34

RGB 96 110 52

HSL 74.48, 0.36%, 0.32%

LAB 44.07, -15.11, 30.32

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 13 / 0 / 53 / 35

HEX #91A64E

RGB 145 166 78

HSL 74.32, 0.36%, 0.48%

LAB 64.84, -21.02, 42.61

 

CMYK 11 / 0 / 44 / 28

HEX #A3B767

RGB 163 183 103

HSL 75, 0.36%, 0.56%

LAB 71.31, -19.7, 38.29

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 53 / 0 / 30 / 46

HEX #418A61

RGB 65 138 97

HSL 146.3, 0.36%, 0.4%

LAB 52.02, -32.8, 15.16

 

CMYK 9 / 53 / 0 / 46

HEX #7E418A

RGB 126 65 138

HSL 290.14, 0.36%, 0.4%

LAB 37.93, 38.22, -29.79

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 53 / 12 / 0 / 46

HEX #41798A

RGB 65 121 138

HSL 193.97, 0.36%, 0.4%

LAB 47.79, -13.43, -14.94

 

CMYK 0 / 53 / 12 / 46

HEX #8A4179

RGB 138 65 121

HSL 313.97, 0.36%, 0.4%

LAB 38.84, 38.69, -17.79

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 53 / 0 / 30 / 46

HEX #418A61

RGB 65 138 97

HSL 146.3, 0.36%, 0.4%

LAB 52.02, -32.8, 15.16

 

CMYK 41 / 53 / 0 / 46

HEX #52418A

RGB 82 65 138

HSL 253.97, 0.36%, 0.4%

LAB 32.72, 25.7, -38.38

 

CMYK 0 / 53 / 23 / 46

HEX #8A416A

RGB 138 65 106

HSL 326.3, 0.36%, 0.4%

LAB 38.24, 36.24, -9.36

 

CMYK 13 / 0 / 53 / 46

HEX #788A41

RGB 120 138 65

HSL 74.79, 0.36%, 0.4%

LAB 54.61, -18.34, 36.54

 

CMYK 53 / 0 / 14 / 46

HEX #418A77

RGB 65 138 119

HSL 164.38, 0.36%, 0.4%

LAB 52.55, -27.69, 3.24

 

CMYK 41 / 53 / 0 / 46

HEX #52418A

RGB 82 65 138

HSL 253.97, 0.36%, 0.4%

LAB 32.72, 25.7, -38.38

 

CMYK 0 / 53 / 39 / 46

HEX #8A4154

RGB 138 65 84

HSL 344.38, 0.36%, 0.4%

LAB 37.52, 33.17, 3.43

 

Description

Color code: HEX #788A41 | qconv.com Color code: HEX #788A41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 138 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 138 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 53 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 53% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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