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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #789CCA it is the complementary color #876335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #789CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #789CCA shade: #7D9CC5, #8EAED8, #9FC0EB, #B0D2FE and #C1E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #789CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #789CCA shade: #789CCA, #678AB7, #5678A4, #456691 and #34547E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #789CCA shade: #779BCA, #7785CA, #7F77CA, #9577CA and #AC77CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #789CCA shade: #779BCA, #7785CA and #7777CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #789CCA shade matches the following richer shades: #779BCA, #6799D9, #5897E8 and #4995F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #789CCA shade: #779BCA, #869DBA, #959FAB, #A4A19C and #B4A38D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #789CCA shade: #77C8CA, #77B2CA, #779CCA, #7786CA and #7E77CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #789CCA shade: #4270AB, #5985BE, #779BCA, #94B1D5 and #B2C7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #789CCA shade: #789CCA, #B577CA and #BDCA77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #789CCA shade: #789CCA, #CA779C and #9CCA77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #789CCA shade: #789CCA, #B577CA, #CAA477 and #8BCA77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #789CCA shade: #789CCA, #CA77C6, #CAA477 and #77CA7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 23 / 0 / 21

HEX #789CCA

RGB 120 156 202

HSL 213.66, 0.44%, 0.63%

LAB 63.37, -0.57, -27.54

 

Complementary color

CMYK 0 / 27 / 61 / 47

HEX #876335

RGB 135 99 53

HSL 33.66, 0.44%, 0.37%

LAB 44.7, 9.12, 31.46

 

CMYK 37 / 21 / 0 / 23

HEX #7D9CC5

RGB 125 156 197

HSL 214.17, 0.38%, 0.63%

LAB 63.48, -0.56, -24.55

 

CMYK 34 / 19 / 0 / 15

HEX #8EAED8

RGB 142 174 216

HSL 214.05, 0.49%, 0.7%

LAB 70.16, -0.84, -24.74

 

CMYK 32 / 18 / 0 / 8

HEX #9FC0EB

RGB 159 192 235

HSL 213.95, 0.66%, 0.77%

LAB 76.72, -1.09, -24.95

 

CMYK 31 / 17 / 0 / 0

HEX #B0D2FE

RGB 176 210 254

HSL 213.85, 0.98%, 0.84%

LAB 83.17, -1.31, -25.18

 

CMYK 24 / 11 / 0 / 0

HEX #C1E4FF

RGB 193 228 255

HSL 206.13, 1%, 0.88%

LAB 88.94, -5.62, -16.86

 

CMYK 41 / 23 / 0 / 21

HEX #789CCA

RGB 120 156 202

HSL 213.66, 0.44%, 0.63%

LAB 63.37, -0.57, -27.54

 

CMYK 44 / 25 / 0 / 28

HEX #678AB7

RGB 103 138 183

HSL 213.75, 0.36%, 0.56%

LAB 56.56, -0.17, -27.42

 

CMYK 48 / 27 / 0 / 36

HEX #5678A4

RGB 86 120 164

HSL 213.85, 0.31%, 0.49%

LAB 49.61, 0.33, -27.33

 

CMYK 52 / 30 / 0 / 43

HEX #456691

RGB 69 102 145

HSL 213.95, 0.36%, 0.42%

LAB 42.48, 0.95, -27.28

 

CMYK 59 / 33 / 0 / 51

HEX #34547E

RGB 52 84 126

HSL 214.05, 0.42%, 0.35%

LAB 35.16, 1.79, -27.27

 

CMYK 41 / 23 / 0 / 21

HEX #779BCA

RGB 119 155 202

HSL 213.98, 0.44%, 0.63%

LAB 63.03, -0.27, -28.07

 

CMYK 41 / 34 / 0 / 21

HEX #7785CA

RGB 119 133 202

HSL 229.88, 0.44%, 0.63%

LAB 57.04, 12.46, -37.39

 

CMYK 37 / 41 / 0 / 21

HEX #7F77CA

RGB 127 119 202

HSL 245.78, 0.44%, 0.63%

LAB 54, 22.91, -42.14

 

CMYK 26 / 41 / 0 / 21

HEX #9577CA

RGB 149 119 202

HSL 261.69, 0.44%, 0.63%

LAB 55.93, 29.05, -38.95

 

CMYK 15 / 41 / 0 / 21

HEX #AC77CA

RGB 172 119 202

HSL 278.31, 0.44%, 0.63%

LAB 58.25, 35.82, -35.15

 

CMYK 41 / 23 / 0 / 21

HEX #779BCA

RGB 119 155 202

HSL 213.98, 0.44%, 0.63%

LAB 63.03, -0.27, -28.07

 

CMYK 41 / 34 / 0 / 21

HEX #7785CA

RGB 119 133 202

HSL 229.88, 0.44%, 0.63%

LAB 57.04, 12.46, -37.39

 

CMYK 41 / 41 / 0 / 21

HEX #7777CA

RGB 119 119 202

HSL 240, 0.44%, 0.63%

LAB 53.36, 20.81, -43.18

 

CMYK 41 / 23 / 0 / 21

HEX #779BCA

RGB 119 155 202

HSL 213.98, 0.44%, 0.63%

LAB 63.03, -0.27, -28.07

 

CMYK 53 / 29 / 0 / 15

HEX #6799D9

RGB 103 153 217

HSL 213.68, 0.6%, 0.63%

LAB 62.23, 1.35, -37.74

 

CMYK 62 / 35 / 0 / 9

HEX #5897E8

RGB 88 151 232

HSL 213.75, 0.76%, 0.63%

LAB 61.68, 4.29, -46.97

 

CMYK 70 / 40 / 0 / 3

HEX #4995F7

RGB 73 149 247

HSL 213.79, 0.92%, 0.63%

LAB 61.33, 8.18, -55.83

 

CMYK 41 / 23 / 0 / 21

HEX #779BCA

RGB 119 155 202

HSL 213.98, 0.44%, 0.63%

LAB 63.03, -0.27, -28.07

 

CMYK 28 / 16 / 0 / 27

HEX #869DBA

RGB 134 157 186

HSL 213.46, 0.27%, 0.63%

LAB 63.94, -1.32, -17.65

 

CMYK 13 / 7 / 0 / 33

HEX #959FAB

RGB 149 159 171

HSL 212.73, 0.12%, 0.63%

LAB 65.06, -1.05, -7.45

 

CMYK 0 / 2 / 5 / 36

HEX #A4A19C

RGB 164 161 156

HSL 37.5, 0.04%, 0.63%

LAB 66.35, 0.16, 2.97

 

CMYK 0 / 9 / 22 / 29

HEX #B4A38D

RGB 180 163 141

HSL 33.85, 0.21%, 0.63%

LAB 67.89, 2.6, 13.68

 

CMYK 41 / 1 / 0 / 21

HEX #77C8CA

RGB 119 200 202

HSL 181.45, 0.44%, 0.63%

LAB 75.76, -24.21, -8.79

 

CMYK 41 / 12 / 0 / 21

HEX #77B2CA

RGB 119 178 202

HSL 197.35, 0.44%, 0.63%

LAB 69.49, -12.89, -18.2

 

CMYK 41 / 23 / 0 / 21

HEX #779CCA

RGB 119 156 202

HSL 213.25, 0.44%, 0.63%

LAB 63.31, -0.84, -27.64

 

CMYK 41 / 34 / 0 / 21

HEX #7786CA

RGB 119 134 202

HSL 229.16, 0.44%, 0.63%

LAB 57.31, 11.87, -36.97

 

CMYK 38 / 41 / 0 / 21

HEX #7E77CA

RGB 126 119 202

HSL 245.06, 0.44%, 0.63%

LAB 53.91, 22.65, -42.27

 

CMYK 61 / 35 / 0 / 33

HEX #4270AB

RGB 66 112 171

HSL 213.71, 0.44%, 0.46%

LAB 46.56, 2.87, -36.26

 

CMYK 53 / 30 / 0 / 25

HEX #5985BE

RGB 89 133 190

HSL 213.86, 0.44%, 0.55%

LAB 54.68, 1.43, -34.41

 

CMYK 41 / 23 / 0 / 21

HEX #779BCA

RGB 119 155 202

HSL 213.98, 0.44%, 0.63%

LAB 63.03, -0.27, -28.07

 

CMYK 31 / 17 / 0 / 16

HEX #94B1D5

RGB 148 177 213

HSL 213.23, 0.44%, 0.71%

LAB 71.24, -1.53, -21.41

 

CMYK 21 / 12 / 0 / 12

HEX #B2C7E1

RGB 178 199 225

HSL 213.19, 0.44%, 0.79%

LAB 79.47, -1.59, -15.29

 

CMYK 41 / 23 / 0 / 21

HEX #789CCA

RGB 120 156 202

HSL 213.66, 0.44%, 0.63%

LAB 63.37, -0.57, -27.54

 

CMYK 10 / 41 / 0 / 21

HEX #B577CA

RGB 181 119 202

HSL 284.82, 0.44%, 0.63%

LAB 59.23, 38.53, -33.55

 

CMYK 6 / 0 / 41 / 21

HEX #BDCA77

RGB 189 202 119

HSL 69.4, 0.44%, 0.63%

LAB 78.69, -17.19, 39.89

 

CMYK 41 / 23 / 0 / 21

HEX #789CCA

RGB 120 156 202

HSL 213.66, 0.44%, 0.63%

LAB 63.37, -0.57, -27.54

 

CMYK 0 / 41 / 23 / 21

HEX #CA779C

RGB 202 119 156

HSL 333.25, 0.44%, 0.63%

LAB 60.02, 37.24, -5.85

 

CMYK 23 / 0 / 41 / 21

HEX #9CCA77

RGB 156 202 119

HSL 93.25, 0.44%, 0.63%

LAB 76.46, -29.68, 36.6

 

CMYK 41 / 23 / 0 / 21

HEX #789CCA

RGB 120 156 202

HSL 213.66, 0.44%, 0.63%

LAB 63.37, -0.57, -27.54

 

CMYK 10 / 41 / 0 / 21

HEX #B577CA

RGB 181 119 202

HSL 284.82, 0.44%, 0.63%

LAB 59.23, 38.53, -33.55

 

CMYK 0 / 19 / 41 / 21

HEX #CAA477

RGB 202 164 119

HSL 32.53, 0.44%, 0.63%

LAB 69.78, 7.93, 28.62

 

CMYK 31 / 0 / 41 / 21

HEX #8BCA77

RGB 139 202 119

HSL 105.54, 0.44%, 0.63%

LAB 75.49, -35.64, 35.15

 

CMYK 41 / 23 / 0 / 21

HEX #789CCA

RGB 120 156 202

HSL 213.66, 0.44%, 0.63%

LAB 63.37, -0.57, -27.54

 

CMYK 0 / 41 / 2 / 21

HEX #CA77C6

RGB 202 119 198

HSL 302.89, 0.44%, 0.63%

LAB 61.51, 44.17, -27.57

 

CMYK 0 / 19 / 41 / 21

HEX #CAA477

RGB 202 164 119

HSL 32.53, 0.44%, 0.63%

LAB 69.78, 7.93, 28.62

 

CMYK 41 / 0 / 39 / 21

HEX #77CA7B

RGB 119 202 123

HSL 122.89, 0.44%, 0.63%

LAB 74.57, -41.45, 31.72

 

Description

Color code: HEX #789CCA | qconv.com Color code: HEX #789CCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 156 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 156 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 23 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 23% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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