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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #789DCE it is the complementary color #876231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #789DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #789DCE shade: #7D9DC9, #8EAFDC, #9FC1EF, #B0D3FF and #C1E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #789DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #789DCE shade: #789DCE, #678BBB, #5679A8, #456795 and #345582

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #789DCE shade: #789DCE, #7885CE, #8178CE, #9878CE and #B078CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #789DCE shade: #789DCE, #7885CE and #7878CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #789DCE shade matches the following richer shades: #789DCE, #699BDD, #5A99EC and #4B96FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #789DCE shade: #789DCE, #869FBF, #95A1B0, #A4A3A1 and #B3A592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #789DCE shade: #78CBCE, #78B4CE, #789DCE, #7886CE and #8078CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #789DCE shade: #4071B3, #5987C3, #789DCE, #96B3D9 and #B4C9E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #789DCE shade: #789DCE, #BA78CE and #BFCE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #789DCE shade: #789DCE, #CE789D and #9DCE78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #789DCE shade: #789DCE, #BA78CE, #CEA878 and #8CCE78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #789DCE shade: #789DCE, #CE78C8, #CEA878 and #78CE7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

Complementary color

CMYK 0 / 27 / 64 / 47

HEX #876231

RGB 135 98 49

HSL 34.19, 0.47%, 0.36%

LAB 44.39, 9.39, 33.25

 

CMYK 38 / 22 / 0 / 21

HEX #7D9DC9

RGB 125 157 201

HSL 214.74, 0.41%, 0.64%

LAB 63.91, -0.05, -26.13

 

CMYK 35 / 20 / 0 / 14

HEX #8EAFDC

RGB 142 175 220

HSL 214.62, 0.53%, 0.71%

LAB 70.58, -0.36, -26.3

 

CMYK 33 / 19 / 0 / 6

HEX #9FC1EF

RGB 159 193 239

HSL 214.5, 0.71%, 0.78%

LAB 77.13, -0.63, -26.48

 

CMYK 31 / 17 / 0 / 0

HEX #B0D3FF

RGB 176 211 255

HSL 213.42, 1%, 0.85%

LAB 83.46, -1.6, -25.26

 

CMYK 24 / 10 / 0 / 0

HEX #C1E5FF

RGB 193 229 255

HSL 205.16, 1%, 0.88%

LAB 89.2, -6.14, -16.47

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 45 / 26 / 0 / 27

HEX #678BBB

RGB 103 139 187

HSL 214.29, 0.38%, 0.57%

LAB 57.01, 0.42, -29

 

CMYK 49 / 28 / 0 / 34

HEX #5679A8

RGB 86 121 168

HSL 214.39, 0.32%, 0.5%

LAB 50.07, 0.96, -28.93

 

CMYK 54 / 31 / 0 / 42

HEX #456795

RGB 69 103 149

HSL 214.5, 0.37%, 0.43%

LAB 42.97, 1.65, -28.9

 

CMYK 60 / 35 / 0 / 49

HEX #345582

RGB 52 85 130

HSL 214.62, 0.43%, 0.36%

LAB 35.67, 2.56, -28.92

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 42 / 35 / 0 / 19

HEX #7885CE

RGB 120 133 206

HSL 230.93, 0.47%, 0.64%

LAB 57.29, 13.87, -39.25

 

CMYK 37 / 42 / 0 / 19

HEX #8178CE

RGB 129 120 206

HSL 246.28, 0.47%, 0.64%

LAB 54.61, 23.96, -43.42

 

CMYK 26 / 42 / 0 / 19

HEX #9878CE

RGB 152 120 206

HSL 262.33, 0.47%, 0.64%

LAB 56.65, 30.31, -40.08

 

CMYK 15 / 42 / 0 / 19

HEX #B078CE

RGB 176 120 206

HSL 279.07, 0.47%, 0.64%

LAB 59.08, 37.32, -36.08

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 42 / 35 / 0 / 19

HEX #7885CE

RGB 120 133 206

HSL 230.93, 0.47%, 0.64%

LAB 57.29, 13.87, -39.25

 

CMYK 42 / 42 / 0 / 19

HEX #7878CE

RGB 120 120 206

HSL 240, 0.47%, 0.64%

LAB 53.9, 21.61, -44.59

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 52 / 30 / 0 / 13

HEX #699BDD

RGB 105 155 221

HSL 214.14, 0.63%, 0.64%

LAB 63.07, 1.88, -38.65

 

CMYK 62 / 35 / 0 / 7

HEX #5A99EC

RGB 90 153 236

HSL 214.11, 0.79%, 0.64%

LAB 62.52, 4.8, -47.85

 

CMYK 70 / 40 / 0 / 2

HEX #4B96FA

RGB 75 150 250

HSL 214.29, 0.95%, 0.64%

LAB 61.84, 8.91, -56.67

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 30 / 17 / 0 / 25

HEX #869FBF

RGB 134 159 191

HSL 213.68, 0.31%, 0.64%

LAB 64.66, -1.19, -19.34

 

CMYK 15 / 9 / 0 / 31

HEX #95A1B0

RGB 149 161 176

HSL 213.33, 0.15%, 0.64%

LAB 65.76, -1.08, -9.21

 

CMYK 0 / 1 / 2 / 36

HEX #A4A3A1

RGB 164 163 161

HSL 40, 0.02%, 0.64%

LAB 67.02, -0.01, 1.16

 

CMYK 0 / 8 / 18 / 30

HEX #B3A592

RGB 179 165 146

HSL 34.55, 0.18%, 0.64%

LAB 68.44, 1.89, 11.68

 

CMYK 42 / 1 / 0 / 19

HEX #78CBCE

RGB 120 203 206

HSL 182.09, 0.47%, 0.64%

LAB 76.78, -24.45, -9.43

 

CMYK 42 / 13 / 0 / 19

HEX #78B4CE

RGB 120 180 206

HSL 198.14, 0.47%, 0.64%

LAB 70.24, -12.64, -19.25

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 42 / 35 / 0 / 19

HEX #7886CE

RGB 120 134 206

HSL 230.23, 0.47%, 0.64%

LAB 57.56, 13.28, -38.83

 

CMYK 38 / 42 / 0 / 19

HEX #8078CE

RGB 128 120 206

HSL 245.58, 0.47%, 0.64%

LAB 54.53, 23.69, -43.56

 

CMYK 64 / 37 / 0 / 30

HEX #4071B3

RGB 64 113 179

HSL 214.43, 0.47%, 0.48%

LAB 47.18, 4.66, -39.95

 

CMYK 54 / 31 / 0 / 24

HEX #5987C3

RGB 89 135 195

HSL 213.96, 0.47%, 0.56%

LAB 55.47, 1.84, -36

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 31 / 18 / 0 / 15

HEX #96B3D9

RGB 150 179 217

HSL 214.03, 0.47%, 0.72%

LAB 72.05, -1.05, -22.36

 

CMYK 21 / 12 / 0 / 11

HEX #B4C9E4

RGB 180 201 228

HSL 213.75, 0.47%, 0.8%

LAB 80.22, -1.38, -15.75

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 10 / 42 / 0 / 19

HEX #BA78CE

RGB 186 120 206

HSL 286.05, 0.47%, 0.64%

LAB 60.18, 40.31, -34.29

 

CMYK 7 / 0 / 42 / 19

HEX #BFCE78

RGB 191 206 120

HSL 70.47, 0.47%, 0.64%

LAB 79.94, -18.29, 40.99

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 0 / 42 / 24 / 19

HEX #CE789D

RGB 206 120 157

HSL 334.19, 0.47%, 0.64%

LAB 60.77, 38.25, -5.26

 

CMYK 24 / 0 / 42 / 19

HEX #9DCE78

RGB 157 206 120

HSL 94.19, 0.47%, 0.64%

LAB 77.68, -31.08, 37.66

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 10 / 42 / 0 / 19

HEX #BA78CE

RGB 186 120 206

HSL 286.05, 0.47%, 0.64%

LAB 60.18, 40.31, -34.29

 

CMYK 0 / 18 / 42 / 19

HEX #CEA878

RGB 206 168 120

HSL 33.49, 0.47%, 0.64%

LAB 71.2, 7.51, 30.02

 

CMYK 32 / 0 / 42 / 19

HEX #8CCE78

RGB 140 206 120

HSL 106.05, 0.47%, 0.64%

LAB 76.72, -36.98, 36.24

 

CMYK 42 / 24 / 0 / 19

HEX #789DCE

RGB 120 157 206

HSL 214.19, 0.47%, 0.64%

LAB 63.81, -0.03, -29.1

 

CMYK 0 / 42 / 3 / 19

HEX #CE78C8

RGB 206 120 200

HSL 304.19, 0.47%, 0.64%

LAB 62.27, 45.24, -27.48

 

CMYK 0 / 18 / 42 / 19

HEX #CEA878

RGB 206 168 120

HSL 33.49, 0.47%, 0.64%

LAB 71.2, 7.51, 30.02

 

CMYK 42 / 0 / 39 / 19

HEX #78CE7D

RGB 120 206 125

HSL 123.49, 0.47%, 0.64%

LAB 75.83, -42.58, 32.35

 

Description

Color code: HEX #789DCE | qconv.com Color code: HEX #789DCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 157 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 157 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 24 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 24% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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