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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78B97C it is the complementary color #874683. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78B97C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78B97C shade: #7DB977, #8ECB8A, #9FDD9D, #B0EFB0 and #C1FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78B97C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78B97C shade: #78B97C, #67A769, #569556, #458343 and #347130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78B97C shade: #78B97C, #85B978, #97B978, #A9B978 and #B9B878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78B97C shade: #78B97C, #78B98D, #78B99F, #78B9B1 and #78B0B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78B97C shade matches the following richer shades: #78B97C, #67CA6D, #57DA5F, #46EB50 and #36FB42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78B97C shade: #78B97C, #88A98A, #999899, #A988A7 and #BA77B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78B97C shade: #97B978, #86B978, #78B97B, #78B98D and #78B99E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78B97C shade: #4B9350, #5DAB61, #78B97C, #93C796 and #AED5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78B97C shade: #78B97C, #78A9B9 and #B9788F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78B97C shade: #78B97C, #7B78B9 and #B97B78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78B97C shade: #78B97C, #78A9B9, #B978B6 and #B98878

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78B97C shade: #78B97C, #7895B9, #B978B6 and #B99C78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

Complementary color

CMYK 0 / 48 / 3 / 47

HEX #874683

RGB 135 70 131

HSL 303.69, 0.32%, 0.4%

LAB 39.87, 36.87, -22.39

 

CMYK 32 / 0 / 36 / 27

HEX #7DB977

RGB 125 185 119

HSL 114.55, 0.32%, 0.6%

LAB 69.75, -32.46, 27.51

 

CMYK 30 / 0 / 32 / 20

HEX #8ECB8A

RGB 142 203 138

HSL 116.31, 0.38%, 0.67%

LAB 76.25, -32.23, 26.36

 

CMYK 28 / 0 / 29 / 13

HEX #9FDD9D

RGB 159 221 157

HSL 118.13, 0.48%, 0.74%

LAB 82.66, -32, 25.28

 

CMYK 26 / 0 / 26 / 6

HEX #B0EFB0

RGB 176 239 176

HSL 120, 0.66%, 0.81%

LAB 88.97, -31.77, 24.26

 

CMYK 24 / 0 / 24 / 0

HEX #C1FFC3

RGB 193 255 195

HSL 121.94, 1%, 0.88%

LAB 94.65, -30.63, 22.53

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 38 / 0 / 37 / 35

HEX #67A769

RGB 103 167 105

HSL 121.88, 0.27%, 0.53%

LAB 62.96, -33.53, 25.78

 

CMYK 42 / 0 / 42 / 42

HEX #569556

RGB 86 149 86

HSL 120, 0.27%, 0.46%

LAB 56.23, -33.76, 27.06

 

CMYK 47 / 0 / 49 / 49

HEX #458343

RGB 69 131 67

HSL 118.13, 0.32%, 0.39%

LAB 49.38, -33.91, 28.42

 

CMYK 54 / 0 / 58 / 56

HEX #347130

RGB 52 113 48

HSL 116.31, 0.4%, 0.32%

LAB 42.39, -33.89, 29.8

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 28 / 0 / 35 / 27

HEX #85B978

RGB 133 185 120

HSL 108, 0.32%, 0.6%

LAB 70.2, -29.59, 27.67

 

CMYK 18 / 0 / 35 / 27

HEX #97B978

RGB 151 185 120

HSL 91.38, 0.32%, 0.6%

LAB 71.31, -23.12, 29.32

 

CMYK 9 / 0 / 35 / 27

HEX #A9B978

RGB 169 185 120

HSL 74.77, 0.32%, 0.6%

LAB 72.55, -16.28, 31.2

 

CMYK 0 / 1 / 35 / 27

HEX #B9B878

RGB 185 184 120

HSL 59.08, 0.32%, 0.6%

LAB 73.51, -9.47, 32.68

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 35 / 0 / 24 / 27

HEX #78B98D

RGB 120 185 141

HSL 139.38, 0.32%, 0.6%

LAB 69.9, -30.22, 15.89

 

CMYK 35 / 0 / 14 / 27

HEX #78B99F

RGB 120 185 159

HSL 156, 0.32%, 0.6%

LAB 70.31, -26.56, 6.66

 

CMYK 35 / 0 / 4 / 27

HEX #78B9B1

RGB 120 185 177

HSL 172.62, 0.32%, 0.6%

LAB 70.78, -22.51, -2.53

 

CMYK 35 / 5 / 0 / 27

HEX #78B0B9

RGB 120 176 185

HSL 188.31, 0.32%, 0.6%

LAB 68.42, -15.95, -10.43

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 49 / 0 / 46 / 21

HEX #67CA6D

RGB 103 202 109

HSL 123.64, 0.48%, 0.6%

LAB 73.69, -48.18, 37.57

 

CMYK 60 / 0 / 56 / 15

HEX #57DA5F

RGB 87 218 95

HSL 123.66, 0.64%, 0.6%

LAB 77.87, -60.2, 49.27

 

CMYK 70 / 0 / 66 / 8

HEX #46EB50

RGB 70 235 80

HSL 123.64, 0.8%, 0.6%

LAB 82.54, -70.91, 60.85

 

CMYK 78 / 0 / 74 / 2

HEX #36FB42

RGB 54 251 66

HSL 123.65, 0.96%, 0.6%

LAB 87.08, -79.23, 70.57

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 20 / 0 / 18 / 34

HEX #88A98A

RGB 136 169 138

HSL 123.64, 0.16%, 0.6%

LAB 66.09, -17.52, 12.33

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 0 / 20 / 1 / 34

HEX #A988A7

RGB 169 136 167

HSL 303.64, 0.16%, 0.6%

LAB 60.63, 18.03, -11.62

 

CMYK 0 / 36 / 2 / 27

HEX #BA77B6

RGB 186 119 182

HSL 303.58, 0.33%, 0.6%

LAB 58.98, 36.16, -22.52

 

CMYK 18 / 0 / 35 / 27

HEX #97B978

RGB 151 185 120

HSL 91.38, 0.32%, 0.6%

LAB 71.31, -23.12, 29.32

 

CMYK 28 / 0 / 35 / 27

HEX #86B978

RGB 134 185 120

HSL 107.08, 0.32%, 0.6%

LAB 70.26, -29.24, 27.75

 

CMYK 35 / 0 / 34 / 27

HEX #78B97B

RGB 120 185 123

HSL 122.77, 0.32%, 0.6%

LAB 69.56, -33.45, 25.09

 

CMYK 35 / 0 / 24 / 27

HEX #78B98D

RGB 120 185 141

HSL 139.38, 0.32%, 0.6%

LAB 69.9, -30.22, 15.89

 

CMYK 35 / 0 / 15 / 27

HEX #78B99E

RGB 120 185 158

HSL 155.08, 0.32%, 0.6%

LAB 70.29, -26.77, 7.17

 

CMYK 49 / 0 / 46 / 42

HEX #4B9350

RGB 75 147 80

HSL 124.17, 0.32%, 0.44%

LAB 55.01, -37.2, 28.62

 

CMYK 46 / 0 / 43 / 33

HEX #5DAB61

RGB 93 171 97

HSL 123.08, 0.32%, 0.52%

LAB 63.6, -39.72, 30.77

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 26 / 0 / 25 / 22

HEX #93C796

RGB 147 199 150

HSL 123.46, 0.32%, 0.68%

LAB 75.61, -26.64, 19.19

 

CMYK 18 / 0 / 17 / 16

HEX #AED5B1

RGB 174 213 177

HSL 124.62, 0.32%, 0.76%

LAB 81.71, -19.73, 13.61

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 35 / 9 / 0 / 27

HEX #78A9B9

RGB 120 169 185

HSL 194.77, 0.32%, 0.6%

LAB 66.42, -12.24, -13.42

 

CMYK 0 / 35 / 23 / 27

HEX #B9788F

RGB 185 120 143

HSL 338.77, 0.32%, 0.6%

LAB 57.78, 28.66, -1.89

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 34 / 35 / 0 / 27

HEX #7B78B9

RGB 123 120 185

HSL 242.77, 0.32%, 0.6%

LAB 53.11, 16.56, -33.83

 

CMYK 0 / 34 / 35 / 27

HEX #B97B78

RGB 185 123 120

HSL 2.77, 0.32%, 0.6%

LAB 57.88, 23.79, 11.55

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 35 / 9 / 0 / 27

HEX #78A9B9

RGB 120 169 185

HSL 194.77, 0.32%, 0.6%

LAB 66.42, -12.24, -13.42

 

CMYK 0 / 35 / 2 / 27

HEX #B978B6

RGB 185 120 182

HSL 302.77, 0.32%, 0.6%

LAB 59.09, 35.29, -22.37

 

CMYK 0 / 26 / 35 / 27

HEX #B98878

RGB 185 136 120

HSL 14.77, 0.32%, 0.6%

LAB 61.03, 16.55, 15.94

 

CMYK 35 / 0 / 33 / 27

HEX #78B97C

RGB 120 185 124

HSL 123.69, 0.32%, 0.6%

LAB 69.57, -33.28, 24.58

 

CMYK 35 / 19 / 0 / 27

HEX #7895B9

RGB 120 149 185

HSL 213.23, 0.32%, 0.6%

LAB 60.77, -1.22, -21.99

 

CMYK 0 / 35 / 2 / 27

HEX #B978B6

RGB 185 120 182

HSL 302.77, 0.32%, 0.6%

LAB 59.09, 35.29, -22.37

 

CMYK 0 / 16 / 35 / 27

HEX #B99C78

RGB 185 156 120

HSL 33.23, 0.32%, 0.6%

LAB 66.1, 5.5, 22.86

 

Description

Color code: HEX #78B97C | qconv.com Color code: HEX #78B97C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 185 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 185 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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