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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78C2D8 it is the complementary color #873D27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78C2D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78C2D8 shade: #7DC2D3, #8ED4E6, #9FE6F9, #B0F8FF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78C2D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78C2D8 shade: #78C2D8, #67B0C5, #569EB2, #458C9F and #347A8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78C2D8 shade: #78C2D7, #78A8D7, #788ED7, #7C78D7 and #9578D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78C2D8 shade: #78C2D7, #78A8D7, #788ED7 and #7878D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78C2D8 shade matches the following richer shades: #78C2D7, #6AC9E6 and #5CD1F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78C2D8 shade: #78C2D7, #86BAC9, #94B2BB, #A2ABAD and #B0A39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78C2D8 shade: #78D7B9, #78D7D3, #78C3D7, #78A9D7 and #7890D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78C2D8 shade: #39A4C4, #58B3CE, #78C2D7, #98D0E1 and #B8DFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78C2D8 shade: #78C2D8, #A078D7 and #D7C678

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78C2D8 shade: #78C2D8, #D778C3 and #C3D778

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78C2D8 shade: #78C2D8, #A078D7, #D78D78 and #B0D778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78C2D8 shade: #78C2D8, #BC78D7, #D78D78 and #93D778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

Complementary color

CMYK 0 / 55 / 71 / 47

HEX #873D27

RGB 135 61 39

HSL 13.75, 0.55%, 0.34%

LAB 35.27, 30.02, 28.31

 

CMYK 41 / 8 / 0 / 17

HEX #7DC2D3

RGB 125 194 211

HSL 191.86, 0.49%, 0.66%

LAB 74.6, -17.37, -15.36

 

CMYK 38 / 8 / 0 / 10

HEX #8ED4E6

RGB 142 212 230

HSL 192.27, 0.64%, 0.73%

LAB 81.04, -17.43, -15.81

 

CMYK 36 / 8 / 0 / 2

HEX #9FE6F9

RGB 159 230 249

HSL 192.67, 0.88%, 0.8%

LAB 87.39, -17.46, -16.24

 

CMYK 31 / 3 / 0 / 0

HEX #B0F8FF

RGB 176 248 255

HSL 185.32, 1%, 0.85%

LAB 93.27, -20.49, -10.49

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

CMYK 48 / 11 / 0 / 23

HEX #67B0C5

RGB 103 176 197

HSL 193.4, 0.45%, 0.59%

LAB 68, -17.15, -17.78

 

CMYK 52 / 11 / 0 / 30

HEX #569EB2

RGB 86 158 178

HSL 193.04, 0.37%, 0.52%

LAB 61.35, -16.93, -17.33

 

CMYK 57 / 12 / 0 / 38

HEX #458C9F

RGB 69 140 159

HSL 192.67, 0.39%, 0.45%

LAB 54.58, -16.61, -16.86

 

CMYK 63 / 13 / 0 / 45

HEX #347A8C

RGB 52 122 140

HSL 192.27, 0.46%, 0.38%

LAB 47.68, -16.14, -16.34

 

CMYK 44 / 10 / 0 / 16

HEX #78C2D7

RGB 120 194 215

HSL 193.26, 0.54%, 0.66%

LAB 74.5, -17.57, -17.71

 

CMYK 44 / 22 / 0 / 16

HEX #78A8D7

RGB 120 168 215

HSL 209.68, 0.54%, 0.66%

LAB 67.21, -3.66, -28.84

 

CMYK 44 / 34 / 0 / 16

HEX #788ED7

RGB 120 142 215

HSL 226.11, 0.54%, 0.66%

LAB 60.11, 11.18, -39.88

 

CMYK 42 / 44 / 0 / 16

HEX #7C78D7

RGB 124 120 215

HSL 242.53, 0.54%, 0.66%

LAB 54.68, 25.21, -48.43

 

CMYK 31 / 44 / 0 / 16

HEX #9578D7

RGB 149 120 215

HSL 258.32, 0.54%, 0.66%

LAB 56.81, 31.72, -44.92

 

CMYK 44 / 10 / 0 / 16

HEX #78C2D7

RGB 120 194 215

HSL 193.26, 0.54%, 0.66%

LAB 74.5, -17.57, -17.71

 

CMYK 44 / 22 / 0 / 16

HEX #78A8D7

RGB 120 168 215

HSL 209.68, 0.54%, 0.66%

LAB 67.21, -3.66, -28.84

 

CMYK 44 / 34 / 0 / 16

HEX #788ED7

RGB 120 142 215

HSL 226.11, 0.54%, 0.66%

LAB 60.11, 11.18, -39.88

 

CMYK 44 / 44 / 0 / 16

HEX #7878D7

RGB 120 120 215

HSL 240, 0.54%, 0.66%

LAB 54.38, 24.22, -48.93

 

CMYK 44 / 10 / 0 / 16

HEX #78C2D7

RGB 120 194 215

HSL 193.26, 0.54%, 0.66%

LAB 74.5, -17.57, -17.71

 

CMYK 54 / 13 / 0 / 10

HEX #6AC9E6

RGB 106 201 230

HSL 194.03, 0.71%, 0.66%

LAB 76.41, -20.16, -22.98

 

CMYK 62 / 14 / 0 / 4

HEX #5CD1F4

RGB 92 209 244

HSL 193.82, 0.87%, 0.66%

LAB 78.7, -22.74, -27.02

 

CMYK 44 / 10 / 0 / 16

HEX #78C2D7

RGB 120 194 215

HSL 193.26, 0.54%, 0.66%

LAB 74.5, -17.57, -17.71

 

CMYK 33 / 7 / 0 / 21

HEX #86BAC9

RGB 134 186 201

HSL 193.43, 0.38%, 0.66%

LAB 72.5, -13.33, -13.04

 

CMYK 21 / 5 / 0 / 27

HEX #94B2BB

RGB 148 178 187

HSL 193.85, 0.22%, 0.66%

LAB 70.68, -8.2, -7.99

 

CMYK 6 / 1 / 0 / 32

HEX #A2ABAD

RGB 162 171 173

HSL 190.91, 0.06%, 0.66%

LAB 69.34, -2.76, -2.13

 

CMYK 0 / 7 / 10 / 31

HEX #B0A39F

RGB 176 163 159

HSL 14.12, 0.1%, 0.66%

LAB 67.97, 4.01, 3.77

 

CMYK 44 / 0 / 14 / 16

HEX #78D7B9

RGB 120 215 185

HSL 161.05, 0.54%, 0.66%

LAB 79.67, -35.18, 6.08

 

CMYK 44 / 0 / 2 / 16

HEX #78D7D3

RGB 120 215 211

HSL 177.47, 0.54%, 0.66%

LAB 80.35, -29.07, -6.81

 

CMYK 44 / 9 / 0 / 16

HEX #78C3D7

RGB 120 195 215

HSL 192.63, 0.54%, 0.66%

LAB 74.78, -18.08, -17.29

 

CMYK 44 / 21 / 0 / 16

HEX #78A9D7

RGB 120 169 215

HSL 209.05, 0.54%, 0.66%

LAB 67.48, -4.21, -28.42

 

CMYK 44 / 33 / 0 / 16

HEX #7890D7

RGB 120 144 215

HSL 224.84, 0.54%, 0.66%

LAB 60.65, 10.01, -39.04

 

CMYK 71 / 16 / 0 / 23

HEX #39A4C4

RGB 57 164 196

HSL 193.81, 0.55%, 0.5%

LAB 62.85, -19.82, -25.22

 

CMYK 57 / 13 / 0 / 19

HEX #58B3CE

RGB 88 179 206

HSL 193.73, 0.55%, 0.58%

LAB 68.59, -19.37, -21.9

 

CMYK 44 / 10 / 0 / 16

HEX #78C2D7

RGB 120 194 215

HSL 193.26, 0.54%, 0.66%

LAB 74.5, -17.57, -17.71

 

CMYK 32 / 8 / 0 / 12

HEX #98D0E1

RGB 152 208 225

HSL 193.97, 0.55%, 0.74%

LAB 80.31, -13.93, -14.2

 

CMYK 21 / 5 / 0 / 8

HEX #B8DFEA

RGB 184 223 234

HSL 193.2, 0.54%, 0.82%

LAB 86.46, -10.33, -9.59

 

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

CMYK 26 / 44 / 0 / 16

HEX #A078D7

RGB 160 120 215

HSL 265.26, 0.54%, 0.66%

LAB 57.86, 34.76, -43.2

 

CMYK 0 / 8 / 44 / 16

HEX #D7C678

RGB 215 198 120

HSL 49.26, 0.54%, 0.66%

LAB 79.72, -4.69, 41.13

 

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

CMYK 0 / 44 / 9 / 16

HEX #D778C3

RGB 215 120 195

HSL 312.63, 0.54%, 0.66%

LAB 63.19, 47.16, -23.15

 

CMYK 9 / 0 / 44 / 16

HEX #C3D778

RGB 195 215 120

HSL 72.63, 0.54%, 0.66%

LAB 82.68, -21.18, 44.48

 

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

CMYK 26 / 44 / 0 / 16

HEX #A078D7

RGB 160 120 215

HSL 265.26, 0.54%, 0.66%

LAB 57.86, 34.76, -43.2

 

CMYK 0 / 34 / 44 / 16

HEX #D78D78

RGB 215 141 120

HSL 13.26, 0.54%, 0.66%

LAB 65.63, 25.73, 22.79

 

CMYK 18 / 0 / 44 / 16

HEX #B0D778

RGB 176 215 120

HSL 84.63, 0.54%, 0.66%

LAB 81.39, -28.39, 42.6

 

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

CMYK 13 / 44 / 0 / 16

HEX #BC78D7

RGB 188 120 215

HSL 282.95, 0.54%, 0.66%

LAB 60.81, 42.75, -38.36

 

CMYK 0 / 34 / 44 / 16

HEX #D78D78

RGB 215 141 120

HSL 13.26, 0.54%, 0.66%

LAB 65.63, 25.73, 22.79

 

CMYK 32 / 0 / 44 / 16

HEX #93D778

RGB 147 215 120

HSL 102.95, 0.54%, 0.66%

LAB 79.7, -38.69, 40.11

 

Description

Color code: HEX #78C2D8 | qconv.com Color code: HEX #78C2D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 194 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 194 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 10 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 10% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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