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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78D880 it is the complementary color #87277F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78D880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78D880 shade: #7DD87B, #8EEA8E, #9FFCA1, #B0FFB4 and #C1FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78D880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78D880 shade: #78D880, #67C66D, #56B45A, #45A247 and #349034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78D880 shade: #78D780, #8AD778, #A4D778, #BDD778 and #D7D778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78D880 shade: #78D780, #78D79A, #78D7B3, #78D7CD and #78C8D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78D880 shade matches the following richer shades: #78D780, #6AE674 and #5CF469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78D880 shade: #78D780, #86C98C, #94BB97, #A2ADA3 and #B09FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78D880 shade: #A3D778, #8AD778, #78D780, #78D799 and #78D7B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78D880 shade: #39C444, #58CE62, #78D780, #98E19E and #B8EABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78D880 shade: #78D880, #78BCD7 and #D77896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78D880 shade: #78D880, #8078D7 and #D78078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78D880 shade: #78D880, #78BCD7, #D778D0 and #D79378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78D880 shade: #78D880, #78A0D7, #D778D0 and #D7B078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 41 / 15

HEX #78D880

RGB 120 216 128

HSL 125, 0.55%, 0.66%

LAB 78.85, -46.4, 34.75

 

Complementary color

CMYK 0 / 71 / 6 / 47

HEX #87277F

RGB 135 39 127

HSL 305, 0.55%, 0.34%

LAB 34.26, 50.82, -28.68

 

CMYK 42 / 0 / 43 / 15

HEX #7DD87B

RGB 125 216 123

HSL 118.71, 0.54%, 0.66%

LAB 78.98, -45.69, 37.49

 

CMYK 39 / 0 / 39 / 8

HEX #8EEA8E

RGB 142 234 142

HSL 120, 0.69%, 0.74%

LAB 85.28, -45.51, 36.27

 

CMYK 37 / 0 / 36 / 1

HEX #9FFCA1

RGB 159 252 161

HSL 121.29, 0.94%, 0.81%

LAB 91.49, -45.3, 35.09

 

CMYK 31 / 0 / 29 / 0

HEX #B0FFB4

RGB 176 255 180

HSL 123.04, 1%, 0.85%

LAB 93.47, -38.45, 28.37

 

CMYK 24 / 0 / 22 / 0

HEX #C1FFC7

RGB 193 255 199

HSL 125.81, 1%, 0.88%

LAB 94.73, -29.96, 20.6

 

CMYK 44 / 0 / 41 / 15

HEX #78D880

RGB 120 216 128

HSL 125, 0.55%, 0.66%

LAB 78.85, -46.4, 34.75

 

CMYK 48 / 0 / 45 / 22

HEX #67C66D

RGB 103 198 109

HSL 123.79, 0.45%, 0.59%

LAB 72.48, -46.53, 36.03

 

CMYK 52 / 0 / 50 / 29

HEX #56B45A

RGB 86 180 90

HSL 122.55, 0.39%, 0.52%

LAB 66.03, -46.55, 37.36

 

CMYK 57 / 0 / 56 / 36

HEX #45A247

RGB 69 162 71

HSL 121.29, 0.4%, 0.45%

LAB 59.49, -46.4, 38.7

 

CMYK 64 / 0 / 64 / 44

HEX #349034

RGB 52 144 52

HSL 120, 0.47%, 0.38%

LAB 52.87, -45.94, 39.96

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 36 / 0 / 44 / 16

HEX #8AD778

RGB 138 215 120

HSL 108.63, 0.54%, 0.66%

LAB 79.25, -41.66, 39.44

 

CMYK 24 / 0 / 44 / 16

HEX #A4D778

RGB 164 215 120

HSL 92.21, 0.54%, 0.66%

LAB 80.66, -32.78, 41.51

 

CMYK 12 / 0 / 44 / 16

HEX #BDD778

RGB 189 215 120

HSL 76.42, 0.54%, 0.66%

LAB 82.26, -23.49, 43.86

 

CMYK 0 / 0 / 44 / 16

HEX #D7D778

RGB 215 215 120

HSL 60, 0.54%, 0.66%

LAB 84.18, -13.34, 46.66

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 44 / 0 / 28 / 16

HEX #78D79A

RGB 120 215 154

HSL 141.47, 0.54%, 0.66%

LAB 79, -41.53, 21.54

 

CMYK 44 / 0 / 17 / 16

HEX #78D7B3

RGB 120 215 179

HSL 157.26, 0.54%, 0.66%

LAB 79.53, -36.49, 9.07

 

CMYK 44 / 0 / 5 / 16

HEX #78D7CD

RGB 120 215 205

HSL 173.68, 0.54%, 0.66%

LAB 80.18, -30.54, -3.85

 

CMYK 44 / 7 / 0 / 16

HEX #78C8D7

RGB 120 200 215

HSL 189.47, 0.54%, 0.66%

LAB 76.2, -20.64, -15.15

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 54 / 0 / 50 / 10

HEX #6AE674

RGB 106 230 116

HSL 124.84, 0.71%, 0.66%

LAB 82.34, -57.49, 44.97

 

CMYK 62 / 0 / 57 / 4

HEX #5CF469

RGB 92 244 105

HSL 125.13, 0.87%, 0.66%

LAB 86, -67.14, 54.36

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 33 / 0 / 30 / 21

HEX #86C98C

RGB 134 201 140

HSL 125.37, 0.38%, 0.66%

LAB 75.29, -33.56, 23.94

 

CMYK 21 / 0 / 19 / 27

HEX #94BB97

RGB 148 187 151

HSL 124.62, 0.22%, 0.66%

LAB 72.28, -20.19, 14.02

 

CMYK 6 / 0 / 6 / 32

HEX #A2ADA3

RGB 162 173 163

HSL 125.45, 0.06%, 0.66%

LAB 69.62, -5.78, 3.8

 

CMYK 0 / 10 / 1 / 31

HEX #B09FAF

RGB 176 159 175

HSL 303.53, 0.1%, 0.66%

LAB 67.37, 9.13, -6.02

 

CMYK 24 / 0 / 44 / 16

HEX #A3D778

RGB 163 215 120

HSL 92.84, 0.54%, 0.66%

LAB 80.6, -33.14, 41.42

 

CMYK 36 / 0 / 44 / 16

HEX #8AD778

RGB 138 215 120

HSL 108.63, 0.54%, 0.66%

LAB 79.25, -41.66, 39.44

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 44 / 0 / 29 / 16

HEX #78D799

RGB 120 215 153

HSL 140.84, 0.54%, 0.66%

LAB 78.98, -41.72, 22.04

 

CMYK 44 / 0 / 17 / 16

HEX #78D7B3

RGB 120 215 179

HSL 157.26, 0.54%, 0.66%

LAB 79.53, -36.49, 9.07

 

CMYK 71 / 0 / 65 / 23

HEX #39C444

RGB 57 196 68

HSL 124.75, 0.55%, 0.5%

LAB 70.01, -61.57, 52

 

CMYK 57 / 0 / 52 / 19

HEX #58CE62

RGB 88 206 98

HSL 125.08, 0.55%, 0.58%

LAB 74.25, -55.14, 43.54

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 32 / 0 / 30 / 12

HEX #98E19E

RGB 152 225 158

HSL 124.93, 0.55%, 0.74%

LAB 83.44, -35.93, 25.77

 

CMYK 21 / 0 / 20 / 8

HEX #B8EABC

RGB 184 234 188

HSL 124.8, 0.54%, 0.82%

LAB 88.29, -24.77, 17.19

 

CMYK 44 / 0 / 41 / 15

HEX #78D880

RGB 120 216 128

HSL 125, 0.55%, 0.66%

LAB 78.85, -46.4, 34.75

 

CMYK 44 / 13 / 0 / 16

HEX #78BCD7

RGB 120 188 215

HSL 197.05, 0.54%, 0.66%

LAB 72.8, -14.45, -20.28

 

CMYK 0 / 44 / 30 / 16

HEX #D77896

RGB 215 120 150

HSL 341.05, 0.54%, 0.66%

LAB 61.72, 40.44, 0.29

 

CMYK 44 / 0 / 41 / 15

HEX #78D880

RGB 120 216 128

HSL 125, 0.55%, 0.66%

LAB 78.85, -46.4, 34.75

 

CMYK 40 / 44 / 0 / 16

HEX #8078D7

RGB 128 120 215

HSL 245.05, 0.54%, 0.66%

LAB 55, 26.21, -47.91

 

CMYK 0 / 40 / 44 / 16

HEX #D78078

RGB 215 128 120

HSL 5.05, 0.54%, 0.66%

LAB 62.71, 32.7, 18.82

 

CMYK 44 / 0 / 41 / 15

HEX #78D880

RGB 120 216 128

HSL 125, 0.55%, 0.66%

LAB 78.85, -46.4, 34.75

 

CMYK 44 / 13 / 0 / 16

HEX #78BCD7

RGB 120 188 215

HSL 197.05, 0.54%, 0.66%

LAB 72.8, -14.45, -20.28

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 0 / 32 / 44 / 16

HEX #D79378

RGB 215 147 120

HSL 17.05, 0.54%, 0.66%

LAB 67.03, 22.49, 24.66

 

CMYK 44 / 0 / 41 / 15

HEX #78D880

RGB 120 216 128

HSL 125, 0.55%, 0.66%

LAB 78.85, -46.4, 34.75

 

CMYK 44 / 26 / 0 / 16

HEX #78A0D7

RGB 120 160 215

HSL 214.74, 0.54%, 0.66%

LAB 65, 0.82, -32.26

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 0 / 18 / 44 / 16

HEX #D7B078

RGB 215 176 120

HSL 35.37, 0.54%, 0.66%

LAB 74.1, 6.87, 33.96

 

Description

Color code: HEX #78D880 | qconv.com Color code: HEX #78D880 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 216 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 216 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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