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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78DDB3 it is the complementary color #87224C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78DDB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78DDB3 shade: #7DDDAE, #8EEFC1, #9FFFD4, #B0FFE7 and #C1FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78DDB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78DDB3 shade: #78DDB3, #67CBA0, #56B98D, #45A77A and #349567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78DDB3 shade: #78DDB3, #78DD98, #78DD7C, #8FDD78 and #AADD78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78DDB3 shade: #78DDB3, #78DDCE, #78D0DD, #78B5DD and #789ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78DDB3 shade matches the following richer shades: #78DDB3, #6AEAB5 and #5DF8B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78DDB3 shade: #78DDB3, #85CFB1, #93C2AE, #A1B4AC and #AEA6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78DDB3 shade: #78DD7D, #78DD98, #78DDB3, #78DDCE and #78D1DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78DDB3 shade: #36CC8E, #57D5A0, #78DDB3, #99E5C5 and #BAEDD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78DDB3 shade: #78DDB3, #788EDD and #DD8A78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78DDB3 shade: #78DDB3, #B378DD and #DDB378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78DDB3 shade: #78DDB3, #788EDD, #DD78A2 and #DDC778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78DDB3 shade: #78DDB3, #8078DD, #DD78A2 and #D4DD78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

Complementary color

CMYK 0 / 75 / 44 / 47

HEX #87224C

RGB 135 34 76

HSL 335.05, 0.6%, 0.33%

LAB 31.39, 45.66, -0.39

 

CMYK 43 / 0 / 21 / 13

HEX #7DDDAE

RGB 125 221 174

HSL 150.63, 0.59%, 0.68%

LAB 81.36, -38.97, 14.35

 

CMYK 41 / 0 / 19 / 6

HEX #8EEFC1

RGB 142 239 193

HSL 151.55, 0.75%, 0.75%

LAB 87.65, -38.74, 13.38

 

CMYK 38 / 0 / 17 / 0

HEX #9FFFD4

RGB 159 255 212

HSL 153.13, 1%, 0.81%

LAB 93.3, -37.61, 11.68

 

CMYK 31 / 0 / 9 / 0

HEX #B0FFE7

RGB 176 255 231

HSL 161.77, 1%, 0.85%

LAB 94.53, -29.06, 3.78

 

CMYK 24 / 0 / 2 / 0

HEX #C1FFFA

RGB 193 255 250

HSL 175.16, 1%, 0.88%

LAB 95.9, -20.26, -3.92

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 49 / 0 / 21 / 20

HEX #67CBA0

RGB 103 203 160

HSL 154.2, 0.49%, 0.6%

LAB 74.91, -39.39, 12.56

 

CMYK 54 / 0 / 24 / 27

HEX #56B98D

RGB 86 185 141

HSL 153.33, 0.41%, 0.53%

LAB 68.46, -39.5, 13.65

 

CMYK 59 / 0 / 27 / 35

HEX #45A77A

RGB 69 167 122

HSL 152.45, 0.42%, 0.46%

LAB 61.92, -39.53, 14.85

 

CMYK 65 / 0 / 31 / 42

HEX #349567

RGB 52 149 103

HSL 151.55, 0.48%, 0.39%

LAB 55.28, -39.4, 16.18

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 46 / 0 / 31 / 13

HEX #78DD98

RGB 120 221 152

HSL 139.01, 0.6%, 0.67%

LAB 80.72, -44.51, 24.94

 

CMYK 46 / 0 / 44 / 13

HEX #78DD7C

RGB 120 221 124

HSL 122.38, 0.6%, 0.67%

LAB 80.27, -49.09, 38.59

 

CMYK 35 / 0 / 46 / 13

HEX #8FDD78

RGB 143 221 120

HSL 106.34, 0.6%, 0.67%

LAB 81.24, -42.66, 42

 

CMYK 23 / 0 / 46 / 13

HEX #AADD78

RGB 170 221 120

HSL 90.3, 0.6%, 0.67%

LAB 82.71, -33.4, 44.15

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 46 / 0 / 7 / 13

HEX #78DDCE

RGB 120 221 206

HSL 171.09, 0.6%, 0.67%

LAB 81.93, -33.14, -1.82

 

CMYK 46 / 6 / 0 / 13

HEX #78D0DD

RGB 120 208 221

HSL 187.72, 0.6%, 0.67%

LAB 78.65, -23.09, -14.69

 

CMYK 46 / 18 / 0 / 13

HEX #78B5DD

RGB 120 181 221

HSL 203.76, 0.6%, 0.67%

LAB 71.05, -9.08, -26.23

 

CMYK 46 / 30 / 0 / 13

HEX #789ADD

RGB 120 154 221

HSL 219.8, 0.6%, 0.67%

LAB 63.61, 5.96, -37.74

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 55 / 0 / 23 / 8

HEX #6AEAB5

RGB 106 234 181

HSL 155.16, 0.75%, 0.67%

LAB 84.61, -47.74, 15.15

 

CMYK 63 / 0 / 26 / 3

HEX #5DF8B7

RGB 93 248 183

HSL 154.84, 0.92%, 0.67%

LAB 88.39, -55.62, 19.35

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 36 / 0 / 14 / 19

HEX #85CFB1

RGB 133 207 177

HSL 155.68, 0.44%, 0.67%

LAB 77.75, -29.64, 7.67

 

CMYK 24 / 0 / 10 / 24

HEX #93C2AE

RGB 147 194 174

HSL 154.47, 0.28%, 0.67%

LAB 74.73, -19.63, 5.03

 

CMYK 11 / 0 / 4 / 29

HEX #A1B4AC

RGB 161 180 172

HSL 154.74, 0.11%, 0.67%

LAB 71.69, -8.13, 1.84

 

CMYK 0 / 5 / 2 / 32

HEX #AEA6AA

RGB 174 166 170

HSL 330, 0.05%, 0.67%

LAB 68.88, 3.61, -1.04

 

CMYK 46 / 0 / 43 / 13

HEX #78DD7D

RGB 120 221 125

HSL 122.97, 0.6%, 0.67%

LAB 80.28, -48.94, 38.11

 

CMYK 46 / 0 / 31 / 13

HEX #78DD98

RGB 120 221 152

HSL 139.01, 0.6%, 0.67%

LAB 80.72, -44.51, 24.94

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 46 / 0 / 7 / 13

HEX #78DDCE

RGB 120 221 206

HSL 171.09, 0.6%, 0.67%

LAB 81.93, -33.14, -1.82

 

CMYK 46 / 5 / 0 / 13

HEX #78D1DD

RGB 120 209 221

HSL 187.13, 0.6%, 0.67%

LAB 78.93, -23.59, -14.27

 

CMYK 74 / 0 / 30 / 20

HEX #36CC8E

RGB 54 204 142

HSL 155.2, 0.6%, 0.51%

LAB 73.5, -53.08, 19.99

 

CMYK 59 / 0 / 25 / 16

HEX #57D5A0

RGB 87 213 160

HSL 154.76, 0.6%, 0.59%

LAB 77.37, -47.29, 15.94

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 33 / 0 / 14 / 10

HEX #99E5C5

RGB 153 229 197

HSL 154.74, 0.59%, 0.75%

LAB 85.42, -30.25, 8.19

 

CMYK 22 / 0 / 9 / 7

HEX #BAEDD8

RGB 186 237 216

HSL 155.29, 0.59%, 0.83%

LAB 89.84, -20.44, 4.83

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 46 / 36 / 0 / 13

HEX #788EDD

RGB 120 142 221

HSL 226.93, 0.6%, 0.67%

LAB 60.39, 12.93, -42.79

 

CMYK 0 / 38 / 46 / 13

HEX #DD8A78

RGB 221 138 120

HSL 10.69, 0.6%, 0.67%

LAB 65.67, 29.69, 22.97

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 19 / 46 / 0 / 13

HEX #B378DD

RGB 179 120 221

HSL 275.05, 0.6%, 0.67%

LAB 60.1, 41.47, -42.9

 

CMYK 0 / 19 / 46 / 13

HEX #DDB378

RGB 221 179 120

HSL 35.05, 0.6%, 0.67%

LAB 75.43, 7.71, 35.79

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 46 / 36 / 0 / 13

HEX #788EDD

RGB 120 142 221

HSL 226.93, 0.6%, 0.67%

LAB 60.39, 12.93, -42.79

 

CMYK 0 / 46 / 27 / 13

HEX #DD78A2

RGB 221 120 162

HSL 335.05, 0.6%, 0.67%

LAB 62.86, 44.11, -4.82

 

CMYK 0 / 10 / 46 / 13

HEX #DDC778

RGB 221 199 120

HSL 46.93, 0.6%, 0.67%

LAB 80.5, -2.78, 42.21

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB3

RGB 120 221 179

HSL 155.05, 0.6%, 0.67%

LAB 81.27, -39.22, 11.55

 

CMYK 42 / 46 / 0 / 13

HEX #8078DD

RGB 128 120 221

HSL 244.75, 0.6%, 0.67%

LAB 55.32, 27.9, -50.77

 

CMYK 0 / 46 / 27 / 13

HEX #DD78A2

RGB 221 120 162

HSL 335.05, 0.6%, 0.67%

LAB 62.86, 44.11, -4.82

 

CMYK 4 / 0 / 46 / 13

HEX #D4DD78

RGB 212 221 120

HSL 65.35, 0.6%, 0.67%

LAB 85.54, -17.5, 48.27

 

Description

Color code: HEX #78DDB3 | qconv.com Color code: HEX #78DDB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 221 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 221 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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