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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E62D it is the complementary color #8719D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E62D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E62D shade: #7DE628, #8EF83B, #9FFF4E, #B0FF61 and #C1FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E62D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E62D shade: #78E62D, #67D41A, #56C207, #45B000 and #349E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E62D shade: #78E62D, #AAE62D, #DCE62D, #E6BE2D and #E68C2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E62D shade: #78E62D, #46E62D, #2DE645, #2DE677 and #2DE6A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E62D shade matches the following richer shades: #78E62D and #74F91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E62D shade: #78E62D, #7BD340, #7FC052, #82AD65 and #869A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E62D shade: #DDE62D, #ABE62D, #7AE62D, #48E62D and #2DE642

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E62D shade: #52AC14, #63D118, #78E62D, #8FEA51 and #A7EF76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E62D shade: #78E62D, #2DE6BE and #E62DC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E62D shade: #78E62D, #2D7AE6 and #E62D7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E62D shade: #78E62D, #2DE6BE, #992DE6 and #E62D55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E62D shade: #78E62D, #2DD6E6, #992DE6 and #E63C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

Complementary color

CMYK 36 / 88 / 0 / 18

HEX #8719D2

RGB 135 25 210

HSL 275.68, 0.79%, 0.46%

LAB 38.72, 70.99, -71.28

 

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

CMYK 43 / 0 / 76 / 3

HEX #8EF83B

RGB 142 248 59

HSL 93.65, 0.93%, 0.6%

LAB 88.54, -59.45, 75

 

CMYK 38 / 0 / 69 / 0

HEX #9FFF4E

RGB 159 255 78

HSL 92.54, 1%, 0.65%

LAB 91.43, -55.63, 71.86

 

CMYK 31 / 0 / 62 / 0

HEX #B0FF61

RGB 176 255 97

HSL 90, 1%, 0.69%

LAB 92.4, -48.54, 65.89

 

CMYK 24 / 0 / 55 / 0

HEX #C1FF74

RGB 193 255 116

HSL 86.76, 1%, 0.73%

LAB 93.5, -40.93, 59.31

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 51 / 0 / 88 / 17

HEX #67D41A

RGB 103 212 26

HSL 95.16, 0.78%, 0.47%

LAB 76.1, -59.12, 71.37

 

CMYK 56 / 0 / 96 / 24

HEX #56C207

RGB 86 194 7

HSL 94.65, 0.93%, 0.39%

LAB 69.88, -57.83, 68.67

 

CMYK 61 / 0 / 100 / 31

HEX #45B000

RGB 69 176 0

HSL 96.48, 1%, 0.35%

LAB 63.6, -56.09, 64.27

 

CMYK 67 / 0 / 100 / 38

HEX #349E00

RGB 52 158 0

HSL 100.25, 1%, 0.31%

LAB 57.25, -53.96, 59.04

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 26 / 0 / 80 / 10

HEX #AAE62D

RGB 170 230 45

HSL 79.46, 0.79%, 0.54%

LAB 84.65, -43.15, 75.82

 

CMYK 4 / 0 / 80 / 10

HEX #DCE62D

RGB 220 230 45

HSL 63.24, 0.79%, 0.54%

LAB 87.97, -23.34, 80

 

CMYK 0 / 17 / 80 / 10

HEX #E6BE2D

RGB 230 190 45

HSL 47.03, 0.79%, 0.54%

LAB 78.37, 0.92, 71.99

 

CMYK 0 / 39 / 80 / 10

HEX #E68C2D

RGB 230 140 45

HSL 30.81, 0.79%, 0.54%

LAB 66.34, 27.37, 61.29

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 70 / 0 / 80 / 10

HEX #46E62D

RGB 70 230 45

HSL 111.89, 0.79%, 0.54%

LAB 80.79, -71.91, 70.86

 

CMYK 80 / 0 / 70 / 10

HEX #2DE645

RGB 45 230 69

HSL 127.78, 0.79%, 0.54%

LAB 80.51, -73.83, 62.78

 

CMYK 80 / 0 / 48 / 10

HEX #2DE677

RGB 45 230 119

HSL 144, 0.79%, 0.54%

LAB 81.01, -67.75, 41.58

 

CMYK 80 / 0 / 27 / 10

HEX #2DE6A9

RGB 45 230 169

HSL 160.22, 0.79%, 0.54%

LAB 81.85, -58.19, 17.34

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 53 / 0 / 90 / 2

HEX #74F91A

RGB 116 249 26

HSL 95.78, 0.95%, 0.54%

LAB 87.75, -68.58, 81.38

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 42 / 0 / 70 / 17

HEX #7BD340

RGB 123 211 64

HSL 95.92, 0.63%, 0.54%

LAB 76.78, -50.69, 61.44

 

CMYK 34 / 0 / 57 / 25

HEX #7FC052

RGB 127 192 82

HSL 95.45, 0.47%, 0.54%

LAB 71.43, -39.78, 48.12

 

CMYK 25 / 0 / 42 / 32

HEX #82AD65

RGB 130 173 101

HSL 95.83, 0.31%, 0.54%

LAB 66.19, -27.64, 32.39

 

CMYK 13 / 0 / 22 / 40

HEX #869A78

RGB 134 154 120

HSL 95.29, 0.14%, 0.54%

LAB 61.25, -13.58, 15.54

 

CMYK 4 / 0 / 80 / 10

HEX #DDE62D

RGB 221 230 45

HSL 62.92, 0.79%, 0.54%

LAB 88.04, -22.93, 80.1

 

CMYK 26 / 0 / 80 / 10

HEX #ABE62D

RGB 171 230 45

HSL 79.14, 0.79%, 0.54%

LAB 84.71, -42.77, 75.89

 

CMYK 47 / 0 / 80 / 10

HEX #7AE62D

RGB 122 230 45

HSL 95.03, 0.79%, 0.54%

LAB 82.34, -59.45, 72.86

 

CMYK 69 / 0 / 80 / 10

HEX #48E62D

RGB 72 230 45

HSL 111.24, 0.79%, 0.54%

LAB 80.83, -71.56, 70.92

 

CMYK 80 / 0 / 71 / 10

HEX #2DE642

RGB 45 230 66

HSL 126.81, 0.79%, 0.54%

LAB 80.49, -74.09, 63.84

 

CMYK 52 / 0 / 88 / 33

HEX #52AC14

RGB 82 172 20

HSL 95.53, 0.79%, 0.38%

LAB 62.8, -50.64, 60.85

 

CMYK 53 / 0 / 89 / 18

HEX #63D118

RGB 99 209 24

HSL 95.68, 0.79%, 0.46%

LAB 75.03, -59.22, 70.77

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 39 / 0 / 65 / 8

HEX #8FEA51

RGB 143 234 81

HSL 95.69, 0.78%, 0.62%

LAB 84.63, -52.19, 63.41

 

CMYK 30 / 0 / 51 / 6

HEX #A7EF76

RGB 167 239 118

HSL 95.7, 0.79%, 0.7%

LAB 87.61, -42.77, 51.07

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 80 / 0 / 17 / 10

HEX #2DE6BE

RGB 45 230 190

HSL 167.03, 0.79%, 0.54%

LAB 82.31, -53.24, 6.98

 

CMYK 0 / 80 / 15 / 10

HEX #E62DC4

RGB 230 45 196

HSL 311.03, 0.79%, 0.54%

LAB 54.75, 80.48, -36.63

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 80 / 47 / 0 / 10

HEX #2D7AE6

RGB 45 122 230

HSL 215.03, 0.79%, 0.54%

LAB 52.05, 15.17, -61.3

 

CMYK 0 / 80 / 47 / 10

HEX #E62D7A

RGB 230 45 122

HSL 335.03, 0.79%, 0.54%

LAB 51.96, 72.45, 2.84

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 80 / 0 / 17 / 10

HEX #2DE6BE

RGB 45 230 190

HSL 167.03, 0.79%, 0.54%

LAB 82.31, -53.24, 6.98

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 0 / 80 / 63 / 10

HEX #E62D55

RGB 230 45 85

HSL 347.03, 0.79%, 0.54%

LAB 51.1, 69.87, 24.05

 

CMYK 48 / 0 / 80 / 10

HEX #78E62D

RGB 120 230 45

HSL 95.68, 0.79%, 0.54%

LAB 82.26, -60.04, 72.76

 

CMYK 80 / 7 / 0 / 10

HEX #2DD6E6

RGB 45 214 230

HSL 185.19, 0.79%, 0.54%

LAB 78.67, -35.23, -19.67

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 0 / 74 / 80 / 10

HEX #E63C2D

RGB 230 60 45

HSL 4.86, 0.79%, 0.54%

LAB 52.11, 63.85, 47.98

 

Description

Color code: HEX #78E62D | qconv.com Color code: HEX #78E62D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 230 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 230 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 80% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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