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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E245 it is the complementary color #871DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E245 shade: #7DE240, #8EF453, #9FFF66, #B0FF79 and #C1FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E245 shade: #78E245, #67D032, #56BE1F, #45AC0C and #349A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E245 shade: #78E245, #A2E245, #CCE245, #E2CD45 and #E2A245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E245 shade: #78E245, #4EE245, #45E267, #45E291 and #45E2BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E245 shade matches the following richer shades: #78E245 and #72F334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E245 shade: #78E245, #7ED057, #84BF68, #8AAE79 and #909C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E245 shade: #CDE245, #A3E245, #79E245, #50E245 and #45E264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E245 shade: #4FB81C, #5EDC22, #78E245, #92E769 and #ACED8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E245 shade: #78E245, #45E2CD and #E245B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E245 shade: #78E245, #4579E2 and #E24579

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E245 shade: #78E245, #45E2CD, #AD45E2 and #E2455A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E245 shade: #78E245, #45C8E2, #AD45E2 and #E25F45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

Complementary color

CMYK 27 / 84 / 0 / 27

HEX #871DBA

RGB 135 29 186

HSL 280.51, 0.73%, 0.42%

LAB 37.07, 65.11, -59.96

 

CMYK 45 / 0 / 72 / 11

HEX #7DE240

RGB 125 226 64

HSL 97.41, 0.74%, 0.57%

LAB 81.36, -55.96, 66.12

 

CMYK 42 / 0 / 66 / 4

HEX #8EF453

RGB 142 244 83

HSL 98.01, 0.88%, 0.64%

LAB 87.52, -56.32, 65.7

 

CMYK 38 / 0 / 60 / 0

HEX #9FFF66

RGB 159 255 102

HSL 97.65, 1%, 0.7%

LAB 91.62, -53.74, 62.72

 

CMYK 31 / 0 / 53 / 0

HEX #B0FF79

RGB 176 255 121

HSL 95.37, 1%, 0.74%

LAB 92.63, -46.31, 55.82

 

CMYK 24 / 0 / 45 / 0

HEX #C1FF8C

RGB 193 255 140

HSL 92.35, 1%, 0.77%

LAB 93.78, -38.41, 48.61

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 50 / 0 / 76 / 18

HEX #67D032

RGB 103 208 50

HSL 99.87, 0.63%, 0.51%

LAB 74.97, -56.56, 64.22

 

CMYK 55 / 0 / 84 / 25

HEX #56BE1F

RGB 86 190 31

HSL 99.25, 0.72%, 0.43%

LAB 68.68, -55.71, 63.58

 

CMYK 60 / 0 / 93 / 33

HEX #45AC0C

RGB 69 172 12

HSL 98.63, 0.87%, 0.36%

LAB 62.34, -54.44, 61.66

 

CMYK 66 / 0 / 100 / 40

HEX #349A00

RGB 52 154 0

HSL 99.74, 1%, 0.3%

LAB 55.93, -52.61, 57.99

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 28 / 0 / 69 / 11

HEX #A2E245

RGB 162 226 69

HSL 84.46, 0.73%, 0.58%

LAB 83.18, -43.16, 66.75

 

CMYK 10 / 0 / 69 / 11

HEX #CCE245

RGB 204 226 69

HSL 68.41, 0.73%, 0.58%

LAB 85.84, -26.96, 70.29

 

CMYK 0 / 9 / 69 / 11

HEX #E2CD45

RGB 226 205 69

HSL 51.97, 0.73%, 0.58%

LAB 81.98, -7.52, 67.03

 

CMYK 0 / 28 / 69 / 11

HEX #E2A245

RGB 226 162 69

HSL 35.54, 0.73%, 0.58%

LAB 71.17, 14.99, 55.95

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 65 / 0 / 69 / 11

HEX #4EE245

RGB 78 226 69

HSL 116.56, 0.73%, 0.58%

LAB 79.86, -67.52, 62.29

 

CMYK 69 / 0 / 54 / 11

HEX #45E267

RGB 69 226 103

HSL 132.99, 0.73%, 0.58%

LAB 79.98, -65.49, 47.99

 

CMYK 69 / 0 / 36 / 11

HEX #45E291

RGB 69 226 145

HSL 149.04, 0.73%, 0.58%

LAB 80.57, -58.7, 28.09

 

CMYK 69 / 0 / 17 / 11

HEX #45E2BB

RGB 69 226 187

HSL 165.1, 0.73%, 0.58%

LAB 81.43, -49.61, 7.34

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 53 / 0 / 79 / 5

HEX #72F334

RGB 114 243 52

HSL 100.52, 0.89%, 0.58%

LAB 85.97, -66.05, 74.21

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 39 / 0 / 58 / 18

HEX #7ED057

RGB 126 208 87

HSL 100.66, 0.56%, 0.58%

LAB 76.21, -46.48, 51.34

 

CMYK 31 / 0 / 46 / 25

HEX #84BF68

RGB 132 191 104

HSL 100.69, 0.4%, 0.58%

LAB 71.67, -35.02, 37.82

 

CMYK 21 / 0 / 30 / 32

HEX #8AAE79

RGB 138 174 121

HSL 100.75, 0.25%, 0.58%

LAB 67.32, -22.26, 23.33

 

CMYK 8 / 0 / 11 / 39

HEX #909C8B

RGB 144 156 139

HSL 102.35, 0.08%, 0.58%

LAB 62.99, -7.57, 7.44

 

CMYK 9 / 0 / 69 / 11

HEX #CDE245

RGB 205 226 69

HSL 68.03, 0.73%, 0.58%

LAB 85.91, -26.56, 70.38

 

CMYK 28 / 0 / 69 / 11

HEX #A3E245

RGB 163 226 69

HSL 84.08, 0.73%, 0.58%

LAB 83.24, -42.79, 66.83

 

CMYK 46 / 0 / 69 / 11

HEX #79E245

RGB 121 226 69

HSL 100.13, 0.73%, 0.58%

LAB 81.23, -56.81, 64.14

 

CMYK 65 / 0 / 69 / 11

HEX #50E245

RGB 80 226 69

HSL 115.8, 0.73%, 0.58%

LAB 79.91, -67.12, 62.36

 

CMYK 69 / 0 / 56 / 11

HEX #45E264

RGB 69 226 100

HSL 131.85, 0.73%, 0.58%

LAB 79.94, -65.88, 49.33

 

CMYK 57 / 0 / 85 / 28

HEX #4FB81C

RGB 79 184 28

HSL 100.38, 0.74%, 0.42%

LAB 66.54, -55.56, 62.31

 

CMYK 57 / 0 / 85 / 14

HEX #5EDC22

RGB 94 220 34

HSL 100.65, 0.73%, 0.5%

LAB 78.28, -64.05, 71.51

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 37 / 0 / 55 / 9

HEX #92E769

RGB 146 231 105

HSL 100.48, 0.72%, 0.66%

LAB 84.11, -47.74, 52.63

 

CMYK 27 / 0 / 41 / 7

HEX #ACED8D

RGB 172 237 141

HSL 100.63, 0.73%, 0.74%

LAB 87.61, -37.39, 40.08

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 69 / 0 / 9 / 11

HEX #45E2CD

RGB 69 226 205

HSL 171.97, 0.73%, 0.58%

LAB 81.87, -45.1, -1.54

 

CMYK 0 / 69 / 19 / 11

HEX #E245B8

RGB 226 69 184

HSL 316.05, 0.73%, 0.58%

LAB 55.97, 71.04, -27.84

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 69 / 46 / 0 / 11

HEX #4579E2

RGB 69 121 226

HSL 220.13, 0.73%, 0.58%

LAB 52.32, 17.18, -58.58

 

CMYK 0 / 69 / 46 / 11

HEX #E24579

RGB 226 69 121

HSL 340.13, 0.73%, 0.58%

LAB 53.82, 63.95, 6.03

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 69 / 0 / 9 / 11

HEX #45E2CD

RGB 69 226 205

HSL 171.97, 0.73%, 0.58%

LAB 81.87, -45.1, -1.54

 

CMYK 23 / 69 / 0 / 11

HEX #AD45E2

RGB 173 69 226

HSL 279.75, 0.73%, 0.58%

LAB 50.25, 66.16, -61.46

 

CMYK 0 / 69 / 60 / 11

HEX #E2455A

RGB 226 69 90

HSL 351.97, 0.73%, 0.58%

LAB 53.13, 61.57, 23.58

 

CMYK 47 / 0 / 69 / 11

HEX #78E245

RGB 120 226 69

HSL 100.51, 0.73%, 0.58%

LAB 81.19, -57.1, 64.08

 

CMYK 69 / 12 / 0 / 11

HEX #45C8E2

RGB 69 200 226

HSL 189.94, 0.73%, 0.58%

LAB 74.87, -27.12, -23.27

 

CMYK 23 / 69 / 0 / 11

HEX #AD45E2

RGB 173 69 226

HSL 279.75, 0.73%, 0.58%

LAB 50.25, 66.16, -61.46

 

CMYK 0 / 58 / 69 / 11

HEX #E25F45

RGB 226 95 69

HSL 9.94, 0.73%, 0.58%

LAB 56.86, 49.47, 40.19

 

Description

Color code: HEX #78E245 | qconv.com Color code: HEX #78E245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 226 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 226 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 69 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 69% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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