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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F86C it is the complementary color #870793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F86C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F86C shade: #7DF867, #8EFF7A, #9FFF8D, #B0FFA0 and #C1FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F86C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F86C shade: #78F86C, #67E659, #56D446, #45C233 and #34B020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F86C shade: #78F86C, #9EF86C, #C3F86C, #E9F86C and #F8E16C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F86C shade: #78F86C, #6CF886, #6CF8AC, #6CF8D1 and #6CF8F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F86C shade matches the following richer shades: #78F86C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F86C shade: #78F86C, #83EB79, #8DDF85, #97D292 and #A1C69E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F86C shade: #C5F86C, #9FF86C, #7AF86C, #6CF884 and #6CF8A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F86C shade: #30F41E, #54F645, #78F86C, #9CF994 and #C1FBBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F86C shade: #78F86C, #6CEAF8 and #F86CB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F86C shade: #78F86C, #6C7AF8 and #F86C7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F86C shade: #78F86C, #6CEAF8, #EA6CF8 and #F87A6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F86C shade: #78F86C, #6CC0F8, #EA6CF8 and #F8A46C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

Complementary color

CMYK 8 / 95 / 0 / 42

HEX #870793

RGB 135 7 147

HSL 294.86, 0.91%, 0.3%

LAB 32.72, 62.19, -43.52

 

CMYK 50 / 0 / 58 / 3

HEX #7DF867

RGB 125 248 103

HSL 110.9, 0.91%, 0.69%

LAB 88.2, -60.95, 58.04

 

CMYK 44 / 0 / 52 / 0

HEX #8EFF7A

RGB 142 255 122

HSL 110.98, 1%, 0.74%

LAB 91.09, -56.81, 53.15

 

CMYK 38 / 0 / 45 / 0

HEX #9FFF8D

RGB 159 255 141

HSL 110.53, 1%, 0.78%

LAB 92.05, -49.41, 45.6

 

CMYK 31 / 0 / 37 / 0

HEX #B0FFA0

RGB 176 255 160

HSL 109.89, 1%, 0.81%

LAB 93.14, -41.49, 37.92

 

CMYK 24 / 0 / 30 / 0

HEX #C1FFB3

RGB 193 255 179

HSL 108.95, 1%, 0.85%

LAB 94.36, -33.18, 30.23

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 55 / 0 / 61 / 10

HEX #67E659

RGB 103 230 89

HSL 114.04, 0.74%, 0.63%

LAB 81.95, -61.45, 56.74

 

CMYK 59 / 0 / 67 / 17

HEX #56D446

RGB 86 212 70

HSL 113.24, 0.62%, 0.55%

LAB 75.77, -60.93, 57.64

 

CMYK 64 / 0 / 74 / 24

HEX #45C233

RGB 69 194 51

HSL 112.45, 0.58%, 0.48%

LAB 69.53, -60.09, 58.17

 

CMYK 70 / 0 / 82 / 31

HEX #34B020

RGB 52 176 32

HSL 111.67, 0.69%, 0.41%

LAB 63.25, -58.76, 58.01

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 36 / 0 / 56 / 3

HEX #9EF86C

RGB 158 248 108

HSL 98.57, 0.91%, 0.7%

LAB 89.62, -50.63, 57.86

 

CMYK 21 / 0 / 56 / 3

HEX #C3F86C

RGB 195 248 108

HSL 82.71, 0.91%, 0.7%

LAB 91.6, -37.82, 60.66

 

CMYK 6 / 0 / 56 / 3

HEX #E9F86C

RGB 233 248 108

HSL 66.43, 0.91%, 0.7%

LAB 94.12, -23.37, 64.18

 

CMYK 0 / 9 / 56 / 3

HEX #F8E16C

RGB 248 225 108

HSL 50.14, 0.91%, 0.7%

LAB 89.34, -6.11, 59.09

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 56 / 0 / 46 / 3

HEX #6CF886

RGB 108 248 134

HSL 131.14, 0.91%, 0.7%

LAB 87.99, -61.28, 43.42

 

CMYK 56 / 0 / 31 / 3

HEX #6CF8AC

RGB 108 248 172

HSL 147.43, 0.91%, 0.7%

LAB 88.59, -54.88, 25.32

 

CMYK 56 / 0 / 16 / 3

HEX #6CF8D1

RGB 108 248 209

HSL 163.29, 0.91%, 0.7%

LAB 89.36, -47.14, 7.34

 

CMYK 56 / 0 / 0 / 3

HEX #6CF8F7

RGB 108 248 247

HSL 179.57, 0.91%, 0.7%

LAB 90.34, -37.85, -10.99

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 44 / 0 / 49 / 8

HEX #83EB79

RGB 131 235 121

HSL 114.74, 0.74%, 0.7%

LAB 84.8, -52.1, 45.84

 

CMYK 37 / 0 / 40 / 13

HEX #8DDF85

RGB 141 223 133

HSL 114.67, 0.58%, 0.7%

LAB 81.91, -42.38, 36.39

 

CMYK 28 / 0 / 30 / 18

HEX #97D292

RGB 151 210 146

HSL 115.31, 0.42%, 0.7%

LAB 78.9, -31.25, 25.83

 

CMYK 19 / 0 / 20 / 22

HEX #A1C69E

RGB 161 198 158

HSL 115.5, 0.26%, 0.7%

LAB 76.33, -20.01, 16.06

 

CMYK 21 / 0 / 56 / 3

HEX #C5F86C

RGB 197 248 108

HSL 81.86, 0.91%, 0.7%

LAB 91.72, -37.08, 60.83

 

CMYK 36 / 0 / 56 / 3

HEX #9FF86C

RGB 159 248 108

HSL 98.14, 0.91%, 0.7%

LAB 89.67, -50.3, 57.93

 

CMYK 51 / 0 / 56 / 3

HEX #7AF86C

RGB 122 248 108

HSL 114, 0.91%, 0.7%

LAB 88.14, -61.21, 55.76

 

CMYK 56 / 0 / 47 / 3

HEX #6CF884

RGB 108 248 132

HSL 130.29, 0.91%, 0.7%

LAB 87.96, -61.57, 44.35

 

CMYK 56 / 0 / 32 / 3

HEX #6CF8A9

RGB 108 248 169

HSL 146.14, 0.91%, 0.7%

LAB 88.54, -55.45, 26.77

 

CMYK 80 / 0 / 88 / 4

HEX #30F41E

RGB 48 244 30

HSL 114.95, 0.91%, 0.54%

LAB 84.7, -79.81, 77.54

 

CMYK 66 / 0 / 72 / 4

HEX #54F645

RGB 84 246 69

HSL 114.92, 0.91%, 0.62%

LAB 86.12, -72.84, 68.77

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 37 / 0 / 41 / 2

HEX #9CF994

RGB 156 249 148

HSL 115.25, 0.89%, 0.78%

LAB 90.3, -46.83, 39.94

 

CMYK 23 / 0 / 25 / 2

HEX #C1FBBB

RGB 193 251 187

HSL 114.38, 0.89%, 0.86%

LAB 93.42, -30.07, 24.9

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 56 / 6 / 0 / 3

HEX #6CEAF8

RGB 108 234 248

HSL 186, 0.91%, 0.7%

LAB 86.41, -31.05, -17.39

 

CMYK 0 / 56 / 28 / 3

HEX #F86CB2

RGB 248 108 178

HSL 330, 0.91%, 0.7%

LAB 64.88, 60.61, -10.53

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 56 / 51 / 0 / 3

HEX #6C7AF8

RGB 108 122 248

HSL 234, 0.91%, 0.7%

LAB 55.97, 30.54, -64.87

 

CMYK 0 / 56 / 51 / 3

HEX #F86C7A

RGB 248 108 122

HSL 354, 0.91%, 0.7%

LAB 63.41, 54.72, 19.39

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 56 / 6 / 0 / 3

HEX #6CEAF8

RGB 108 234 248

HSL 186, 0.91%, 0.7%

LAB 86.41, -31.05, -17.39

 

CMYK 6 / 56 / 0 / 3

HEX #EA6CF8

RGB 234 108 248

HSL 294, 0.91%, 0.7%

LAB 65.74, 67.41, -48.55

 

CMYK 0 / 51 / 56 / 3

HEX #F87A6C

RGB 248 122 108

HSL 6, 0.91%, 0.7%

LAB 65.72, 46.99, 30.35

 

CMYK 52 / 0 / 56 / 3

HEX #78F86C

RGB 120 248 108

HSL 114.86, 0.91%, 0.7%

LAB 88.07, -61.73, 55.66

 

CMYK 56 / 23 / 0 / 3

HEX #6CC0F8

RGB 108 192 248

HSL 204, 0.91%, 0.7%

LAB 74.61, -9.8, -35.41

 

CMYK 6 / 56 / 0 / 3

HEX #EA6CF8

RGB 234 108 248

HSL 294, 0.91%, 0.7%

LAB 65.74, 67.41, -48.55

 

CMYK 0 / 34 / 56 / 3

HEX #F8A46C

RGB 248 164 108

HSL 24, 0.91%, 0.7%

LAB 74.57, 25.51, 41.54

 

Description

Color code: HEX #78F86C | qconv.com Color code: HEX #78F86C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 248 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 248 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 56 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 56% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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