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Color name
HEX #78FC80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78FC80 it is the complementary color #87037F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78FC80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78FC80 shade: #7DFC7B, #8EFF8E, #9FFFA1, #B0FFB4 and #C1FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78FC80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78FC80 shade: #78FC80, #67EA6D, #56D85A, #45C647 and #34B434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78FC80 shade: #78FC80, #93FC78, #B7FC78, #DAFC78 and #FCF978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78FC80 shade: #78FC80, #78FCA3, #78FCC7, #78FCEB and #78E9FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78FC80 shade matches the following richer shades: #78FC80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78FC80 shade: #78FC80, #83F189, #8EE593, #99DA9D and #A4CFA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78FC80 shade: #B7FC78, #94FC78, #78FC7E, #78FCA1 and #78FCC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78FC80 shade: #27FA34, #4FFB5A, #78FC80, #A0FDA6 and #C8FDCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78FC80 shade: #78FC80, #78DBFC and #FC78A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78FC80 shade: #78FC80, #7E78FC and #FC7E78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78FC80 shade: #78FC80, #78DBFC, #FC78F5 and #FC9978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78FC80 shade: #78FC80, #78B3FC, #FC78F5 and #FCC078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

Complementary color

CMYK 0 / 98 / 6 / 47

HEX #87037F

RGB 135 3 127

HSL 303.64, 0.96%, 0.27%

LAB 31.23, 59.58, -33.48

 

CMYK 50 / 0 / 51 / 1

HEX #7DFC7B

RGB 125 252 123

HSL 119.07, 0.96%, 0.74%

LAB 89.59, -60.16, 50.72

 

CMYK 44 / 0 / 44 / 0

HEX #8EFF8E

RGB 142 255 142

HSL 120, 1%, 0.78%

LAB 91.34, -54.24, 44.06

 

CMYK 38 / 0 / 37 / 0

HEX #9FFFA1

RGB 159 255 161

HSL 121.25, 1%, 0.81%

LAB 92.34, -46.59, 36.21

 

CMYK 31 / 0 / 29 / 0

HEX #B0FFB4

RGB 176 255 180

HSL 123.04, 1%, 0.85%

LAB 93.47, -38.45, 28.37

 

CMYK 24 / 0 / 22 / 0

HEX #C1FFC7

RGB 193 255 199

HSL 125.81, 1%, 0.88%

LAB 94.73, -29.96, 20.6

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 56 / 0 / 53 / 8

HEX #67EA6D

RGB 103 234 109

HSL 122.75, 0.76%, 0.66%

LAB 83.35, -60.63, 49.48

 

CMYK 60 / 0 / 58 / 15

HEX #56D85A

RGB 86 216 90

HSL 121.85, 0.63%, 0.59%

LAB 77.18, -60.3, 50.72

 

CMYK 65 / 0 / 64 / 22

HEX #45C647

RGB 69 198 71

HSL 120.93, 0.53%, 0.52%

LAB 70.95, -59.68, 51.84

 

CMYK 71 / 0 / 71 / 29

HEX #34B434

RGB 52 180 52

HSL 120, 0.55%, 0.45%

LAB 64.66, -58.65, 52.69

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 42 / 0 / 52 / 1

HEX #93FC78

RGB 147 252 120

HSL 107.73, 0.96%, 0.73%

LAB 90.4, -54.39, 53.29

 

CMYK 27 / 0 / 52 / 1

HEX #B7FC78

RGB 183 252 120

HSL 91.36, 0.96%, 0.73%

LAB 92.15, -42.73, 55.79

 

CMYK 13 / 0 / 52 / 1

HEX #DAFC78

RGB 218 252 120

HSL 75.45, 0.96%, 0.73%

LAB 94.26, -30.03, 58.81

 

CMYK 0 / 1 / 52 / 1

HEX #FCF978

RGB 252 249 120

HSL 58.64, 0.96%, 0.73%

LAB 95.91, -15.46, 61.35

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 52 / 0 / 35 / 1

HEX #78FCA3

RGB 120 252 163

HSL 139.55, 0.96%, 0.73%

LAB 89.98, -55.43, 31.81

 

CMYK 52 / 0 / 21 / 1

HEX #78FCC7

RGB 120 252 199

HSL 155.91, 0.96%, 0.73%

LAB 90.66, -48.55, 14.42

 

CMYK 52 / 0 / 7 / 1

HEX #78FCEB

RGB 120 252 235

HSL 172.27, 0.96%, 0.73%

LAB 91.51, -40.4, -2.98

 

CMYK 52 / 8 / 0 / 1

HEX #78E9FC

RGB 120 233 252

HSL 188.64, 0.96%, 0.73%

LAB 86.65, -27.19, -19.09

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 46 / 0 / 43 / 5

HEX #83F189

RGB 131 241 137

HSL 123.27, 0.8%, 0.73%

LAB 86.77, -52.33, 40.58

 

CMYK 38 / 0 / 36 / 10

HEX #8EE593

RGB 142 229 147

HSL 123.45, 0.63%, 0.73%

LAB 83.91, -42.58, 31.95

 

CMYK 30 / 0 / 28 / 15

HEX #99DA9D

RGB 153 218 157

HSL 123.69, 0.47%, 0.73%

LAB 81.48, -32.54, 23.63

 

CMYK 21 / 0 / 19 / 19

HEX #A4CFA7

RGB 164 207 167

HSL 124.19, 0.31%, 0.73%

LAB 79.22, -21.89, 15.32

 

CMYK 27 / 0 / 52 / 1

HEX #B7FC78

RGB 183 252 120

HSL 91.36, 0.96%, 0.73%

LAB 92.15, -42.73, 55.79

 

CMYK 41 / 0 / 52 / 1

HEX #94FC78

RGB 148 252 120

HSL 107.27, 0.96%, 0.73%

LAB 90.45, -54.09, 53.35

 

CMYK 52 / 0 / 50 / 1

HEX #78FC7E

RGB 120 252 126

HSL 122.73, 0.96%, 0.73%

LAB 89.45, -61.05, 49.12

 

CMYK 52 / 0 / 36 / 1

HEX #78FCA1

RGB 120 252 161

HSL 138.64, 0.96%, 0.73%

LAB 89.95, -55.78, 32.77

 

CMYK 52 / 0 / 22 / 1

HEX #78FCC5

RGB 120 252 197

HSL 155, 0.96%, 0.73%

LAB 90.62, -48.96, 15.39

 

CMYK 84 / 0 / 79 / 2

HEX #27FA34

RGB 39 250 52

HSL 123.7, 0.95%, 0.57%

LAB 86.53, -81.37, 74.18

 

CMYK 69 / 0 / 64 / 2

HEX #4FFB5A

RGB 79 251 90

HSL 123.84, 0.96%, 0.65%

LAB 87.68, -73.54, 62.53

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 37 / 0 / 34 / 1

HEX #A0FDA6

RGB 160 253 166

HSL 123.87, 0.96%, 0.81%

LAB 91.9, -44.66, 33.15

 

CMYK 21 / 0 / 19 / 1

HEX #C8FDCC

RGB 200 253 204

HSL 124.53, 0.93%, 0.89%

LAB 94.69, -25.92, 18.06

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 52 / 13 / 0 / 1

HEX #78DBFC

RGB 120 219 252

HSL 195, 0.96%, 0.73%

LAB 82.75, -20.26, -25.02

 

CMYK 0 / 52 / 34 / 1

HEX #FC78A6

RGB 252 120 166

HSL 339.09, 0.96%, 0.73%

LAB 67.19, 54.89, -0.24

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 50 / 52 / 0 / 1

HEX #7E78FC

RGB 126 120 252

HSL 242.73, 0.96%, 0.73%

LAB 56.97, 36.49, -65.4

 

CMYK 0 / 50 / 52 / 1

HEX #FC7E78

RGB 252 126 120

HSL 2.73, 0.96%, 0.73%

LAB 67.26, 47.42, 25.8

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 52 / 13 / 0 / 1

HEX #78DBFC

RGB 120 219 252

HSL 195, 0.96%, 0.73%

LAB 82.75, -20.26, -25.02

 

CMYK 0 / 52 / 3 / 1

HEX #FC78F5

RGB 252 120 245

HSL 303.18, 0.96%, 0.73%

LAB 69.98, 66.14, -40.08

 

CMYK 0 / 39 / 52 / 1

HEX #FC9978

RGB 252 153 120

HSL 15, 0.96%, 0.73%

LAB 72.78, 33.79, 33.06

 

CMYK 52 / 0 / 49 / 1

HEX #78FC80

RGB 120 252 128

HSL 123.64, 0.96%, 0.73%

LAB 89.47, -60.78, 48.21

 

CMYK 52 / 29 / 0 / 1

HEX #78B3FC

RGB 120 179 252

HSL 213.18, 0.96%, 0.73%

LAB 71.73, 0.97, -42.01

 

CMYK 0 / 52 / 3 / 1

HEX #FC78F5

RGB 252 120 245

HSL 303.18, 0.96%, 0.73%

LAB 69.98, 66.14, -40.08

 

CMYK 0 / 24 / 52 / 1

HEX #FCC078

RGB 252 192 120

HSL 32.73, 0.96%, 0.73%

LAB 81.7, 13.4, 44.35

 

Description

Color code: HEX #78FC80 | qconv.com Color code: HEX #78FC80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 252 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 252 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 49 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 49% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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