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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78FCCB it is the complementary color #870334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78FCCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78FCCB shade: #7DFCC6, #8EFFD9, #9FFFEC, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78FCCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78FCCB shade: #78FCCB, #67EAB8, #56D8A5, #45C692 and #34B47F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78FCCB shade: #78FCCB, #78FCA7, #78FC83, #8FFC78 and #B3FC78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78FCCB shade: #78FCCB, #78FCEE, #78E6FC, #78C2FC and #789EFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78FCCB shade matches the following richer shades: #78FCCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78FCCB shade: #78FCCB, #83F1C8, #8EE5C5, #99DAC2 and #A4CFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78FCCB shade: #78FC83, #78FCA6, #78FCC9, #78FCEC and #78E8FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78FCCB shade: #27FAAC, #4FFBBB, #78FCCB, #A0FDDA and #C8FDEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78FCCB shade: #78FCCB, #7890FC and #FC9478

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78FCCB shade: #78FCCB, #C978FC and #FCC978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78FCCB shade: #78FCCB, #7890FC, #FC78AA and #FCE478

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78FCCB shade: #78FCCB, #8778FC, #FC78AA and #ECFC78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

Complementary color

CMYK 0 / 98 / 61 / 47

HEX #870334

RGB 135 3 52

HSL 337.73, 0.96%, 0.27%

LAB 28.02, 51.27, 10.87

 

CMYK 50 / 0 / 21 / 1

HEX #7DFCC6

RGB 125 252 198

HSL 154.49, 0.95%, 0.74%

LAB 90.81, -47.64, 15.17

 

CMYK 44 / 0 / 15 / 0

HEX #8EFFD9

RGB 142 255 217

HSL 159.82, 1%, 0.78%

LAB 92.7, -40.95, 8.16

 

CMYK 38 / 0 / 7 / 0

HEX #9FFFEC

RGB 159 255 236

HSL 168.13, 1%, 0.81%

LAB 93.86, -32.57, 0.12

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 56 / 0 / 21 / 8

HEX #67EAB8

RGB 103 234 184

HSL 157.1, 0.76%, 0.66%

LAB 84.58, -47.73, 13.53

 

CMYK 60 / 0 / 24 / 15

HEX #56D8A5

RGB 86 216 165

HSL 156.46, 0.63%, 0.59%

LAB 78.35, -47.66, 14.66

 

CMYK 65 / 0 / 26 / 22

HEX #45C692

RGB 69 198 146

HSL 155.81, 0.53%, 0.52%

LAB 72.05, -47.47, 15.9

 

CMYK 71 / 0 / 29 / 29

HEX #34B47F

RGB 52 180 127

HSL 155.16, 0.55%, 0.45%

LAB 65.67, -47.07, 17.25

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 52 / 0 / 34 / 1

HEX #78FCA7

RGB 120 252 167

HSL 141.36, 0.96%, 0.73%

LAB 90.05, -54.74, 29.89

 

CMYK 52 / 0 / 48 / 1

HEX #78FC83

RGB 120 252 131

HSL 125, 0.96%, 0.73%

LAB 89.51, -60.38, 46.85

 

CMYK 43 / 0 / 52 / 1

HEX #8FFC78

RGB 143 252 120

HSL 109.55, 0.96%, 0.73%

LAB 90.24, -55.56, 53.05

 

CMYK 29 / 0 / 52 / 1

HEX #B3FC78

RGB 179 252 120

HSL 93.18, 0.96%, 0.73%

LAB 91.94, -44.11, 55.48

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 52 / 0 / 6 / 1

HEX #78FCEE

RGB 120 252 238

HSL 173.64, 0.96%, 0.73%

LAB 91.59, -39.68, -4.42

 

CMYK 52 / 9 / 0 / 1

HEX #78E6FC

RGB 120 230 252

HSL 190, 0.96%, 0.73%

LAB 85.81, -25.73, -20.36

 

CMYK 52 / 23 / 0 / 1

HEX #78C2FC

RGB 120 194 252

HSL 206.36, 0.96%, 0.73%

LAB 75.83, -7.24, -35.64

 

CMYK 52 / 37 / 0 / 1

HEX #789EFC

RGB 120 158 252

HSL 222.73, 0.96%, 0.73%

LAB 66.12, 12.91, -50.84

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 46 / 0 / 17 / 5

HEX #83F1C8

RGB 131 241 200

HSL 157.64, 0.8%, 0.73%

LAB 87.92, -41.01, 10.07

 

CMYK 38 / 0 / 14 / 10

HEX #8EE5C5

RGB 142 229 197

HSL 157.93, 0.63%, 0.73%

LAB 84.9, -33.33, 7.38

 

CMYK 30 / 0 / 11 / 15

HEX #99DAC2

RGB 153 218 194

HSL 157.85, 0.47%, 0.73%

LAB 82.28, -25.58, 5.25

 

CMYK 21 / 0 / 8 / 19

HEX #A4CFBF

RGB 164 207 191

HSL 157.67, 0.31%, 0.73%

LAB 79.77, -17.35, 3.3

 

CMYK 52 / 0 / 48 / 1

HEX #78FC83

RGB 120 252 131

HSL 125, 0.96%, 0.73%

LAB 89.51, -60.38, 46.85

 

CMYK 52 / 0 / 34 / 1

HEX #78FCA6

RGB 120 252 166

HSL 140.91, 0.96%, 0.73%

LAB 90.03, -54.91, 30.37

 

CMYK 52 / 0 / 20 / 1

HEX #78FCC9

RGB 120 252 201

HSL 156.82, 0.96%, 0.73%

LAB 90.7, -48.13, 13.45

 

CMYK 52 / 0 / 6 / 1

HEX #78FCEC

RGB 120 252 236

HSL 172.73, 0.96%, 0.73%

LAB 91.54, -40.16, -3.46

 

CMYK 52 / 8 / 0 / 1

HEX #78E8FC

RGB 120 232 252

HSL 189.09, 0.96%, 0.73%

LAB 86.37, -26.7, -19.51

 

CMYK 84 / 0 / 31 / 2

HEX #27FAAC

RGB 39 250 172

HSL 157.82, 0.95%, 0.57%

LAB 87.86, -65.44, 24.11

 

CMYK 69 / 0 / 25 / 2

HEX #4FFBBB

RGB 79 251 187

HSL 157.67, 0.96%, 0.65%

LAB 89.04, -58.23, 18.15

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 37 / 0 / 14 / 1

HEX #A0FDDA

RGB 160 253 218

HSL 157.42, 0.96%, 0.81%

LAB 92.92, -35.21, 8.06

 

CMYK 21 / 0 / 8 / 1

HEX #C8FDEA

RGB 200 253 234

HSL 158.49, 0.93%, 0.89%

LAB 95.36, -20.44, 3.59

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 52 / 43 / 0 / 1

HEX #7890FC

RGB 120 144 252

HSL 229.09, 0.96%, 0.73%

LAB 62.48, 21.09, -56.61

 

CMYK 0 / 41 / 52 / 1

HEX #FC9478

RGB 252 148 120

HSL 12.73, 0.96%, 0.73%

LAB 71.71, 36.37, 31.67

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 20 / 52 / 0 / 1

HEX #C978FC

RGB 201 120 252

HSL 276.82, 0.96%, 0.73%

LAB 64.06, 54.11, -53.67

 

CMYK 0 / 20 / 52 / 1

HEX #FCC978

RGB 252 201 120

HSL 36.82, 0.96%, 0.73%

LAB 83.87, 8.71, 47.02

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 52 / 43 / 0 / 1

HEX #7890FC

RGB 120 144 252

HSL 229.09, 0.96%, 0.73%

LAB 62.48, 21.09, -56.61

 

CMYK 0 / 52 / 33 / 1

HEX #FC78AA

RGB 252 120 170

HSL 337.27, 0.96%, 0.73%

LAB 67.3, 55.36, -2.34

 

CMYK 0 / 10 / 52 / 1

HEX #FCE478

RGB 252 228 120

HSL 49.09, 0.96%, 0.73%

LAB 90.57, -5.08, 55.09

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCB

RGB 120 252 203

HSL 157.73, 0.96%, 0.73%

LAB 90.75, -47.7, 12.48

 

CMYK 46 / 52 / 0 / 1

HEX #8778FC

RGB 135 120 252

HSL 246.82, 0.96%, 0.73%

LAB 57.67, 38.37, -64.25

 

CMYK 0 / 52 / 33 / 1

HEX #FC78AA

RGB 252 120 170

HSL 337.27, 0.96%, 0.73%

LAB 67.3, 55.36, -2.34

 

CMYK 6 / 0 / 52 / 1

HEX #ECFC78

RGB 236 252 120

HSL 67.27, 0.96%, 0.73%

LAB 95.5, -23.15, 60.57

 

Description

Color code: HEX #78FCCB | qconv.com Color code: HEX #78FCCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 252 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 252 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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