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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79148A it is the complementary color #86EB75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79148A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79148A shade: #7E1485, #8F2698, #A038AB, #B14ABE and #C25CD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79148A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79148A shade: #79148A, #680277, #570064, #460051 and #35003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79148A shade: #79138A, #8A137B, #8A135B, #8A133B and #8A131B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79148A shade: #79138A, #59138A, #39138A, #19138A and #13138A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79148A shade matches the following richer shades: #79138A and #820697

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79148A shade: #79138A, #70207D, #672D70, #5D3A63 and #544657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79148A shade: #39138A, #58138A, #78138A, #8A137C and #8A135C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79148A shade: #390942, #590E66, #79138A, #9818AE and #B81ED2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79148A shade: #79148A, #8A1913 and #138A49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79148A shade: #79148A, #8A7813 and #138A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79148A shade: #79148A, #8A1913, #258A13 and #13848A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79148A shade: #79148A, #8A3D13, #258A13 and #13608A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 86 / 0 / 46

HEX #79148A

RGB 121 20 138

HSL 291.36, 0.75%, 0.31%

LAB 30.4, 55.77, -41.83

 

Complementary color

CMYK 43 / 0 / 50 / 8

HEX #86EB75

RGB 134 235 117

HSL 111.36, 0.75%, 0.69%

LAB 84.88, -51.73, 47.86

 

CMYK 5 / 85 / 0 / 48

HEX #7E1485

RGB 126 20 133

HSL 296.28, 0.74%, 0.3%

LAB 30.95, 55.83, -37.79

 

CMYK 6 / 75 / 0 / 40

HEX #8F2698

RGB 143 38 152

HSL 295.26, 0.6%, 0.37%

LAB 36.92, 57.38, -39.78

 

CMYK 6 / 67 / 0 / 33

HEX #A038AB

RGB 160 56 171

HSL 294.26, 0.51%, 0.45%

LAB 43.13, 57.9, -41.13

 

CMYK 7 / 61 / 0 / 25

HEX #B14ABE

RGB 177 74 190

HSL 293.28, 0.47%, 0.52%

LAB 49.45, 57.84, -42.08

 

CMYK 7 / 56 / 0 / 18

HEX #C25CD1

RGB 194 92 209

HSL 292.31, 0.56%, 0.59%

LAB 55.81, 57.45, -42.77

 

CMYK 12 / 86 / 0 / 46

HEX #79148A

RGB 121 20 138

HSL 291.36, 0.75%, 0.31%

LAB 30.4, 55.77, -41.83

 

CMYK 13 / 98 / 0 / 53

HEX #680277

RGB 104 2 119

HSL 292.31, 0.97%, 0.24%

LAB 24.7, 52.99, -39.21

 

CMYK 13 / 100 / 0 / 61

HEX #570064

RGB 87 0 100

HSL 292.2, 1%, 0.2%

LAB 19.83, 47.18, -34.9

 

CMYK 14 / 100 / 0 / 68

HEX #460051

RGB 70 0 81

HSL 291.85, 1%, 0.16%

LAB 14.93, 40.75, -30.22

 

CMYK 15 / 100 / 0 / 76

HEX #35003E

RGB 53 0 62

HSL 291.29, 1%, 0.12%

LAB 9.83, 34.05, -25.35

 

CMYK 12 / 86 / 0 / 46

HEX #79138A

RGB 121 19 138

HSL 291.43, 0.76%, 0.31%

LAB 30.32, 56.01, -41.96

 

CMYK 0 / 86 / 11 / 46

HEX #8A137B

RGB 138 19 123

HSL 307.56, 0.76%, 0.31%

LAB 32.48, 56.91, -28.95

 

CMYK 0 / 86 / 34 / 46

HEX #8A135B

RGB 138 19 91

HSL 323.7, 0.76%, 0.31%

LAB 30.94, 52.65, -10.83

 

CMYK 0 / 86 / 57 / 46

HEX #8A133B

RGB 138 19 59

HSL 339.83, 0.76%, 0.31%

LAB 29.87, 49.59, 8.81

 

CMYK 0 / 86 / 80 / 46

HEX #8A131B

RGB 138 19 27

HSL 355.97, 0.76%, 0.31%

LAB 29.28, 47.83, 28.98

 

CMYK 12 / 86 / 0 / 46

HEX #79138A

RGB 121 19 138

HSL 291.43, 0.76%, 0.31%

LAB 30.32, 56.01, -41.96

 

CMYK 36 / 86 / 0 / 46

HEX #59138A

RGB 89 19 138

HSL 275.29, 0.76%, 0.31%

LAB 25.03, 50.54, -50.79

 

CMYK 59 / 86 / 0 / 46

HEX #39138A

RGB 57 19 138

HSL 259.16, 0.76%, 0.31%

LAB 20.71, 46.3, -58.04

 

CMYK 82 / 86 / 0 / 46

HEX #19138A

RGB 25 19 138

HSL 243.03, 0.76%, 0.31%

LAB 17.95, 43.73, -62.7

 

CMYK 86 / 86 / 0 / 46

HEX #13138A

RGB 19 19 138

HSL 240, 0.76%, 0.31%

LAB 17.64, 43.45, -63.22

 

CMYK 12 / 86 / 0 / 46

HEX #79138A

RGB 121 19 138

HSL 291.43, 0.76%, 0.31%

LAB 30.32, 56.01, -41.96

 

CMYK 14 / 96 / 0 / 41

HEX #820697

RGB 130 6 151

HSL 291.31, 0.92%, 0.31%

LAB 32.06, 62.2, -47.09

 

CMYK 12 / 86 / 0 / 46

HEX #79138A

RGB 121 19 138

HSL 291.43, 0.76%, 0.31%

LAB 30.32, 56.01, -41.96

 

CMYK 10 / 74 / 0 / 51

HEX #70207D

RGB 112 32 125

HSL 291.61, 0.59%, 0.31%

LAB 29.31, 47.63, -35.53

 

CMYK 8 / 60 / 0 / 56

HEX #672D70

RGB 103 45 112

HSL 291.94, 0.43%, 0.31%

LAB 29.24, 36.71, -27.49

 

CMYK 6 / 41 / 0 / 61

HEX #5D3A63

RGB 93 58 99

HSL 291.22, 0.26%, 0.31%

LAB 30.04, 23.18, -18.01

 

CMYK 3 / 20 / 0 / 66

HEX #544657

RGB 84 70 87

HSL 289.41, 0.11%, 0.31%

LAB 31.7, 9.49, -7.87

 

CMYK 59 / 86 / 0 / 46

HEX #39138A

RGB 57 19 138

HSL 259.16, 0.76%, 0.31%

LAB 20.71, 46.3, -58.04

 

CMYK 36 / 86 / 0 / 46

HEX #58138A

RGB 88 19 138

HSL 274.79, 0.76%, 0.31%

LAB 24.88, 50.39, -51.04

 

CMYK 13 / 86 / 0 / 46

HEX #78138A

RGB 120 19 138

HSL 290.92, 0.76%, 0.31%

LAB 30.14, 55.83, -42.25

 

CMYK 0 / 86 / 10 / 46

HEX #8A137C

RGB 138 19 124

HSL 307.06, 0.76%, 0.31%

LAB 32.53, 57.06, -29.49

 

CMYK 0 / 86 / 33 / 46

HEX #8A135C

RGB 138 19 92

HSL 323.19, 0.76%, 0.31%

LAB 30.98, 52.77, -11.42

 

CMYK 14 / 86 / 0 / 74

HEX #390942

RGB 57 9 66

HSL 290.53, 0.76%, 0.15%

LAB 12.34, 31.67, -24.11

 

CMYK 13 / 86 / 0 / 60

HEX #590E66

RGB 89 14 102

HSL 291.14, 0.76%, 0.23%

LAB 21.57, 44.35, -33.39

 

CMYK 12 / 86 / 0 / 46

HEX #79138A

RGB 121 19 138

HSL 291.43, 0.76%, 0.31%

LAB 30.32, 56.01, -41.96

 

CMYK 13 / 86 / 0 / 32

HEX #9818AE

RGB 152 24 174

HSL 291.2, 0.76%, 0.39%

LAB 38.52, 66.85, -50.35

 

CMYK 12 / 86 / 0 / 18

HEX #B81ED2

RGB 184 30 210

HSL 291.33, 0.75%, 0.47%

LAB 46.67, 77.2, -58.01

 

CMYK 12 / 86 / 0 / 46

HEX #79148A

RGB 121 20 138

HSL 291.36, 0.75%, 0.31%

LAB 30.4, 55.77, -41.83

 

CMYK 0 / 82 / 86 / 46

HEX #8A1913

RGB 138 25 19

HSL 3.03, 0.76%, 0.31%

LAB 29.78, 45.95, 34.11

 

CMYK 86 / 0 / 47 / 46

HEX #138A49

RGB 19 138 73

HSL 147.23, 0.76%, 0.31%

LAB 50.45, -46.05, 26.25

 

CMYK 12 / 86 / 0 / 46

HEX #79148A

RGB 121 20 138

HSL 291.36, 0.75%, 0.31%

LAB 30.4, 55.77, -41.83

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 86 / 0 / 13 / 46

HEX #138A78

RGB 19 138 120

HSL 170.92, 0.76%, 0.31%

LAB 51.46, -34.86, 0.96

 

CMYK 12 / 86 / 0 / 46

HEX #79148A

RGB 121 20 138

HSL 291.36, 0.75%, 0.31%

LAB 30.4, 55.77, -41.83

 

CMYK 0 / 82 / 86 / 46

HEX #8A1913

RGB 138 25 19

HSL 3.03, 0.76%, 0.31%

LAB 29.78, 45.95, 34.11

 

CMYK 73 / 0 / 86 / 46

HEX #258A13

RGB 37 138 19

HSL 110.92, 0.76%, 0.31%

LAB 50.24, -49.7, 49.51

 

CMYK 86 / 4 / 0 / 46

HEX #13848A

RGB 19 132 138

HSL 183.03, 0.76%, 0.31%

LAB 50.07, -26.46, -11.62

 

CMYK 12 / 86 / 0 / 46

HEX #79148A

RGB 121 20 138

HSL 291.36, 0.75%, 0.31%

LAB 30.4, 55.77, -41.83

 

CMYK 0 / 56 / 86 / 46

HEX #8A3D13

RGB 138 61 19

HSL 21.18, 0.76%, 0.31%

LAB 35.57, 30.39, 39.27

 

CMYK 73 / 0 / 86 / 46

HEX #258A13

RGB 37 138 19

HSL 110.92, 0.76%, 0.31%

LAB 50.24, -49.7, 49.51

 

CMYK 86 / 30 / 0 / 46

HEX #13608A

RGB 19 96 138

HSL 201.18, 0.76%, 0.31%

LAB 38.44, -6.45, -29.51

 

Description

Color code: HEX #79148A | qconv.com Color code: HEX #79148A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 20 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 20 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 86 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 86% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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