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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7915AB it is the complementary color #86EA54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7915AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7915AB shade: #7E15A6, #8F27B9, #A039CC, #B14BDF and #C25DF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7915AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7915AB shade: #7915AB, #680398, #570085, #460072 and #35005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7915AB shade: #7A15AC, #A215AC, #AC158D, #AC1564 and #AC153B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7915AB shade: #7A15AC, #5115AC, #2815AC and #1515AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7915AB shade matches the following richer shades: #7A15AC and #7F05BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7915AB shade: #7A15AC, #74249C, #6F348D, #6A447D and #65546D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7915AB shade: #2915AC, #5115AC, #7A15AC, #A215AC and #AC158E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7915AB shade: #460C63, #601087, #7A15AC, #9419D1 and #A82FE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7915AB shade: #7915AB, #AC1529 and #15AC3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7915AB shade: #7915AB, #AC7A15 and #15AC7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7915AB shade: #7915AB, #AC1529, #47AC15 and #15AC98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7915AB shade: #7915AB, #AC2E15, #47AC15 and #1593AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 88 / 0 / 33

HEX #7915AB

RGB 121 21 171

HSL 280, 0.78%, 0.38%

LAB 33.01, 61.95, -57.74

 

Complementary color

CMYK 43 / 0 / 64 / 8

HEX #86EA54

RGB 134 234 84

HSL 100, 0.78%, 0.62%

LAB 84.25, -54.78, 61.69

 

CMYK 24 / 87 / 0 / 35

HEX #7E15A6

RGB 126 21 166

HSL 283.45, 0.78%, 0.37%

LAB 33.4, 61.72, -54.06

 

CMYK 23 / 79 / 0 / 27

HEX #8F27B9

RGB 143 39 185

HSL 282.74, 0.65%, 0.44%

LAB 39.23, 63.3, -55.8

 

CMYK 22 / 72 / 0 / 20

HEX #A039CC

RGB 160 57 204

HSL 282.04, 0.59%, 0.51%

LAB 45.3, 63.88, -56.95

 

CMYK 21 / 66 / 0 / 13

HEX #B14BDF

RGB 177 75 223

HSL 281.35, 0.7%, 0.58%

LAB 51.5, 63.85, -57.72

 

CMYK 20 / 62 / 0 / 5

HEX #C25DF2

RGB 194 93 242

HSL 280.67, 0.85%, 0.66%

LAB 57.76, 63.48, -58.23

 

CMYK 29 / 88 / 0 / 33

HEX #7915AB

RGB 121 21 171

HSL 280, 0.78%, 0.38%

LAB 33.01, 61.95, -57.74

 

CMYK 32 / 98 / 0 / 40

HEX #680398

RGB 104 3 152

HSL 280.67, 0.96%, 0.3%

LAB 27.5, 59.12, -55.31

 

CMYK 35 / 100 / 0 / 48

HEX #570085

RGB 87 0 133

HSL 279.25, 1%, 0.26%

LAB 22.72, 53.7, -51.44

 

CMYK 39 / 100 / 0 / 55

HEX #460072

RGB 70 0 114

HSL 276.84, 1%, 0.22%

LAB 18, 47.6, -47.17

 

CMYK 44 / 100 / 0 / 63

HEX #35005F

RGB 53 0 95

HSL 273.47, 1%, 0.19%

LAB 13.13, 41.33, -42.78

 

CMYK 29 / 88 / 0 / 33

HEX #7A15AC

RGB 122 21 172

HSL 280.13, 0.78%, 0.38%

LAB 33.25, 62.3, -57.94

 

CMYK 6 / 88 / 0 / 33

HEX #A215AC

RGB 162 21 172

HSL 296.03, 0.78%, 0.38%

LAB 39.91, 68.84, -46.84

 

CMYK 0 / 88 / 18 / 33

HEX #AC158D

RGB 172 21 141

HSL 312.32, 0.78%, 0.38%

LAB 39.97, 66.18, -27.91

 

CMYK 0 / 88 / 42 / 33

HEX #AC1564

RGB 172 21 100

HSL 328.61, 0.78%, 0.38%

LAB 38.25, 61.48, -4.95

 

CMYK 0 / 88 / 66 / 33

HEX #AC153B

RGB 172 21 59

HSL 344.9, 0.78%, 0.38%

LAB 37.16, 58.38, 19.83

 

CMYK 29 / 88 / 0 / 33

HEX #7A15AC

RGB 122 21 172

HSL 280.13, 0.78%, 0.38%

LAB 33.25, 62.3, -57.94

 

CMYK 53 / 88 / 0 / 33

HEX #5115AC

RGB 81 21 172

HSL 263.84, 0.78%, 0.38%

LAB 27.47, 57.07, -67.64

 

CMYK 77 / 88 / 0 / 33

HEX #2815AC

RGB 40 21 172

HSL 247.55, 0.78%, 0.38%

LAB 23.56, 53.87, -74.25

 

CMYK 88 / 88 / 0 / 33

HEX #1515AC

RGB 21 21 172

HSL 240, 0.78%, 0.38%

LAB 22.56, 53.12, -75.93

 

CMYK 29 / 88 / 0 / 33

HEX #7A15AC

RGB 122 21 172

HSL 280.13, 0.78%, 0.38%

LAB 33.25, 62.3, -57.94

 

CMYK 32 / 97 / 0 / 26

HEX #7F05BC

RGB 127 5 188

HSL 280, 0.95%, 0.38%

LAB 34.5, 68.84, -65.38

 

CMYK 29 / 88 / 0 / 33

HEX #7A15AC

RGB 122 21 172

HSL 280.13, 0.78%, 0.38%

LAB 33.25, 62.3, -57.94

 

CMYK 26 / 77 / 0 / 39

HEX #74249C

RGB 116 36 156

HSL 280, 0.63%, 0.38%

LAB 32.65, 53.33, -49.3

 

CMYK 21 / 63 / 0 / 45

HEX #6F348D

RGB 111 52 141

HSL 279.78, 0.46%, 0.38%

LAB 33.47, 41.63, -38.83

 

CMYK 15 / 46 / 0 / 51

HEX #6A447D

RGB 106 68 125

HSL 280, 0.3%, 0.38%

LAB 35.36, 27.44, -26

 

CMYK 7 / 23 / 0 / 57

HEX #65546D

RGB 101 84 109

HSL 280.8, 0.13%, 0.38%

LAB 38.22, 12.14, -11.71

 

CMYK 76 / 88 / 0 / 33

HEX #2915AC

RGB 41 21 172

HSL 247.95, 0.78%, 0.38%

LAB 23.63, 53.92, -74.13

 

CMYK 53 / 88 / 0 / 33

HEX #5115AC

RGB 81 21 172

HSL 263.84, 0.78%, 0.38%

LAB 27.47, 57.07, -67.64

 

CMYK 29 / 88 / 0 / 33

HEX #7A15AC

RGB 122 21 172

HSL 280.13, 0.78%, 0.38%

LAB 33.25, 62.3, -57.94

 

CMYK 6 / 88 / 0 / 33

HEX #A215AC

RGB 162 21 172

HSL 296.03, 0.78%, 0.38%

LAB 39.91, 68.84, -46.84

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 29 / 88 / 0 / 61

HEX #460C63

RGB 70 12 99

HSL 280, 0.78%, 0.22%

LAB 17.76, 40.68, -37.73

 

CMYK 29 / 88 / 0 / 47

HEX #601087

RGB 96 16 135

HSL 280.34, 0.79%, 0.3%

LAB 25.58, 51.84, -47.96

 

CMYK 29 / 88 / 0 / 33

HEX #7A15AC

RGB 122 21 172

HSL 280.13, 0.78%, 0.38%

LAB 33.25, 62.3, -57.94

 

CMYK 29 / 88 / 0 / 18

HEX #9419D1

RGB 148 25 209

HSL 280.11, 0.79%, 0.46%

LAB 40.56, 72.52, -67.61

 

CMYK 27 / 79 / 0 / 10

HEX #A82FE5

RGB 168 47 229

HSL 279.89, 0.78%, 0.54%

LAB 46.99, 73.78, -68.47

 

CMYK 29 / 88 / 0 / 33

HEX #7915AB

RGB 121 21 171

HSL 280, 0.78%, 0.38%

LAB 33.01, 61.95, -57.74

 

CMYK 0 / 88 / 76 / 33

HEX #AC1529

RGB 172 21 41

HSL 352.05, 0.78%, 0.38%

LAB 36.87, 57.55, 30.79

 

CMYK 88 / 0 / 65 / 33

HEX #15AC3D

RGB 21 172 61

HSL 135.89, 0.78%, 0.38%

LAB 61.66, -59.2, 45.6

 

CMYK 29 / 88 / 0 / 33

HEX #7915AB

RGB 121 21 171

HSL 280, 0.78%, 0.38%

LAB 33.01, 61.95, -57.74

 

CMYK 0 / 29 / 88 / 33

HEX #AC7A15

RGB 172 122 21

HSL 40.13, 0.78%, 0.38%

LAB 54.81, 11.3, 56.56

 

CMYK 88 / 0 / 29 / 33

HEX #15AC7A

RGB 21 172 122

HSL 160.13, 0.78%, 0.38%

LAB 62.57, -48.49, 15.61

 

CMYK 29 / 88 / 0 / 33

HEX #7915AB

RGB 121 21 171

HSL 280, 0.78%, 0.38%

LAB 33.01, 61.95, -57.74

 

CMYK 0 / 88 / 76 / 33

HEX #AC1529

RGB 172 21 41

HSL 352.05, 0.78%, 0.38%

LAB 36.87, 57.55, 30.79

 

CMYK 59 / 0 / 88 / 33

HEX #47AC15

RGB 71 172 21

HSL 100.13, 0.78%, 0.38%

LAB 62.42, -53.65, 60.17

 

CMYK 88 / 0 / 12 / 33

HEX #15AC98

RGB 21 172 152

HSL 172.05, 0.78%, 0.38%

LAB 63.29, -40.78, -0.01

 

CMYK 29 / 88 / 0 / 33

HEX #7915AB

RGB 121 21 171

HSL 280, 0.78%, 0.38%

LAB 33.01, 61.95, -57.74

 

CMYK 0 / 73 / 88 / 33

HEX #AC2E15

RGB 172 46 21

HSL 9.93, 0.78%, 0.38%

LAB 39.21, 49.84, 43.91

 

CMYK 59 / 0 / 88 / 33

HEX #47AC15

RGB 71 172 21

HSL 100.13, 0.78%, 0.38%

LAB 62.42, -53.65, 60.17

 

CMYK 88 / 15 / 0 / 33

HEX #1593AC

RGB 21 147 172

HSL 189.93, 0.78%, 0.38%

LAB 56.09, -22.61, -22.1

 

Description

Color code: HEX #7915AB | qconv.com Color code: HEX #7915AB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 21 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 21 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 88 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 88% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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