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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #791681 it is the complementary color #86E97E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #791681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #791681 shade: #7E167C, #8F288F, #A03AA2, #B14CB5 and #C25EC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #791681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #791681 shade: #791681, #68046E, #57005B, #460048 and #350035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #791681 shade: #7A1682, #82166D, #821650, #821633 and #821616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #791681 shade: #7A1682, #5D1682, #401682, #221682 and #161682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #791681 shade matches the following richer shades: #7A1682 and #85098F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #791681 shade: #7A1682, #702276, #652E6A, #5B3B5D and #504751

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #791681 shade: #3F1682, #5C1682, #791682, #82166E and #821651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #791681 shade: #380A3C, #59105F, #7A1682, #9B1CA6 and #BC22C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #791681 shade: #791681, #822216 and #16824E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #791681 shade: #791681, #827916 and #168279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #791681 shade: #791681, #822216, #1F8216 and #167682

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #791681 shade: #791681, #824316, #1F8216 and #165582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 83 / 0 / 49

HEX #791681

RGB 121 22 129

HSL 295.51, 0.71%, 0.3%

LAB 29.97, 53.62, -36.9

 

Complementary color

CMYK 42 / 0 / 46 / 9

HEX #86E97E

RGB 134 233 126

HSL 115.51, 0.71%, 0.7%

LAB 84.41, -49.74, 42.97

 

CMYK 0 / 83 / 2 / 51

HEX #7E167C

RGB 126 22 124

HSL 301.15, 0.7%, 0.29%

LAB 30.56, 53.8, -32.77

 

CMYK 0 / 72 / 0 / 44

HEX #8F288F

RGB 143 40 143

HSL 300, 0.56%, 0.36%

LAB 36.63, 55.1, -34.74

 

CMYK 1 / 64 / 0 / 36

HEX #A03AA2

RGB 160 58 162

HSL 298.85, 0.47%, 0.43%

LAB 42.93, 55.46, -36.09

 

CMYK 2 / 58 / 0 / 29

HEX #B14CB5

RGB 177 76 181

HSL 297.71, 0.42%, 0.5%

LAB 49.32, 55.29, -37.05

 

CMYK 3 / 53 / 0 / 22

HEX #C25EC8

RGB 194 94 200

HSL 296.6, 0.49%, 0.58%

LAB 55.73, 54.83, -37.77

 

CMYK 6 / 83 / 0 / 49

HEX #791681

RGB 121 22 129

HSL 295.51, 0.71%, 0.3%

LAB 29.97, 53.62, -36.9

 

CMYK 5 / 96 / 0 / 57

HEX #68046E

RGB 104 4 110

HSL 296.6, 0.93%, 0.22%

LAB 24.18, 50.99, -34.25

 

CMYK 4 / 100 / 0 / 64

HEX #57005B

RGB 87 0 91

HSL 297.36, 1%, 0.18%

LAB 19.15, 45.57, -30.02

 

CMYK 3 / 100 / 0 / 72

HEX #460048

RGB 70 0 72

HSL 298.33, 1%, 0.14%

LAB 14.23, 39.08, -25.14

 

CMYK 0 / 100 / 0 / 79

HEX #350035

RGB 53 0 53

HSL 300, 1%, 0.1%

LAB 9.11, 32.32, -20.02

 

CMYK 6 / 83 / 0 / 49

HEX #7A1682

RGB 122 22 130

HSL 295.56, 0.71%, 0.3%

LAB 30.21, 54, -37.13

 

CMYK 0 / 83 / 16 / 49

HEX #82166D

RGB 130 22 109

HSL 311.67, 0.71%, 0.3%

LAB 30.46, 52.34, -23.34

 

CMYK 0 / 83 / 38 / 49

HEX #821650

RGB 130 22 80

HSL 327.78, 0.71%, 0.3%

LAB 29.16, 48.59, -6.44

 

CMYK 0 / 83 / 61 / 49

HEX #821633

RGB 130 22 51

HSL 343.89, 0.71%, 0.3%

LAB 28.27, 45.93, 11.71

 

CMYK 0 / 83 / 83 / 49

HEX #821616

RGB 130 22 22

HSL 0, 0.71%, 0.3%

LAB 27.78, 44.43, 29.91

 

CMYK 6 / 83 / 0 / 49

HEX #7A1682

RGB 122 22 130

HSL 295.56, 0.71%, 0.3%

LAB 30.21, 54, -37.13

 

CMYK 28 / 83 / 0 / 49

HEX #5D1682

RGB 93 22 130

HSL 279.44, 0.71%, 0.3%

LAB 25.3, 48.44, -45.3

 

CMYK 51 / 83 / 0 / 49

HEX #401682

RGB 64 22 130

HSL 263.33, 0.71%, 0.3%

LAB 21.12, 43.76, -52.31

 

CMYK 74 / 83 / 0 / 49

HEX #221682

RGB 34 22 130

HSL 246.67, 0.71%, 0.3%

LAB 18.03, 40.35, -57.5

 

CMYK 83 / 83 / 0 / 49

HEX #161682

RGB 22 22 130

HSL 240, 0.71%, 0.3%

LAB 17.25, 39.49, -58.82

 

CMYK 6 / 83 / 0 / 49

HEX #7A1682

RGB 122 22 130

HSL 295.56, 0.71%, 0.3%

LAB 30.21, 54, -37.13

 

CMYK 7 / 94 / 0 / 44

HEX #85098F

RGB 133 9 143

HSL 295.52, 0.88%, 0.3%

LAB 32.18, 60.89, -41.95

 

CMYK 6 / 83 / 0 / 49

HEX #7A1682

RGB 122 22 130

HSL 295.56, 0.71%, 0.3%

LAB 30.21, 54, -37.13

 

CMYK 5 / 71 / 0 / 54

HEX #702276

RGB 112 34 118

HSL 295.71, 0.55%, 0.3%

LAB 29.15, 45.48, -31.35

 

CMYK 5 / 57 / 0 / 58

HEX #652E6A

RGB 101 46 106

HSL 295, 0.39%, 0.3%

LAB 28.8, 34.32, -24.36

 

CMYK 2 / 37 / 0 / 64

HEX #5B3B5D

RGB 91 59 93

HSL 296.47, 0.22%, 0.3%

LAB 29.77, 20.5, -14.59

 

CMYK 1 / 12 / 0 / 68

HEX #504751

RGB 80 71 81

HSL 294, 0.07%, 0.3%

LAB 31.36, 5.91, -4.57

 

CMYK 52 / 83 / 0 / 49

HEX #3F1682

RGB 63 22 130

HSL 262.78, 0.71%, 0.3%

LAB 20.99, 43.62, -52.53

 

CMYK 29 / 83 / 0 / 49

HEX #5C1682

RGB 92 22 130

HSL 278.89, 0.71%, 0.3%

LAB 25.14, 48.27, -45.57

 

CMYK 7 / 83 / 0 / 49

HEX #791682

RGB 121 22 130

HSL 295, 0.71%, 0.3%

LAB 30.04, 53.8, -37.42

 

CMYK 0 / 83 / 15 / 49

HEX #82166E

RGB 130 22 110

HSL 311.11, 0.71%, 0.3%

LAB 30.51, 52.48, -23.9

 

CMYK 0 / 83 / 38 / 49

HEX #821651

RGB 130 22 81

HSL 327.22, 0.71%, 0.3%

LAB 29.19, 48.7, -7.04

 

CMYK 7 / 83 / 0 / 76

HEX #380A3C

RGB 56 10 60

HSL 295.2, 0.71%, 0.14%

LAB 11.85, 29.73, -20.65

 

CMYK 6 / 83 / 0 / 63

HEX #59105F

RGB 89 16 95

HSL 295.44, 0.71%, 0.22%

LAB 21.28, 42.39, -29.23

 

CMYK 6 / 83 / 0 / 49

HEX #7A1682

RGB 122 22 130

HSL 295.56, 0.71%, 0.3%

LAB 30.21, 54, -37.13

 

CMYK 7 / 83 / 0 / 35

HEX #9B1CA6

RGB 155 28 166

HSL 295.22, 0.71%, 0.38%

LAB 38.82, 65.11, -45.08

 

CMYK 6 / 83 / 0 / 21

HEX #BC22C9

RGB 188 34 201

HSL 295.33, 0.71%, 0.46%

LAB 47.04, 75.57, -52.19

 

CMYK 6 / 83 / 0 / 49

HEX #791681

RGB 121 22 129

HSL 295.51, 0.71%, 0.3%

LAB 29.97, 53.62, -36.9

 

CMYK 0 / 74 / 83 / 49

HEX #822216

RGB 130 34 22

HSL 6.67, 0.71%, 0.3%

LAB 29.28, 40.26, 31.39

 

CMYK 83 / 0 / 40 / 49

HEX #16824E

RGB 22 130 78

HSL 151.11, 0.71%, 0.3%

LAB 47.86, -41.7, 20.12

 

CMYK 6 / 83 / 0 / 49

HEX #791681

RGB 121 22 129

HSL 295.51, 0.71%, 0.3%

LAB 29.97, 53.62, -36.9

 

CMYK 0 / 7 / 83 / 49

HEX #827916

RGB 130 121 22

HSL 55, 0.71%, 0.3%

LAB 50.07, -7.64, 50.49

 

CMYK 83 / 0 / 7 / 49

HEX #168279

RGB 22 130 121

HSL 175, 0.71%, 0.3%

LAB 48.9, -30.58, -3.37

 

CMYK 6 / 83 / 0 / 49

HEX #791681

RGB 121 22 129

HSL 295.51, 0.71%, 0.3%

LAB 29.97, 53.62, -36.9

 

CMYK 0 / 74 / 83 / 49

HEX #822216

RGB 130 34 22

HSL 6.67, 0.71%, 0.3%

LAB 29.28, 40.26, 31.39

 

CMYK 76 / 0 / 83 / 49

HEX #1F8216

RGB 31 130 22

HSL 115, 0.71%, 0.3%

LAB 47.38, -47.94, 46

 

CMYK 83 / 9 / 0 / 49

HEX #167682

RGB 22 118 130

HSL 186.67, 0.71%, 0.3%

LAB 45.27, -21.65, -14.14

 

CMYK 6 / 83 / 0 / 49

HEX #791681

RGB 121 22 129

HSL 295.51, 0.71%, 0.3%

LAB 29.97, 53.62, -36.9

 

CMYK 0 / 48 / 83 / 49

HEX #824316

RGB 130 67 22

HSL 25, 0.71%, 0.3%

LAB 35.63, 23.73, 37.49

 

CMYK 76 / 0 / 83 / 49

HEX #1F8216

RGB 31 130 22

HSL 115, 0.71%, 0.3%

LAB 47.38, -47.94, 46

 

CMYK 83 / 35 / 0 / 49

HEX #165582

RGB 22 85 130

HSL 205, 0.71%, 0.3%

LAB 34.56, -2.43, -30.75

 

Description

Color code: HEX #791681 | qconv.com Color code: HEX #791681 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 22 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 22 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 83 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 83% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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