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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7917D7 it is the complementary color #86E828. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7917D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7917D7 shade: #7E17D2, #8F29E5, #A03BF8, #B14DFF and #C25FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7917D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7917D7 shade: #7917D7, #6805C4, #5700B1, #46009E and #35008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7917D7 shade: #7916D8, #AE16D8, #D816CF, #D8169A and #D81666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7917D7 shade: #7916D8, #4516D8 and #1616D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7917D7 shade matches the following richer shades: #7916D8 and #7A03EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7917D7 shade: #7916D8, #792AC5, #793DB2, #78509E and #78648B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7917D7 shade: #161DD8, #4416D8, #7716D8, #AB16D8 and #D816D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7917D7 shade: #4F0E8E, #6412B3, #7916D8, #8E2FE9 and #A255ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7917D7 shade: #7917D7, #D81651 and #16D82A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7917D7 shade: #7917D7, #D87716 and #16D877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7917D7 shade: #7917D7, #D81651, #77D816 and #16D89E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7917D7 shade: #7917D7, #D81616, #77D816 and #16D8D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 89 / 0 / 16

HEX #7917D7

RGB 121 23 215

HSL 270.63, 0.81%, 0.47%

LAB 37.09, 70.83, -76.93

 

Complementary color

CMYK 42 / 0 / 83 / 9

HEX #86E828

RGB 134 232 40

HSL 90.63, 0.81%, 0.53%

LAB 83.41, -56.71, 75.25

 

CMYK 40 / 89 / 0 / 18

HEX #7E17D2

RGB 126 23 210

HSL 273.05, 0.8%, 0.46%

LAB 37.3, 70.32, -73.66

 

CMYK 38 / 82 / 0 / 10

HEX #8F29E5

RGB 143 41 229

HSL 272.55, 0.78%, 0.53%

LAB 42.89, 71.84, -75.31

 

CMYK 35 / 76 / 0 / 3

HEX #A03BF8

RGB 160 59 248

HSL 272.06, 0.93%, 0.6%

LAB 48.73, 72.41, -76.38

 

CMYK 31 / 70 / 0 / 0

HEX #B14DFF

RGB 177 77 255

HSL 273.71, 1%, 0.65%

LAB 53.89, 69.75, -71.79

 

CMYK 24 / 63 / 0 / 0

HEX #C25FFF

RGB 194 95 255

HSL 277.13, 1%, 0.69%

LAB 58.86, 65.27, -63.68

 

CMYK 44 / 89 / 0 / 16

HEX #7917D7

RGB 121 23 215

HSL 270.63, 0.81%, 0.47%

LAB 37.09, 70.83, -76.93

 

CMYK 47 / 97 / 0 / 23

HEX #6805C4

RGB 104 5 196

HSL 271.1, 0.95%, 0.39%

LAB 31.89, 68.07, -74.51

 

CMYK 51 / 100 / 0 / 31

HEX #5700B1

RGB 87 0 177

HSL 269.49, 1%, 0.35%

LAB 27.3, 63.27, -70.9

 

CMYK 56 / 100 / 0 / 38

HEX #46009E

RGB 70 0 158

HSL 266.58, 1%, 0.31%

LAB 22.9, 57.65, -66.76

 

CMYK 62 / 100 / 0 / 45

HEX #35008B

RGB 53 0 139

HSL 262.88, 1%, 0.27%

LAB 18.46, 51.97, -62.42

 

CMYK 44 / 90 / 0 / 15

HEX #7916D8

RGB 121 22 216

HSL 270.62, 0.82%, 0.47%

LAB 37.11, 71.26, -77.47

 

CMYK 19 / 90 / 0 / 15

HEX #AE16D8

RGB 174 22 216

HSL 287.01, 0.82%, 0.47%

LAB 44.98, 78.09, -64.27

 

CMYK 0 / 90 / 4 / 15

HEX #D816CF

RGB 216 22 207

HSL 302.78, 0.82%, 0.47%

LAB 51.47, 83.46, -48.3

 

CMYK 0 / 90 / 29 / 15

HEX #D8169A

RGB 216 22 154

HSL 319.18, 0.82%, 0.47%

LAB 48.89, 76.75, -21.28

 

CMYK 0 / 90 / 53 / 15

HEX #D81666

RGB 216 22 102

HSL 335.26, 0.82%, 0.47%

LAB 47.15, 72, 7.81

 

CMYK 44 / 90 / 0 / 15

HEX #7916D8

RGB 121 22 216

HSL 270.62, 0.82%, 0.47%

LAB 37.11, 71.26, -77.47

 

CMYK 68 / 90 / 0 / 15

HEX #4516D8

RGB 69 22 216

HSL 254.54, 0.82%, 0.47%

LAB 31.34, 66.96, -87.19

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 44 / 90 / 0 / 15

HEX #7916D8

RGB 121 22 216

HSL 270.62, 0.82%, 0.47%

LAB 37.11, 71.26, -77.47

 

CMYK 48 / 99 / 0 / 7

HEX #7A03EC

RGB 122 3 236

HSL 270.64, 0.97%, 0.47%

LAB 38.3, 78.41, -86.93

 

CMYK 44 / 90 / 0 / 15

HEX #7916D8

RGB 121 22 216

HSL 270.62, 0.82%, 0.47%

LAB 37.11, 71.26, -77.47

 

CMYK 39 / 79 / 0 / 23

HEX #792AC5

RGB 121 42 197

HSL 270.58, 0.65%, 0.47%

LAB 37.39, 61.13, -65.97

 

CMYK 32 / 66 / 0 / 30

HEX #793DB2

RGB 121 61 178

HSL 270.77, 0.49%, 0.47%

LAB 38.93, 48.18, -52.31

 

CMYK 24 / 49 / 0 / 38

HEX #78509E

RGB 120 80 158

HSL 270.77, 0.33%, 0.47%

LAB 41.53, 32.55, -36.25

 

CMYK 14 / 28 / 0 / 45

HEX #78648B

RGB 120 100 139

HSL 270.77, 0.16%, 0.47%

LAB 45.6, 16.01, -18.55

 

CMYK 90 / 87 / 0 / 15

HEX #161DD8

RGB 22 29 216

HSL 237.84, 0.82%, 0.47%

LAB 29.43, 62.88, -90.45

 

CMYK 69 / 90 / 0 / 15

HEX #4416D8

RGB 68 22 216

HSL 254.23, 0.82%, 0.47%

LAB 31.26, 66.91, -87.34

 

CMYK 45 / 90 / 0 / 15

HEX #7716D8

RGB 119 22 216

HSL 270, 0.82%, 0.47%

LAB 36.84, 71.05, -77.91

 

CMYK 21 / 90 / 0 / 15

HEX #AB16D8

RGB 171 22 216

HSL 286.08, 0.82%, 0.47%

LAB 44.5, 77.65, -65.07

 

CMYK 0 / 90 / 3 / 15

HEX #D816D2

RGB 216 22 210

HSL 301.86, 0.82%, 0.47%

LAB 51.64, 83.89, -49.75

 

CMYK 44 / 90 / 0 / 44

HEX #4F0E8E

RGB 79 14 142

HSL 270.47, 0.82%, 0.31%

LAB 23.44, 51.52, -55.95

 

CMYK 44 / 90 / 0 / 30

HEX #6412B3

RGB 100 18 179

HSL 270.56, 0.82%, 0.39%

LAB 30.39, 61.61, -66.94

 

CMYK 44 / 90 / 0 / 15

HEX #7916D8

RGB 121 22 216

HSL 270.62, 0.82%, 0.47%

LAB 37.11, 71.26, -77.47

 

CMYK 39 / 80 / 0 / 9

HEX #8E2FE9

RGB 142 47 233

HSL 270.65, 0.81%, 0.55%

LAB 43.75, 70.65, -76.17

 

CMYK 32 / 64 / 0 / 7

HEX #A255ED

RGB 162 85 237

HSL 270.39, 0.81%, 0.63%

LAB 52.17, 59.14, -64.64

 

CMYK 44 / 89 / 0 / 16

HEX #7917D7

RGB 121 23 215

HSL 270.63, 0.81%, 0.47%

LAB 37.09, 70.83, -76.93

 

CMYK 0 / 90 / 63 / 15

HEX #D81651

RGB 216 22 81

HSL 341.75, 0.82%, 0.47%

LAB 46.67, 70.66, 20.15

 

CMYK 90 / 0 / 81 / 15

HEX #16D82A

RGB 22 216 42

HSL 126.19, 0.82%, 0.47%

LAB 75.73, -73.73, 66.73

 

CMYK 44 / 89 / 0 / 16

HEX #7917D7

RGB 121 23 215

HSL 270.63, 0.81%, 0.47%

LAB 37.09, 70.83, -76.93

 

CMYK 0 / 45 / 90 / 15

HEX #D87716

RGB 216 119 22

HSL 30, 0.82%, 0.47%

LAB 59.75, 32.07, 62.57

 

CMYK 90 / 0 / 45 / 15

HEX #16D877

RGB 22 216 119

HSL 150, 0.82%, 0.47%

LAB 76.44, -64.92, 35.73

 

CMYK 44 / 89 / 0 / 16

HEX #7917D7

RGB 121 23 215

HSL 270.63, 0.81%, 0.47%

LAB 37.09, 70.83, -76.93

 

CMYK 0 / 90 / 63 / 15

HEX #D81651

RGB 216 22 81

HSL 341.75, 0.82%, 0.47%

LAB 46.67, 70.66, 20.15

 

CMYK 45 / 0 / 90 / 15

HEX #77D816

RGB 119 216 22

HSL 90, 0.82%, 0.47%

LAB 77.93, -55.92, 73.86

 

CMYK 90 / 0 / 27 / 15

HEX #16D89E

RGB 22 216 158

HSL 162.06, 0.82%, 0.47%

LAB 77.13, -57.04, 16.5

 

CMYK 44 / 89 / 0 / 16

HEX #7917D7

RGB 121 23 215

HSL 270.63, 0.81%, 0.47%

LAB 37.09, 70.83, -76.93

 

CMYK 0 / 90 / 90 / 15

HEX #D81616

RGB 216 22 22

HSL 0, 0.82%, 0.47%

LAB 45.95, 68.62, 52.47

 

CMYK 45 / 0 / 90 / 15

HEX #77D816

RGB 119 216 22

HSL 90, 0.82%, 0.47%

LAB 77.93, -55.92, 73.86

 

CMYK 90 / 0 / 0 / 15

HEX #16D8D8

RGB 22 216 216

HSL 180, 0.82%, 0.47%

LAB 78.6, -41.76, -12.31

 

Description

Color code: HEX #7917D7 | qconv.com Color code: HEX #7917D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 23 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 23 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 89 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 89% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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