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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #791E80 it is the complementary color #86E17F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #791E80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #791E80 shade: #7E1E7B, #8F308E, #A042A1, #B154B4 and #C266C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #791E80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #791E80 shade: #791E80, #680C6D, #57005A, #460047 and #350034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #791E80 shade: #791E80, #801E6C, #801E52, #801E37 and #801E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #791E80 shade: #791E80, #5E1E80, #441E80, #291E80 and #1E1E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #791E80 shade matches the following richer shades: #791E80, #84118C and #8E0499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #791E80 shade: #791E80, #6E2A73, #633766, #584459 and #4D514C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #791E80 shade: #431E80, #5D1E80, #771E80, #801E6E and #801E53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #791E80 shade: #390E3D, #59165E, #791E80, #9825A1 and #B82DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #791E80 shade: #791E80, #80291E and #1E8050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #791E80 shade: #791E80, #80771E and #1E8077

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #791E80 shade: #791E80, #80291E, #26801E and #1E7480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #791E80 shade: #791E80, #80461E, #26801E and #1E5780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

Complementary color

CMYK 40 / 0 / 44 / 12

HEX #86E17F

RGB 134 225 127

HSL 115.71, 0.62%, 0.69%

LAB 82.08, -46.25, 39.54

 

CMYK 0 / 76 / 2 / 51

HEX #7E1E7B

RGB 126 30 123

HSL 301.88, 0.62%, 0.31%

LAB 31.33, 51.21, -30.9

 

CMYK 0 / 66 / 1 / 44

HEX #8F308E

RGB 143 48 142

HSL 300.63, 0.5%, 0.37%

LAB 37.67, 51.83, -32.47

 

CMYK 1 / 59 / 0 / 37

HEX #A042A1

RGB 160 66 161

HSL 299.37, 0.42%, 0.45%

LAB 44.15, 51.75, -33.56

 

CMYK 2 / 53 / 0 / 29

HEX #B154B4

RGB 177 84 180

HSL 298.13, 0.39%, 0.52%

LAB 50.67, 51.32, -34.35

 

CMYK 3 / 49 / 0 / 22

HEX #C266C7

RGB 194 102 199

HSL 296.91, 0.46%, 0.59%

LAB 57.17, 50.71, -34.95

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 5 / 89 / 0 / 57

HEX #680C6D

RGB 104 12 109

HSL 296.91, 0.8%, 0.24%

LAB 24.67, 49.17, -32.82

 

CMYK 3 / 100 / 0 / 65

HEX #57005A

RGB 87 0 90

HSL 298, 1%, 0.18%

LAB 19.07, 45.39, -29.47

 

CMYK 1 / 100 / 0 / 72

HEX #460047

RGB 70 0 71

HSL 299.15, 1%, 0.14%

LAB 14.16, 38.91, -24.56

 

CMYK 0 / 100 / 2 / 79

HEX #350034

RGB 53 0 52

HSL 301.13, 1%, 0.1%

LAB 9.03, 32.14, -19.4

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 0 / 77 / 16 / 50

HEX #801E6C

RGB 128 30 108

HSL 312.24, 0.62%, 0.31%

LAB 30.88, 49.27, -22.06

 

CMYK 0 / 77 / 36 / 50

HEX #801E52

RGB 128 30 82

HSL 328.16, 0.62%, 0.31%

LAB 29.73, 45.73, -6.94

 

CMYK 0 / 77 / 57 / 50

HEX #801E37

RGB 128 30 55

HSL 344.69, 0.62%, 0.31%

LAB 28.89, 43.01, 9.8

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 27 / 77 / 0 / 50

HEX #5E1E80

RGB 94 30 128

HSL 279.18, 0.62%, 0.31%

LAB 26.35, 45.15, -42.33

 

CMYK 47 / 77 / 0 / 50

HEX #441E80

RGB 68 30 128

HSL 263.27, 0.62%, 0.31%

LAB 22.71, 40.15, -48.42

 

CMYK 68 / 77 / 0 / 50

HEX #291E80

RGB 41 30 128

HSL 246.73, 0.62%, 0.31%

LAB 19.88, 36.08, -53.17

 

CMYK 77 / 77 / 0 / 50

HEX #1E1E80

RGB 30 30 128

HSL 240, 0.62%, 0.31%

LAB 19.07, 34.88, -54.53

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 6 / 88 / 0 / 45

HEX #84118C

RGB 132 17 140

HSL 296.1, 0.78%, 0.31%

LAB 32.26, 58.85, -39.98

 

CMYK 7 / 97 / 0 / 40

HEX #8E0499

RGB 142 4 153

HSL 295.57, 0.95%, 0.31%

LAB 34.27, 64.76, -44.64

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 4 / 63 / 0 / 55

HEX #6E2A73

RGB 110 42 115

HSL 295.89, 0.46%, 0.31%

LAB 29.93, 40.8, -28.23

 

CMYK 3 / 46 / 0 / 60

HEX #633766

RGB 99 55 102

HSL 296.17, 0.3%, 0.31%

LAB 30.27, 27.72, -19.53

 

CMYK 1 / 24 / 0 / 65

HEX #584459

RGB 88 68 89

HSL 297.14, 0.13%, 0.31%

LAB 31.65, 12.78, -9.19

 

CMYK 5 / 0 / 6 / 68

HEX #4D514C

RGB 77 81 76

HSL 108, 0.03%, 0.31%

LAB 33.95, -2.7, 2.38

 

CMYK 48 / 77 / 0 / 50

HEX #431E80

RGB 67 30 128

HSL 262.65, 0.62%, 0.31%

LAB 22.59, 39.98, -48.62

 

CMYK 27 / 77 / 0 / 50

HEX #5D1E80

RGB 93 30 128

HSL 278.57, 0.62%, 0.31%

LAB 26.2, 44.94, -42.58

 

CMYK 7 / 77 / 0 / 50

HEX #771E80

RGB 119 30 128

HSL 294.49, 0.62%, 0.31%

LAB 30.42, 50.52, -35.57

 

CMYK 0 / 77 / 14 / 50

HEX #801E6E

RGB 128 30 110

HSL 311.02, 0.62%, 0.31%

LAB 30.98, 49.58, -23.18

 

CMYK 0 / 77 / 35 / 50

HEX #801E53

RGB 128 30 83

HSL 327.55, 0.62%, 0.31%

LAB 29.77, 45.85, -7.54

 

CMYK 7 / 77 / 0 / 76

HEX #390E3D

RGB 57 14 61

HSL 294.89, 0.63%, 0.15%

LAB 12.74, 28.43, -19.94

 

CMYK 5 / 77 / 0 / 63

HEX #59165E

RGB 89 22 94

HSL 295.83, 0.62%, 0.23%

LAB 21.97, 40.06, -27.49

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 6 / 77 / 0 / 37

HEX #9825A1

RGB 152 37 161

HSL 295.65, 0.63%, 0.39%

LAB 38.85, 61.19, -42.05

 

CMYK 5 / 77 / 0 / 24

HEX #B82DC2

RGB 184 45 194

HSL 295.97, 0.62%, 0.47%

LAB 46.92, 70.87, -48.35

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 0 / 68 / 77 / 50

HEX #80291E

RGB 128 41 30

HSL 6.73, 0.62%, 0.31%

LAB 30.08, 36.86, 27.44

 

CMYK 77 / 0 / 38 / 50

HEX #1E8050

RGB 30 128 80

HSL 150.61, 0.62%, 0.31%

LAB 47.36, -39.41, 18.34

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 0 / 7 / 77 / 50

HEX #80771E

RGB 128 119 30

HSL 54.49, 0.62%, 0.31%

LAB 49.35, -7.13, 47.02

 

CMYK 77 / 0 / 7 / 50

HEX #1E8077

RGB 30 128 119

HSL 174.49, 0.62%, 0.31%

LAB 48.32, -29.33, -3.05

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 0 / 68 / 77 / 50

HEX #80291E

RGB 128 41 30

HSL 6.73, 0.62%, 0.31%

LAB 30.08, 36.86, 27.44

 

CMYK 70 / 0 / 77 / 50

HEX #26801E

RGB 38 128 30

HSL 115.1, 0.62%, 0.31%

LAB 46.9, -45.33, 42.84

 

CMYK 77 / 9 / 0 / 50

HEX #1E7480

RGB 30 116 128

HSL 187.35, 0.62%, 0.31%

LAB 44.7, -20.37, -13.81

 

CMYK 5 / 77 / 0 / 50

HEX #791E80

RGB 121 30 128

HSL 295.71, 0.62%, 0.31%

LAB 30.76, 50.96, -35

 

CMYK 0 / 45 / 77 / 50

HEX #80461E

RGB 128 70 30

HSL 24.49, 0.62%, 0.31%

LAB 36.11, 21.46, 33.91

 

CMYK 70 / 0 / 77 / 50

HEX #26801E

RGB 38 128 30

HSL 115.1, 0.62%, 0.31%

LAB 46.9, -45.33, 42.84

 

CMYK 77 / 32 / 0 / 50

HEX #1E5780

RGB 30 87 128

HSL 205.1, 0.62%, 0.31%

LAB 35.3, -3.48, -28.33

 

Description

Color code: HEX #791E80 | qconv.com Color code: HEX #791E80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 30 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 30 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 77 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 77% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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