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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #792510 it is the complementary color #86DAEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #792510. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #792510 shade: #7E250B, #8F371E, #A04931, #B15B44 and #C26D57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #792510. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #792510 shade: #792510, #681300, #570100, #460000 and #350000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #792510 shade: #79250F and #790F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #792510 shade: #79250F, #79410F, #795E0F, #78790F and #5C790F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #792510 shade matches the following richer shades: #79250F and #851E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #792510 shade: #79250F, #6E2B1A, #633226, #583931 and #4D3F3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #792510 shade: #790F33, #790F16, #79250F, #79410F and #795D0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #792510 shade: #300E06, #55190B, #79250F, #9E3014 and #C23B19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #792510 shade: #792510, #4F790F and #0F2579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #792510 shade: #792510, #0F7925 and #250F79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #792510 shade: #792510, #4F790F, #0F6479 and #3A0F79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #792510 shade: #792510, #2F790F, #0F6479 and #5A0F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 87 / 53

HEX #792510

RGB 121 37 16

HSL 12, 0.77%, 0.27%

LAB 27.91, 35.53, 32.72

 

Complementary color

CMYK 44 / 9 / 0 / 6

HEX #86DAEF

RGB 134 218 239

HSL 192, 0.77%, 0.73%

LAB 82.62, -20.15, -18.26

 

CMYK 0 / 71 / 91 / 51

HEX #7E250B

RGB 126 37 11

HSL 13.57, 0.84%, 0.27%

LAB 28.86, 37.26, 36.29

 

CMYK 0 / 62 / 79 / 44

HEX #8F371E

RGB 143 55 30

HSL 13.27, 0.65%, 0.34%

LAB 35.33, 35.88, 33.87

 

CMYK 0 / 54 / 69 / 37

HEX #A04931

RGB 160 73 49

HSL 12.97, 0.53%, 0.41%

LAB 41.94, 34.35, 31.3

 

CMYK 0 / 49 / 62 / 31

HEX #B15B44

RGB 177 91 68

HSL 12.66, 0.44%, 0.48%

LAB 48.57, 32.88, 29.02

 

CMYK 0 / 44 / 55 / 24

HEX #C26D57

RGB 194 109 87

HSL 12.34, 0.47%, 0.55%

LAB 55.17, 31.52, 27.02

 

CMYK 0 / 69 / 87 / 53

HEX #792510

RGB 121 37 16

HSL 12, 0.77%, 0.27%

LAB 27.91, 35.53, 32.72

 

CMYK 0 / 82 / 100 / 59

HEX #681300

RGB 104 19 0

HSL 10.96, 1%, 0.2%

LAB 21.61, 36.32, 32.33

 

CMYK 0 / 99 / 100 / 66

HEX #570100

RGB 87 1 0

HSL 0.69, 1%, 0.17%

LAB 15.74, 36.27, 24.45

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 69 / 88 / 53

HEX #79250F

RGB 121 37 15

HSL 12.45, 0.78%, 0.27%

LAB 27.91, 35.5, 33.22

 

CMYK 0 / 88 / 88 / 53

HEX #790F0F

RGB 121 15 15

HSL 0, 0.78%, 0.27%

LAB 25.08, 43.35, 30.65

 

CMYK 0 / 69 / 88 / 53

HEX #79250F

RGB 121 37 15

HSL 12.45, 0.78%, 0.27%

LAB 27.91, 35.5, 33.22

 

CMYK 0 / 46 / 88 / 53

HEX #79410F

RGB 121 65 15

HSL 28.3, 0.78%, 0.27%

LAB 33.73, 20.59, 38.3

 

CMYK 0 / 22 / 88 / 53

HEX #795E0F

RGB 121 94 15

HSL 44.72, 0.78%, 0.27%

LAB 41.38, 3.31, 44.82

 

CMYK 1 / 0 / 88 / 53

HEX #78790F

RGB 120 121 15

HSL 60.57, 0.78%, 0.27%

LAB 49.13, -12.54, 51.26

 

CMYK 24 / 0 / 88 / 53

HEX #5C790F

RGB 92 121 15

HSL 76.42, 0.78%, 0.27%

LAB 46.95, -25.23, 48.54

 

CMYK 0 / 69 / 88 / 53

HEX #79250F

RGB 121 37 15

HSL 12.45, 0.78%, 0.27%

LAB 27.91, 35.5, 33.22

 

CMYK 0 / 77 / 97 / 48

HEX #851E04

RGB 133 30 4

HSL 12.09, 0.94%, 0.27%

LAB 29.22, 42.38, 40.04

 

CMYK 0 / 69 / 88 / 53

HEX #79250F

RGB 121 37 15

HSL 12.45, 0.78%, 0.27%

LAB 27.91, 35.5, 33.22

 

CMYK 0 / 61 / 76 / 57

HEX #6E2B1A

RGB 110 43 26

HSL 12.14, 0.62%, 0.27%

LAB 27.07, 28.64, 25.57

 

CMYK 0 / 49 / 62 / 61

HEX #633226

RGB 99 50 38

HSL 11.8, 0.45%, 0.27%

LAB 26.94, 20.78, 17.48

 

CMYK 0 / 35 / 44 / 65

HEX #583931

RGB 88 57 49

HSL 12.31, 0.28%, 0.27%

LAB 27.36, 12.65, 10.59

 

CMYK 0 / 18 / 22 / 70

HEX #4D3F3C

RGB 77 63 60

HSL 10.59, 0.12%, 0.27%

LAB 28, 5.51, 4.1

 

CMYK 0 / 88 / 58 / 53

HEX #790F33

RGB 121 15 51

HSL 339.62, 0.78%, 0.27%

LAB 25.7, 45.19, 7.87

 

CMYK 0 / 88 / 82 / 53

HEX #790F16

RGB 121 15 22

HSL 356.04, 0.78%, 0.27%

LAB 25.15, 43.56, 26.58

 

CMYK 0 / 69 / 88 / 53

HEX #79250F

RGB 121 37 15

HSL 12.45, 0.78%, 0.27%

LAB 27.91, 35.5, 33.22

 

CMYK 0 / 46 / 88 / 53

HEX #79410F

RGB 121 65 15

HSL 28.3, 0.78%, 0.27%

LAB 33.73, 20.59, 38.3

 

CMYK 0 / 23 / 88 / 53

HEX #795D0F

RGB 121 93 15

HSL 44.15, 0.78%, 0.27%

LAB 41.1, 3.91, 44.58

 

CMYK 0 / 71 / 88 / 81

HEX #300E06

RGB 48 14 6

HSL 11.43, 0.78%, 0.11%

LAB 8.62, 16.72, 10.81

 

CMYK 0 / 71 / 87 / 67

HEX #55190B

RGB 85 25 11

HSL 11.35, 0.77%, 0.19%

LAB 18.59, 27.04, 23.33

 

CMYK 0 / 69 / 88 / 53

HEX #79250F

RGB 121 37 15

HSL 12.45, 0.78%, 0.27%

LAB 27.91, 35.5, 33.22

 

CMYK 0 / 70 / 87 / 38

HEX #9E3014

RGB 158 48 20

HSL 12.17, 0.78%, 0.35%

LAB 36.81, 44.28, 41.28

 

CMYK 0 / 70 / 87 / 24

HEX #C23B19

RGB 194 59 25

HSL 12.07, 0.77%, 0.43%

LAB 45.18, 52.29, 48.73

 

CMYK 0 / 69 / 87 / 53

HEX #792510

RGB 121 37 16

HSL 12, 0.77%, 0.27%

LAB 27.91, 35.53, 32.72

 

CMYK 35 / 0 / 88 / 53

HEX #4F790F

RGB 79 121 15

HSL 83.77, 0.78%, 0.27%

LAB 46.14, -30.64, 47.52

 

CMYK 88 / 69 / 0 / 53

HEX #0F2579

RGB 15 37 121

HSL 227.55, 0.78%, 0.27%

LAB 19.25, 26.37, -49.81

 

CMYK 0 / 69 / 87 / 53

HEX #792510

RGB 121 37 16

HSL 12, 0.77%, 0.27%

LAB 27.91, 35.53, 32.72

 

CMYK 88 / 0 / 69 / 53

HEX #0F7925

RGB 15 121 37

HSL 132.45, 0.78%, 0.27%

LAB 44.1, -45.87, 36.88

 

CMYK 69 / 88 / 0 / 53

HEX #250F79

RGB 37 15 121

HSL 252.45, 0.78%, 0.27%

LAB 16.08, 41.04, -54.99

 

CMYK 0 / 69 / 87 / 53

HEX #792510

RGB 121 37 16

HSL 12, 0.77%, 0.27%

LAB 27.91, 35.53, 32.72

 

CMYK 35 / 0 / 88 / 53

HEX #4F790F

RGB 79 121 15

HSL 83.77, 0.78%, 0.27%

LAB 46.14, -30.64, 47.52

 

CMYK 88 / 17 / 0 / 53

HEX #0F6479

RGB 15 100 121

HSL 191.89, 0.78%, 0.27%

LAB 38.89, -15.62, -18.48

 

CMYK 52 / 88 / 0 / 53

HEX #3A0F79

RGB 58 15 121

HSL 264.34, 0.78%, 0.27%

LAB 18.46, 43.29, -50.98

 

CMYK 0 / 69 / 87 / 53

HEX #792510

RGB 121 37 16

HSL 12, 0.77%, 0.27%

LAB 27.91, 35.53, 32.72

 

CMYK 61 / 0 / 88 / 53

HEX #2F790F

RGB 47 121 15

HSL 101.89, 0.78%, 0.27%

LAB 44.68, -41.55, 45.67

 

CMYK 88 / 17 / 0 / 53

HEX #0F6479

RGB 15 100 121

HSL 191.89, 0.78%, 0.27%

LAB 38.89, -15.62, -18.48

 

CMYK 26 / 88 / 0 / 53

HEX #5A0F79

RGB 90 15 121

HSL 282.45, 0.78%, 0.27%

LAB 23.32, 48.14, -42.83

 

Description

Color code: HEX #792510 | qconv.com Color code: HEX #792510 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 37 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 37 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 87 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 87% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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