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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7928BD it is the complementary color #86D742. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7928BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7928BD shade: #7E28B8, #8F3ACB, #A04CDE, #B15EF1 and #C270FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7928BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7928BD shade: #7928BD, #6816AA, #570497, #460084 and #350071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7928BD shade: #7928BD, #A128BD, #BD28B0, #BD2888 and #BD2860

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7928BD shade: #7928BD, #5128BD, #2828BD and #2828BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7928BD shade matches the following richer shades: #7928BD, #7A15CF and #7C03E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7928BD shade: #7928BD, #773AAA, #764D98, #745F85 and #727273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7928BD shade: #2828BD, #4F28BD, #7728BD, #9F28BD and #BD28B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7928BD shade: #4D1979, #63209B, #7928BD, #8E39D5 and #A15BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7928BD shade: #7928BD, #BD284F and #28BD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7928BD shade: #7928BD, #BD7728 and #28BD77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7928BD shade: #7928BD, #BD284F, #6DBD28 and #28BD95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7928BD shade: #7928BD, #BD2D28, #6DBD28 and #28B8BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

Complementary color

CMYK 38 / 0 / 69 / 16

HEX #86D742

RGB 134 215 66

HSL 92.62, 0.65%, 0.55%

LAB 78.5, -48.54, 62.61

 

CMYK 32 / 78 / 0 / 28

HEX #7E28B8

RGB 126 40 184

HSL 275.83, 0.64%, 0.44%

LAB 36.77, 59.76, -59.32

 

CMYK 30 / 71 / 0 / 20

HEX #8F3ACB

RGB 143 58 203

HSL 275.17, 0.58%, 0.51%

LAB 43.03, 59.92, -60.16

 

CMYK 28 / 66 / 0 / 13

HEX #A04CDE

RGB 160 76 222

HSL 274.52, 0.69%, 0.58%

LAB 49.39, 59.56, -60.66

 

CMYK 27 / 61 / 0 / 5

HEX #B15EF1

RGB 177 94 241

HSL 273.88, 0.84%, 0.66%

LAB 55.79, 58.94, -60.95

 

CMYK 24 / 56 / 0 / 0

HEX #C270FF

RGB 194 112 255

HSL 274.41, 1%, 0.72%

LAB 61.89, 57.08, -58.82

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 39 / 87 / 0 / 33

HEX #6816AA

RGB 104 22 170

HSL 273.24, 0.77%, 0.38%

LAB 30.45, 59.07, -61.43

 

CMYK 42 / 97 / 0 / 41

HEX #570497

RGB 87 4 151

HSL 273.88, 0.95%, 0.3%

LAB 24.79, 56.72, -59.26

 

CMYK 47 / 100 / 0 / 48

HEX #460084

RGB 70 0 132

HSL 271.82, 1%, 0.26%

LAB 19.92, 51.64, -55.53

 

CMYK 53 / 100 / 0 / 56

HEX #350071

RGB 53 0 113

HSL 268.14, 1%, 0.22%

LAB 15.22, 45.63, -51.2

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 15 / 79 / 0 / 26

HEX #A128BD

RGB 161 40 189

HSL 288.72, 0.65%, 0.45%

LAB 42.41, 67.04, -52.88

 

CMYK 0 / 79 / 7 / 26

HEX #BD28B0

RGB 189 40 176

HSL 305.23, 0.65%, 0.45%

LAB 46.27, 70.43, -38.8

 

CMYK 0 / 79 / 28 / 26

HEX #BD2888

RGB 189 40 136

HSL 321.34, 0.65%, 0.45%

LAB 44.4, 65.03, -17.74

 

CMYK 0 / 79 / 49 / 26

HEX #BD2860

RGB 189 40 96

HSL 337.45, 0.65%, 0.45%

LAB 43.03, 60.94, 4.96

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 57 / 79 / 0 / 26

HEX #5128BD

RGB 81 40 189

HSL 256.51, 0.65%, 0.45%

LAB 31.67, 54.34, -70.84

 

CMYK 79 / 79 / 0 / 26

HEX #2828BD

RGB 40 40 189

HSL 240, 0.65%, 0.45%

LAB 28.49, 50.54, -76.2

 

CMYK 79 / 79 / 0 / 26

HEX #2828BD

RGB 40 40 189

HSL 240, 0.65%, 0.45%

LAB 28.49, 50.54, -76.2

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 41 / 90 / 0 / 19

HEX #7A15CF

RGB 122 21 207

HSL 272.58, 0.82%, 0.45%

LAB 36.33, 69.64, -73.54

 

CMYK 45 / 99 / 0 / 11

HEX #7C03E2

RGB 124 3 226

HSL 272.56, 0.97%, 0.45%

LAB 37.56, 76.49, -82.46

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 30 / 66 / 0 / 33

HEX #773AAA

RGB 119 58 170

HSL 272.68, 0.49%, 0.45%

LAB 37.57, 47.31, -49.75

 

CMYK 22 / 49 / 0 / 40

HEX #764D98

RGB 118 77 152

HSL 272.8, 0.33%, 0.45%

LAB 40.29, 32.25, -34.63

 

CMYK 13 / 29 / 0 / 48

HEX #745F85

RGB 116 95 133

HSL 273.16, 0.17%, 0.45%

LAB 43.64, 16.27, -17.98

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 79 / 79 / 0 / 26

HEX #2828BD

RGB 40 40 189

HSL 240, 0.65%, 0.45%

LAB 28.49, 50.54, -76.2

 

CMYK 58 / 79 / 0 / 26

HEX #4F28BD

RGB 79 40 189

HSL 255.7, 0.65%, 0.45%

LAB 31.47, 54.1, -71.18

 

CMYK 37 / 79 / 0 / 26

HEX #7728BD

RGB 119 40 189

HSL 271.81, 0.65%, 0.45%

LAB 36.2, 59.72, -63.24

 

CMYK 16 / 79 / 0 / 26

HEX #9F28BD

RGB 159 40 189

HSL 287.92, 0.65%, 0.45%

LAB 42.1, 66.67, -53.4

 

CMYK 0 / 79 / 5 / 26

HEX #BD28B3

RGB 189 40 179

HSL 304.03, 0.65%, 0.45%

LAB 46.43, 70.88, -40.31

 

CMYK 36 / 79 / 0 / 53

HEX #4D1979

RGB 77 25 121

HSL 272.5, 0.66%, 0.29%

LAB 22.49, 42.26, -44.27

 

CMYK 36 / 79 / 0 / 39

HEX #63209B

RGB 99 32 155

HSL 272.68, 0.66%, 0.37%

LAB 29.54, 51.55, -53.85

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 33 / 73 / 0 / 16

HEX #8E39D5

RGB 142 57 213

HSL 272.69, 0.65%, 0.53%

LAB 43.48, 62.39, -65.21

 

CMYK 27 / 59 / 0 / 14

HEX #A15BDC

RGB 161 91 220

HSL 272.56, 0.65%, 0.61%

LAB 52.09, 51.99, -55.18

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 0 / 79 / 58 / 26

HEX #BD284F

RGB 189 40 79

HSL 344.3, 0.65%, 0.45%

LAB 42.61, 59.64, 15.03

 

CMYK 79 / 0 / 68 / 26

HEX #28BD3C

RGB 40 189 60

HSL 128.05, 0.65%, 0.45%

LAB 67.41, -62.67, 52.38

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 0 / 37 / 79 / 26

HEX #BD7728

RGB 189 119 40

HSL 31.81, 0.65%, 0.45%

LAB 56.25, 21.12, 52.02

 

CMYK 79 / 0 / 37 / 26

HEX #28BD77

RGB 40 189 119

HSL 151.81, 0.65%, 0.45%

LAB 68.15, -53.87, 24.88

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 0 / 79 / 58 / 26

HEX #BD284F

RGB 189 40 79

HSL 344.3, 0.65%, 0.45%

LAB 42.61, 59.64, 15.03

 

CMYK 42 / 0 / 79 / 26

HEX #6DBD28

RGB 109 189 40

HSL 92.21, 0.65%, 0.45%

LAB 69.33, -47.91, 62.05

 

CMYK 79 / 0 / 21 / 26

HEX #28BD95

RGB 40 189 149

HSL 163.89, 0.65%, 0.45%

LAB 68.76, -47.16, 9.57

 

CMYK 36 / 79 / 0 / 26

HEX #7928BD

RGB 121 40 189

HSL 272.62, 0.65%, 0.45%

LAB 36.47, 60.04, -62.78

 

CMYK 0 / 76 / 79 / 26

HEX #BD2D28

RGB 189 45 40

HSL 2.01, 0.65%, 0.45%

LAB 42.53, 56.12, 38.49

 

CMYK 42 / 0 / 79 / 26

HEX #6DBD28

RGB 109 189 40

HSL 92.21, 0.65%, 0.45%

LAB 69.33, -47.91, 62.05

 

CMYK 79 / 3 / 0 / 26

HEX #28B8BD

RGB 40 184 189

HSL 182.01, 0.65%, 0.45%

LAB 68.32, -33.95, -13.05

 

Description

Color code: HEX #7928BD | qconv.com Color code: HEX #7928BD | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 40 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 40 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 79 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 79% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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