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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #793469 it is the complementary color #86CB96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #793469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #793469 shade: #7E3464, #8F4677, #A0588A, #B16A9D and #C27CB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #793469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #793469 shade: #793469, #682256, #571043, #460030 and #35001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #793469 shade: #793469, #793456, #793443 and #793434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #793469 shade: #793469, #763479, #643479, #513479 and #3E3479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #793469 shade matches the following richer shades: #793469, #872570, #951778 and #A3097F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #793469 shade: #793469, #6B4261, #5D505A, #4F5E52 and #416C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #793469 shade: #633479, #753479, #79346A, #793457 and #793445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #793469 shade: #3F1B37, #5C2750, #793469, #964082 and #B24D9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #793469 shade: #793469, #795034 and #34796C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #793469 shade: #793469, #6A7934 and #346A79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #793469 shade: #793469, #795034, #347943 and #345C79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #793469 shade: #793469, #796534, #347943 and #344779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

Complementary color

CMYK 34 / 0 / 26 / 20

HEX #86CB96

RGB 134 203 150

HSL 133.91, 0.4%, 0.66%

LAB 76.06, -32.73, 19.7

 

CMYK 0 / 59 / 21 / 51

HEX #7E3464

RGB 126 52 100

HSL 321.08, 0.42%, 0.35%

LAB 33.59, 38.01, -12.8

 

CMYK 0 / 51 / 17 / 44

HEX #8F4677

RGB 143 70 119

HSL 319.73, 0.34%, 0.42%

LAB 40.49, 37.36, -13.95

 

CMYK 0 / 45 / 14 / 37

HEX #A0588A

RGB 160 88 138

HSL 318.33, 0.29%, 0.49%

LAB 47.35, 36.58, -14.85

 

CMYK 0 / 40 / 11 / 31

HEX #B16A9D

RGB 177 106 157

HSL 316.9, 0.31%, 0.55%

LAB 54.12, 35.79, -15.6

 

CMYK 0 / 36 / 9 / 24

HEX #C27CB0

RGB 194 124 176

HSL 315.43, 0.36%, 0.62%

LAB 60.8, 35.01, -16.24

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 67 / 17 / 59

HEX #682256

RGB 104 34 86

HSL 315.43, 0.51%, 0.27%

LAB 26.04, 37.57, -15.61

 

CMYK 0 / 82 / 23 / 66

HEX #571043

RGB 87 16 67

HSL 316.9, 0.69%, 0.2%

LAB 19.23, 37.08, -13.54

 

CMYK 0 / 100 / 31 / 73

HEX #460030

RGB 70 0 48

HSL 318.86, 1%, 0.14%

LAB 12.71, 35.32, -10.42

 

CMYK 0 / 100 / 45 / 79

HEX #35001D

RGB 53 0 29

HSL 327.17, 1%, 0.1%

LAB 7.64, 28.61, -4.2

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 57 / 29 / 53

HEX #793456

RGB 121 52 86

HSL 330.43, 0.4%, 0.34%

LAB 32.24, 34.18, -5.91

 

CMYK 0 / 57 / 45 / 53

HEX #793443

RGB 121 52 67

HSL 346.96, 0.4%, 0.34%

LAB 31.64, 31.69, 5.55

 

CMYK 0 / 57 / 57 / 53

HEX #793434

RGB 121 52 52

HSL 0, 0.4%, 0.34%

LAB 31.27, 30.15, 14.79

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 2 / 57 / 0 / 53

HEX #763479

RGB 118 52 121

HSL 297.39, 0.4%, 0.34%

LAB 33.32, 39.27, -26.59

 

CMYK 17 / 57 / 0 / 53

HEX #643479

RGB 100 52 121

HSL 281.74, 0.4%, 0.34%

LAB 30.75, 34.02, -30.82

 

CMYK 33 / 57 / 0 / 53

HEX #513479

RGB 81 52 121

HSL 265.22, 0.4%, 0.34%

LAB 28.34, 28.65, -34.8

 

CMYK 49 / 57 / 0 / 53

HEX #3E3479

RGB 62 52 121

HSL 248.7, 0.4%, 0.34%

LAB 26.33, 23.72, -38.13

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 73 / 17 / 47

HEX #872570

RGB 135 37 112

HSL 314.08, 0.57%, 0.34%

LAB 33.23, 49.18, -20.86

 

CMYK 0 / 85 / 19 / 42

HEX #951778

RGB 149 23 120

HSL 313.81, 0.73%, 0.34%

LAB 34.72, 57.99, -23.4

 

CMYK 0 / 94 / 22 / 36

HEX #A3097F

RGB 163 9 127

HSL 314.03, 0.9%, 0.34%

LAB 36.96, 64.26, -24.09

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 38 / 9 / 58

HEX #6B4261

RGB 107 66 97

HSL 314.63, 0.24%, 0.34%

LAB 33.74, 22.96, -10.91

 

CMYK 0 / 14 / 3 / 64

HEX #5D505A

RGB 93 80 90

HSL 313.85, 0.08%, 0.34%

LAB 35.6, 7.39, -3.86

 

CMYK 16 / 0 / 13 / 63

HEX #4F5E52

RGB 79 94 82

HSL 132, 0.09%, 0.34%

LAB 38.33, -8.43, 4.96

 

CMYK 40 / 0 / 31 / 58

HEX #416C4B

RGB 65 108 75

HSL 133.95, 0.25%, 0.34%

LAB 41.78, -22.74, 13.88

 

CMYK 18 / 57 / 0 / 53

HEX #633479

RGB 99 52 121

HSL 280.87, 0.4%, 0.34%

LAB 30.61, 33.73, -31.05

 

CMYK 3 / 57 / 0 / 53

HEX #753479

RGB 117 52 121

HSL 296.52, 0.4%, 0.34%

LAB 33.18, 38.98, -26.83

 

CMYK 0 / 57 / 12 / 53

HEX #79346A

RGB 121 52 106

HSL 313.04, 0.4%, 0.34%

LAB 33.05, 37.4, -17.51

 

CMYK 0 / 57 / 28 / 53

HEX #793457

RGB 121 52 87

HSL 329.57, 0.4%, 0.34%

LAB 32.28, 34.33, -6.51

 

CMYK 0 / 57 / 43 / 53

HEX #793445

RGB 121 52 69

HSL 345.22, 0.4%, 0.34%

LAB 31.69, 31.93, 4.33

 

CMYK 0 / 57 / 13 / 75

HEX #3F1B37

RGB 63 27 55

HSL 313.33, 0.4%, 0.18%

LAB 16.09, 21.98, -10.37

 

CMYK 0 / 58 / 13 / 64

HEX #5C2750

RGB 92 39 80

HSL 313.58, 0.4%, 0.26%

LAB 24.66, 30.13, -13.92

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 57 / 13 / 41

HEX #964082

RGB 150 64 130

HSL 313.95, 0.4%, 0.42%

LAB 40.84, 44.47, -20.1

 

CMYK 0 / 57 / 13 / 30

HEX #B24D9B

RGB 178 77 155

HSL 313.66, 0.4%, 0.5%

LAB 48.44, 50.66, -23.11

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 34 / 57 / 53

HEX #795034

RGB 121 80 52

HSL 24.35, 0.4%, 0.34%

LAB 37.93, 13.92, 23.38

 

CMYK 57 / 0 / 11 / 53

HEX #34796C

RGB 52 121 108

HSL 168.7, 0.4%, 0.34%

LAB 46.29, -25.14, 0.56

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 12 / 0 / 57 / 53

HEX #6A7934

RGB 106 121 52

HSL 73.04, 0.4%, 0.34%

LAB 48.24, -16.67, 35.42

 

CMYK 57 / 12 / 0 / 53

HEX #346A79

RGB 52 106 121

HSL 193.04, 0.4%, 0.34%

LAB 41.87, -13.25, -13.83

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 34 / 57 / 53

HEX #795034

RGB 121 80 52

HSL 24.35, 0.4%, 0.34%

LAB 37.93, 13.92, 23.38

 

CMYK 57 / 0 / 45 / 53

HEX #347943

RGB 52 121 67

HSL 133.04, 0.4%, 0.34%

LAB 45.37, -34.41, 23.18

 

CMYK 57 / 24 / 0 / 53

HEX #345C79

RGB 52 92 121

HSL 205.22, 0.4%, 0.34%

LAB 37.42, -4.96, -20.67

 

CMYK 0 / 57 / 13 / 53

HEX #793469

RGB 121 52 105

HSL 313.91, 0.4%, 0.34%

LAB 33.01, 37.22, -16.94

 

CMYK 0 / 17 / 57 / 53

HEX #796534

RGB 121 101 52

HSL 42.61, 0.4%, 0.34%

LAB 43.68, 1.4, 30.41

 

CMYK 57 / 0 / 45 / 53

HEX #347943

RGB 52 121 67

HSL 133.04, 0.4%, 0.34%

LAB 45.37, -34.41, 23.18

 

CMYK 57 / 41 / 0 / 53

HEX #344779

RGB 52 71 121

HSL 223.48, 0.4%, 0.34%

LAB 30.92, 8.54, -30.85

 

Description

Color code: HEX #793469 | qconv.com Color code: HEX #793469 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 52 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 52 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 13 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 13% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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