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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #793B0D it is the complementary color #86C4F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #793B0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #793B0D shade: #7E3B08, #8F4D1B, #A05F2E, #B17141 and #C28354

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #793B0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #793B0D shade: #793B0D, #682900, #571700, #460500 and #350000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #793B0D shade: #783A0C, #781D0C and #780C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #793B0D shade: #783A0C, #78570C, #78740C, #5E780C and #41780C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #793B0D shade matches the following richer shades: #783A0C and #823801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #793B0D shade: #783A0C, #6D3B17, #623D22, #573F2C and #4D4037

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #793B0D shade: #780C19, #781C0C, #78390C, #78550C and #78720C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #793B0D shade: #2D1604, #522808, #783A0C, #9D4C10 and #C25E14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #793B0D shade: #793B0D, #35780C and #0E0C78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #793B0D shade: #793B0D, #0C7839 and #390C78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #793B0D shade: #793B0D, #35780C, #0C4B78 and #4E0C78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #793B0D shade: #793B0D, #15780C, #0C4B78 and #6F0C78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 89 / 53

HEX #793B0D

RGB 121 59 13

HSL 25.56, 0.81%, 0.26%

LAB 32.31, 24, 37.9

 

Complementary color

CMYK 45 / 19 / 0 / 5

HEX #86C4F2

RGB 134 196 242

HSL 205.56, 0.81%, 0.74%

LAB 76.65, -7.95, -28.94

 

CMYK 0 / 53 / 94 / 51

HEX #7E3B08

RGB 126 59 8

HSL 25.93, 0.88%, 0.26%

LAB 33.09, 26.08, 40.7

 

CMYK 0 / 46 / 81 / 44

HEX #8F4D1B

RGB 143 77 27

HSL 25.86, 0.68%, 0.33%

LAB 39.96, 23.98, 39.97

 

CMYK 0 / 41 / 71 / 37

HEX #A05F2E

RGB 160 95 46

HSL 25.79, 0.55%, 0.4%

LAB 46.78, 22.16, 38.39

 

CMYK 0 / 36 / 63 / 31

HEX #B17141

RGB 177 113 65

HSL 25.71, 0.46%, 0.47%

LAB 53.53, 20.6, 36.68

 

CMYK 0 / 32 / 57 / 24

HEX #C28354

RGB 194 131 84

HSL 25.64, 0.47%, 0.55%

LAB 60.2, 19.27, 35.02

 

CMYK 0 / 51 / 89 / 53

HEX #793B0D

RGB 121 59 13

HSL 25.56, 0.81%, 0.26%

LAB 32.31, 24, 37.9

 

CMYK 0 / 61 / 100 / 59

HEX #682900

RGB 104 41 0

HSL 23.65, 1%, 0.2%

LAB 25.35, 26.26, 36.1

 

CMYK 0 / 74 / 100 / 66

HEX #571700

RGB 87 23 0

HSL 15.86, 1%, 0.17%

LAB 18.54, 28.42, 27.87

 

CMYK 0 / 93 / 100 / 73

HEX #460500

RGB 70 5 0

HSL 4.29, 1%, 0.14%

LAB 12.03, 29.46, 18.79

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 52 / 90 / 53

HEX #783A0C

RGB 120 58 12

HSL 25.56, 0.82%, 0.26%

LAB 31.91, 24.1, 37.9

 

CMYK 0 / 76 / 90 / 53

HEX #781D0C

RGB 120 29 12

HSL 9.44, 0.82%, 0.26%

LAB 26.44, 38.45, 33.31

 

CMYK 0 / 90 / 90 / 53

HEX #780C0C

RGB 120 12 12

HSL 0, 0.82%, 0.26%

LAB 24.58, 43.67, 31.58

 

CMYK 0 / 52 / 90 / 53

HEX #783A0C

RGB 120 58 12

HSL 25.56, 0.82%, 0.26%

LAB 31.91, 24.1, 37.9

 

CMYK 0 / 28 / 90 / 53

HEX #78570C

RGB 120 87 12

HSL 41.67, 0.82%, 0.26%

LAB 39.3, 6.9, 43.95

 

CMYK 0 / 3 / 90 / 53

HEX #78740C

RGB 120 116 12

HSL 57.78, 0.82%, 0.26%

LAB 47.64, -9.88, 50.73

 

CMYK 22 / 0 / 90 / 53

HEX #5E780C

RGB 94 120 12

HSL 74.44, 0.82%, 0.26%

LAB 46.76, -23.96, 49.15

 

CMYK 46 / 0 / 90 / 53

HEX #41780C

RGB 65 120 12

HSL 90.56, 0.82%, 0.26%

LAB 45.06, -35.6, 47.02

 

CMYK 0 / 52 / 90 / 53

HEX #783A0C

RGB 120 58 12

HSL 25.56, 0.82%, 0.26%

LAB 31.91, 24.1, 37.9

 

CMYK 0 / 57 / 99 / 49

HEX #823801

RGB 130 56 1

HSL 25.58, 0.98%, 0.26%

LAB 33.08, 29.29, 43.72

 

CMYK 0 / 52 / 90 / 53

HEX #783A0C

RGB 120 58 12

HSL 25.56, 0.82%, 0.26%

LAB 31.91, 24.1, 37.9

 

CMYK 0 / 46 / 79 / 57

HEX #6D3B17

RGB 109 59 23

HSL 25.12, 0.65%, 0.26%

LAB 30.5, 18.93, 30.87

 

CMYK 0 / 38 / 65 / 62

HEX #623D22

RGB 98 61 34

HSL 25.31, 0.48%, 0.26%

LAB 29.54, 13.25, 23.13

 

CMYK 0 / 28 / 49 / 66

HEX #573F2C

RGB 87 63 44

HSL 26.51, 0.33%, 0.26%

LAB 28.81, 7.74, 15.72

 

CMYK 0 / 17 / 29 / 70

HEX #4D4037

RGB 77 64 55

HSL 24.55, 0.17%, 0.26%

LAB 28.17, 3.99, 7.6

 

CMYK 0 / 90 / 79 / 53

HEX #780C19

RGB 120 12 25

HSL 352.78, 0.82%, 0.26%

LAB 24.72, 44.08, 24.15

 

CMYK 0 / 77 / 90 / 53

HEX #781C0C

RGB 120 28 12

HSL 8.89, 0.82%, 0.26%

LAB 26.3, 38.84, 33.19

 

CMYK 0 / 53 / 90 / 53

HEX #78390C

RGB 120 57 12

HSL 25, 0.82%, 0.26%

LAB 31.68, 24.66, 37.71

 

CMYK 0 / 29 / 90 / 53

HEX #78550C

RGB 120 85 12

HSL 40.56, 0.82%, 0.26%

LAB 38.75, 8.1, 43.5

 

CMYK 0 / 5 / 90 / 53

HEX #78720C

RGB 120 114 12

HSL 56.67, 0.82%, 0.26%

LAB 47.05, -8.77, 50.25

 

CMYK 0 / 51 / 91 / 82

HEX #2D1604

RGB 45 22 4

HSL 26.34, 0.84%, 0.1%

LAB 10.11, 9.76, 13.69

 

CMYK 0 / 51 / 90 / 68

HEX #522808

RGB 82 40 8

HSL 25.95, 0.82%, 0.18%

LAB 21.32, 17.07, 27.5

 

CMYK 0 / 52 / 90 / 53

HEX #783A0C

RGB 120 58 12

HSL 25.56, 0.82%, 0.26%

LAB 31.91, 24.1, 37.9

 

CMYK 0 / 52 / 90 / 38

HEX #9D4C10

RGB 157 76 16

HSL 25.53, 0.82%, 0.34%

LAB 41.81, 30.23, 46.85

 

CMYK 0 / 52 / 90 / 24

HEX #C25E14

RGB 194 94 20

HSL 25.52, 0.81%, 0.42%

LAB 51.3, 36.07, 55.35

 

CMYK 0 / 51 / 89 / 53

HEX #793B0D

RGB 121 59 13

HSL 25.56, 0.81%, 0.26%

LAB 32.31, 24, 37.9

 

CMYK 56 / 0 / 90 / 53

HEX #35780C

RGB 53 120 12

HSL 97.22, 0.82%, 0.26%

LAB 44.54, -39.56, 46.37

 

CMYK 88 / 90 / 0 / 53

HEX #0E0C78

RGB 14 12 120

HSL 241.11, 0.82%, 0.26%

LAB 13.9, 40.62, -58.02

 

CMYK 0 / 51 / 89 / 53

HEX #793B0D

RGB 121 59 13

HSL 25.56, 0.81%, 0.26%

LAB 32.31, 24, 37.9

 

CMYK 90 / 0 / 53 / 53

HEX #0C7839

RGB 12 120 57

HSL 145, 0.82%, 0.26%

LAB 43.95, -42.95, 26.7

 

CMYK 53 / 90 / 0 / 53

HEX #390C78

RGB 57 12 120

HSL 265, 0.82%, 0.26%

LAB 17.87, 43.94, -51.32

 

CMYK 0 / 51 / 89 / 53

HEX #793B0D

RGB 121 59 13

HSL 25.56, 0.81%, 0.26%

LAB 32.31, 24, 37.9

 

CMYK 56 / 0 / 90 / 53

HEX #35780C

RGB 53 120 12

HSL 97.22, 0.82%, 0.26%

LAB 44.54, -39.56, 46.37

 

CMYK 90 / 38 / 0 / 53

HEX #0C4B78

RGB 12 75 120

HSL 205, 0.82%, 0.26%

LAB 30.56, -0.97, -30.89

 

CMYK 35 / 90 / 0 / 53

HEX #4E0C78

RGB 78 12 120

HSL 276.67, 0.82%, 0.26%

LAB 20.98, 46.79, -46.1

 

CMYK 0 / 51 / 89 / 53

HEX #793B0D

RGB 121 59 13

HSL 25.56, 0.81%, 0.26%

LAB 32.31, 24, 37.9

 

CMYK 83 / 0 / 90 / 53

HEX #15780C

RGB 21 120 12

HSL 115, 0.82%, 0.26%

LAB 43.68, -46.75, 45.29

 

CMYK 90 / 38 / 0 / 53

HEX #0C4B78

RGB 12 75 120

HSL 205, 0.82%, 0.26%

LAB 30.56, -0.97, -30.89

 

CMYK 8 / 90 / 0 / 53

HEX #6F0C78

RGB 111 12 120

HSL 295, 0.82%, 0.26%

LAB 26.73, 52.47, -36.5

 

Description

Color code: HEX #793B0D | qconv.com Color code: HEX #793B0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 59 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 59 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 89 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 89% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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