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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #793F5A it is the complementary color #86C0A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #793F5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #793F5A shade: #7E3F55, #8F5168, #A0637B, #B1758E and #C287A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #793F5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #793F5A shade: #793F5A, #682D47, #571B34, #460921 and #35000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #793F5A shade: #793E59, #793E49 and #793E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #793F5A shade: #793E59, #793E69, #783E79, #693E79 and #593E79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #793F5A shade matches the following richer shades: #793E59, #882F58, #962057, #A51156 and #B40355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #793F5A shade: #793E59, #6A4D5A, #5B5C5B, #4C6A5C and #3D795D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #793F5A shade: #793E79, #793E69, #793E59, #793E4A and #79423E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #793F5A shade: #422231, #5D3045, #793E59, #944C6D and #AC5E82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #793F5A shade: #793F5A, #79693E and #3E7179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #793F5A shade: #793F5A, #59793E and #3E5979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #793F5A shade: #793F5A, #79693E, #3E795D and #3E4E79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #793F5A shade: #793F5A, #77793E, #3E795D and #403E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 26 / 53

HEX #793F5A

RGB 121 63 90

HSL 332.07, 0.32%, 0.36%

LAB 34.72, 28.75, -4.79

 

Complementary color

CMYK 30 / 0 / 14 / 25

HEX #86C0A5

RGB 134 192 165

HSL 152.07, 0.32%, 0.64%

LAB 73.21, -24.54, 7.64

 

CMYK 0 / 50 / 33 / 51

HEX #7E3F55

RGB 126 63 85

HSL 339.05, 0.33%, 0.37%

LAB 35.29, 29.88, -0.67

 

CMYK 0 / 43 / 27 / 44

HEX #8F5168

RGB 143 81 104

HSL 337.74, 0.28%, 0.44%

LAB 42.34, 28.95, -1.93

 

CMYK 0 / 38 / 23 / 37

HEX #A0637B

RGB 160 99 123

HSL 336.39, 0.24%, 0.51%

LAB 49.29, 28.05, -2.98

 

CMYK 0 / 34 / 20 / 31

HEX #B1758E

RGB 177 117 142

HSL 335, 0.28%, 0.58%

LAB 56.11, 27.23, -3.88

 

CMYK 0 / 30 / 17 / 24

HEX #C287A1

RGB 194 135 161

HSL 333.56, 0.33%, 0.65%

LAB 62.82, 26.48, -4.68

 

CMYK 0 / 48 / 26 / 53

HEX #793F5A

RGB 121 63 90

HSL 332.07, 0.32%, 0.36%

LAB 34.72, 28.75, -4.79

 

CMYK 0 / 57 / 32 / 59

HEX #682D47

RGB 104 45 71

HSL 333.56, 0.4%, 0.29%

LAB 27.5, 29.62, -3.43

 

CMYK 0 / 69 / 40 / 66

HEX #571B34

RGB 87 27 52

HSL 335, 0.53%, 0.22%

LAB 20.27, 30.27, -1.52

 

CMYK 0 / 87 / 53 / 73

HEX #460921

RGB 70 9 33

HSL 336.39, 0.77%, 0.15%

LAB 13.27, 30.02, 1.52

 

CMYK 0 / 100 / 74 / 79

HEX #35000E

RGB 53 0 14

HSL 344.15, 1%, 0.1%

LAB 7.12, 27.06, 5.33

 

CMYK 0 / 49 / 26 / 53

HEX #793E59

RGB 121 62 89

HSL 332.54, 0.32%, 0.36%

LAB 34.46, 29.16, -4.54

 

CMYK 0 / 49 / 40 / 53

HEX #793E49

RGB 121 62 73

HSL 348.81, 0.32%, 0.36%

LAB 33.96, 26.89, 4.99

 

CMYK 0 / 49 / 49 / 53

HEX #793E3E

RGB 121 62 62

HSL 0, 0.32%, 0.36%

LAB 33.69, 25.58, 11.63

 

CMYK 0 / 49 / 26 / 53

HEX #793E59

RGB 121 62 89

HSL 332.54, 0.32%, 0.36%

LAB 34.46, 29.16, -4.54

 

CMYK 0 / 49 / 13 / 53

HEX #793E69

RGB 121 62 105

HSL 316.27, 0.32%, 0.36%

LAB 35.06, 31.83, -13.79

 

CMYK 1 / 49 / 0 / 53

HEX #783E79

RGB 120 62 121

HSL 298.98, 0.32%, 0.36%

LAB 35.63, 34.53, -22.96

 

CMYK 13 / 49 / 0 / 53

HEX #693E79

RGB 105 62 121

HSL 283.73, 0.32%, 0.36%

LAB 33.62, 29.76, -26.24

 

CMYK 26 / 49 / 0 / 53

HEX #593E79

RGB 89 62 121

HSL 267.46, 0.32%, 0.36%

LAB 31.69, 24.78, -29.42

 

CMYK 0 / 49 / 26 / 53

HEX #793E59

RGB 121 62 89

HSL 332.54, 0.32%, 0.36%

LAB 34.46, 29.16, -4.54

 

CMYK 0 / 65 / 35 / 47

HEX #882F58

RGB 136 47 88

HSL 332.36, 0.49%, 0.36%

LAB 33.92, 41.97, -4.43

 

CMYK 0 / 79 / 42 / 41

HEX #962057

RGB 150 32 87

HSL 332.03, 0.65%, 0.36%

LAB 34.41, 51.81, -2.78

 

CMYK 0 / 90 / 48 / 35

HEX #A51156

RGB 165 17 86

HSL 332.03, 0.81%, 0.36%

LAB 36.12, 59.22, 0.73

 

CMYK 0 / 98 / 53 / 29

HEX #B40355

RGB 180 3 85

HSL 332.2, 0.97%, 0.36%

LAB 38.59, 64.51, 5.34

 

CMYK 0 / 49 / 26 / 53

HEX #793E59

RGB 121 62 89

HSL 332.54, 0.32%, 0.36%

LAB 34.46, 29.16, -4.54

 

CMYK 0 / 27 / 15 / 58

HEX #6A4D5A

RGB 106 77 90

HSL 333.1, 0.16%, 0.36%

LAB 36.2, 14.5, -2.82

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 28 / 0 / 13 / 58

HEX #4C6A5C

RGB 76 106 92

HSL 152, 0.16%, 0.36%

LAB 42.18, -14.22, 4.34

 

CMYK 50 / 0 / 23 / 53

HEX #3D795D

RGB 61 121 93

HSL 152, 0.33%, 0.36%

LAB 46.25, -26.63, 9.43

 

CMYK 0 / 49 / 0 / 53

HEX #793E79

RGB 121 62 121

HSL 300, 0.32%, 0.36%

LAB 35.77, 34.85, -22.73

 

CMYK 0 / 49 / 13 / 53

HEX #793E69

RGB 121 62 105

HSL 316.27, 0.32%, 0.36%

LAB 35.06, 31.83, -13.79

 

CMYK 0 / 49 / 26 / 53

HEX #793E59

RGB 121 62 89

HSL 332.54, 0.32%, 0.36%

LAB 34.46, 29.16, -4.54

 

CMYK 0 / 49 / 39 / 53

HEX #793E4A

RGB 121 62 74

HSL 347.8, 0.32%, 0.36%

LAB 33.99, 27.02, 4.38

 

CMYK 0 / 45 / 49 / 53

HEX #79423E

RGB 121 66 62

HSL 4.07, 0.32%, 0.36%

LAB 34.62, 23.26, 12.91

 

CMYK 0 / 48 / 26 / 74

HEX #422231

RGB 66 34 49

HSL 331.88, 0.32%, 0.2%

LAB 18.03, 17.64, -3.15

 

CMYK 0 / 48 / 26 / 64

HEX #5D3045

RGB 93 48 69

HSL 332, 0.32%, 0.28%

LAB 26.36, 23.38, -3.99

 

CMYK 0 / 49 / 26 / 53

HEX #793E59

RGB 121 62 89

HSL 332.54, 0.32%, 0.36%

LAB 34.46, 29.16, -4.54

 

CMYK 0 / 49 / 26 / 42

HEX #944C6D

RGB 148 76 109

HSL 332.5, 0.32%, 0.44%

LAB 42.11, 34.3, -5.29

 

CMYK 0 / 45 / 24 / 33

HEX #AC5E82

RGB 172 94 130

HSL 332.31, 0.32%, 0.52%

LAB 49.96, 36.23, -5.98

 

CMYK 0 / 48 / 26 / 53

HEX #793F5A

RGB 121 63 90

HSL 332.07, 0.32%, 0.36%

LAB 34.72, 28.75, -4.79

 

CMYK 0 / 13 / 49 / 53

HEX #79693E

RGB 121 105 62

HSL 43.73, 0.32%, 0.36%

LAB 44.96, 0.06, 26.42

 

CMYK 49 / 7 / 0 / 53

HEX #3E7179

RGB 62 113 121

HSL 188.14, 0.32%, 0.36%

LAB 44.54, -14.78, -9.75

 

CMYK 0 / 48 / 26 / 53

HEX #793F5A

RGB 121 63 90

HSL 332.07, 0.32%, 0.36%

LAB 34.72, 28.75, -4.79

 

CMYK 26 / 0 / 49 / 53

HEX #59793E

RGB 89 121 62

HSL 92.54, 0.32%, 0.36%

LAB 47.17, -22.65, 28.59

 

CMYK 49 / 26 / 0 / 53

HEX #3E5979

RGB 62 89 121

HSL 212.54, 0.32%, 0.36%

LAB 37.02, -0.56, -21.24

 

CMYK 0 / 48 / 26 / 53

HEX #793F5A

RGB 121 63 90

HSL 332.07, 0.32%, 0.36%

LAB 34.72, 28.75, -4.79

 

CMYK 0 / 13 / 49 / 53

HEX #79693E

RGB 121 105 62

HSL 43.73, 0.32%, 0.36%

LAB 44.96, 0.06, 26.42

 

CMYK 49 / 0 / 23 / 53

HEX #3E795D

RGB 62 121 93

HSL 151.53, 0.32%, 0.36%

LAB 46.3, -26.35, 9.49

 

CMYK 49 / 36 / 0 / 53

HEX #3E4E79

RGB 62 78 121

HSL 223.73, 0.32%, 0.36%

LAB 33.68, 6.47, -26.46

 

CMYK 0 / 48 / 26 / 53

HEX #793F5A

RGB 121 63 90

HSL 332.07, 0.32%, 0.36%

LAB 34.72, 28.75, -4.79

 

CMYK 2 / 0 / 49 / 53

HEX #77793E

RGB 119 121 62

HSL 62.03, 0.32%, 0.36%

LAB 49.43, -9.94, 31.88

 

CMYK 49 / 0 / 23 / 53

HEX #3E795D

RGB 62 121 93

HSL 151.53, 0.32%, 0.36%

LAB 46.3, -26.35, 9.49

 

CMYK 47 / 49 / 0 / 53

HEX #403E79

RGB 64 62 121

HSL 242.03, 0.32%, 0.36%

LAB 29.2, 17.6, -33.53

 

Description

Color code: HEX #793F5A | qconv.com Color code: HEX #793F5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 63 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 63 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 26 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 26% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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