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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7954DC it is the complementary color #86AB23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7954DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7954DC shade: #7E54D7, #8F66EA, #A078FD, #B18AFF and #C29CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7954DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7954DC shade: #7954DC, #6842C9, #5730B6, #461EA3 and #350C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7954DC shade: #7A55DC, #9E55DC, #C255DC, #DC55D1 and #DC55AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7954DC shade: #7A55DC, #5555DC and #5555DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7954DC shade matches the following richer shades: #7A55DC, #7245EC and #6B34FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7954DC shade: #7A55DC, #8166CB, #8976BB, #9087AA and #98979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7954DC shade: #5579DC, #5555DC, #7955DC, #9D55DC and #C155DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7954DC shade: #4E25B9, #5F33D5, #7A55DC, #9577E3 and #AF9AEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7954DC shade: #7954DC, #DC559D and #67DC55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7954DC shade: #7954DC, #DC7955 and #55DC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7954DC shade: #7954DC, #DC559D, #B8DC55 and #55DC94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7954DC shade: #7954DC, #DC5575, #B8DC55 and #55DCBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 62 / 0 / 14

HEX #7954DC

RGB 121 84 220

HSL 256.32, 0.66%, 0.6%

LAB 46.41, 46.91, -64.56

 

Complementary color

CMYK 22 / 0 / 80 / 33

HEX #86AB23

RGB 134 171 35

HSL 76.32, 0.66%, 0.4%

LAB 65.21, -30.99, 60.24

 

CMYK 41 / 61 / 0 / 16

HEX #7E54D7

RGB 126 84 215

HSL 259.24, 0.62%, 0.59%

LAB 46.56, 46.57, -61.45

 

CMYK 39 / 56 / 0 / 8

HEX #8F66EA

RGB 143 102 234

HSL 258.64, 0.76%, 0.66%

LAB 53.26, 45.39, -61.3

 

CMYK 37 / 53 / 0 / 1

HEX #A078FD

RGB 160 120 253

HSL 258.05, 0.97%, 0.73%

LAB 59.89, 44.27, -61.12

 

CMYK 31 / 46 / 0 / 0

HEX #B18AFF

RGB 177 138 255

HSL 260, 1%, 0.77%

LAB 65.55, 38.97, -53.11

 

CMYK 24 / 39 / 0 / 0

HEX #C29CFF

RGB 194 156 255

HSL 263.03, 1%, 0.81%

LAB 71.19, 33.6, -44.11

 

CMYK 45 / 62 / 0 / 14

HEX #7954DC

RGB 121 84 220

HSL 256.32, 0.66%, 0.6%

LAB 46.41, 46.91, -64.56

 

CMYK 48 / 67 / 0 / 21

HEX #6842C9

RGB 104 66 201

HSL 256.89, 0.56%, 0.52%

LAB 39.68, 48.21, -64.66

 

CMYK 52 / 74 / 0 / 29

HEX #5730B6

RGB 87 48 182

HSL 257.46, 0.58%, 0.45%

LAB 32.96, 49.41, -64.57

 

CMYK 57 / 82 / 0 / 36

HEX #461EA3

RGB 70 30 163

HSL 258.05, 0.69%, 0.38%

LAB 26.38, 50.21, -64.05

 

CMYK 63 / 92 / 0 / 44

HEX #350C90

RGB 53 12 144

HSL 258.64, 0.85%, 0.31%

LAB 20.18, 49.93, -62.69

 

CMYK 45 / 61 / 0 / 14

HEX #7A55DC

RGB 122 85 220

HSL 256.44, 0.66%, 0.6%

LAB 46.71, 46.56, -64.06

 

CMYK 28 / 61 / 0 / 14

HEX #9E55DC

RGB 158 85 220

HSL 272.44, 0.66%, 0.6%

LAB 50.61, 54.33, -57.58

 

CMYK 12 / 61 / 0 / 14

HEX #C255DC

RGB 194 85 220

HSL 288.44, 0.66%, 0.6%

LAB 55.21, 62.74, -49.96

 

CMYK 0 / 61 / 5 / 14

HEX #DC55D1

RGB 220 85 209

HSL 304.89, 0.66%, 0.6%

LAB 58.34, 67.17, -38.55

 

CMYK 0 / 61 / 21 / 14

HEX #DC55AD

RGB 220 85 173

HSL 320.89, 0.66%, 0.6%

LAB 56.81, 61.81, -20.26

 

CMYK 45 / 61 / 0 / 14

HEX #7A55DC

RGB 122 85 220

HSL 256.44, 0.66%, 0.6%

LAB 46.71, 46.56, -64.06

 

CMYK 61 / 61 / 0 / 14

HEX #5555DC

RGB 85 85 220

HSL 240, 0.66%, 0.6%

LAB 43.65, 39.86, -69.18

 

CMYK 61 / 61 / 0 / 14

HEX #5555DC

RGB 85 85 220

HSL 240, 0.66%, 0.6%

LAB 43.65, 39.86, -69.18

 

CMYK 45 / 61 / 0 / 14

HEX #7A55DC

RGB 122 85 220

HSL 256.44, 0.66%, 0.6%

LAB 46.71, 46.56, -64.06

 

CMYK 52 / 71 / 0 / 7

HEX #7245EC

RGB 114 69 236

HSL 256.17, 0.81%, 0.6%

LAB 44.07, 58, -77.47

 

CMYK 58 / 79 / 0 / 1

HEX #6B34FD

RGB 107 52 253

HSL 256.42, 0.98%, 0.6%

LAB 42.27, 69.3, -90.01

 

CMYK 45 / 61 / 0 / 14

HEX #7A55DC

RGB 122 85 220

HSL 256.44, 0.66%, 0.6%

LAB 46.71, 46.56, -64.06

 

CMYK 36 / 50 / 0 / 20

HEX #8166CB

RGB 129 102 203

HSL 256.04, 0.49%, 0.6%

LAB 50.08, 33.77, -48.92

 

CMYK 27 / 37 / 0 / 27

HEX #8976BB

RGB 137 118 187

HSL 256.52, 0.34%, 0.6%

LAB 53.88, 22.38, -33.69

 

CMYK 15 / 21 / 0 / 33

HEX #9087AA

RGB 144 135 170

HSL 255.43, 0.17%, 0.6%

LAB 58.19, 10.61, -17.25

 

CMYK 1 / 2 / 0 / 40

HEX #98979A

RGB 152 151 154

HSL 260, 0.01%, 0.6%

LAB 62.63, 0.95, -1.45

 

CMYK 61 / 45 / 0 / 14

HEX #5579DC

RGB 85 121 220

HSL 224, 0.66%, 0.6%

LAB 52.7, 17.71, -54.56

 

CMYK 61 / 61 / 0 / 14

HEX #5555DC

RGB 85 85 220

HSL 240, 0.66%, 0.6%

LAB 43.65, 39.86, -69.18

 

CMYK 45 / 61 / 0 / 14

HEX #7955DC

RGB 121 85 220

HSL 256, 0.66%, 0.6%

LAB 46.62, 46.36, -64.22

 

CMYK 29 / 61 / 0 / 14

HEX #9D55DC

RGB 157 85 220

HSL 272, 0.66%, 0.6%

LAB 50.49, 54.11, -57.78

 

CMYK 12 / 61 / 0 / 14

HEX #C155DC

RGB 193 85 220

HSL 288, 0.66%, 0.6%

LAB 55.07, 62.5, -50.19

 

CMYK 58 / 80 / 0 / 27

HEX #4E25B9

RGB 78 37 185

HSL 256.62, 0.67%, 0.44%

LAB 30.51, 54.2, -70.4

 

CMYK 55 / 76 / 0 / 16

HEX #5F33D5

RGB 95 51 213

HSL 256.3, 0.66%, 0.52%

LAB 37.12, 57.69, -75.82

 

CMYK 45 / 61 / 0 / 14

HEX #7A55DC

RGB 122 85 220

HSL 256.44, 0.66%, 0.6%

LAB 46.71, 46.56, -64.06

 

CMYK 34 / 48 / 0 / 11

HEX #9577E3

RGB 149 119 227

HSL 256.67, 0.66%, 0.68%

LAB 57.2, 35.39, -51.04

 

CMYK 25 / 34 / 0 / 8

HEX #AF9AEA

RGB 175 154 234

HSL 255.75, 0.66%, 0.76%

LAB 68.14, 24.36, -37.54

 

CMYK 45 / 62 / 0 / 14

HEX #7954DC

RGB 121 84 220

HSL 256.32, 0.66%, 0.6%

LAB 46.41, 46.91, -64.56

 

CMYK 0 / 61 / 29 / 14

HEX #DC559D

RGB 220 85 157

HSL 328, 0.66%, 0.6%

LAB 56.23, 59.71, -11.82

 

CMYK 53 / 0 / 61 / 14

HEX #67DC55

RGB 103 220 85

HSL 112, 0.66%, 0.6%

LAB 78.88, -58.17, 55

 

CMYK 45 / 62 / 0 / 14

HEX #7954DC

RGB 121 84 220

HSL 256.32, 0.66%, 0.6%

LAB 46.41, 46.91, -64.56

 

CMYK 0 / 45 / 61 / 14

HEX #DC7955

RGB 220 121 85

HSL 16, 0.66%, 0.6%

LAB 61.26, 35.3, 36.54

 

CMYK 61 / 0 / 45 / 14

HEX #55DC79

RGB 85 220 121

HSL 136, 0.66%, 0.6%

LAB 78.75, -57.73, 37.9

 

CMYK 45 / 62 / 0 / 14

HEX #7954DC

RGB 121 84 220

HSL 256.32, 0.66%, 0.6%

LAB 46.41, 46.91, -64.56

 

CMYK 0 / 61 / 29 / 14

HEX #DC559D

RGB 220 85 157

HSL 328, 0.66%, 0.6%

LAB 56.23, 59.71, -11.82

 

CMYK 16 / 0 / 61 / 14

HEX #B8DC55

RGB 184 220 85

HSL 76, 0.66%, 0.6%

LAB 82.93, -31.04, 60.62

 

CMYK 61 / 0 / 33 / 14

HEX #55DC94

RGB 85 220 148

HSL 148, 0.66%, 0.6%

LAB 79.19, -52.99, 24.74

 

CMYK 45 / 62 / 0 / 14

HEX #7954DC

RGB 121 84 220

HSL 256.32, 0.66%, 0.6%

LAB 46.41, 46.91, -64.56

 

CMYK 0 / 61 / 47 / 14

HEX #DC5575

RGB 220 85 117

HSL 345.78, 0.66%, 0.6%

LAB 55.07, 55.35, 10.05

 

CMYK 16 / 0 / 61 / 14

HEX #B8DC55

RGB 184 220 85

HSL 76, 0.66%, 0.6%

LAB 82.93, -31.04, 60.62

 

CMYK 61 / 0 / 15 / 14

HEX #55DCBC

RGB 85 220 188

HSL 165.78, 0.66%, 0.6%

LAB 80.04, -44.27, 4.86

 

Description

Color code: HEX #7954DC | qconv.com Color code: HEX #7954DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 84 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 84 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 62 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 62% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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