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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #795129 it is the complementary color #86AED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #795129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #795129 shade: #7E5124, #8F6337, #A0754A, #B1875D and #C29970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #795129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #795129 shade: #795129, #683F16, #572D03, #461B00 and #350900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #795129 shade: #795129, #793C29 and #792929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #795129 shade: #795129, #796729, #767929, #607929 and #4B7929

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #795129 shade matches the following richer shades: #795129, #86511C, #93510F and #A15102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #795129 shade: #795129, #6C5136, #5F5144, #515151 and #44515E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #795129 shade: #79292C, #793C29, #795129, #796629 and #767929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #795129 shade: #3C2814, #5A3C1F, #795129, #986634 and #B77A3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #795129 shade: #795129, #417929 and #312979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #795129 shade: #795129, #297951 and #512979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #795129 shade: #795129, #417929, #295179 and #612979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #795129 shade: #795129, #297929, #295179 and #792979

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

Complementary color

CMYK 37 / 19 / 0 / 16

HEX #86AED6

RGB 134 174 214

HSL 210, 0.49%, 0.68%

LAB 69.61, -3.57, -24.54

 

CMYK 0 / 36 / 71 / 51

HEX #7E5124

RGB 126 81 36

HSL 30, 0.56%, 0.32%

LAB 38.63, 14.4, 33.39

 

CMYK 0 / 31 / 62 / 44

HEX #8F6337

RGB 143 99 55

HSL 30, 0.44%, 0.39%

LAB 45.69, 12.91, 31.77

 

CMYK 0 / 27 / 54 / 37

HEX #A0754A

RGB 160 117 74

HSL 30, 0.37%, 0.46%

LAB 52.61, 11.7, 30.19

 

CMYK 0 / 24 / 47 / 31

HEX #B1875D

RGB 177 135 93

HSL 30, 0.35%, 0.53%

LAB 59.4, 10.71, 28.72

 

CMYK 0 / 21 / 42 / 24

HEX #C29970

RGB 194 153 112

HSL 30, 0.4%, 0.6%

LAB 66.08, 9.87, 27.37

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 39 / 79 / 59

HEX #683F16

RGB 104 63 22

HSL 30, 0.65%, 0.25%

LAB 30.77, 14.09, 31.43

 

CMYK 0 / 48 / 97 / 66

HEX #572D03

RGB 87 45 3

HSL 30, 0.93%, 0.18%

LAB 23.37, 16.2, 31.95

 

CMYK 0 / 61 / 100 / 73

HEX #461B00

RGB 70 27 0

HSL 23.14, 1%, 0.14%

LAB 15.93, 18.92, 23.91

 

CMYK 0 / 83 / 100 / 79

HEX #350900

RGB 53 9 0

HSL 10.19, 1%, 0.1%

LAB 8.59, 21.25, 13.36

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 50 / 66 / 53

HEX #793C29

RGB 121 60 41

HSL 14.25, 0.49%, 0.32%

LAB 32.82, 24.81, 23.67

 

CMYK 0 / 66 / 66 / 53

HEX #792929

RGB 121 41 41

HSL 0, 0.49%, 0.32%

LAB 28.93, 34.89, 18.85

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 15 / 66 / 53

HEX #796729

RGB 121 103 41

HSL 46.5, 0.49%, 0.32%

LAB 44.13, -0.66, 36.67

 

CMYK 2 / 0 / 66 / 53

HEX #767929

RGB 118 121 41

HSL 62.25, 0.49%, 0.32%

LAB 49.11, -12.22, 41.93

 

CMYK 21 / 0 / 66 / 53

HEX #607929

RGB 96 121 41

HSL 78.75, 0.49%, 0.32%

LAB 47.39, -21.99, 39.58

 

CMYK 38 / 0 / 66 / 53

HEX #4B7929

RGB 75 121 41

HSL 94.5, 0.49%, 0.32%

LAB 46.08, -30.47, 37.78

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 40 / 79 / 47

HEX #86511C

RGB 134 81 28

HSL 30, 0.65%, 0.32%

LAB 39.64, 17.67, 38.75

 

CMYK 0 / 45 / 90 / 42

HEX #93510F

RGB 147 81 15

HSL 30, 0.81%, 0.32%

LAB 41.41, 23.11, 46.23

 

CMYK 0 / 50 / 99 / 37

HEX #A15102

RGB 161 81 2

HSL 29.81, 0.98%, 0.32%

LAB 43.46, 28.98, 52.27

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 25 / 50 / 58

HEX #6C5136

RGB 108 81 54

HSL 30, 0.33%, 0.32%

LAB 36.63, 7.55, 20.2

 

CMYK 0 / 15 / 28 / 63

HEX #5F5144

RGB 95 81 68

HSL 28.89, 0.17%, 0.32%

LAB 35.47, 3.53, 9.8

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 28 / 14 / 0 / 63

HEX #44515E

RGB 68 81 94

HSL 210, 0.16%, 0.32%

LAB 33.82, -1.75, -9.27

 

CMYK 0 / 66 / 64 / 53

HEX #79292C

RGB 121 41 44

HSL 357.75, 0.49%, 0.32%

LAB 28.99, 35.1, 16.97

 

CMYK 0 / 50 / 66 / 53

HEX #793C29

RGB 121 60 41

HSL 14.25, 0.49%, 0.32%

LAB 32.82, 24.81, 23.67

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 16 / 66 / 53

HEX #796629

RGB 121 102 41

HSL 45.75, 0.49%, 0.32%

LAB 43.84, -0.07, 36.35

 

CMYK 2 / 0 / 66 / 53

HEX #767929

RGB 118 121 41

HSL 62.25, 0.49%, 0.32%

LAB 49.11, -12.22, 41.93

 

CMYK 0 / 33 / 67 / 76

HEX #3C2814

RGB 60 40 20

HSL 30, 0.5%, 0.16%

LAB 18.05, 6.71, 16.75

 

CMYK 0 / 33 / 66 / 65

HEX #5A3C1F

RGB 90 60 31

HSL 29.49, 0.49%, 0.24%

LAB 28.13, 9.77, 22.97

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 33 / 66 / 40

HEX #986634

RGB 152 102 52

HSL 30, 0.49%, 0.4%

LAB 47.53, 14.99, 35.81

 

CMYK 0 / 33 / 66 / 28

HEX #B77A3E

RGB 183 122 62

HSL 29.75, 0.49%, 0.48%

LAB 56.42, 17.97, 41.76

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 46 / 0 / 66 / 53

HEX #417929

RGB 65 121 41

HSL 102, 0.49%, 0.32%

LAB 45.58, -34.05, 37.08

 

CMYK 60 / 66 / 0 / 53

HEX #312979

RGB 49 41 121

HSL 246, 0.49%, 0.32%

LAB 22.37, 28.13, -44.61

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 66 / 0 / 33 / 53

HEX #297951

RGB 41 121 81

HSL 150, 0.49%, 0.32%

LAB 45.28, -34.24, 14.99

 

CMYK 33 / 66 / 0 / 53

HEX #512979

RGB 81 41 121

HSL 270, 0.49%, 0.32%

LAB 25.91, 35.12, -38.71

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 46 / 0 / 66 / 53

HEX #417929

RGB 65 121 41

HSL 102, 0.49%, 0.32%

LAB 45.58, -34.05, 37.08

 

CMYK 66 / 33 / 0 / 53

HEX #295179

RGB 41 81 121

HSL 210, 0.49%, 0.32%

LAB 33.43, -0.44, -26.93

 

CMYK 20 / 66 / 0 / 53

HEX #612979

RGB 97 41 121

HSL 282, 0.49%, 0.32%

LAB 28.13, 39.12, -35.01

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 66 / 0 / 66 / 53

HEX #297929

RGB 41 121 41

HSL 120, 0.49%, 0.32%

LAB 44.67, -41, 35.82

 

CMYK 66 / 33 / 0 / 53

HEX #295179

RGB 41 81 121

HSL 210, 0.49%, 0.32%

LAB 33.43, -0.44, -26.93

 

CMYK 0 / 66 / 0 / 53

HEX #792979

RGB 121 41 121

HSL 300, 0.49%, 0.32%

LAB 31.88, 45.36, -28.83

 

Description

Color code: HEX #795129 | qconv.com Color code: HEX #795129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 81 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 81 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 66 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 66% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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