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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #795148 it is the complementary color #86AEB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #795148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #795148 shade: #7E5143, #8F6356, #A07569, #B1877C and #C2998F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #795148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #795148 shade: #795148, #683F35, #572D22, #461B0F and #350900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #795148 shade: #795148 and #794848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #795148 shade: #795148, #795E48, #796B48, #797848 and #6C7948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #795148 shade matches the following richer shades: #795148, #884738, #983D29, #A83319 and #B72909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #795148 shade: #795148, #695B58, #596568, #4A6F77 and #3A7987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #795148 shade: #794859, #79484C, #795148, #795E48 and #796B48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #795148 shade: #452E29, #5F4039, #795148, #926258 and #A7776C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #795148 shade: #795148, #667948 and #485379

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #795148 shade: #795148, #487951 and #514879

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #795148 shade: #795148, #667948, #487079 and #5B4879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #795148 shade: #795148, #587948, #487079 and #694879

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

Complementary color

CMYK 27 / 5 / 0 / 28

HEX #86AEB7

RGB 134 174 183

HSL 191.02, 0.25%, 0.62%

LAB 68.58, -11.31, -9.01

 

CMYK 0 / 36 / 47 / 51

HEX #7E5143

RGB 126 81 67

HSL 14.24, 0.31%, 0.38%

LAB 39.11, 17.11, 15.99

 

CMYK 0 / 31 / 40 / 44

HEX #8F6356

RGB 143 99 86

HSL 13.68, 0.25%, 0.45%

LAB 46.22, 16.07, 14.52

 

CMYK 0 / 27 / 34 / 37

HEX #A07569

RGB 160 117 105

HSL 13.09, 0.22%, 0.52%

LAB 53.19, 15.2, 13.25

 

CMYK 0 / 24 / 30 / 31

HEX #B1877C

RGB 177 135 124

HSL 12.45, 0.25%, 0.59%

LAB 60.01, 14.45, 12.12

 

CMYK 0 / 21 / 26 / 24

HEX #C2998F

RGB 194 153 143

HSL 11.76, 0.29%, 0.66%

LAB 66.7, 13.8, 11.09

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 39 / 49 / 59

HEX #683F35

RGB 104 63 53

HSL 11.76, 0.32%, 0.31%

LAB 31.24, 16.66, 13.64

 

CMYK 0 / 48 / 61 / 66

HEX #572D22

RGB 87 45 34

HSL 12.45, 0.44%, 0.24%

LAB 23.73, 18.03, 15.58

 

CMYK 0 / 61 / 79 / 73

HEX #461B0F

RGB 70 27 15

HSL 13.09, 0.65%, 0.17%

LAB 16.11, 19.69, 17.72

 

CMYK 0 / 83 / 100 / 79

HEX #350900

RGB 53 9 0

HSL 10.19, 1%, 0.1%

LAB 8.59, 21.25, 13.36

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 40 / 40 / 53

HEX #794848

RGB 121 72 72

HSL 0, 0.25%, 0.38%

LAB 36.3, 20.93, 8.93

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 22 / 40 / 53

HEX #795E48

RGB 121 94 72

HSL 26.94, 0.25%, 0.38%

LAB 42.06, 7.74, 16.82

 

CMYK 0 / 12 / 40 / 53

HEX #796B48

RGB 121 107 72

HSL 42.86, 0.25%, 0.38%

LAB 45.7, 0.06, 21.64

 

CMYK 0 / 1 / 40 / 53

HEX #797848

RGB 121 120 72

HSL 58.78, 0.25%, 0.38%

LAB 49.45, -7.38, 26.49

 

CMYK 11 / 0 / 40 / 53

HEX #6C7948

RGB 108 121 72

HSL 75.92, 0.25%, 0.38%

LAB 48.67, -13.51, 25.27

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 48 / 59 / 47

HEX #884738

RGB 136 71 56

HSL 11.25, 0.42%, 0.38%

LAB 37.89, 26.13, 21.36

 

CMYK 0 / 60 / 73 / 40

HEX #983D29

RGB 152 61 41

HSL 10.81, 0.58%, 0.38%

LAB 38.15, 36.9, 31.2

 

CMYK 0 / 70 / 85 / 34

HEX #A83319

RGB 168 51 25

HSL 10.91, 0.74%, 0.38%

LAB 39.18, 46.65, 41.72

 

CMYK 0 / 78 / 95 / 28

HEX #B72909

RGB 183 41 9

HSL 11.03, 0.91%, 0.38%

LAB 40.69, 54.86, 50.47

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 13 / 16 / 59

HEX #695B58

RGB 105 91 88

HSL 10.59, 0.09%, 0.38%

LAB 39.9, 5.12, 3.81

 

CMYK 14 / 3 / 0 / 59

HEX #596568

RGB 89 101 104

HSL 192, 0.08%, 0.38%

LAB 41.89, -3.88, -3.25

 

CMYK 38 / 7 / 0 / 53

HEX #4A6F77

RGB 74 111 119

HSL 190.67, 0.23%, 0.38%

LAB 44.46, -10.89, -8.62

 

CMYK 57 / 10 / 0 / 47

HEX #3A7987

RGB 58 121 135

HSL 190.91, 0.4%, 0.38%

LAB 47.4, -15.94, -13.8

 

CMYK 0 / 40 / 26 / 53

HEX #794859

RGB 121 72 89

HSL 339.18, 0.25%, 0.38%

LAB 36.78, 23.36, -1.11

 

CMYK 0 / 40 / 37 / 53

HEX #79484C

RGB 121 72 76

HSL 355.1, 0.25%, 0.38%

LAB 36.41, 21.46, 6.55

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 22 / 40 / 53

HEX #795E48

RGB 121 94 72

HSL 26.94, 0.25%, 0.38%

LAB 42.06, 7.74, 16.82

 

CMYK 0 / 12 / 40 / 53

HEX #796B48

RGB 121 107 72

HSL 42.86, 0.25%, 0.38%

LAB 45.7, 0.06, 21.64

 

CMYK 0 / 33 / 41 / 73

HEX #452E29

RGB 69 46 41

HSL 10.71, 0.25%, 0.22%

LAB 21.5, 9.79, 7.45

 

CMYK 0 / 33 / 40 / 63

HEX #5F4039

RGB 95 64 57

HSL 11.05, 0.25%, 0.3%

LAB 30.39, 12.5, 9.72

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 0 / 33 / 40 / 43

HEX #926258

RGB 146 98 88

HSL 10.34, 0.25%, 0.46%

LAB 46.38, 18.16, 13.6

 

CMYK 0 / 29 / 35 / 35

HEX #A7776C

RGB 167 119 108

HSL 11.19, 0.25%, 0.54%

LAB 54.55, 17.31, 13.52

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 16 / 0 / 40 / 53

HEX #667948

RGB 102 121 72

HSL 83.27, 0.25%, 0.38%

LAB 48.22, -16.02, 24.6

 

CMYK 40 / 31 / 0 / 53

HEX #485379

RGB 72 83 121

HSL 226.53, 0.25%, 0.38%

LAB 35.88, 6.1, -22.96

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 40 / 0 / 33 / 53

HEX #487951

RGB 72 121 81

HSL 131.02, 0.25%, 0.38%

LAB 46.51, -25.8, 16.86

 

CMYK 33 / 40 / 0 / 53

HEX #514879

RGB 81 72 121

HSL 251.02, 0.25%, 0.38%

LAB 33.49, 15.95, -26.64

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 16 / 0 / 40 / 53

HEX #667948

RGB 102 121 72

HSL 83.27, 0.25%, 0.38%

LAB 48.22, -16.02, 24.6

 

CMYK 40 / 7 / 0 / 53

HEX #487079

RGB 72 112 121

HSL 191.02, 0.25%, 0.38%

LAB 44.73, -11.49, -9.42

 

CMYK 25 / 40 / 0 / 53

HEX #5B4879

RGB 91 72 121

HSL 263.27, 0.25%, 0.38%

LAB 34.48, 19.12, -25.02

 

CMYK 0 / 33 / 40 / 53

HEX #795148

RGB 121 81 72

HSL 11.02, 0.25%, 0.38%

LAB 38.58, 15.55, 12.09

 

CMYK 27 / 0 / 40 / 53

HEX #587948

RGB 88 121 72

HSL 100.41, 0.25%, 0.38%

LAB 47.26, -21.61, 23.17

 

CMYK 40 / 7 / 0 / 53

HEX #487079

RGB 72 112 121

HSL 191.02, 0.25%, 0.38%

LAB 44.73, -11.49, -9.42

 

CMYK 13 / 40 / 0 / 53

HEX #694879

RGB 105 72 121

HSL 280.41, 0.25%, 0.38%

LAB 36.02, 23.75, -22.5

 

Description

Color code: HEX #795148 | qconv.com Color code: HEX #795148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 81 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 81 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 40 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 40% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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