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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7951CB it is the complementary color #86AE34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7951CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7951CB shade: #7E51C6, #8F63D9, #A075EC, #B187FF and #C299FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7951CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7951CB shade: #7951CB, #683FB8, #572DA5, #461B92 and #35097F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7951CB shade: #7952CB, #9A52CB, #BB52CB, #CB52BA and #CB529A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7951CB shade: #7952CB, #5952CB and #5252CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7951CB shade matches the following richer shades: #7952CB, #7340DD and #6D2DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7951CB shade: #7952CB, #8064B9, #8676A7, #8C8894 and #929A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7951CB shade: #526CCB, #5852CB, #7852CB, #9852CB and #B952CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7951CB shade: #522E9C, #6338BC, #7952CB, #9271D4 and #AA91DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7951CB shade: #7951CB, #CB528C and #5CCB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7951CB shade: #7951CB, #CB7852 and #52CB78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7951CB shade: #7951CB, #CB528C, #A5CB52 and #52CB90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7951CB shade: #7951CB, #CB5268, #A5CB52 and #52CBB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 60 / 0 / 20

HEX #7951CB

RGB 121 81 203

HSL 259.67, 0.54%, 0.56%

LAB 44.61, 43.92, -57.74

 

Complementary color

CMYK 23 / 0 / 70 / 32

HEX #86AE34

RGB 134 174 52

HSL 79.67, 0.54%, 0.44%

LAB 66.2, -31.48, 55.36

 

CMYK 36 / 59 / 0 / 22

HEX #7E51C6

RGB 126 81 198

HSL 263.08, 0.51%, 0.55%

LAB 44.8, 43.72, -54.51

 

CMYK 34 / 54 / 0 / 15

HEX #8F63D9

RGB 143 99 217

HSL 262.37, 0.61%, 0.62%

LAB 51.58, 42.64, -54.41

 

CMYK 32 / 50 / 0 / 7

HEX #A075EC

RGB 160 117 236

HSL 261.68, 0.76%, 0.69%

LAB 58.28, 41.61, -54.29

 

CMYK 31 / 47 / 0 / 0

HEX #B187FF

RGB 177 135 255

HSL 261, 1%, 0.76%

LAB 64.88, 40.63, -54.17

 

CMYK 24 / 40 / 0 / 0

HEX #C299FF

RGB 194 153 255

HSL 264.12, 1%, 0.8%

LAB 70.51, 35.26, -45.19

 

CMYK 40 / 60 / 0 / 20

HEX #7951CB

RGB 121 81 203

HSL 259.67, 0.54%, 0.56%

LAB 44.61, 43.92, -57.74

 

CMYK 43 / 66 / 0 / 28

HEX #683FB8

RGB 104 63 184

HSL 260.33, 0.49%, 0.48%

LAB 37.77, 45.11, -57.82

 

CMYK 47 / 73 / 0 / 35

HEX #572DA5

RGB 87 45 165

HSL 261, 0.57%, 0.41%

LAB 30.92, 46.18, -57.72

 

CMYK 52 / 82 / 0 / 43

HEX #461B92

RGB 70 27 146

HSL 261.68, 0.69%, 0.34%

LAB 24.2, 46.82, -57.22

 

CMYK 58 / 93 / 0 / 50

HEX #35097F

RGB 53 9 127

HSL 262.37, 0.87%, 0.27%

LAB 17.85, 46.28, -55.85

 

CMYK 40 / 60 / 0 / 20

HEX #7952CB

RGB 121 82 203

HSL 259.34, 0.54%, 0.56%

LAB 44.82, 43.37, -57.4

 

CMYK 24 / 60 / 0 / 20

HEX #9A52CB

RGB 154 82 203

HSL 275.7, 0.54%, 0.56%

LAB 48.53, 51.03, -51.23

 

CMYK 8 / 60 / 0 / 20

HEX #BB52CB

RGB 187 82 203

HSL 292.07, 0.54%, 0.56%

LAB 52.85, 59.17, -44.09

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BA

RGB 203 82 186

HSL 308.43, 0.54%, 0.56%

LAB 54.32, 60.36, -31.85

 

CMYK 0 / 60 / 24 / 20

HEX #CB529A

RGB 203 82 154

HSL 324.3, 0.54%, 0.56%

LAB 53.02, 55.61, -15.17

 

CMYK 40 / 60 / 0 / 20

HEX #7952CB

RGB 121 82 203

HSL 259.34, 0.54%, 0.56%

LAB 44.82, 43.37, -57.4

 

CMYK 56 / 60 / 0 / 20

HEX #5952CB

RGB 89 82 203

HSL 243.47, 0.54%, 0.56%

LAB 41.95, 36.89, -62.17

 

CMYK 60 / 60 / 0 / 20

HEX #5252CB

RGB 82 82 203

HSL 240, 0.54%, 0.56%

LAB 41.44, 35.65, -63.03

 

CMYK 40 / 60 / 0 / 20

HEX #7952CB

RGB 121 82 203

HSL 259.34, 0.54%, 0.56%

LAB 44.82, 43.37, -57.4

 

CMYK 48 / 71 / 0 / 13

HEX #7340DD

RGB 115 64 221

HSL 259.49, 0.7%, 0.56%

LAB 42.05, 56.57, -72.26

 

CMYK 54 / 81 / 0 / 6

HEX #6D2DEF

RGB 109 45 239

HSL 259.79, 0.86%, 0.56%

LAB 40.18, 68.63, -85.58

 

CMYK 40 / 60 / 0 / 20

HEX #7952CB

RGB 121 82 203

HSL 259.34, 0.54%, 0.56%

LAB 44.82, 43.37, -57.4

 

CMYK 31 / 46 / 0 / 27

HEX #8064B9

RGB 128 100 185

HSL 259.76, 0.38%, 0.56%

LAB 48.52, 29.9, -41.03

 

CMYK 20 / 29 / 0 / 35

HEX #8676A7

RGB 134 118 167

HSL 259.59, 0.22%, 0.56%

LAB 52.75, 16.54, -23.93

 

CMYK 5 / 8 / 0 / 42

HEX #8C8894

RGB 140 136 148

HSL 260, 0.05%, 0.56%

LAB 57.39, 3.88, -5.87

 

CMYK 5 / 0 / 16 / 40

HEX #929A82

RGB 146 154 130

HSL 80, 0.11%, 0.56%

LAB 62.37, -7.33, 11.64

 

CMYK 60 / 47 / 0 / 20

HEX #526CCB

RGB 82 108 203

HSL 227.11, 0.54%, 0.56%

LAB 48.05, 19.45, -52.36

 

CMYK 57 / 60 / 0 / 20

HEX #5852CB

RGB 88 82 203

HSL 242.98, 0.54%, 0.56%

LAB 41.88, 36.71, -62.3

 

CMYK 41 / 60 / 0 / 20

HEX #7852CB

RGB 120 82 203

HSL 258.84, 0.54%, 0.56%

LAB 44.72, 43.15, -57.57

 

CMYK 25 / 60 / 0 / 20

HEX #9852CB

RGB 152 82 203

HSL 274.71, 0.54%, 0.56%

LAB 48.29, 50.55, -51.63

 

CMYK 9 / 60 / 0 / 20

HEX #B952CB

RGB 185 82 203

HSL 291.07, 0.54%, 0.56%

LAB 52.58, 58.67, -44.55

 

CMYK 47 / 71 / 0 / 39

HEX #522E9C

RGB 82 46 156

HSL 259.64, 0.54%, 0.4%

LAB 29.78, 42.25, -54.16

 

CMYK 47 / 70 / 0 / 26

HEX #6338BC

RGB 99 56 188

HSL 259.55, 0.54%, 0.48%

LAB 36.2, 48.98, -62.76

 

CMYK 40 / 60 / 0 / 20

HEX #7952CB

RGB 121 82 203

HSL 259.34, 0.54%, 0.56%

LAB 44.82, 43.37, -57.4

 

CMYK 31 / 47 / 0 / 17

HEX #9271D4

RGB 146 113 212

HSL 260, 0.54%, 0.64%

LAB 54.74, 34.18, -46.53

 

CMYK 23 / 35 / 0 / 13

HEX #AA91DE

RGB 170 145 222

HSL 259.48, 0.54%, 0.72%

LAB 65.02, 25.13, -35.82

 

CMYK 40 / 60 / 0 / 20

HEX #7951CB

RGB 121 81 203

HSL 259.67, 0.54%, 0.56%

LAB 44.61, 43.92, -57.74

 

CMYK 0 / 60 / 31 / 20

HEX #CB528C

RGB 203 82 140

HSL 331.24, 0.54%, 0.56%

LAB 52.54, 53.79, -7.62

 

CMYK 55 / 0 / 60 / 20

HEX #5CCB52

RGB 92 203 82

HSL 115.04, 0.54%, 0.56%

LAB 73.28, -54.97, 49.86

 

CMYK 40 / 60 / 0 / 20

HEX #7951CB

RGB 121 81 203

HSL 259.67, 0.54%, 0.56%

LAB 44.61, 43.92, -57.74

 

CMYK 0 / 41 / 60 / 20

HEX #CB7852

RGB 203 120 82

HSL 18.84, 0.54%, 0.56%

LAB 58.73, 28.83, 34.55

 

CMYK 60 / 0 / 41 / 20

HEX #52CB78

RGB 82 203 120

HSL 138.84, 0.54%, 0.56%

LAB 73.46, -52, 31.55

 

CMYK 40 / 60 / 0 / 20

HEX #7951CB

RGB 121 81 203

HSL 259.67, 0.54%, 0.56%

LAB 44.61, 43.92, -57.74

 

CMYK 0 / 60 / 31 / 20

HEX #CB528C

RGB 203 82 140

HSL 331.24, 0.54%, 0.56%

LAB 52.54, 53.79, -7.62

 

CMYK 19 / 0 / 60 / 20

HEX #A5CB52

RGB 165 203 82

HSL 78.84, 0.54%, 0.56%

LAB 76.87, -30.7, 54.88

 

CMYK 60 / 0 / 29 / 20

HEX #52CB90

RGB 82 203 144

HSL 150.74, 0.54%, 0.56%

LAB 73.88, -47.48, 19.56

 

CMYK 40 / 60 / 0 / 20

HEX #7951CB

RGB 121 81 203

HSL 259.67, 0.54%, 0.56%

LAB 44.61, 43.92, -57.74

 

CMYK 0 / 60 / 49 / 20

HEX #CB5268

RGB 203 82 104

HSL 349.09, 0.54%, 0.56%

LAB 51.53, 49.9, 12.42

 

CMYK 19 / 0 / 60 / 20

HEX #A5CB52

RGB 165 203 82

HSL 78.84, 0.54%, 0.56%

LAB 76.87, -30.7, 54.88

 

CMYK 60 / 0 / 11 / 20

HEX #52CBB5

RGB 82 203 181

HSL 169.09, 0.54%, 0.56%

LAB 74.73, -39.01, 0.9

 

Description

Color code: HEX #7951CB | qconv.com Color code: HEX #7951CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 81 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 81 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 60 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 60% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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