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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79659A it is the complementary color #869A65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79659A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79659A shade: #7E6595, #8F77A8, #A089BB, #B19BCE and #C2ADE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79659A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79659A shade: #79659A, #685387, #574174, #462F61 and #351D4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79659A shade: #78649A, #87649A, #95649A, #9A6490 and #9A6481

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79659A shade: #78649A, #6A649A and #64649A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79659A shade matches the following richer shades: #78649A, #7350AE, #6E3BC3, #6926D8 and #6412EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79659A shade: #78649A, #7D7985, #838D71, #88A25C and #8DB747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79659A shade: #646D9A, #6A649A, #78649A, #86649A and #94649A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79659A shade: #514468, #655481, #78649A, #8E7DAA and #A496BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79659A shade: #79659A, #9A647B and #669A64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79659A shade: #79659A, #9A7864 and #649A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79659A shade: #79659A, #9A647B, #869A64 and #649A83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79659A shade: #79659A, #9A646B, #869A64 and #649A93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 34 / 0 / 40

HEX #79659A

RGB 121 101 154

HSL 262.64, 0.21%, 0.5%

LAB 46.59, 19.33, -25.94

 

Complementary color

CMYK 13 / 0 / 34 / 40

HEX #869A65

RGB 134 154 101

HSL 82.64, 0.21%, 0.5%

LAB 60.89, -16.54, 25.55

 

CMYK 15 / 32 / 0 / 42

HEX #7E6595

RGB 126 101 149

HSL 271.25, 0.19%, 0.49%

LAB 46.86, 19.77, -22.51

 

CMYK 15 / 29 / 0 / 34

HEX #8F77A8

RGB 143 119 168

HSL 269.39, 0.22%, 0.56%

LAB 53.88, 19.13, -22.7

 

CMYK 14 / 27 / 0 / 27

HEX #A089BB

RGB 160 137 187

HSL 267.6, 0.27%, 0.64%

LAB 60.74, 18.55, -22.9

 

CMYK 14 / 25 / 0 / 19

HEX #B19BCE

RGB 177 155 206

HSL 265.88, 0.34%, 0.71%

LAB 67.46, 18.02, -23.13

 

CMYK 14 / 23 / 0 / 12

HEX #C2ADE1

RGB 194 173 225

HSL 264.23, 0.46%, 0.78%

LAB 74.06, 17.54, -23.37

 

CMYK 21 / 34 / 0 / 40

HEX #79659A

RGB 121 101 154

HSL 262.64, 0.21%, 0.5%

LAB 46.59, 19.33, -25.94

 

CMYK 23 / 39 / 0 / 47

HEX #685387

RGB 104 83 135

HSL 264.23, 0.24%, 0.43%

LAB 39.38, 20.08, -25.88

 

CMYK 25 / 44 / 0 / 55

HEX #574174

RGB 87 65 116

HSL 265.88, 0.28%, 0.35%

LAB 31.96, 20.94, -25.87

 

CMYK 28 / 52 / 0 / 62

HEX #462F61

RGB 70 47 97

HSL 267.6, 0.35%, 0.28%

LAB 24.32, 21.93, -25.89

 

CMYK 32 / 63 / 0 / 69

HEX #351D4E

RGB 53 29 78

HSL 269.39, 0.46%, 0.21%

LAB 16.43, 23.03, -25.91

 

CMYK 22 / 35 / 0 / 40

HEX #78649A

RGB 120 100 154

HSL 262.22, 0.21%, 0.5%

LAB 46.23, 19.61, -26.5

 

CMYK 12 / 35 / 0 / 40

HEX #87649A

RGB 135 100 154

HSL 278.89, 0.21%, 0.5%

LAB 47.75, 24.49, -24.02

 

CMYK 3 / 35 / 0 / 40

HEX #95649A

RGB 149 100 154

HSL 294.44, 0.21%, 0.5%

LAB 49.3, 29.14, -21.51

 

CMYK 0 / 35 / 6 / 40

HEX #9A6490

RGB 154 100 144

HSL 311.11, 0.21%, 0.5%

LAB 49.49, 28.91, -15.24

 

CMYK 0 / 35 / 16 / 40

HEX #9A6481

RGB 154 100 129

HSL 327.78, 0.21%, 0.5%

LAB 48.97, 26.24, -7.11

 

CMYK 22 / 35 / 0 / 40

HEX #78649A

RGB 120 100 154

HSL 262.22, 0.21%, 0.5%

LAB 46.23, 19.61, -26.5

 

CMYK 31 / 35 / 0 / 40

HEX #6A649A

RGB 106 100 154

HSL 246.67, 0.21%, 0.5%

LAB 44.96, 15.23, -28.58

 

CMYK 35 / 35 / 0 / 40

HEX #64649A

RGB 100 100 154

HSL 240, 0.21%, 0.5%

LAB 44.46, 13.43, -29.4

 

CMYK 22 / 35 / 0 / 40

HEX #78649A

RGB 120 100 154

HSL 262.22, 0.21%, 0.5%

LAB 46.23, 19.61, -26.5

 

CMYK 34 / 54 / 0 / 32

HEX #7350AE

RGB 115 80 174

HSL 262.34, 0.37%, 0.5%

LAB 41.9, 35.29, -45.2

 

CMYK 44 / 70 / 0 / 24

HEX #6E3BC3

RGB 110 59 195

HSL 262.5, 0.54%, 0.5%

LAB 38.52, 51.3, -63.02

 

CMYK 51 / 82 / 0 / 15

HEX #6926D8

RGB 105 38 216

HSL 262.58, 0.7%, 0.5%

LAB 36.64, 64.99, -78.3

 

CMYK 58 / 92 / 0 / 7

HEX #6412EC

RGB 100 18 236

HSL 262.57, 0.86%, 0.5%

LAB 36.36, 74.7, -90.22

 

CMYK 22 / 35 / 0 / 40

HEX #78649A

RGB 120 100 154

HSL 262.22, 0.21%, 0.5%

LAB 46.23, 19.61, -26.5

 

CMYK 6 / 9 / 0 / 48

HEX #7D7985

RGB 125 121 133

HSL 260, 0.05%, 0.5%

LAB 51.53, 3.97, -5.99

 

CMYK 7 / 0 / 20 / 45

HEX #838D71

RGB 131 141 113

HSL 81.43, 0.11%, 0.5%

LAB 57.14, -8.89, 13.74

 

CMYK 16 / 0 / 43 / 36

HEX #88A25C

RGB 136 162 92

HSL 82.29, 0.28%, 0.5%

LAB 63.22, -21.07, 33.39

 

CMYK 23 / 0 / 61 / 28

HEX #8DB747

RGB 141 183 71

HSL 82.5, 0.44%, 0.5%

LAB 69.46, -31.53, 51.06

 

CMYK 35 / 29 / 0 / 40

HEX #646D9A

RGB 100 109 154

HSL 230, 0.21%, 0.5%

LAB 46.95, 7.92, -25.52

 

CMYK 31 / 35 / 0 / 40

HEX #6A649A

RGB 106 100 154

HSL 246.67, 0.21%, 0.5%

LAB 44.96, 15.23, -28.58

 

CMYK 22 / 35 / 0 / 40

HEX #78649A

RGB 120 100 154

HSL 262.22, 0.21%, 0.5%

LAB 46.23, 19.61, -26.5

 

CMYK 13 / 35 / 0 / 40

HEX #86649A

RGB 134 100 154

HSL 277.78, 0.21%, 0.5%

LAB 47.64, 24.16, -24.2

 

CMYK 4 / 35 / 0 / 40

HEX #94649A

RGB 148 100 154

HSL 293.33, 0.21%, 0.5%

LAB 49.18, 28.81, -21.69

 

CMYK 22 / 35 / 0 / 59

HEX #514468

RGB 81 68 104

HSL 261.67, 0.21%, 0.34%

LAB 31.54, 13.84, -19

 

CMYK 22 / 35 / 0 / 49

HEX #655481

RGB 101 84 129

HSL 262.67, 0.21%, 0.42%

LAB 39.06, 16.95, -22.74

 

CMYK 22 / 35 / 0 / 40

HEX #78649A

RGB 120 100 154

HSL 262.22, 0.21%, 0.5%

LAB 46.23, 19.61, -26.5

 

CMYK 16 / 26 / 0 / 33

HEX #8E7DAA

RGB 142 125 170

HSL 262.67, 0.21%, 0.58%

LAB 55.4, 15.75, -21.52

 

CMYK 12 / 19 / 0 / 27

HEX #A496BA

RGB 164 150 186

HSL 263.33, 0.21%, 0.66%

LAB 64.36, 12.26, -16.79

 

CMYK 21 / 34 / 0 / 40

HEX #79659A

RGB 121 101 154

HSL 262.64, 0.21%, 0.5%

LAB 46.59, 19.33, -25.94

 

CMYK 0 / 35 / 20 / 40

HEX #9A647B

RGB 154 100 123

HSL 334.44, 0.21%, 0.5%

LAB 48.78, 25.24, -3.81

 

CMYK 34 / 0 / 35 / 40

HEX #669A64

RGB 102 154 100

HSL 117.78, 0.21%, 0.5%

LAB 58.84, -28.53, 23.01

 

CMYK 21 / 34 / 0 / 40

HEX #79659A

RGB 121 101 154

HSL 262.64, 0.21%, 0.5%

LAB 46.59, 19.33, -25.94

 

CMYK 0 / 22 / 35 / 40

HEX #9A7864

RGB 154 120 100

HSL 22.22, 0.21%, 0.5%

LAB 53.19, 10.34, 16.06

 

CMYK 35 / 0 / 22 / 40

HEX #649A78

RGB 100 154 120

HSL 142.22, 0.21%, 0.5%

LAB 59.14, -25.48, 12.28

 

CMYK 21 / 34 / 0 / 40

HEX #79659A

RGB 121 101 154

HSL 262.64, 0.21%, 0.5%

LAB 46.59, 19.33, -25.94

 

CMYK 0 / 35 / 20 / 40

HEX #9A647B

RGB 154 100 123

HSL 334.44, 0.21%, 0.5%

LAB 48.78, 25.24, -3.81

 

CMYK 13 / 0 / 35 / 40

HEX #869A64

RGB 134 154 100

HSL 82.22, 0.21%, 0.5%

LAB 60.87, -16.68, 26.07

 

CMYK 35 / 0 / 15 / 40

HEX #649A83

RGB 100 154 131

HSL 154.44, 0.21%, 0.5%

LAB 59.4, -23.16, 6.44

 

CMYK 21 / 34 / 0 / 40

HEX #79659A

RGB 121 101 154

HSL 262.64, 0.21%, 0.5%

LAB 46.59, 19.33, -25.94

 

CMYK 0 / 35 / 31 / 40

HEX #9A646B

RGB 154 100 107

HSL 352.22, 0.21%, 0.5%

LAB 48.32, 22.8, 5.09

 

CMYK 13 / 0 / 35 / 40

HEX #869A64

RGB 134 154 100

HSL 82.22, 0.21%, 0.5%

LAB 60.87, -16.68, 26.07

 

CMYK 35 / 0 / 5 / 40

HEX #649A93

RGB 100 154 147

HSL 172.22, 0.21%, 0.5%

LAB 59.82, -19.47, -2.01

 

Description

Color code: HEX #79659A | qconv.com Color code: HEX #79659A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 101 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 101 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 34 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 34% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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