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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7962C5 it is the complementary color #869D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7962C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7962C5 shade: #7E62C0, #8F74D3, #A086E6, #B198F9 and #C2AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7962C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7962C5 shade: #7962C5, #6850B2, #573E9F, #462C8C and #351A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7962C5 shade: #7962C5, #9462C5, #AE62C5, #C562C1 and #C562A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7962C5 shade: #7962C5 and #6262C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7962C5 shade matches the following richer shades: #7962C5, #7051D6, #663FE7 and #5D2EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7962C5 shade: #7962C5, #8273B3, #8C85A2, #959691 and #9EA77F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7962C5 shade: #6281C5, #6267C5, #7762C5, #9262C5 and #AC62C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7962C5 shade: #50399B, #5F44B9, #7962C5, #9380D0 and #AC9EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7962C5 shade: #7962C5, #C5629C and #74C562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7962C5 shade: #7962C5, #C57762 and #62C577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7962C5 shade: #7962C5, #C5629C, #AFC562 and #62C58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7962C5 shade: #7962C5, #C5627E, #AFC562 and #62C5A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

Complementary color

CMYK 15 / 0 / 63 / 38

HEX #869D3A

RGB 134 157 58

HSL 73.94, 0.46%, 0.42%

LAB 61.21, -22.8, 47.64

 

CMYK 34 / 49 / 0 / 25

HEX #7E62C0

RGB 126 98 192

HSL 257.87, 0.43%, 0.57%

LAB 48.23, 32.38, -45.55

 

CMYK 32 / 45 / 0 / 17

HEX #8F74D3

RGB 143 116 211

HSL 257.05, 0.52%, 0.64%

LAB 55.11, 31.39, -45.4

 

CMYK 30 / 42 / 0 / 10

HEX #A086E6

RGB 160 134 230

HSL 256.25, 0.66%, 0.71%

LAB 61.86, 30.49, -45.27

 

CMYK 29 / 39 / 0 / 2

HEX #B198F9

RGB 177 152 249

HSL 255.46, 0.89%, 0.79%

LAB 68.49, 29.67, -45.19

 

CMYK 24 / 33 / 0 / 0

HEX #C2AAFF

RGB 194 170 255

HSL 256.94, 1%, 0.83%

LAB 74.47, 25.87, -38.99

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 42 / 55 / 0 / 30

HEX #6850B2

RGB 104 80 178

HSL 254.69, 0.39%, 0.51%

LAB 41.05, 33.66, -48.99

 

CMYK 45 / 61 / 0 / 38

HEX #573E9F

RGB 87 62 159

HSL 255.46, 0.44%, 0.43%

LAB 33.93, 35, -49.22

 

CMYK 50 / 69 / 0 / 45

HEX #462C8C

RGB 70 44 140

HSL 256.25, 0.52%, 0.36%

LAB 26.73, 36.41, -49.36

 

CMYK 56 / 79 / 0 / 53

HEX #351A79

RGB 53 26 121

HSL 257.05, 0.65%, 0.29%

LAB 19.54, 37.69, -49.23

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 25 / 50 / 0 / 23

HEX #9462C5

RGB 148 98 197

HSL 270.3, 0.46%, 0.58%

LAB 50.76, 39.53, -44.27

 

CMYK 12 / 50 / 0 / 23

HEX #AE62C5

RGB 174 98 197

HSL 286.06, 0.46%, 0.58%

LAB 53.78, 46.71, -39.31

 

CMYK 0 / 50 / 2 / 23

HEX #C562C1

RGB 197 98 193

HSL 302.42, 0.46%, 0.58%

LAB 56.54, 52.47, -32.47

 

CMYK 0 / 50 / 16 / 23

HEX #C562A6

RGB 197 98 166

HSL 318.79, 0.46%, 0.58%

LAB 55.44, 47.96, -18.59

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 50 / 50 / 0 / 23

HEX #6262C5

RGB 98 98 197

HSL 240, 0.46%, 0.58%

LAB 46.13, 27.02, -51.93

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 48 / 62 / 0 / 16

HEX #7051D6

RGB 112 81 214

HSL 253.98, 0.62%, 0.58%

LAB 44.5, 45.12, -64.28

 

CMYK 56 / 73 / 0 / 9

HEX #663FE7

RGB 102 63 231

HSL 253.93, 0.78%, 0.58%

LAB 41.45, 57.86, -78.98

 

CMYK 63 / 82 / 0 / 2

HEX #5D2EF9

RGB 93 46 249

HSL 253.89, 0.94%, 0.58%

LAB 39.78, 69.27, -91.92

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 27 / 36 / 0 / 30

HEX #8273B3

RGB 130 115 179

HSL 254.06, 0.3%, 0.58%

LAB 52.13, 20.03, -31.86

 

CMYK 14 / 18 / 0 / 36

HEX #8C85A2

RGB 140 133 162

HSL 254.48, 0.13%, 0.58%

LAB 57.04, 8.62, -14.45

 

CMYK 1 / 0 / 3 / 41

HEX #959691

RGB 149 150 145

HSL 72, 0.02%, 0.58%

LAB 61.87, -1.32, 2.5

 

CMYK 5 / 0 / 24 / 35

HEX #9EA77F

RGB 158 167 127

HSL 73.5, 0.19%, 0.58%

LAB 66.85, -10.2, 19.67

 

CMYK 50 / 35 / 0 / 23

HEX #6281C5

RGB 98 129 197

HSL 221.21, 0.46%, 0.58%

LAB 54.37, 8.09, -38.83

 

CMYK 50 / 48 / 0 / 23

HEX #6267C5

RGB 98 103 197

HSL 236.97, 0.46%, 0.58%

LAB 47.4, 23.94, -49.89

 

CMYK 40 / 50 / 0 / 23

HEX #7762C5

RGB 119 98 197

HSL 252.73, 0.46%, 0.58%

LAB 47.87, 31.96, -49.05

 

CMYK 26 / 50 / 0 / 23

HEX #9262C5

RGB 146 98 197

HSL 269.09, 0.46%, 0.58%

LAB 50.54, 38.99, -44.63

 

CMYK 13 / 50 / 0 / 23

HEX #AC62C5

RGB 172 98 197

HSL 284.85, 0.46%, 0.58%

LAB 53.53, 46.15, -39.71

 

CMYK 48 / 63 / 0 / 39

HEX #50399B

RGB 80 57 155

HSL 254.08, 0.46%, 0.42%

LAB 31.8, 35.29, -50.27

 

CMYK 49 / 63 / 0 / 27

HEX #5F44B9

RGB 95 68 185

HSL 253.85, 0.46%, 0.5%

LAB 37.97, 40.81, -58.13

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 29 / 38 / 0 / 18

HEX #9380D0

RGB 147 128 208

HSL 254.25, 0.46%, 0.66%

LAB 58.22, 24.76, -38.77

 

CMYK 21 / 28 / 0 / 14

HEX #AC9EDB

RGB 172 158 219

HSL 253.77, 0.46%, 0.74%

LAB 68.27, 17.69, -29.11

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 0 / 50 / 21 / 23

HEX #C5629C

RGB 197 98 156

HSL 324.85, 0.46%, 0.58%

LAB 55.08, 46.44, -13.31

 

CMYK 41 / 0 / 50 / 23

HEX #74C562

RGB 116 197 98

HSL 109.09, 0.46%, 0.58%

LAB 72.58, -43.76, 41.75

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 0 / 40 / 50 / 23

HEX #C57762

RGB 197 119 98

HSL 12.73, 0.46%, 0.58%

LAB 57.99, 28.31, 24.53

 

CMYK 50 / 0 / 40 / 23

HEX #62C577

RGB 98 197 119

HSL 132.73, 0.46%, 0.58%

LAB 72.14, -45.89, 30.44

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 0 / 50 / 21 / 23

HEX #C5629C

RGB 197 98 156

HSL 324.85, 0.46%, 0.58%

LAB 55.08, 46.44, -13.31

 

CMYK 11 / 0 / 50 / 23

HEX #AFC562

RGB 175 197 98

HSL 73.33, 0.46%, 0.58%

LAB 76.03, -22.43, 46.72

 

CMYK 50 / 0 / 29 / 23

HEX #62C58B

RGB 98 197 139

HSL 144.85, 0.46%, 0.58%

LAB 72.49, -42.27, 20.39

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 0 / 50 / 36 / 23

HEX #C5627E

RGB 197 98 126

HSL 343.03, 0.46%, 0.58%

LAB 54.15, 42.41, 2.94

 

CMYK 11 / 0 / 50 / 23

HEX #AFC562

RGB 175 197 98

HSL 73.33, 0.46%, 0.58%

LAB 76.03, -22.43, 46.72

 

CMYK 50 / 0 / 14 / 23

HEX #62C5A9

RGB 98 197 169

HSL 163.03, 0.46%, 0.58%

LAB 73.15, -35.84, 5.17

 

Description

Color code: HEX #7962C5 | qconv.com Color code: HEX #7962C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 98 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 98 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 50 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 50% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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