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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79712A it is the complementary color #868ED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79712A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79712A shade: #7E7125, #8F8338, #A0954B, #B1A75E and #C2B971

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79712A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79712A shade: #79712A, #685F17, #574D04, #463B00 and #352900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79712A shade: #78702A, #785B2A, #78462A, #78312A and #782A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79712A shade: #78702A, #6B782A, #56782A, #41782A and #2C782A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79712A shade matches the following richer shades: #78702A, #857B1D, #938510 and #A09002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79712A shade: #78702A, #6B6637, #5E5B44, #515152 and #43465F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79712A shade: #78452A, #785A2A, #786F2A, #6D782A and #58782A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79712A shade: #3B3714, #5A541F, #78702A, #978D35 and #B5A93F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79712A shade: #79712A, #2A7830 and #502A78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79712A shade: #79712A, #2A786F and #6F2A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79712A shade: #79712A, #2A7830, #2A3378 and #782A72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79712A shade: #79712A, #2A7848, #2A3378 and #782A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 65 / 53

HEX #79712A

RGB 121 113 42

HSL 53.92, 0.48%, 0.32%

LAB 47.03, -6.32, 39.33

 

Complementary color

CMYK 37 / 33 / 0 / 16

HEX #868ED5

RGB 134 142 213

HSL 233.92, 0.48%, 0.68%

LAB 60.97, 14.28, -37.34

 

CMYK 0 / 10 / 71 / 51

HEX #7E7125

RGB 126 113 37

HSL 51.24, 0.55%, 0.32%

LAB 47.47, -4.31, 42.23

 

CMYK 0 / 8 / 61 / 44

HEX #8F8338

RGB 143 131 56

HSL 51.72, 0.44%, 0.39%

LAB 54.4, -5.29, 41.29

 

CMYK 0 / 7 / 53 / 37

HEX #A0954B

RGB 160 149 75

HSL 52.24, 0.36%, 0.46%

LAB 61.2, -6.06, 40.1

 

CMYK 0 / 6 / 47 / 31

HEX #B1A75E

RGB 177 167 94

HSL 52.77, 0.35%, 0.53%

LAB 67.87, -6.66, 38.85

 

CMYK 0 / 5 / 42 / 24

HEX #C2B971

RGB 194 185 113

HSL 53.33, 0.4%, 0.6%

LAB 74.42, -7.16, 37.62

 

CMYK 0 / 7 / 65 / 53

HEX #79712A

RGB 121 113 42

HSL 53.92, 0.48%, 0.32%

LAB 47.03, -6.32, 39.33

 

CMYK 0 / 9 / 78 / 59

HEX #685F17

RGB 104 95 23

HSL 53.33, 0.64%, 0.25%

LAB 39.9, -5.24, 39.95

 

CMYK 0 / 11 / 95 / 66

HEX #574D04

RGB 87 77 4

HSL 52.77, 0.91%, 0.18%

LAB 32.57, -3.8, 39.44

 

CMYK 0 / 16 / 100 / 73

HEX #463B00

RGB 70 59 0

HSL 50.57, 1%, 0.14%

LAB 25.04, -1.71, 34.03

 

CMYK 0 / 23 / 100 / 79

HEX #352900

RGB 53 41 0

HSL 46.42, 1%, 0.1%

LAB 17.19, 0.73, 24.88

 

CMYK 0 / 7 / 65 / 53

HEX #78702A

RGB 120 112 42

HSL 53.85, 0.48%, 0.32%

LAB 46.64, -6.22, 38.88

 

CMYK 0 / 24 / 65 / 53

HEX #785B2A

RGB 120 91 42

HSL 37.69, 0.48%, 0.32%

LAB 40.64, 6.02, 32.24

 

CMYK 0 / 42 / 65 / 53

HEX #78462A

RGB 120 70 42

HSL 21.54, 0.48%, 0.32%

LAB 35.08, 18.6, 25.76

 

CMYK 0 / 59 / 65 / 53

HEX #78312A

RGB 120 49 42

HSL 5.38, 0.48%, 0.32%

LAB 30.3, 30.54, 19.89

 

CMYK 0 / 65 / 65 / 53

HEX #782A2A

RGB 120 42 42

HSL 0, 0.48%, 0.32%

LAB 28.94, 34.1, 18.18

 

CMYK 0 / 7 / 65 / 53

HEX #78702A

RGB 120 112 42

HSL 53.85, 0.48%, 0.32%

LAB 46.64, -6.22, 38.88

 

CMYK 11 / 0 / 65 / 53

HEX #6B782A

RGB 107 120 42

HSL 70, 0.48%, 0.32%

LAB 47.91, -16.57, 39.92

 

CMYK 28 / 0 / 65 / 53

HEX #56782A

RGB 86 120 42

HSL 86.15, 0.48%, 0.32%

LAB 46.42, -25.58, 37.86

 

CMYK 46 / 0 / 65 / 53

HEX #41782A

RGB 65 120 42

HSL 102.31, 0.48%, 0.32%

LAB 45.25, -33.5, 36.25

 

CMYK 63 / 0 / 65 / 53

HEX #2C782A

RGB 44 120 42

HSL 118.46, 0.48%, 0.32%

LAB 44.43, -39.77, 35.1

 

CMYK 0 / 7 / 65 / 53

HEX #78702A

RGB 120 112 42

HSL 53.85, 0.48%, 0.32%

LAB 46.64, -6.22, 38.88

 

CMYK 0 / 8 / 78 / 48

HEX #857B1D

RGB 133 123 29

HSL 54.23, 0.64%, 0.32%

LAB 50.97, -7.07, 49.08

 

CMYK 0 / 10 / 89 / 42

HEX #938510

RGB 147 133 16

HSL 53.59, 0.8%, 0.32%

LAB 55.09, -6.5, 56.91

 

CMYK 0 / 10 / 99 / 37

HEX #A09002

RGB 160 144 2

HSL 53.92, 0.98%, 0.32%

LAB 59.37, -6.72, 63.12

 

CMYK 0 / 7 / 65 / 53

HEX #78702A

RGB 120 112 42

HSL 53.85, 0.48%, 0.32%

LAB 46.64, -6.22, 38.88

 

CMYK 0 / 5 / 49 / 58

HEX #6B6637

RGB 107 102 55

HSL 54.23, 0.32%, 0.32%

LAB 42.62, -5.34, 27.14

 

CMYK 0 / 3 / 28 / 63

HEX #5E5B44

RGB 94 91 68

HSL 53.08, 0.16%, 0.32%

LAB 38.34, -2.99, 13.73

 

CMYK 1 / 1 / 0 / 68

HEX #515152

RGB 81 81 82

HSL 240, 0.01%, 0.32%

LAB 34.48, 0.22, -0.59

 

CMYK 29 / 26 / 0 / 63

HEX #43465F

RGB 67 70 95

HSL 233.57, 0.17%, 0.32%

LAB 30.4, 5.21, -15.13

 

CMYK 0 / 43 / 65 / 53

HEX #78452A

RGB 120 69 42

HSL 20.77, 0.48%, 0.32%

LAB 34.84, 19.2, 25.46

 

CMYK 0 / 25 / 65 / 53

HEX #785A2A

RGB 120 90 42

HSL 36.92, 0.48%, 0.32%

LAB 40.37, 6.62, 31.93

 

CMYK 0 / 8 / 65 / 53

HEX #786F2A

RGB 120 111 42

HSL 53.08, 0.48%, 0.32%

LAB 46.35, -5.65, 38.57

 

CMYK 9 / 0 / 65 / 53

HEX #6D782A

RGB 109 120 42

HSL 68.46, 0.48%, 0.32%

LAB 48.07, -15.68, 40.14

 

CMYK 27 / 0 / 65 / 53

HEX #58782A

RGB 88 120 42

HSL 84.62, 0.48%, 0.32%

LAB 46.54, -24.76, 38.04

 

CMYK 0 / 7 / 66 / 77

HEX #3B3714

RGB 59 55 20

HSL 53.85, 0.49%, 0.15%

LAB 22.7, -3.75, 22.15

 

CMYK 0 / 7 / 66 / 65

HEX #5A541F

RGB 90 84 31

HSL 53.9, 0.49%, 0.24%

LAB 35.23, -5.08, 31.06

 

CMYK 0 / 7 / 65 / 53

HEX #78702A

RGB 120 112 42

HSL 53.85, 0.48%, 0.32%

LAB 46.64, -6.22, 38.88

 

CMYK 0 / 7 / 65 / 41

HEX #978D35

RGB 151 141 53

HSL 53.88, 0.48%, 0.4%

LAB 57.93, -7.4, 46.75

 

CMYK 0 / 7 / 65 / 29

HEX #B5A93F

RGB 181 169 63

HSL 53.9, 0.48%, 0.48%

LAB 68.43, -8.5, 54.31

 

CMYK 0 / 7 / 65 / 53

HEX #79712A

RGB 121 113 42

HSL 53.92, 0.48%, 0.32%

LAB 47.03, -6.32, 39.33

 

CMYK 65 / 0 / 60 / 53

HEX #2A7830

RGB 42 120 48

HSL 124.62, 0.48%, 0.32%

LAB 44.43, -39.5, 32.13

 

CMYK 33 / 65 / 0 / 53

HEX #502A78

RGB 80 42 120

HSL 269.23, 0.48%, 0.32%

LAB 25.91, 34.05, -38.07

 

CMYK 0 / 7 / 65 / 53

HEX #79712A

RGB 121 113 42

HSL 53.92, 0.48%, 0.32%

LAB 47.03, -6.32, 39.33

 

CMYK 65 / 0 / 8 / 53

HEX #2A786F

RGB 42 120 111

HSL 173.08, 0.48%, 0.32%

LAB 45.73, -25.87, -2.08

 

CMYK 8 / 65 / 0 / 53

HEX #6F2A78

RGB 111 42 120

HSL 293.08, 0.48%, 0.32%

LAB 30.38, 42.07, -30.68

 

CMYK 0 / 7 / 65 / 53

HEX #79712A

RGB 121 113 42

HSL 53.92, 0.48%, 0.32%

LAB 47.03, -6.32, 39.33

 

CMYK 65 / 0 / 60 / 53

HEX #2A7830

RGB 42 120 48

HSL 124.62, 0.48%, 0.32%

LAB 44.43, -39.5, 32.13

 

CMYK 65 / 58 / 0 / 53

HEX #2A3378

RGB 42 51 120

HSL 233.08, 0.48%, 0.32%

LAB 24.37, 19.71, -40.75

 

CMYK 0 / 65 / 5 / 53

HEX #782A72

RGB 120 42 114

HSL 304.62, 0.48%, 0.32%

LAB 31.5, 43.37, -25.02

 

CMYK 0 / 7 / 65 / 53

HEX #79712A

RGB 121 113 42

HSL 53.92, 0.48%, 0.32%

LAB 47.03, -6.32, 39.33

 

CMYK 65 / 0 / 40 / 53

HEX #2A7848

RGB 42 120 72

HSL 143.08, 0.48%, 0.32%

LAB 44.79, -35.49, 19.53

 

CMYK 65 / 58 / 0 / 53

HEX #2A3378

RGB 42 51 120

HSL 233.08, 0.48%, 0.32%

LAB 24.37, 19.71, -40.75

 

CMYK 0 / 65 / 25 / 53

HEX #782A5A

RGB 120 42 90

HSL 323.08, 0.48%, 0.32%

LAB 30.37, 39.43, -11.35

 

Description

Color code: HEX #79712A | qconv.com Color code: HEX #79712A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 113 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 113 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 65 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 65% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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