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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797F1E it is the complementary color #8680E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797F1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797F1E shade: #7E7F19, #8F912C, #A0A33F, #B1B552 and #C2C765

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797F1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797F1E shade: #797F1E, #686D0B, #575B00, #464900 and #353700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797F1E shade: #79801E, #806B1E, #80511E, #80361E and #801E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797F1E shade: #79801E, #5F801E, #45801E, #2A801E and #1E802B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797F1E shade matches the following richer shades: #79801E, #858C11 and #909904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797F1E shade: #79801E, #6E732A, #636637, #585944 and #4D4C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797F1E shade: #80501E, #806A1E, #7B801E, #61801E and #46801E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797F1E shade: #3A3D0E, #5A5E16, #79801E, #99A125 and #B9C22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797F1E shade: #797F1E, #1E8036 and #5D1E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797F1E shade: #797F1E, #1E7B80 and #801E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797F1E shade: #797F1E, #1E8036, #221E80 and #801E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797F1E shade: #797F1E, #1E8053, #221E80 and #801E4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 76 / 50

HEX #797F1E

RGB 121 127 30

HSL 63.71, 0.62%, 0.31%

LAB 51.08, -14.74, 48.44

 

Complementary color

CMYK 40 / 43 / 0 / 12

HEX #8680E1

RGB 134 128 225

HSL 243.71, 0.62%, 0.69%

LAB 57.98, 25.8, -48.76

 

CMYK 1 / 0 / 80 / 50

HEX #7E7F19

RGB 126 127 25

HSL 60.59, 0.67%, 0.3%

LAB 51.48, -12.67, 50.66

 

CMYK 1 / 0 / 70 / 43

HEX #8F912C

RGB 143 145 44

HSL 61.19, 0.53%, 0.37%

LAB 58.29, -13.67, 50.74

 

CMYK 2 / 0 / 61 / 36

HEX #A0A33F

RGB 160 163 63

HSL 61.8, 0.44%, 0.44%

LAB 64.98, -14.44, 50.09

 

CMYK 2 / 0 / 55 / 29

HEX #B1B552

RGB 177 181 82

HSL 62.42, 0.4%, 0.52%

LAB 71.56, -15.04, 49.12

 

CMYK 3 / 0 / 49 / 22

HEX #C2C765

RGB 194 199 101

HSL 63.06, 0.47%, 0.59%

LAB 78.03, -15.53, 48.01

 

CMYK 5 / 0 / 76 / 50

HEX #797F1E

RGB 121 127 30

HSL 63.71, 0.62%, 0.31%

LAB 51.08, -14.74, 48.44

 

CMYK 5 / 0 / 90 / 57

HEX #686D0B

RGB 104 109 11

HSL 63.06, 0.82%, 0.24%

LAB 44.1, -13.63, 47.47

 

CMYK 4 / 0 / 100 / 64

HEX #575B00

RGB 87 91 0

HSL 62.64, 1%, 0.18%

LAB 36.95, -12.13, 44.09

 

CMYK 4 / 0 / 100 / 71

HEX #464900

RGB 70 73 0

HSL 62.47, 1%, 0.14%

LAB 29.58, -10.28, 37.95

 

CMYK 4 / 0 / 100 / 78

HEX #353700

RGB 53 55 0

HSL 62.18, 1%, 0.11%

LAB 21.91, -8.33, 30.27

 

CMYK 5 / 0 / 77 / 50

HEX #79801E

RGB 121 128 30

HSL 64.29, 0.62%, 0.31%

LAB 51.38, -15.28, 48.72

 

CMYK 0 / 16 / 77 / 50

HEX #806B1E

RGB 128 107 30

HSL 47.14, 0.62%, 0.31%

LAB 45.9, -0.32, 43.73

 

CMYK 0 / 37 / 77 / 50

HEX #80511E

RGB 128 81 30

HSL 31.22, 0.62%, 0.31%

LAB 38.84, 14.99, 36.73

 

CMYK 0 / 58 / 77 / 50

HEX #80361E

RGB 128 54 30

HSL 14.69, 0.62%, 0.31%

LAB 32.53, 30.4, 30.11

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 5 / 0 / 77 / 50

HEX #79801E

RGB 121 128 30

HSL 64.29, 0.62%, 0.31%

LAB 51.38, -15.28, 48.72

 

CMYK 26 / 0 / 77 / 50

HEX #5F801E

RGB 95 128 30

HSL 80.2, 0.62%, 0.31%

LAB 49.45, -26.69, 46.21

 

CMYK 46 / 0 / 77 / 50

HEX #45801E

RGB 69 128 30

HSL 96.12, 0.62%, 0.31%

LAB 48, -36.67, 44.3

 

CMYK 67 / 0 / 77 / 50

HEX #2A801E

RGB 42 128 30

HSL 112.65, 0.62%, 0.31%

LAB 47.01, -44.46, 42.98

 

CMYK 77 / 0 / 66 / 50

HEX #1E802B

RGB 30 128 43

HSL 127.96, 0.62%, 0.31%

LAB 46.83, -45.56, 37.21

 

CMYK 5 / 0 / 77 / 50

HEX #79801E

RGB 121 128 30

HSL 64.29, 0.62%, 0.31%

LAB 51.38, -15.28, 48.72

 

CMYK 5 / 0 / 88 / 45

HEX #858C11

RGB 133 140 17

HSL 63.41, 0.78%, 0.31%

LAB 55.87, -16.65, 56.82

 

CMYK 6 / 0 / 97 / 40

HEX #909904

RGB 144 153 4

HSL 63.62, 0.95%, 0.31%

LAB 60.53, -18.7, 63.06

 

CMYK 5 / 0 / 77 / 50

HEX #79801E

RGB 121 128 30

HSL 64.29, 0.62%, 0.31%

LAB 51.38, -15.28, 48.72

 

CMYK 4 / 0 / 63 / 55

HEX #6E732A

RGB 110 115 42

HSL 64.11, 0.46%, 0.31%

LAB 46.64, -12.51, 38.61

 

CMYK 3 / 0 / 46 / 60

HEX #636637

RGB 99 102 55

HSL 63.83, 0.3%, 0.31%

LAB 41.89, -8.97, 26.08

 

CMYK 1 / 0 / 24 / 65

HEX #585944

RGB 88 89 68

HSL 62.86, 0.13%, 0.31%

LAB 37.18, -4.42, 12.06

 

CMYK 5 / 6 / 0 / 68

HEX #4D4C51

RGB 77 76 81

HSL 252, 0.03%, 0.31%

LAB 32.57, 1.52, -2.81

 

CMYK 0 / 38 / 77 / 50

HEX #80501E

RGB 128 80 30

HSL 30.61, 0.62%, 0.31%

LAB 38.59, 15.58, 36.47

 

CMYK 0 / 17 / 77 / 50

HEX #806A1E

RGB 128 106 30

HSL 46.53, 0.62%, 0.31%

LAB 45.62, 0.26, 43.46

 

CMYK 4 / 0 / 77 / 50

HEX #7B801E

RGB 123 128 30

HSL 63.06, 0.62%, 0.31%

LAB 51.55, -14.37, 48.94

 

CMYK 24 / 0 / 77 / 50

HEX #61801E

RGB 97 128 30

HSL 78.98, 0.62%, 0.31%

LAB 49.59, -25.85, 46.38

 

CMYK 45 / 0 / 77 / 50

HEX #46801E

RGB 70 128 30

HSL 95.51, 0.62%, 0.31%

LAB 48.05, -36.32, 44.36

 

CMYK 5 / 0 / 77 / 76

HEX #3A3D0E

RGB 58 61 14

HSL 63.83, 0.63%, 0.15%

LAB 24.54, -8.51, 27.26

 

CMYK 4 / 0 / 77 / 63

HEX #5A5E16

RGB 90 94 22

HSL 63.33, 0.62%, 0.23%

LAB 38.26, -11.5, 38.32

 

CMYK 5 / 0 / 77 / 50

HEX #79801E

RGB 121 128 30

HSL 64.29, 0.62%, 0.31%

LAB 51.38, -15.28, 48.72

 

CMYK 5 / 0 / 77 / 37

HEX #99A125

RGB 153 161 37

HSL 63.87, 0.63%, 0.39%

LAB 63.67, -17.93, 58.71

 

CMYK 5 / 0 / 77 / 24

HEX #B9C22D

RGB 185 194 45

HSL 63.62, 0.62%, 0.47%

LAB 75.51, -20.44, 67.95

 

CMYK 5 / 0 / 76 / 50

HEX #797F1E

RGB 121 127 30

HSL 63.71, 0.62%, 0.31%

LAB 51.08, -14.74, 48.44

 

CMYK 77 / 0 / 58 / 50

HEX #1E8036

RGB 30 128 54

HSL 134.69, 0.62%, 0.31%

LAB 46.95, -44.11, 31.99

 

CMYK 27 / 77 / 0 / 50

HEX #5D1E80

RGB 93 30 128

HSL 278.57, 0.62%, 0.31%

LAB 26.2, 44.94, -42.58

 

CMYK 5 / 0 / 76 / 50

HEX #797F1E

RGB 121 127 30

HSL 63.71, 0.62%, 0.31%

LAB 51.08, -14.74, 48.44

 

CMYK 77 / 4 / 0 / 50

HEX #1E7B80

RGB 30 123 128

HSL 183.06, 0.62%, 0.31%

LAB 46.98, -24.04, -10.37

 

CMYK 0 / 77 / 4 / 50

HEX #801E7B

RGB 128 30 123

HSL 303.06, 0.62%, 0.31%

LAB 31.69, 51.68, -30.32

 

CMYK 5 / 0 / 76 / 50

HEX #797F1E

RGB 121 127 30

HSL 63.71, 0.62%, 0.31%

LAB 51.08, -14.74, 48.44

 

CMYK 77 / 0 / 58 / 50

HEX #1E8036

RGB 30 128 54

HSL 134.69, 0.62%, 0.31%

LAB 46.95, -44.11, 31.99

 

CMYK 73 / 77 / 0 / 50

HEX #221E80

RGB 34 30 128

HSL 242.45, 0.62%, 0.31%

LAB 19.34, 35.28, -54.08

 

CMYK 0 / 77 / 20 / 50

HEX #801E67

RGB 128 30 103

HSL 315.31, 0.62%, 0.31%

LAB 30.63, 48.53, -19.24

 

CMYK 5 / 0 / 76 / 50

HEX #797F1E

RGB 121 127 30

HSL 63.71, 0.62%, 0.31%

LAB 51.08, -14.74, 48.44

 

CMYK 77 / 0 / 35 / 50

HEX #1E8053

RGB 30 128 83

HSL 152.45, 0.62%, 0.31%

LAB 47.42, -38.76, 16.7

 

CMYK 73 / 77 / 0 / 50

HEX #221E80

RGB 34 30 128

HSL 242.45, 0.62%, 0.31%

LAB 19.34, 35.28, -54.08

 

CMYK 0 / 77 / 42 / 50

HEX #801E4A

RGB 128 30 74

HSL 333.06, 0.62%, 0.31%

LAB 29.44, 44.81, -2.08

 

Description

Color code: HEX #797F1E | qconv.com Color code: HEX #797F1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 127 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 127 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 76 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 76% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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