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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797F37 it is the complementary color #8680C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797F37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797F37 shade: #7E7F32, #8F9145, #A0A358, #B1B56B and #C2C77E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797F37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797F37 shade: #797F37, #686D24, #575B11, #464900 and #353700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797F37 shade: #7A8037, #807237, #805F37, #804B37 and #803737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797F37 shade: #7A8037, #668037, #528037, #3E8037 and #378042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797F37 shade matches the following richer shades: #7A8037, #868F28, #939E19 and #9FAD0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797F37 shade: #7A8037, #6E7145, #616254, #555363 and #484572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797F37 shade: #805F37, #807337, #7A8037, #668037 and #538037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797F37 shade: #43461E, #5E632A, #7A8037, #959D43 and #ADB554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797F37 shade: #797F37, #37804B and #693780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797F37 shade: #797F37, #377A80 and #80377A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797F37 shade: #797F37, #37804B, #3D3780 and #80376B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797F37 shade: #797F37, #378061, #3D3780 and #803755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 57 / 50

HEX #797F37

RGB 121 127 55

HSL 65, 0.4%, 0.36%

LAB 51.29, -13.02, 37.73

 

Complementary color

CMYK 33 / 36 / 0 / 22

HEX #8680C8

RGB 134 128 200

HSL 245, 0.4%, 0.64%

LAB 56.76, 18.98, -36.62

 

CMYK 1 / 0 / 61 / 50

HEX #7E7F32

RGB 126 127 50

HSL 60.78, 0.44%, 0.35%

LAB 51.66, -11.21, 40.7

 

CMYK 1 / 0 / 52 / 43

HEX #8F9145

RGB 143 145 69

HSL 61.58, 0.36%, 0.42%

LAB 58.53, -11.81, 39.6

 

CMYK 2 / 0 / 46 / 36

HEX #A0A358

RGB 160 163 88

HSL 62.4, 0.3%, 0.49%

LAB 65.26, -12.27, 38.39

 

CMYK 2 / 0 / 41 / 29

HEX #B1B56B

RGB 177 181 107

HSL 63.24, 0.33%, 0.56%

LAB 71.86, -12.63, 37.18

 

CMYK 3 / 0 / 37 / 22

HEX #C2C77E

RGB 194 199 126

HSL 64.11, 0.39%, 0.64%

LAB 78.36, -12.91, 35.99

 

CMYK 5 / 0 / 57 / 50

HEX #797F37

RGB 121 127 55

HSL 65, 0.4%, 0.36%

LAB 51.29, -13.02, 37.73

 

CMYK 5 / 0 / 67 / 57

HEX #686D24

RGB 104 109 36

HSL 64.11, 0.5%, 0.28%

LAB 44.24, -12.4, 38.7

 

CMYK 4 / 0 / 81 / 64

HEX #575B11

RGB 87 91 17

HSL 63.24, 0.69%, 0.21%

LAB 37.02, -11.51, 38.96

 

CMYK 4 / 0 / 100 / 71

HEX #464900

RGB 70 73 0

HSL 62.47, 1%, 0.14%

LAB 29.58, -10.28, 37.95

 

CMYK 4 / 0 / 100 / 78

HEX #353700

RGB 53 55 0

HSL 62.18, 1%, 0.11%

LAB 21.91, -8.33, 30.27

 

CMYK 5 / 0 / 57 / 50

HEX #7A8037

RGB 122 128 55

HSL 64.93, 0.4%, 0.36%

LAB 51.67, -13.12, 38.19

 

CMYK 0 / 11 / 57 / 50

HEX #807237

RGB 128 114 55

HSL 48.49, 0.4%, 0.36%

LAB 48.13, -2.63, 34.24

 

CMYK 0 / 26 / 57 / 50

HEX #805F37

RGB 128 95 55

HSL 32.88, 0.4%, 0.36%

LAB 42.84, 8.45, 27.91

 

CMYK 0 / 41 / 57 / 50

HEX #804B37

RGB 128 75 55

HSL 16.44, 0.4%, 0.36%

LAB 37.66, 20.3, 21.44

 

CMYK 0 / 57 / 57 / 50

HEX #803737

RGB 128 55 55

HSL 0, 0.4%, 0.36%

LAB 33.13, 31.58, 15.54

 

CMYK 5 / 0 / 57 / 50

HEX #7A8037

RGB 122 128 55

HSL 64.93, 0.4%, 0.36%

LAB 51.67, -13.12, 38.19

 

CMYK 20 / 0 / 57 / 50

HEX #668037

RGB 102 128 55

HSL 81.37, 0.4%, 0.36%

LAB 50.14, -21.75, 36.03

 

CMYK 36 / 0 / 57 / 50

HEX #528037

RGB 82 128 55

HSL 97.81, 0.4%, 0.36%

LAB 48.89, -29.66, 34.26

 

CMYK 52 / 0 / 57 / 50

HEX #3E8037

RGB 62 128 55

HSL 114.25, 0.4%, 0.36%

LAB 47.93, -36.44, 32.88

 

CMYK 57 / 0 / 48 / 50

HEX #378042

RGB 55 128 66

HSL 129.04, 0.4%, 0.36%

LAB 47.81, -36.82, 26.86

 

CMYK 5 / 0 / 57 / 50

HEX #7A8037

RGB 122 128 55

HSL 64.93, 0.4%, 0.36%

LAB 51.67, -13.12, 38.19

 

CMYK 6 / 0 / 72 / 44

HEX #868F28

RGB 134 143 40

HSL 65.24, 0.56%, 0.36%

LAB 56.95, -16.84, 50.73

 

CMYK 7 / 0 / 84 / 38

HEX #939E19

RGB 147 158 25

HSL 64.96, 0.73%, 0.36%

LAB 62.28, -19.47, 60.75

 

CMYK 8 / 0 / 94 / 32

HEX #9FAD0A

RGB 159 173 10

HSL 65.15, 0.89%, 0.36%

LAB 67.49, -22.11, 68.09

 

CMYK 5 / 0 / 57 / 50

HEX #7A8037

RGB 122 128 55

HSL 64.93, 0.4%, 0.36%

LAB 51.67, -13.12, 38.19

 

CMYK 3 / 0 / 39 / 56

HEX #6E7145

RGB 110 113 69

HSL 64.09, 0.24%, 0.36%

LAB 46.39, -8.61, 24.05

 

CMYK 1 / 0 / 14 / 62

HEX #616254

RGB 97 98 84

HSL 64.29, 0.08%, 0.36%

LAB 41.08, -3.15, 7.85

 

CMYK 14 / 16 / 0 / 61

HEX #555363

RGB 85 83 99

HSL 247.5, 0.09%, 0.36%

LAB 36.02, 4.44, -8.96

 

CMYK 37 / 39 / 0 / 55

HEX #484572

RGB 72 69 114

HSL 244, 0.25%, 0.36%

LAB 31.46, 13.06, -25.5

 

CMYK 0 / 26 / 57 / 50

HEX #805F37

RGB 128 95 55

HSL 32.88, 0.4%, 0.36%

LAB 42.84, 8.45, 27.91

 

CMYK 0 / 10 / 57 / 50

HEX #807337

RGB 128 115 55

HSL 49.32, 0.4%, 0.36%

LAB 48.42, -3.2, 34.57

 

CMYK 5 / 0 / 57 / 50

HEX #7A8037

RGB 122 128 55

HSL 64.93, 0.4%, 0.36%

LAB 51.67, -13.12, 38.19

 

CMYK 20 / 0 / 57 / 50

HEX #668037

RGB 102 128 55

HSL 81.37, 0.4%, 0.36%

LAB 50.14, -21.75, 36.03

 

CMYK 35 / 0 / 57 / 50

HEX #538037

RGB 83 128 55

HSL 96.99, 0.4%, 0.36%

LAB 48.95, -29.29, 34.34

 

CMYK 4 / 0 / 57 / 73

HEX #43461E

RGB 67 70 30

HSL 64.5, 0.4%, 0.2%

LAB 28.56, -8.02, 23.42

 

CMYK 5 / 0 / 58 / 61

HEX #5E632A

RGB 94 99 42

HSL 65.26, 0.4%, 0.28%

LAB 40.36, -10.93, 31.23

 

CMYK 5 / 0 / 57 / 50

HEX #7A8037

RGB 122 128 55

HSL 64.93, 0.4%, 0.36%

LAB 51.67, -13.12, 38.19

 

CMYK 5 / 0 / 57 / 38

HEX #959D43

RGB 149 157 67

HSL 65.33, 0.4%, 0.44%

LAB 62.43, -15.73, 45.19

 

CMYK 4 / 0 / 54 / 29

HEX #ADB554

RGB 173 181 84

HSL 64.95, 0.4%, 0.52%

LAB 71.26, -16.54, 47.76

 

CMYK 5 / 0 / 57 / 50

HEX #797F37

RGB 121 127 55

HSL 65, 0.4%, 0.36%

LAB 51.29, -13.02, 37.73

 

CMYK 57 / 0 / 41 / 50

HEX #37804B

RGB 55 128 75

HSL 136.44, 0.4%, 0.36%

LAB 47.95, -35.26, 22.08

 

CMYK 18 / 57 / 0 / 50

HEX #693780

RGB 105 55 128

HSL 281.1, 0.4%, 0.36%

LAB 32.47, 35.4, -32.44

 

CMYK 5 / 0 / 57 / 50

HEX #797F37

RGB 121 127 55

HSL 65, 0.4%, 0.36%

LAB 51.29, -13.02, 37.73

 

CMYK 57 / 5 / 0 / 50

HEX #377A80

RGB 55 122 128

HSL 184.93, 0.4%, 0.36%

LAB 47.35, -19.27, -9.73

 

CMYK 0 / 57 / 5 / 50

HEX #80377A

RGB 128 55 122

HSL 304.93, 0.4%, 0.36%

LAB 35.45, 40.9, -23.77

 

CMYK 5 / 0 / 57 / 50

HEX #797F37

RGB 121 127 55

HSL 65, 0.4%, 0.36%

LAB 51.29, -13.02, 37.73

 

CMYK 57 / 0 / 41 / 50

HEX #37804B

RGB 55 128 75

HSL 136.44, 0.4%, 0.36%

LAB 47.95, -35.26, 22.08

 

CMYK 52 / 57 / 0 / 50

HEX #3D3780

RGB 61 55 128

HSL 244.93, 0.4%, 0.36%

LAB 27.53, 23.82, -40.62

 

CMYK 0 / 57 / 16 / 50

HEX #80376B

RGB 128 55 107

HSL 317.26, 0.4%, 0.36%

LAB 34.77, 38.27, -15.41

 

CMYK 5 / 0 / 57 / 50

HEX #797F37

RGB 121 127 55

HSL 65, 0.4%, 0.36%

LAB 51.29, -13.02, 37.73

 

CMYK 57 / 0 / 24 / 50

HEX #378061

RGB 55 128 97

HSL 154.52, 0.4%, 0.36%

LAB 48.4, -30.64, 10.07

 

CMYK 52 / 57 / 0 / 50

HEX #3D3780

RGB 61 55 128

HSL 244.93, 0.4%, 0.36%

LAB 27.53, 23.82, -40.62

 

CMYK 0 / 57 / 34 / 50

HEX #803755

RGB 128 55 85

HSL 335.34, 0.4%, 0.36%

LAB 33.94, 34.95, -2.63

 

Description

Color code: HEX #797F37 | qconv.com Color code: HEX #797F37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 127 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 127 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 57 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 57% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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