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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798419 it is the complementary color #867BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798419 shade: #7E8414, #8F9627, #A0A83A, #B1BA4D and #C2CC60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798419 shade: #798419, #687206, #576000, #464E00 and #353C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798419 shade: #798419, #847219, #845519, #843819 and #841B19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798419 shade: #798419, #5C8419, #3F8419, #228419 and #19842C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798419 shade matches the following richer shades: #798419 and #83910C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798419 shade: #798419, #6F7826, #656B32, #5B5E3F and #51514C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798419 shade: #845619, #847219, #7A8419, #5D8419 and #408419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798419 shade: #3A3F0C, #596212, #798419, #99A71F and #B9CA26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798419 shade: #798419, #198439 and #641984

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798419 shade: #798419, #197A84 and #84197A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798419 shade: #798419, #198439, #241984 and #841964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798419 shade: #798419, #198459, #241984 and #841944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

Complementary color

CMYK 42 / 47 / 0 / 10

HEX #867BE6

RGB 134 123 230

HSL 246.17, 0.68%, 0.69%

LAB 57.02, 30.14, -53.08

 

CMYK 5 / 0 / 85 / 48

HEX #7E8414

RGB 126 132 20

HSL 63.21, 0.74%, 0.3%

LAB 52.94, -15.53, 53.4

 

CMYK 5 / 0 / 74 / 41

HEX #8F9627

RGB 143 150 39

HSL 63.78, 0.59%, 0.37%

LAB 59.71, -16.56, 54.03

 

CMYK 5 / 0 / 65 / 34

HEX #A0A83A

RGB 160 168 58

HSL 64.36, 0.49%, 0.44%

LAB 66.35, -17.35, 53.7

 

CMYK 5 / 0 / 59 / 27

HEX #B1BA4D

RGB 177 186 77

HSL 64.95, 0.44%, 0.52%

LAB 72.89, -17.98, 52.91

 

CMYK 5 / 0 / 53 / 20

HEX #C2CC60

RGB 194 204 96

HSL 65.56, 0.51%, 0.59%

LAB 79.33, -18.47, 51.9

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 9 / 0 / 95 / 55

HEX #687206

RGB 104 114 6

HSL 65.56, 0.9%, 0.24%

LAB 45.62, -16.47, 49.81

 

CMYK 9 / 0 / 100 / 62

HEX #576000

RGB 87 96 0

HSL 65.63, 1%, 0.19%

LAB 38.54, -14.92, 45.27

 

CMYK 10 / 0 / 100 / 69

HEX #464E00

RGB 70 78 0

HSL 66.15, 1%, 0.15%

LAB 31.23, -13.17, 39.19

 

CMYK 12 / 0 / 100 / 76

HEX #353C00

RGB 53 60 0

HSL 67, 1%, 0.12%

LAB 23.63, -11.36, 32.06

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 0 / 14 / 81 / 48

HEX #847219

RGB 132 114 25

HSL 49.91, 0.68%, 0.31%

LAB 48.27, -2.65, 47.99

 

CMYK 0 / 36 / 81 / 48

HEX #845519

RGB 132 85 25

HSL 33.64, 0.68%, 0.31%

LAB 40.37, 14.26, 40.7

 

CMYK 0 / 58 / 81 / 48

HEX #843819

RGB 132 56 25

HSL 17.38, 0.68%, 0.31%

LAB 33.57, 30.77, 34.14

 

CMYK 0 / 80 / 81 / 48

HEX #841B19

RGB 132 27 25

HSL 1.12, 0.68%, 0.31%

LAB 28.8, 43.6, 29.29

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 30 / 0 / 81 / 48

HEX #5C8419

RGB 92 132 25

HSL 82.43, 0.68%, 0.31%

LAB 50.51, -30.12, 48.85

 

CMYK 52 / 0 / 81 / 48

HEX #3F8419

RGB 63 132 25

HSL 98.69, 0.68%, 0.31%

LAB 49.04, -40.63, 46.96

 

CMYK 74 / 0 / 81 / 48

HEX #228419

RGB 34 132 25

HSL 114.95, 0.68%, 0.31%

LAB 48.15, -47.88, 45.79

 

CMYK 81 / 0 / 67 / 48

HEX #19842C

RGB 25 132 44

HSL 130.65, 0.68%, 0.31%

LAB 48.12, -47.6, 38.17

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 10 / 0 / 92 / 43

HEX #83910C

RGB 131 145 12

HSL 66.32, 0.85%, 0.31%

LAB 57.18, -20.25, 58.79

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 8 / 0 / 68 / 53

HEX #6F7826

RGB 111 120 38

HSL 66.59, 0.52%, 0.31%

LAB 48.2, -15.06, 42.12

 

CMYK 6 / 0 / 53 / 58

HEX #656B32

RGB 101 107 50

HSL 66.32, 0.36%, 0.31%

LAB 43.53, -11.44, 30.84

 

CMYK 3 / 0 / 33 / 63

HEX #5B5E3F

RGB 91 94 63

HSL 65.81, 0.2%, 0.31%

LAB 38.88, -6.85, 17.42

 

CMYK 0 / 0 / 6 / 68

HEX #51514C

RGB 81 81 76

HSL 60, 0.03%, 0.31%

LAB 34.31, -1.05, 2.94

 

CMYK 0 / 35 / 81 / 48

HEX #845619

RGB 132 86 25

HSL 34.21, 0.68%, 0.31%

LAB 40.62, 13.67, 40.95

 

CMYK 0 / 14 / 81 / 48

HEX #847219

RGB 132 114 25

HSL 49.91, 0.68%, 0.31%

LAB 48.27, -2.65, 47.99

 

CMYK 8 / 0 / 81 / 48

HEX #7A8419

RGB 122 132 25

HSL 65.61, 0.68%, 0.31%

LAB 52.63, -17.17, 51.57

 

CMYK 30 / 0 / 81 / 48

HEX #5D8419

RGB 93 132 25

HSL 81.87, 0.68%, 0.31%

LAB 50.57, -29.71, 48.93

 

CMYK 52 / 0 / 81 / 48

HEX #408419

RGB 64 132 25

HSL 98.13, 0.68%, 0.31%

LAB 49.08, -40.31, 47.01

 

CMYK 8 / 0 / 81 / 75

HEX #3A3F0C

RGB 58 63 12

HSL 65.88, 0.68%, 0.15%

LAB 25.2, -9.85, 28.83

 

CMYK 9 / 0 / 82 / 62

HEX #596212

RGB 89 98 18

HSL 66.75, 0.69%, 0.23%

LAB 39.42, -14.42, 40.88

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 8 / 0 / 81 / 35

HEX #99A71F

RGB 153 167 31

HSL 66.18, 0.69%, 0.39%

LAB 65.36, -21.2, 62.02

 

CMYK 8 / 0 / 81 / 21

HEX #B9CA26

RGB 185 202 38

HSL 66.22, 0.68%, 0.47%

LAB 77.69, -24.6, 71.86

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 81 / 0 / 57 / 48

HEX #198439

RGB 25 132 57

HSL 137.94, 0.68%, 0.31%

LAB 48.27, -45.86, 32.01

 

CMYK 24 / 81 / 0 / 48

HEX #641984

RGB 100 25 132

HSL 282.06, 0.68%, 0.31%

LAB 26.93, 49.14, -43.85

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 81 / 8 / 0 / 48

HEX #197A84

RGB 25 122 132

HSL 185.61, 0.68%, 0.31%

LAB 46.7, -22.78, -13.16

 

CMYK 0 / 81 / 8 / 48

HEX #84197A

RGB 132 25 122

HSL 305.61, 0.68%, 0.31%

LAB 31.82, 53.95, -29.43

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 81 / 0 / 57 / 48

HEX #198439

RGB 25 132 57

HSL 137.94, 0.68%, 0.31%

LAB 48.27, -45.86, 32.01

 

CMYK 73 / 81 / 0 / 48

HEX #241984

RGB 36 25 132

HSL 246.17, 0.68%, 0.31%

LAB 18.96, 39.63, -57.24

 

CMYK 0 / 81 / 24 / 48

HEX #841964

RGB 132 25 100

HSL 317.94, 0.68%, 0.31%

LAB 30.69, 50.72, -17.15

 

CMYK 8 / 0 / 81 / 48

HEX #798419

RGB 121 132 25

HSL 66.17, 0.68%, 0.31%

LAB 52.55, -17.62, 51.46

 

CMYK 81 / 0 / 33 / 48

HEX #198459

RGB 25 132 89

HSL 155.89, 0.68%, 0.31%

LAB 48.8, -39.73, 15.13

 

CMYK 73 / 81 / 0 / 48

HEX #241984

RGB 36 25 132

HSL 246.17, 0.68%, 0.31%

LAB 18.96, 39.63, -57.24

 

CMYK 0 / 81 / 48 / 48

HEX #841944

RGB 132 25 68

HSL 335.89, 0.68%, 0.31%

LAB 29.46, 47.03, 2.03

 

Description

Color code: HEX #798419 | qconv.com Color code: HEX #798419 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 132 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 132 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 81 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 81% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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