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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7982CC it is the complementary color #867D33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7982CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7982CC shade: #7E82C7, #8F94DA, #A0A6ED, #B1B8FF and #C2CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7982CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7982CC shade: #7982CC, #6870B9, #575EA6, #464C93 and #353A80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7982CC shade: #7982CC, #8779CC, #9D79CC, #B379CC and #CA79CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7982CC shade: #7982CC and #7979CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7982CC shade matches the following richer shades: #7982CC, #6B77DB, #5C6BEA and #4D5FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7982CC shade: #7982CC, #888EBD, #979AAE, #A6A59F and #B5B191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7982CC shade: #79AFCC, #7999CC, #7983CC, #8679CC and #9C79CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7982CC shade: #434EB0, #5B66C1, #7982CC, #979ED7 and #B5BAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7982CC shade: #7982CC, #CC79C5 and #A4CC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7982CC shade: #7982CC, #CC7983 and #83CC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7982CC shade: #7982CC, #CC79C5, #CCC279 and #79CC80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7982CC shade: #7982CC, #CC79AC, #CCC279 and #79CC99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

Complementary color

CMYK 0 / 7 / 62 / 47

HEX #867D33

RGB 134 125 51

HSL 53.49, 0.45%, 0.36%

LAB 51.81, -6.41, 40.59

 

CMYK 37 / 35 / 0 / 22

HEX #7E82C7

RGB 126 130 199

HSL 236.71, 0.39%, 0.64%

LAB 56.61, 15.29, -36.33

 

CMYK 34 / 32 / 0 / 15

HEX #8F94DA

RGB 143 148 218

HSL 236, 0.5%, 0.71%

LAB 63.41, 14.63, -36.27

 

CMYK 32 / 30 / 0 / 7

HEX #A0A6ED

RGB 160 166 237

HSL 235.32, 0.68%, 0.78%

LAB 70.08, 14.05, -36.26

 

CMYK 31 / 28 / 0 / 0

HEX #B1B8FF

RGB 177 184 255

HSL 234.62, 1%, 0.85%

LAB 76.59, 13.29, -35.81

 

CMYK 24 / 21 / 0 / 0

HEX #C2CAFF

RGB 194 202 255

HSL 232.13, 1%, 0.88%

LAB 82.34, 8.39, -26.86

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 44 / 39 / 0 / 27

HEX #6870B9

RGB 104 112 185

HSL 234.07, 0.37%, 0.57%

LAB 49.54, 16.19, -39.55

 

CMYK 48 / 43 / 0 / 35

HEX #575EA6

RGB 87 94 166

HSL 234.68, 0.31%, 0.5%

LAB 42.44, 17.21, -39.76

 

CMYK 52 / 48 / 0 / 42

HEX #464C93

RGB 70 76 147

HSL 235.32, 0.35%, 0.43%

LAB 35.16, 18.46, -40.05

 

CMYK 59 / 55 / 0 / 50

HEX #353A80

RGB 53 58 128

HSL 236, 0.41%, 0.35%

LAB 27.69, 20.05, -40.4

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 34 / 41 / 0 / 20

HEX #8779CC

RGB 135 121 204

HSL 250.12, 0.45%, 0.64%

LAB 55.26, 24.45, -41.23

 

CMYK 23 / 41 / 0 / 20

HEX #9D79CC

RGB 157 121 204

HSL 266.02, 0.45%, 0.64%

LAB 57.27, 30.7, -37.93

 

CMYK 12 / 41 / 0 / 20

HEX #B379CC

RGB 179 121 204

HSL 281.93, 0.45%, 0.64%

LAB 59.54, 37.24, -34.22

 

CMYK 1 / 41 / 0 / 20

HEX #CA79CC

RGB 202 121 204

HSL 298.55, 0.45%, 0.64%

LAB 62.16, 44.22, -29.95

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 41 / 41 / 0 / 20

HEX #7979CC

RGB 121 121 204

HSL 240, 0.45%, 0.64%

LAB 54.13, 20.7, -43.09

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 51 / 46 / 0 / 14

HEX #6B77DB

RGB 107 119 219

HSL 233.57, 0.61%, 0.64%

LAB 53.42, 23.03, -52.77

 

CMYK 61 / 54 / 0 / 8

HEX #5C6BEA

RGB 92 107 234

HSL 233.66, 0.77%, 0.64%

LAB 50.37, 32.22, -66.16

 

CMYK 69 / 62 / 0 / 2

HEX #4D5FF9

RGB 77 95 249

HSL 233.72, 0.93%, 0.64%

LAB 47.75, 42.33, -78.85

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 28 / 25 / 0 / 26

HEX #888EBD

RGB 136 142 189

HSL 233.21, 0.29%, 0.64%

LAB 60.12, 8.56, -25.16

 

CMYK 13 / 11 / 0 / 32

HEX #979AAE

RGB 151 154 174

HSL 232.17, 0.12%, 0.64%

LAB 63.96, 3.05, -10.77

 

CMYK 0 / 1 / 4 / 35

HEX #A6A59F

RGB 166 165 159

HSL 51.43, 0.04%, 0.64%

LAB 67.67, -0.75, 3.22

 

CMYK 0 / 2 / 20 / 29

HEX #B5B191

RGB 181 177 145

HSL 53.33, 0.2%, 0.64%

LAB 71.77, -3.96, 16.92

 

CMYK 41 / 14 / 0 / 20

HEX #79AFCC

RGB 121 175 204

HSL 200.96, 0.45%, 0.64%

LAB 68.81, -10.24, -20.32

 

CMYK 41 / 25 / 0 / 20

HEX #7999CC

RGB 121 153 204

HSL 216.87, 0.45%, 0.64%

LAB 62.68, 1.95, -29.72

 

CMYK 41 / 36 / 0 / 20

HEX #7983CC

RGB 121 131 204

HSL 232.77, 0.45%, 0.64%

LAB 56.74, 14.75, -38.98

 

CMYK 34 / 41 / 0 / 20

HEX #8679CC

RGB 134 121 204

HSL 249.4, 0.45%, 0.64%

LAB 55.18, 24.17, -41.37

 

CMYK 24 / 41 / 0 / 20

HEX #9C79CC

RGB 156 121 204

HSL 265.3, 0.45%, 0.64%

LAB 57.17, 30.41, -38.09

 

CMYK 62 / 56 / 0 / 31

HEX #434EB0

RGB 67 78 176

HSL 233.94, 0.45%, 0.48%

LAB 37.44, 26.45, -53.78

 

CMYK 53 / 47 / 0 / 24

HEX #5B66C1

RGB 91 102 193

HSL 233.53, 0.45%, 0.56%

LAB 46.41, 21.73, -49.19

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 30 / 27 / 0 / 16

HEX #979ED7

RGB 151 158 215

HSL 233.44, 0.44%, 0.72%

LAB 66.47, 10.43, -29.81

 

CMYK 20 / 18 / 0 / 11

HEX #B5BAE3

RGB 181 186 227

HSL 233.48, 0.45%, 0.8%

LAB 76.37, 6.78, -21.03

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 0 / 41 / 3 / 20

HEX #CC79C5

RGB 204 121 197

HSL 305.06, 0.45%, 0.64%

LAB 62.12, 43.56, -26.04

 

CMYK 20 / 0 / 41 / 20

HEX #A4CC79

RGB 164 204 121

HSL 88.92, 0.45%, 0.64%

LAB 77.55, -27.46, 37.08

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 0 / 41 / 36 / 20

HEX #CC7983

RGB 204 121 131

HSL 352.77, 0.45%, 0.64%

LAB 60.02, 33.52, 8.58

 

CMYK 36 / 0 / 41 / 20

HEX #83CC79

RGB 131 204 121

HSL 112.77, 0.45%, 0.64%

LAB 75.69, -38.9, 34.32

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 0 / 41 / 3 / 20

HEX #CC79C5

RGB 204 121 197

HSL 305.06, 0.45%, 0.64%

LAB 62.12, 43.56, -26.04

 

CMYK 0 / 5 / 41 / 20

HEX #CCC279

RGB 204 194 121

HSL 52.77, 0.45%, 0.64%

LAB 77.76, -6.94, 37.94

 

CMYK 41 / 0 / 37 / 20

HEX #79CC80

RGB 121 204 128

HSL 125.06, 0.45%, 0.64%

LAB 75.33, -40.93, 30.16

 

CMYK 41 / 36 / 0 / 20

HEX #7982CC

RGB 121 130 204

HSL 233.49, 0.45%, 0.64%

LAB 56.48, 15.34, -39.39

 

CMYK 0 / 41 / 16 / 20

HEX #CC79AC

RGB 204 121 172

HSL 323.13, 0.45%, 0.64%

LAB 61.21, 39.32, -13.22

 

CMYK 0 / 5 / 41 / 20

HEX #CCC279

RGB 204 194 121

HSL 52.77, 0.45%, 0.64%

LAB 77.76, -6.94, 37.94

 

CMYK 41 / 0 / 25 / 20

HEX #79CC99

RGB 121 204 153

HSL 143.13, 0.45%, 0.64%

LAB 75.79, -36.5, 17.64

 

Description

Color code: HEX #7982CC | qconv.com Color code: HEX #7982CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 130 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 130 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 36 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 36% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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