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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798A2B it is the complementary color #8675D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798A2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798A2B shade: #7E8A26, #8F9C39, #A0AE4C, #B1C05F and #C2D272

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798A2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798A2B shade: #798A2B, #687818, #576605, #465400 and #354200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798A2B shade: #77872A, #877F2A, #87662A, #874D2A and #87342A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798A2B shade: #77872A, #5E872A, #44872A, #2B872A and #2A8742

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798A2B shade matches the following richer shades: #77872A, #80961C and #89A40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798A2B shade: #77872A, #6D7939, #646A47, #5B5C56 and #514D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798A2B shade: #87652A, #877E2A, #78872A, #5F872A and #46872A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798A2B shade: #404817, #5B6820, #77872A, #92A734 and #ACC341

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798A2B shade: #798A2B, #2A874C and #722A87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798A2B shade: #798A2B, #2A7887 and #872A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798A2B shade: #798A2B, #2A874C, #3A2A87 and #872A65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798A2B shade: #798A2B, #2A8768, #3A2A87 and #872A49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 69 / 46

HEX #798A2B

RGB 121 138 43

HSL 70.74, 0.52%, 0.35%

LAB 54.47, -19.77, 46.7

 

Complementary color

CMYK 37 / 45 / 0 / 17

HEX #8675D4

RGB 134 117 212

HSL 250.74, 0.52%, 0.65%

LAB 54.6, 28.69, -46.82

 

CMYK 9 / 0 / 72 / 46

HEX #7E8A26

RGB 126 138 38

HSL 67.2, 0.57%, 0.35%

LAB 54.82, -17.89, 49.19

 

CMYK 8 / 0 / 63 / 39

HEX #8F9C39

RGB 143 156 57

HSL 67.88, 0.46%, 0.42%

LAB 61.58, -18.56, 48.68

 

CMYK 8 / 0 / 56 / 32

HEX #A0AE4C

RGB 160 174 76

HSL 68.57, 0.39%, 0.49%

LAB 68.22, -19.06, 47.76

 

CMYK 8 / 0 / 51 / 25

HEX #B1C05F

RGB 177 192 95

HSL 69.28, 0.43%, 0.56%

LAB 74.74, -19.45, 46.67

 

CMYK 8 / 0 / 46 / 18

HEX #C2D272

RGB 194 210 114

HSL 70, 0.52%, 0.64%

LAB 81.17, -19.74, 45.53

 

CMYK 12 / 0 / 69 / 46

HEX #798A2B

RGB 121 138 43

HSL 70.74, 0.52%, 0.35%

LAB 54.47, -19.77, 46.7

 

CMYK 13 / 0 / 80 / 53

HEX #687818

RGB 104 120 24

HSL 70, 0.67%, 0.28%

LAB 47.55, -19.04, 46.75

 

CMYK 15 / 0 / 95 / 60

HEX #576605

RGB 87 102 5

HSL 69.28, 0.91%, 0.21%

LAB 40.48, -18.01, 45.39

 

CMYK 17 / 0 / 100 / 67

HEX #465400

RGB 70 84 0

HSL 70, 1%, 0.16%

LAB 33.23, -16.52, 40.68

 

CMYK 20 / 0 / 100 / 74

HEX #354200

RGB 53 66 0

HSL 71.82, 1%, 0.13%

LAB 25.72, -14.83, 34.08

 

CMYK 12 / 0 / 69 / 47

HEX #77872A

RGB 119 135 42

HSL 70.32, 0.53%, 0.35%

LAB 53.4, -19.16, 45.98

 

CMYK 0 / 6 / 69 / 47

HEX #877F2A

RGB 135 127 42

HSL 54.84, 0.53%, 0.35%

LAB 52.39, -7.68, 45.37

 

CMYK 0 / 24 / 69 / 47

HEX #87662A

RGB 135 102 42

HSL 38.71, 0.53%, 0.35%

LAB 45.39, 6.56, 37.99

 

CMYK 0 / 43 / 69 / 47

HEX #874D2A

RGB 135 77 42

HSL 22.58, 0.53%, 0.35%

LAB 38.94, 21.21, 30.82

 

CMYK 0 / 61 / 69 / 47

HEX #87342A

RGB 135 52 42

HSL 6.45, 0.53%, 0.35%

LAB 33.51, 34.89, 24.43

 

CMYK 12 / 0 / 69 / 47

HEX #77872A

RGB 119 135 42

HSL 70.32, 0.53%, 0.35%

LAB 53.4, -19.16, 45.98

 

CMYK 30 / 0 / 69 / 47

HEX #5E872A

RGB 94 135 42

HSL 86.45, 0.53%, 0.35%

LAB 51.7, -29.64, 43.67

 

CMYK 50 / 0 / 69 / 47

HEX #44872A

RGB 68 135 42

HSL 103.23, 0.53%, 0.35%

LAB 50.36, -38.99, 41.85

 

CMYK 68 / 0 / 69 / 47

HEX #2B872A

RGB 43 135 42

HSL 119.35, 0.53%, 0.35%

LAB 49.51, -45.7, 40.68

 

CMYK 69 / 0 / 51 / 47

HEX #2A8742

RGB 42 135 66

HSL 135.48, 0.53%, 0.35%

LAB 49.75, -42.73, 29.22

 

CMYK 12 / 0 / 69 / 47

HEX #77872A

RGB 119 135 42

HSL 70.32, 0.53%, 0.35%

LAB 53.4, -19.16, 45.98

 

CMYK 15 / 0 / 81 / 41

HEX #80961C

RGB 128 150 28

HSL 70.82, 0.69%, 0.35%

LAB 58.5, -23.62, 56.08

 

CMYK 16 / 0 / 92 / 36

HEX #89A40D

RGB 137 164 13

HSL 70.73, 0.85%, 0.35%

LAB 63.26, -27.08, 63.67

 

CMYK 12 / 0 / 69 / 47

HEX #77872A

RGB 119 135 42

HSL 70.32, 0.53%, 0.35%

LAB 53.4, -19.16, 45.98

 

CMYK 10 / 0 / 53 / 53

HEX #6D7939

RGB 109 121 57

HSL 71.25, 0.36%, 0.35%

LAB 48.54, -14.86, 33.25

 

CMYK 6 / 0 / 33 / 58

HEX #646A47

RGB 100 106 71

HSL 70.29, 0.2%, 0.35%

LAB 43.47, -8.69, 18.93

 

CMYK 1 / 0 / 7 / 64

HEX #5B5C56

RGB 91 92 86

HSL 70, 0.03%, 0.35%

LAB 38.81, -1.63, 3.31

 

CMYK 19 / 23 / 0 / 61

HEX #514D64

RGB 81 77 100

HSL 250.43, 0.13%, 0.35%

LAB 33.94, 7.01, -12.78

 

CMYK 0 / 25 / 69 / 47

HEX #87652A

RGB 135 101 42

HSL 38.06, 0.53%, 0.35%

LAB 45.12, 7.15, 37.69

 

CMYK 0 / 7 / 69 / 47

HEX #877E2A

RGB 135 126 42

HSL 54.19, 0.53%, 0.35%

LAB 52.11, -7.12, 45.07

 

CMYK 11 / 0 / 69 / 47

HEX #78872A

RGB 120 135 42

HSL 69.68, 0.53%, 0.35%

LAB 53.48, -18.72, 46.08

 

CMYK 30 / 0 / 69 / 47

HEX #5F872A

RGB 95 135 42

HSL 85.81, 0.53%, 0.35%

LAB 51.76, -29.25, 43.75

 

CMYK 48 / 0 / 69 / 47

HEX #46872A

RGB 70 135 42

HSL 101.94, 0.53%, 0.35%

LAB 50.45, -38.35, 41.97

 

CMYK 11 / 0 / 68 / 72

HEX #404817

RGB 64 72 23

HSL 69.8, 0.52%, 0.19%

LAB 28.87, -11.36, 27.51

 

CMYK 13 / 0 / 69 / 59

HEX #5B6820

RGB 91 104 32

HSL 70.83, 0.53%, 0.27%

LAB 41.58, -15.93, 37.39

 

CMYK 12 / 0 / 69 / 47

HEX #77872A

RGB 119 135 42

HSL 70.32, 0.53%, 0.35%

LAB 53.4, -19.16, 45.98

 

CMYK 13 / 0 / 69 / 35

HEX #92A734

RGB 146 167 52

HSL 70.96, 0.53%, 0.43%

LAB 64.96, -23.18, 54.36

 

CMYK 12 / 0 / 67 / 24

HEX #ACC341

RGB 172 195 65

HSL 70.62, 0.52%, 0.51%

LAB 74.94, -25.32, 60.04

 

CMYK 12 / 0 / 69 / 46

HEX #798A2B

RGB 121 138 43

HSL 70.74, 0.52%, 0.35%

LAB 54.47, -19.77, 46.7

 

CMYK 69 / 0 / 44 / 47

HEX #2A874C

RGB 42 135 76

HSL 141.94, 0.53%, 0.35%

LAB 49.91, -40.99, 24

 

CMYK 16 / 69 / 0 / 47

HEX #722A87

RGB 114 42 135

HSL 286.45, 0.53%, 0.35%

LAB 31.77, 45.91, -37.83

 

CMYK 12 / 0 / 69 / 46

HEX #798A2B

RGB 121 138 43

HSL 70.74, 0.52%, 0.35%

LAB 54.47, -19.77, 46.7

 

CMYK 69 / 11 / 0 / 47

HEX #2A7887

RGB 42 120 135

HSL 189.68, 0.53%, 0.35%

LAB 46.54, -18.45, -15.14

 

CMYK 0 / 69 / 11 / 47

HEX #872A78

RGB 135 42 120

HSL 309.68, 0.53%, 0.35%

LAB 34.32, 48.47, -24.21

 

CMYK 12 / 0 / 69 / 46

HEX #798A2B

RGB 121 138 43

HSL 70.74, 0.52%, 0.35%

LAB 54.47, -19.77, 46.7

 

CMYK 69 / 0 / 44 / 47

HEX #2A874C

RGB 42 135 76

HSL 141.94, 0.53%, 0.35%

LAB 49.91, -40.99, 24

 

CMYK 57 / 69 / 0 / 47

HEX #3A2A87

RGB 58 42 135

HSL 250.32, 0.53%, 0.35%

LAB 24.65, 33.81, -49.68

 

CMYK 0 / 69 / 25 / 47

HEX #872A65

RGB 135 42 101

HSL 321.94, 0.53%, 0.35%

LAB 33.45, 45.58, -13.51

 

CMYK 12 / 0 / 69 / 46

HEX #798A2B

RGB 121 138 43

HSL 70.74, 0.52%, 0.35%

LAB 54.47, -19.77, 46.7

 

CMYK 69 / 0 / 23 / 47

HEX #2A8768

RGB 42 135 104

HSL 160, 0.53%, 0.35%

LAB 50.48, -34.88, 8.87

 

CMYK 57 / 69 / 0 / 47

HEX #3A2A87

RGB 58 42 135

HSL 250.32, 0.53%, 0.35%

LAB 24.65, 33.81, -49.68

 

CMYK 0 / 69 / 46 / 47

HEX #872A49

RGB 135 42 73

HSL 340, 0.53%, 0.35%

LAB 32.45, 42.14, 3.13

 

Description

Color code: HEX #798A2B | qconv.com Color code: HEX #798A2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 138 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 138 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 69 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 69% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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