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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79C312 it is the complementary color #863CED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79C312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79C312 shade: #7EC30D, #8FD520, #A0E733, #B1F946 and #C2FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79C312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79C312 shade: #79C312, #68B100, #579F00, #468D00 and #357B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79C312 shade: #79C312, #A9C312, #C3AE12, #C37E12 and #C34E12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79C312 shade: #79C312, #49C312, #19C312, #12C33A and #12C36A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79C312 shade matches the following richer shades: #79C312 and #7CD500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79C312 shade: #79C312, #76B223, #73A134, #719046 and #6E7E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79C312 shade: #C3AF12, #A9C312, #79C312, #4AC312 and #1BC312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79C312 shade: #4A780B, #629E0E, #79C312, #91E916 and #A2EC3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79C312 shade: #79C312, #12C37F and #C312C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79C312 shade: #79C312, #1279C3 and #C31279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79C312 shade: #79C312, #12C37F, #5C12C3 and #C31256

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79C312 shade: #79C312, #12C3B5, #5C12C3 and #C31221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

Complementary color

CMYK 43 / 75 / 0 / 7

HEX #863CED

RGB 134 60 237

HSL 265.08, 0.83%, 0.58%

LAB 44.82, 65.44, -76.72

 

CMYK 35 / 0 / 93 / 24

HEX #7EC30D

RGB 126 195 13

HSL 82.75, 0.88%, 0.41%

LAB 71.89, -45.38, 70.32

 

CMYK 33 / 0 / 85 / 16

HEX #8FD520

RGB 143 213 32

HSL 83.2, 0.74%, 0.48%

LAB 78.19, -46.3, 72.66

 

CMYK 31 / 0 / 78 / 9

HEX #A0E733

RGB 160 231 51

HSL 83.67, 0.79%, 0.55%

LAB 84.41, -47, 73.77

 

CMYK 29 / 0 / 72 / 2

HEX #B1F946

RGB 177 249 70

HSL 84.13, 0.94%, 0.63%

LAB 90.57, -47.52, 74.05

 

CMYK 24 / 0 / 65 / 0

HEX #C2FF59

RGB 194 255 89

HSL 82.05, 1%, 0.67%

LAB 93.32, -42.76, 70.33

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 41 / 0 / 100 / 31

HEX #68B100

RGB 104 177 0

HSL 84.75, 1%, 0.35%

LAB 65.27, -45.97, 66.15

 

CMYK 45 / 0 / 100 / 38

HEX #579F00

RGB 87 159 0

HSL 87.17, 1%, 0.31%

LAB 58.81, -44.5, 60.79

 

CMYK 50 / 0 / 100 / 45

HEX #468D00

RGB 70 141 0

HSL 90.21, 1%, 0.28%

LAB 52.23, -42.92, 55.33

 

CMYK 57 / 0 / 100 / 52

HEX #357B00

RGB 53 123 0

HSL 94.15, 1%, 0.24%

LAB 45.53, -41.16, 49.78

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 13 / 0 / 91 / 24

HEX #A9C312

RGB 169 195 18

HSL 68.81, 0.83%, 0.42%

LAB 74.51, -28.43, 72.83

 

CMYK 0 / 11 / 91 / 24

HEX #C3AE12

RGB 195 174 18

HSL 52.88, 0.83%, 0.42%

LAB 70.81, -6.66, 70.82

 

CMYK 0 / 35 / 91 / 24

HEX #C37E12

RGB 195 126 18

HSL 36.61, 0.83%, 0.42%

LAB 58.57, 19.29, 61.45

 

CMYK 0 / 60 / 91 / 24

HEX #C34E12

RGB 195 78 18

HSL 20.34, 0.83%, 0.42%

LAB 48.38, 44.31, 53.88

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 63 / 0 / 91 / 24

HEX #49C312

RGB 73 195 18

HSL 101.36, 0.83%, 0.42%

LAB 69.82, -61.19, 67.05

 

CMYK 87 / 0 / 91 / 24

HEX #19C312

RGB 25 195 18

HSL 117.63, 0.83%, 0.42%

LAB 68.95, -68.66, 65.98

 

CMYK 91 / 0 / 70 / 24

HEX #12C33A

RGB 18 195 58

HSL 133.56, 0.83%, 0.42%

LAB 69.09, -66.76, 54.87

 

CMYK 91 / 0 / 46 / 24

HEX #12C36A

RGB 18 195 106

HSL 149.83, 0.83%, 0.42%

LAB 69.61, -60.33, 33.51

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 42 / 0 / 100 / 16

HEX #7CD500

RGB 124 213 0

HSL 85.07, 1%, 0.42%

LAB 77.21, -53.53, 75.83

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 34 / 0 / 80 / 30

HEX #76B223

RGB 118 178 35

HSL 85.17, 0.67%, 0.42%

LAB 66.38, -40.39, 60.95

 

CMYK 29 / 0 / 68 / 37

HEX #73A134

RGB 115 161 52

HSL 85.32, 0.51%, 0.42%

LAB 61.12, -32.87, 49.75

 

CMYK 22 / 0 / 51 / 44

HEX #719046

RGB 113 144 70

HSL 85.14, 0.35%, 0.42%

LAB 55.99, -23.75, 35.52

 

CMYK 13 / 0 / 31 / 51

HEX #6E7E57

RGB 110 126 87

HSL 84.62, 0.18%, 0.42%

LAB 50.6, -13.24, 19.35

 

CMYK 0 / 10 / 91 / 24

HEX #C3AF12

RGB 195 175 18

HSL 53.22, 0.83%, 0.42%

LAB 71.08, -7.19, 71.03

 

CMYK 13 / 0 / 91 / 24

HEX #A9C312

RGB 169 195 18

HSL 68.81, 0.83%, 0.42%

LAB 74.51, -28.43, 72.83

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 62 / 0 / 91 / 24

HEX #4AC312

RGB 74 195 18

HSL 101.02, 0.83%, 0.42%

LAB 69.85, -60.96, 67.09

 

CMYK 86 / 0 / 91 / 24

HEX #1BC312

RGB 27 195 18

HSL 116.95, 0.83%, 0.42%

LAB 68.97, -68.49, 66

 

CMYK 38 / 0 / 91 / 53

HEX #4A780B

RGB 74 120 11

HSL 85.32, 0.83%, 0.26%

LAB 45.51, -32.29, 47.82

 

CMYK 38 / 0 / 91 / 38

HEX #629E0E

RGB 98 158 14

HSL 85, 0.84%, 0.34%

LAB 59.05, -39.9, 59.1

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 38 / 0 / 91 / 9

HEX #91E916

RGB 145 233 22

HSL 85.02, 0.83%, 0.5%

LAB 84.15, -54.01, 79.46

 

CMYK 31 / 0 / 75 / 7

HEX #A2EC3B

RGB 162 236 59

HSL 85.08, 0.82%, 0.58%

LAB 86, -47.99, 72.91

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 91 / 0 / 35 / 24

HEX #12C37F

RGB 18 195 127

HSL 156.95, 0.83%, 0.42%

LAB 69.96, -56.27, 23.04

 

CMYK 0 / 91 / 1 / 24

HEX #C312C1

RGB 195 18 193

HSL 300.68, 0.83%, 0.42%

LAB 46.82, 78.3, -47.83

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 91 / 38 / 0 / 24

HEX #1279C3

RGB 18 121 195

HSL 205.08, 0.83%, 0.42%

LAB 49.18, 0.4, -46.08

 

CMYK 0 / 91 / 38 / 24

HEX #C31279

RGB 195 18 121

HSL 325.08, 0.83%, 0.42%

LAB 43.38, 69.34, -9.96

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 91 / 0 / 35 / 24

HEX #12C37F

RGB 18 195 127

HSL 156.95, 0.83%, 0.42%

LAB 69.96, -56.27, 23.04

 

CMYK 53 / 91 / 0 / 24

HEX #5C12C3

RGB 92 18 195

HSL 265.08, 0.83%, 0.42%

LAB 30.99, 64.49, -75.46

 

CMYK 0 / 91 / 56 / 24

HEX #C31256

RGB 195 18 86

HSL 336.95, 0.83%, 0.42%

LAB 42.32, 66.41, 10.4

 

CMYK 38 / 0 / 91 / 24

HEX #79C312

RGB 121 195 18

HSL 85.08, 0.83%, 0.42%

LAB 71.65, -47.06, 69.32

 

CMYK 91 / 0 / 7 / 24

HEX #12C3B5

RGB 18 195 181

HSL 175.25, 0.83%, 0.42%

LAB 71.21, -42.8, -4.39

 

CMYK 53 / 91 / 0 / 24

HEX #5C12C3

RGB 92 18 195

HSL 265.08, 0.83%, 0.42%

LAB 30.99, 64.49, -75.46

 

CMYK 0 / 91 / 83 / 24

HEX #C31221

RGB 195 18 33

HSL 354.92, 0.83%, 0.42%

LAB 41.44, 63.95, 41.67

 

Description

Color code: HEX #79C312 | qconv.com Color code: HEX #79C312 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 195 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 195 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 91 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 91% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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