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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79CE5F it is the complementary color #8631A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79CE5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79CE5F shade: #7ECE5A, #8FE06D, #A0F280, #B1FF93 and #C2FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79CE5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79CE5F shade: #79CE5F, #68BC4C, #57AA39, #469826 and #358613

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79CE5F shade: #78CD5F, #96CD5F, #B4CD5F, #CDC95F and #CDAB5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79CE5F shade: #78CD5F, #5FCD62, #5FCD80, #5FCD9E and #5FCDBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79CE5F shade matches the following richer shades: #78CD5F, #6FDE4E and #67EF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79CE5F shade: #78CD5F, #81BC6F, #8AAC80, #939B91 and #9C8AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79CE5F shade: #B5CD5F, #98CD5F, #7ACD5F, #5FCD60 and #5FCD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79CE5F shade: #4EA733, #5EC43F, #78CD5F, #93D77E and #ADE19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79CE5F shade: #79CE5F, #5FCDC8 and #CD5FA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79CE5F shade: #79CE5F, #5F7ACD and #CD5F7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79CE5F shade: #79CE5F, #5FCDC8, #B25FCD and #CD5F64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79CE5F shade: #79CE5F, #5FB2CD, #B25FCD and #CD7A5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 54 / 19

HEX #79CE5F

RGB 121 206 95

HSL 105.95, 0.53%, 0.59%

LAB 75.47, -46.36, 46.73

 

Complementary color

CMYK 16 / 69 / 0 / 37

HEX #8631A0

RGB 134 49 160

HSL 285.95, 0.53%, 0.41%

LAB 37.49, 52.68, -43.79

 

CMYK 39 / 0 / 56 / 19

HEX #7ECE5A

RGB 126 206 90

HSL 101.38, 0.54%, 0.58%

LAB 75.65, -45.32, 49.32

 

CMYK 36 / 0 / 51 / 12

HEX #8FE06D

RGB 143 224 109

HSL 102.26, 0.65%, 0.65%

LAB 81.98, -45.31, 48.19

 

CMYK 34 / 0 / 47 / 5

HEX #A0F280

RGB 160 242 128

HSL 103.16, 0.81%, 0.73%

LAB 88.23, -45.23, 47.03

 

CMYK 31 / 0 / 42 / 0

HEX #B1FF93

RGB 177 255 147

HSL 103.33, 1%, 0.79%

LAB 93, -42.94, 44.1

 

CMYK 24 / 0 / 35 / 0

HEX #C2FFA6

RGB 194 255 166

HSL 101.12, 1%, 0.83%

LAB 94.2, -34.74, 36.52

 

CMYK 41 / 0 / 54 / 19

HEX #79CE5F

RGB 121 206 95

HSL 105.95, 0.53%, 0.59%

LAB 75.47, -46.36, 46.73

 

CMYK 45 / 0 / 60 / 26

HEX #68BC4C

RGB 104 188 76

HSL 105, 0.46%, 0.52%

LAB 69.06, -46.3, 47.85

 

CMYK 49 / 0 / 66 / 33

HEX #57AA39

RGB 87 170 57

HSL 104.07, 0.5%, 0.45%

LAB 62.57, -46.08, 48.78

 

CMYK 54 / 0 / 75 / 40

HEX #469826

RGB 70 152 38

HSL 103.16, 0.6%, 0.37%

LAB 55.99, -45.57, 49.28

 

CMYK 60 / 0 / 86 / 47

HEX #358613

RGB 53 134 19

HSL 102.26, 0.75%, 0.3%

LAB 49.32, -44.63, 48.85

 

CMYK 41 / 0 / 54 / 20

HEX #78CD5F

RGB 120 205 95

HSL 106.36, 0.52%, 0.59%

LAB 75.13, -46.26, 46.31

 

CMYK 27 / 0 / 54 / 20

HEX #96CD5F

RGB 150 205 95

HSL 90, 0.52%, 0.59%

LAB 76.66, -36.06, 48.51

 

CMYK 12 / 0 / 54 / 20

HEX #B4CD5F

RGB 180 205 95

HSL 73.64, 0.52%, 0.59%

LAB 78.57, -24.65, 51.23

 

CMYK 0 / 2 / 54 / 20

HEX #CDC95F

RGB 205 201 95

HSL 57.82, 0.52%, 0.59%

LAB 79.37, -12.56, 52.64

 

CMYK 0 / 17 / 54 / 20

HEX #CDAB5F

RGB 205 171 95

HSL 41.45, 0.52%, 0.59%

LAB 71.51, 3.06, 43.37

 

CMYK 41 / 0 / 54 / 20

HEX #78CD5F

RGB 120 205 95

HSL 106.36, 0.52%, 0.59%

LAB 75.13, -46.26, 46.31

 

CMYK 54 / 0 / 52 / 20

HEX #5FCD62

RGB 95 205 98

HSL 121.64, 0.52%, 0.59%

LAB 74.18, -53.03, 43.5

 

CMYK 54 / 0 / 38 / 20

HEX #5FCD80

RGB 95 205 128

HSL 138, 0.52%, 0.59%

LAB 74.61, -48.43, 29.01

 

CMYK 54 / 0 / 23 / 20

HEX #5FCD9E

RGB 95 205 158

HSL 154.36, 0.52%, 0.59%

LAB 75.18, -42.58, 13.97

 

CMYK 54 / 0 / 8 / 20

HEX #5FCDBC

RGB 95 205 188

HSL 170.73, 0.52%, 0.59%

LAB 75.9, -35.61, -1.12

 

CMYK 41 / 0 / 54 / 20

HEX #78CD5F

RGB 120 205 95

HSL 106.36, 0.52%, 0.59%

LAB 75.13, -46.26, 46.31

 

CMYK 50 / 0 / 65 / 13

HEX #6FDE4E

RGB 111 222 78

HSL 106.25, 0.69%, 0.59%

LAB 79.71, -57.43, 58.92

 

CMYK 57 / 0 / 74 / 6

HEX #67EF3D

RGB 103 239 61

HSL 105.84, 0.85%, 0.59%

LAB 84.46, -66.94, 69.94

 

CMYK 41 / 0 / 54 / 20

HEX #78CD5F

RGB 120 205 95

HSL 106.36, 0.52%, 0.59%

LAB 75.13, -46.26, 46.31

 

CMYK 31 / 0 / 41 / 26

HEX #81BC6F

RGB 129 188 111

HSL 105.97, 0.36%, 0.59%

LAB 70.72, -33.72, 33

 

CMYK 20 / 0 / 26 / 33

HEX #8AAC80

RGB 138 172 128

HSL 106.36, 0.21%, 0.59%

LAB 66.88, -20.11, 18.93

 

CMYK 5 / 0 / 6 / 39

HEX #939B91

RGB 147 155 145

HSL 108, 0.05%, 0.59%

LAB 63.09, -4.8, 4.24

 

CMYK 4 / 15 / 0 / 36

HEX #9C8AA2

RGB 156 138 162

HSL 285, 0.11%, 0.59%

LAB 59.76, 11.31, -10.21

 

CMYK 12 / 0 / 54 / 20

HEX #B5CD5F

RGB 181 205 95

HSL 73.09, 0.52%, 0.59%

LAB 78.64, -24.25, 51.33

 

CMYK 26 / 0 / 54 / 20

HEX #98CD5F

RGB 152 205 95

HSL 88.91, 0.52%, 0.59%

LAB 76.78, -35.33, 48.67

 

CMYK 40 / 0 / 54 / 20

HEX #7ACD5F

RGB 122 205 95

HSL 105.27, 0.52%, 0.59%

LAB 75.22, -45.63, 46.44

 

CMYK 54 / 0 / 53 / 20

HEX #5FCD60

RGB 95 205 96

HSL 120.55, 0.52%, 0.59%

LAB 74.15, -53.29, 44.43

 

CMYK 54 / 0 / 39 / 20

HEX #5FCD7E

RGB 95 205 126

HSL 136.91, 0.52%, 0.59%

LAB 74.57, -48.78, 30

 

CMYK 53 / 0 / 69 / 35

HEX #4EA733

RGB 78 167 51

HSL 106.03, 0.53%, 0.43%

LAB 61.22, -48.07, 49.72

 

CMYK 52 / 0 / 68 / 23

HEX #5EC43F

RGB 94 196 63

HSL 106.02, 0.53%, 0.51%

LAB 71.02, -53.65, 55.44

 

CMYK 41 / 0 / 54 / 20

HEX #78CD5F

RGB 120 205 95

HSL 106.36, 0.52%, 0.59%

LAB 75.13, -46.26, 46.31

 

CMYK 32 / 0 / 41 / 16

HEX #93D77E

RGB 147 215 126

HSL 105.84, 0.53%, 0.67%

LAB 79.79, -37.89, 37.23

 

CMYK 23 / 0 / 30 / 12

HEX #ADE19E

RGB 173 225 158

HSL 106.57, 0.53%, 0.75%

LAB 84.59, -29.06, 27.52

 

CMYK 41 / 0 / 54 / 19

HEX #79CE5F

RGB 121 206 95

HSL 105.95, 0.53%, 0.59%

LAB 75.47, -46.36, 46.73

 

CMYK 54 / 0 / 2 / 20

HEX #5FCDC8

RGB 95 205 200

HSL 177.27, 0.52%, 0.59%

LAB 76.23, -32.55, -7.1

 

CMYK 0 / 54 / 19 / 20

HEX #CD5FA7

RGB 205 95 167

HSL 320.73, 0.52%, 0.59%

LAB 56.04, 52.06, -18.16

 

CMYK 41 / 0 / 54 / 19

HEX #79CE5F

RGB 121 206 95

HSL 105.95, 0.53%, 0.59%

LAB 75.47, -46.36, 46.73

 

CMYK 54 / 40 / 0 / 20

HEX #5F7ACD

RGB 95 122 205

HSL 225.27, 0.52%, 0.59%

LAB 52.69, 14.15, -46.06

 

CMYK 0 / 54 / 40 / 20

HEX #CD5F7A

RGB 205 95 122

HSL 345.27, 0.52%, 0.59%

LAB 54.63, 46.23, 6.14

 

CMYK 41 / 0 / 54 / 19

HEX #79CE5F

RGB 121 206 95

HSL 105.95, 0.53%, 0.59%

LAB 75.47, -46.36, 46.73

 

CMYK 54 / 0 / 2 / 20

HEX #5FCDC8

RGB 95 205 200

HSL 177.27, 0.52%, 0.59%

LAB 76.23, -32.55, -7.1

 

CMYK 13 / 54 / 0 / 20

HEX #B25FCD

RGB 178 95 205

HSL 285.27, 0.52%, 0.59%

LAB 54.09, 50.99, -43.36

 

CMYK 0 / 54 / 51 / 20

HEX #CD5F64

RGB 205 95 100

HSL 357.27, 0.52%, 0.59%

LAB 54.12, 44.05, 18.39

 

CMYK 41 / 0 / 54 / 19

HEX #79CE5F

RGB 121 206 95

HSL 105.95, 0.53%, 0.59%

LAB 75.47, -46.36, 46.73

 

CMYK 54 / 13 / 0 / 20

HEX #5FB2CD

RGB 95 178 205

HSL 194.73, 0.52%, 0.59%

LAB 68.52, -17.71, -21.42

 

CMYK 13 / 54 / 0 / 20

HEX #B25FCD

RGB 178 95 205

HSL 285.27, 0.52%, 0.59%

LAB 54.09, 50.99, -43.36

 

CMYK 0 / 40 / 54 / 20

HEX #CD7A5F

RGB 205 122 95

HSL 14.73, 0.52%, 0.59%

LAB 59.64, 29.61, 28.57

 

Description

Color code: HEX #79CE5F | qconv.com Color code: HEX #79CE5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 206 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 206 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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