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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79CFDC it is the complementary color #863023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79CFDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79CFDC shade: #7ECFD7, #8FE1EA, #A0F3FD, #B1FFFF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79CFDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79CFDC shade: #79CFDC, #68BDC9, #57ABB6, #4699A3 and #358790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79CFDC shade: #79CFDC, #79B4DC, #7999DC, #797FDC and #8E79DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79CFDC shade: #79CFDC, #79B4DC, #7999DC, #797FDC and #7979DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79CFDC shade matches the following richer shades: #79CFDC, #6BD9EA and #5DE3F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79CFDC shade: #79CFDC, #86C5CE, #94BBC1, #A2B1B3 and #AFA7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79CFDC shade: #79DCB3, #79DCCD, #79D0DC, #79B6DC and #799BDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79CFDC shade: #37B8CB, #58C3D4, #79CFDC, #9ADBE4 and #BAE6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79CFDC shade: #79CFDC, #9879DC and #DCC079

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79CFDC shade: #79CFDC, #DC79D0 and #D0DC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79CFDC shade: #79CFDC, #9879DC, #DC8479 and #BDDC79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79CFDC shade: #79CFDC, #B679DC, #DC8479 and #9FDC79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

Complementary color

CMYK 0 / 64 / 74 / 47

HEX #863023

RGB 134 48 35

HSL 7.88, 0.59%, 0.33%

LAB 32.49, 36.07, 27.45

 

CMYK 41 / 4 / 0 / 16

HEX #7ECFD7

RGB 126 207 215

HSL 185.39, 0.53%, 0.67%

LAB 78.44, -22.7, -11.76

 

CMYK 39 / 4 / 0 / 8

HEX #8FE1EA

RGB 143 225 234

HSL 185.93, 0.68%, 0.74%

LAB 84.81, -22.7, -12.29

 

CMYK 37 / 4 / 0 / 1

HEX #A0F3FD

RGB 160 243 253

HSL 186.45, 0.96%, 0.81%

LAB 91.08, -22.69, -12.79

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 48 / 6 / 0 / 21

HEX #68BDC9

RGB 104 189 201

HSL 187.42, 0.47%, 0.6%

LAB 71.93, -22.52, -14.03

 

CMYK 52 / 6 / 0 / 29

HEX #57ABB6

RGB 87 171 182

HSL 186.95, 0.39%, 0.53%

LAB 65.38, -22.35, -13.47

 

CMYK 57 / 6 / 0 / 36

HEX #4699A3

RGB 70 153 163

HSL 186.45, 0.4%, 0.46%

LAB 58.72, -22.09, -12.87

 

CMYK 63 / 6 / 0 / 44

HEX #358790

RGB 53 135 144

HSL 185.93, 0.46%, 0.39%

LAB 51.95, -21.68, -12.21

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 45 / 18 / 0 / 14

HEX #79B4DC

RGB 121 180 220

HSL 204.24, 0.59%, 0.67%

LAB 70.78, -8.58, -26.08

 

CMYK 45 / 30 / 0 / 14

HEX #7999DC

RGB 121 153 220

HSL 220.61, 0.59%, 0.67%

LAB 63.36, 6.49, -37.58

 

CMYK 45 / 42 / 0 / 14

HEX #797FDC

RGB 121 127 220

HSL 236.36, 0.59%, 0.67%

LAB 56.5, 21.75, -48.38

 

CMYK 35 / 45 / 0 / 14

HEX #8E79DC

RGB 142 121 220

HSL 252.73, 0.59%, 0.67%

LAB 56.68, 30.58, -47.99

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 45 / 18 / 0 / 14

HEX #79B4DC

RGB 121 180 220

HSL 204.24, 0.59%, 0.67%

LAB 70.78, -8.58, -26.08

 

CMYK 45 / 30 / 0 / 14

HEX #7999DC

RGB 121 153 220

HSL 220.61, 0.59%, 0.67%

LAB 63.36, 6.49, -37.58

 

CMYK 45 / 42 / 0 / 14

HEX #797FDC

RGB 121 127 220

HSL 236.36, 0.59%, 0.67%

LAB 56.5, 21.75, -48.38

 

CMYK 45 / 45 / 0 / 14

HEX #7979DC

RGB 121 121 220

HSL 240, 0.59%, 0.67%

LAB 54.98, 25.33, -50.79

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 54 / 7 / 0 / 8

HEX #6BD9EA

RGB 107 217 234

HSL 188.03, 0.75%, 0.67%

LAB 81.12, -26.84, -17.97

 

CMYK 62 / 8 / 0 / 3

HEX #5DE3F7

RGB 93 227 247

HSL 187.79, 0.91%, 0.67%

LAB 83.96, -30.55, -20.62

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 35 / 4 / 0 / 19

HEX #86C5CE

RGB 134 197 206

HSL 187.5, 0.42%, 0.67%

LAB 75.73, -17.81, -10.91

 

CMYK 23 / 3 / 0 / 24

HEX #94BBC1

RGB 148 187 193

HSL 188, 0.27%, 0.67%

LAB 73.34, -11.63, -7.32

 

CMYK 9 / 1 / 0 / 30

HEX #A2B1B3

RGB 162 177 179

HSL 187.06, 0.1%, 0.67%

LAB 71.13, -4.79, -2.81

 

CMYK 0 / 5 / 5 / 31

HEX #AFA7A6

RGB 175 167 166

HSL 6.67, 0.05%, 0.67%

LAB 69.12, 2.69, 1.53

 

CMYK 45 / 0 / 19 / 14

HEX #79DCB3

RGB 121 220 179

HSL 155.15, 0.59%, 0.67%

LAB 81.02, -38.52, 11.2

 

CMYK 45 / 0 / 7 / 14

HEX #79DCCD

RGB 121 220 205

HSL 170.91, 0.59%, 0.67%

LAB 81.65, -32.67, -1.68

 

CMYK 45 / 5 / 0 / 14

HEX #79D0DC

RGB 121 208 220

HSL 187.27, 0.59%, 0.67%

LAB 78.66, -23.12, -14.13

 

CMYK 45 / 17 / 0 / 14

HEX #79B6DC

RGB 121 182 220

HSL 203.03, 0.59%, 0.67%

LAB 71.34, -9.66, -25.23

 

CMYK 45 / 30 / 0 / 14

HEX #799BDC

RGB 121 155 220

HSL 219.39, 0.59%, 0.67%

LAB 63.9, 5.34, -36.73

 

CMYK 73 / 9 / 0 / 20

HEX #37B8CB

RGB 55 184 203

HSL 187.7, 0.59%, 0.51%

LAB 69.04, -28.05, -19.63

 

CMYK 58 / 8 / 0 / 17

HEX #58C3D4

RGB 88 195 212

HSL 188.23, 0.59%, 0.59%

LAB 73.45, -25.75, -17.78

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 32 / 4 / 0 / 11

HEX #9ADBE4

RGB 154 219 228

HSL 187.3, 0.58%, 0.75%

LAB 83.51, -18.27, -10.98

 

CMYK 22 / 3 / 0 / 7

HEX #BAE6ED

RGB 186 230 237

HSL 188.24, 0.59%, 0.83%

LAB 88.52, -12.65, -8.1

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 31 / 45 / 0 / 14

HEX #9879DC

RGB 152 121 220

HSL 258.79, 0.59%, 0.67%

LAB 57.58, 33.23, -46.5

 

CMYK 0 / 13 / 45 / 14

HEX #DCC079

RGB 220 192 121

HSL 43.03, 0.59%, 0.67%

LAB 78.63, 0.55, 39.34

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 0 / 45 / 5 / 14

HEX #DC79D0

RGB 220 121 208

HSL 307.27, 0.59%, 0.67%

LAB 64.52, 50.38, -28.37

 

CMYK 5 / 0 / 45 / 14

HEX #D0DC79

RGB 208 220 121

HSL 67.27, 0.59%, 0.67%

LAB 84.98, -18.48, 47.05

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 31 / 45 / 0 / 14

HEX #9879DC

RGB 152 121 220

HSL 258.79, 0.59%, 0.67%

LAB 57.58, 33.23, -46.5

 

CMYK 0 / 40 / 45 / 14

HEX #DC8479

RGB 220 132 121

HSL 6.67, 0.59%, 0.67%

LAB 64.24, 32.59, 20.45

 

CMYK 14 / 0 / 45 / 14

HEX #BDDC79

RGB 189 220 121

HSL 78.79, 0.59%, 0.67%

LAB 83.64, -25.79, 45.09

 

CMYK 45 / 6 / 0 / 14

HEX #79CFDC

RGB 121 207 220

HSL 187.88, 0.59%, 0.67%

LAB 78.38, -22.62, -14.56

 

CMYK 17 / 45 / 0 / 14

HEX #B679DC

RGB 182 121 220

HSL 276.97, 0.59%, 0.67%

LAB 60.59, 41.55, -41.54

 

CMYK 0 / 40 / 45 / 14

HEX #DC8479

RGB 220 132 121

HSL 6.67, 0.59%, 0.67%

LAB 64.24, 32.59, 20.45

 

CMYK 28 / 0 / 45 / 14

HEX #9FDC79

RGB 159 220 121

HSL 96.97, 0.59%, 0.67%

LAB 81.8, -36.72, 42.4

 

Description

Color code: HEX #79CFDC | qconv.com Color code: HEX #79CFDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 207 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 207 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 6 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 6% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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