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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D5F5 it is the complementary color #862A0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D5F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D5F5 shade: #7ED5F0, #8FE7FF, #A0F9FF, #B1FFFF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D5F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D5F5 shade: #79D5F5, #68C3E2, #57B1CF, #469FBC and #358DA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D5F5 shade: #7AD5F5, #7AB4F5, #7A93F5, #827AF5 and #A37AF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D5F5 shade: #7AD5F5, #7AB4F5, #7A93F5 and #7A7AF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D5F5 shade matches the following richer shades: #7AD5F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D5F5 shade: #7AD5F5, #85CFE9, #91CADD, #9CC4D2 and #A8BEC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D5F5 shade: #7AF5D2, #7AF5F2, #7AD6F5, #7AB5F5 and #7A94F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D5F5 shade: #2DBDEF, #53C9F2, #7AD5F5, #A0E1F7 and #C6EDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D5F5 shade: #79D5F5, #B17AF5 and #F5E27A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D5F5 shade: #79D5F5, #F57AD6 and #D6F57A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D5F5 shade: #79D5F5, #B17AF5, #F5987A and #BDF57A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D5F5 shade: #79D5F5, #D67AF5, #F5987A and #98F57A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 13 / 0 / 4

HEX #79D5F5

RGB 121 213 245

HSL 195.48, 0.86%, 0.72%

LAB 80.88, -18.95, -24.14

 

Complementary color

CMYK 0 / 69 / 93 / 47

HEX #862A0A

RGB 134 42 10

HSL 15.48, 0.86%, 0.28%

LAB 31.22, 37.99, 39.19

 

CMYK 48 / 11 / 0 / 6

HEX #7ED5F0

RGB 126 213 240

HSL 194.21, 0.79%, 0.72%

LAB 80.91, -19.21, -21.41

 

CMYK 44 / 9 / 0 / 0

HEX #8FE7FF

RGB 143 231 255

HSL 192.86, 1%, 0.78%

LAB 87.1, -20.41, -19.9

 

CMYK 37 / 2 / 0 / 0

HEX #A0F9FF

RGB 160 249 255

HSL 183.79, 1%, 0.81%

LAB 92.77, -25.13, -11.32

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 51 / 13 / 0 / 4

HEX #79D5F5

RGB 121 213 245

HSL 195.48, 0.86%, 0.72%

LAB 80.88, -18.95, -24.14

 

CMYK 54 / 14 / 0 / 11

HEX #68C3E2

RGB 104 195 226

HSL 195.25, 0.68%, 0.65%

LAB 74.49, -18.63, -23.75

 

CMYK 58 / 14 / 0 / 19

HEX #57B1CF

RGB 87 177 207

HSL 195, 0.56%, 0.58%

LAB 68, -18.22, -23.34

 

CMYK 63 / 15 / 0 / 26

HEX #469FBC

RGB 70 159 188

HSL 194.75, 0.47%, 0.51%

LAB 61.42, -17.67, -22.9

 

CMYK 69 / 17 / 0 / 34

HEX #358DA9

RGB 53 141 169

HSL 194.48, 0.52%, 0.44%

LAB 54.73, -16.93, -22.42

 

CMYK 50 / 13 / 0 / 4

HEX #7AD5F5

RGB 122 213 245

HSL 195.61, 0.86%, 0.72%

LAB 80.92, -18.74, -24.08

 

CMYK 50 / 27 / 0 / 4

HEX #7AB4F5

RGB 122 180 245

HSL 211.71, 0.86%, 0.72%

LAB 71.81, -1.21, -38.1

 

CMYK 50 / 40 / 0 / 4

HEX #7A93F5

RGB 122 147 245

HSL 227.8, 0.86%, 0.72%

LAB 63.01, 17.63, -51.92

 

CMYK 47 / 50 / 0 / 4

HEX #827AF5

RGB 130 122 245

HSL 243.9, 0.86%, 0.72%

LAB 57.33, 34.11, -60.95

 

CMYK 33 / 50 / 0 / 4

HEX #A37AF5

RGB 163 122 245

HSL 260, 0.86%, 0.72%

LAB 60.16, 41.83, -56.26

 

CMYK 50 / 13 / 0 / 4

HEX #7AD5F5

RGB 122 213 245

HSL 195.61, 0.86%, 0.72%

LAB 80.92, -18.74, -24.08

 

CMYK 50 / 27 / 0 / 4

HEX #7AB4F5

RGB 122 180 245

HSL 211.71, 0.86%, 0.72%

LAB 71.81, -1.21, -38.1

 

CMYK 50 / 40 / 0 / 4

HEX #7A93F5

RGB 122 147 245

HSL 227.8, 0.86%, 0.72%

LAB 63.01, 17.63, -51.92

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF5

RGB 122 122 245

HSL 240, 0.86%, 0.72%

LAB 56.73, 32.39, -61.94

 

CMYK 50 / 13 / 0 / 4

HEX #7AD5F5

RGB 122 213 245

HSL 195.61, 0.86%, 0.72%

LAB 80.92, -18.74, -24.08

 

CMYK 50 / 13 / 0 / 4

HEX #7AD5F5

RGB 122 213 245

HSL 195.61, 0.86%, 0.72%

LAB 80.92, -18.74, -24.08

 

CMYK 43 / 11 / 0 / 9

HEX #85CFE9

RGB 133 207 233

HSL 195.6, 0.69%, 0.72%

LAB 79.33, -16.36, -20.05

 

CMYK 34 / 9 / 0 / 13

HEX #91CADD

RGB 145 202 221

HSL 195, 0.53%, 0.72%

LAB 78.16, -13.72, -15.31

 

CMYK 26 / 7 / 0 / 18

HEX #9CC4D2

RGB 156 196 210

HSL 195.56, 0.38%, 0.72%

LAB 76.8, -10.06, -11.35

 

CMYK 15 / 4 / 0 / 22

HEX #A8BEC6

RGB 168 190 198

HSL 196, 0.21%, 0.72%

LAB 75.59, -5.81, -6.57

 

CMYK 50 / 0 / 14 / 4

HEX #7AF5D2

RGB 122 245 210

HSL 162.93, 0.86%, 0.72%

LAB 88.97, -42.69, 6.32

 

CMYK 50 / 0 / 1 / 4

HEX #7AF5F2

RGB 122 245 242

HSL 178.54, 0.86%, 0.72%

LAB 89.79, -35.08, -9.15

 

CMYK 50 / 13 / 0 / 4

HEX #7AD6F5

RGB 122 214 245

HSL 195.12, 0.86%, 0.72%

LAB 81.19, -19.24, -23.66

 

CMYK 50 / 26 / 0 / 4

HEX #7AB5F5

RGB 122 181 245

HSL 211.22, 0.86%, 0.72%

LAB 72.08, -1.77, -37.68

 

CMYK 50 / 40 / 0 / 4

HEX #7A94F5

RGB 122 148 245

HSL 227.32, 0.86%, 0.72%

LAB 63.27, 17.04, -51.51

 

CMYK 81 / 21 / 0 / 6

HEX #2DBDEF

RGB 45 189 239

HSL 195.46, 0.86%, 0.56%

LAB 71.68, -20.03, -35.24

 

CMYK 66 / 17 / 0 / 5

HEX #53C9F2

RGB 83 201 242

HSL 195.47, 0.86%, 0.64%

LAB 76.08, -20.72, -29.99

 

CMYK 50 / 13 / 0 / 4

HEX #7AD5F5

RGB 122 213 245

HSL 195.61, 0.86%, 0.72%

LAB 80.92, -18.74, -24.08

 

CMYK 35 / 9 / 0 / 3

HEX #A0E1F7

RGB 160 225 247

HSL 195.17, 0.84%, 0.8%

LAB 86.03, -15.16, -17.23

 

CMYK 21 / 5 / 0 / 2

HEX #C6EDFA

RGB 198 237 250

HSL 195, 0.84%, 0.88%

LAB 91.45, -9.84, -10.47

 

CMYK 51 / 13 / 0 / 4

HEX #79D5F5

RGB 121 213 245

HSL 195.48, 0.86%, 0.72%

LAB 80.88, -18.95, -24.14

 

CMYK 28 / 50 / 0 / 4

HEX #B17AF5

RGB 177 122 245

HSL 266.83, 0.86%, 0.72%

LAB 61.53, 45.35, -53.99

 

CMYK 0 / 8 / 50 / 4

HEX #F5E27A

RGB 245 226 122

HSL 50.73, 0.86%, 0.72%

LAB 89.49, -6.71, 52.72

 

CMYK 51 / 13 / 0 / 4

HEX #79D5F5

RGB 121 213 245

HSL 195.48, 0.86%, 0.72%

LAB 80.88, -18.95, -24.14

 

CMYK 0 / 50 / 13 / 4

HEX #F57AD6

RGB 245 122 214

HSL 315.12, 0.86%, 0.72%

LAB 68.16, 58.29, -25.85

 

CMYK 13 / 0 / 50 / 4

HEX #D6F57A

RGB 214 245 122

HSL 75.12, 0.86%, 0.72%

LAB 92.13, -28.09, 55.32

 

CMYK 51 / 13 / 0 / 4

HEX #79D5F5

RGB 121 213 245

HSL 195.48, 0.86%, 0.72%

LAB 80.88, -18.95, -24.14

 

CMYK 28 / 50 / 0 / 4

HEX #B17AF5

RGB 177 122 245

HSL 266.83, 0.86%, 0.72%

LAB 61.53, 45.35, -53.99

 

CMYK 0 / 38 / 50 / 4

HEX #F5987A

RGB 245 152 122

HSL 14.63, 0.86%, 0.72%

LAB 71.74, 31.79, 30.46

 

CMYK 23 / 0 / 50 / 4

HEX #BDF57A

RGB 189 245 122

HSL 87.32, 0.86%, 0.72%

LAB 90.56, -37.31, 53.06

 

CMYK 51 / 13 / 0 / 4

HEX #79D5F5

RGB 121 213 245

HSL 195.48, 0.86%, 0.72%

LAB 80.88, -18.95, -24.14

 

CMYK 13 / 50 / 0 / 4

HEX #D67AF5

RGB 214 122 245

HSL 284.88, 0.86%, 0.72%

LAB 65.6, 55.04, -47.29

 

CMYK 0 / 38 / 50 / 4

HEX #F5987A

RGB 245 152 122

HSL 14.63, 0.86%, 0.72%

LAB 71.74, 31.79, 30.46

 

CMYK 38 / 0 / 50 / 4

HEX #98F57A

RGB 152 245 122

HSL 105.37, 0.86%, 0.72%

LAB 88.63, -49.77, 50.27

 

Description

Color code: HEX #79D5F5 | qconv.com Color code: HEX #79D5F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 213 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 213 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 13 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 13% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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